Olympus FE-5020 vs Sony QX30
95 Imaging
34 Features
20 Overall
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91 Imaging
45 Features
37 Overall
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Olympus FE-5020 vs Sony QX30 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 24-120mm (F3.3-5.8) lens
- 137g - 93 x 56 x 25mm
- Revealed July 2009
- Also referred to as X-935
(Full Review)
- 20MP - 1/2.3" Sensor
- " Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.3) lens
- 193g - 68 x 65 x 58mm
- Revealed September 2014

Olympus FE-5020 vs Sony Cyber-shot QX30: A Practical, In-Depth Camera Comparison for Enthusiasts and Professionals
When I first laid hands on the Olympus FE-5020 and the Sony Cyber-shot DSC-QX30, I was intrigued by the very different takes these two cameras embody within the compact digital segment. Both emerged to serve discerning photographers who wanted versatile zoom and portability - but with distinct philosophies and feature sets that demand close scrutiny.
Over many months of field testing - across city streets, wide vistas, busy sports events, and dimly lit gatherings - I’ve developed a nuanced understanding of how these cameras perform in real-world scenarios. This detailed comparison goes beyond spec sheets to help you decide which device fits your needs, whether you seek a pocket-friendly companion, an accessible telephoto zoom, or something that elevates your creative potential.
Feeling the Form: Size and Handling Matter
When choosing a camera, I always start with how it feels in my hands and how easy it is to operate under pressure.
The Olympus FE-5020 is a classic small sensor compact - lightweight and slim, measuring 93x56x25mm and weighing just 137 grams. It easily slips into coat pockets or a small bag, making it a natural choice for casual travel or street shooting where bulk is a liability.
On the other hand, the Sony QX30 breaks the mold as a “lens-style” camera with no body screen and a shape resembling a hefty zoom lens module (68x65x58mm, 193g). This unique form factor means it attaches to your smartphone for live view and control, which some might find liberating (allowing phone photography to leap forward), but it initially takes adjustment to use confidently.
Neither camera includes an electronic viewfinder, so live view handling is essential. Olympus’s fixed small screen is modest by today’s standards (2.7-inch, 230k dots), but it’s straightforward and reliable. Sony’s QX30 forgoes the display entirely, relying on Wifi-powered smartphone control. For photographers used to tactile buttons and in-camera menus, this can be a disruptive experience, especially in bright daylight or fast-paced settings.
Takeaway: For photographers prioritizing quick, standalone operation with familiar ergonomics, the Olympus feels more natural. Those open to hybrid smartphone workflows might appreciate the QX30’s pocketable zoom lens concept despite its dependence on external screens.
Sensor and Image Quality: The Heart of the Matter
Both cameras use a 1/2.3" sensor, but their technology and output capabilities differ significantly.
The Olympus FE-5020 sports a 12-megapixel CCD sensor paired with the TruePic III image processor. While CCDs traditionally offer good color rendition, the older sensor and limited processing mean limited high-ISO performance (max ISO 1600), modest dynamic range, and no raw support. Images can appear soft at base ISO with noticeable noise creeping in above ISO 400.
In contrast, the Sony QX30 includes a more modern 20-megapixel backside-illuminated CMOS sensor coupled with the more advanced Bionz X processor. This combination delivers higher resolution (max 5184x3888), richer detail, and a broader native ISO range (80-3200), benefiting low-light photography and subtle tonal gradations. Although raw shooting isn't supported on either, the QX30's sensor capability generally results in crisper images with less noise at higher sensitivities.
For example, I noticed in portraits under mixed indoor lighting that Sony’s sensor captured more nuanced skin tones and sharper detail without over-smoothing or artificial sharpening artifacts, issues more prevalent in the Olympus’s output. Landscapes too showed better dynamic range and fine texture reproduction on the QX30, especially at base ISO.
Autofocus and Speed: Catching the Moment
Autofocus (AF) performance is crucial for many photography genres, particularly wildlife, sports, and street photography.
The Olympus FE-5020 relies on a simple contrast-detection AF system with AF single shot only. There’s no face detection, tracking, or continuous AF modes, meaning locking focus on moving subjects tested my patience. The small lens with a 24-120mm (35mm equiv.) zoom maxes out at f/3.3-5.8, which limits background separation and telephoto reach.
Sony’s QX30 features touch-enabled live view AF with face detection and selective AF area options. It also has optical image stabilization (OSS), a big plus when shooting at long focal lengths. Its 24-720mm equivalent zoom lens (30x optical zoom) is a standout: fast and precise in good light, able to follow reasonably paced subjects in single AF mode. I found continuous autofocus somewhat limited, as it lacks phase detection, but it strongly outperforms the FE-5020 in speed and flexibility.
The QX30 can shoot bursts at 10fps, while the Olympus doesn't specify continuous shooting capabilities - confirming that Sony is better suited for active subjects.
Build and Weather Resistance: Ready for Adventure?
While neither camera is a professional-grade rugged option, their build quality does vary.
The Olympus FE-5020 comes with basic environmental sealing but is not shockproof or waterproof. It feels solid for its class, and its older design prioritizes compactness over robustness.
The Sony QX30 lacks weather sealing entirely, emphasizing lightweight, technical precision in a unique form factor. The absence of physical controls and reliance on smartphone connection make it vulnerable to disconnects or interruptions in extreme environments.
Practical note: If you plan to shoot outdoors in challenging weather or dusty conditions, the Olympus’s mild sealing might provide marginally more confidence. The Sony demands extra care.
Screen and User Interface: How You See and Shoot
With no viewfinder, screen quality directly impacts usability.
The Olympus FE-5020’s fixed 2.7-inch screen is modest but works for framing and reviewing images in typical daylight conditions. It lacks touch functionality, so navigating menus can feel slow, but it’s straightforward for beginners.
The Sony QX30 shuns an onboard screen entirely in favor of smartphone app control with a touchscreen interface, offering live view, focus point selection, exposure compensation, and shooting modes via the app. This reliance suits users comfortable with touchscreen smartphones but adds complexity and potential delay.
From hands-on experience, I found the QX30’s touchscreen interface slick once set up, enabling rapid exposure adjustments and framing on the phone’s high-res display, which can be a huge advantage outdoors where the Olympus’s screen sometimes struggles.
Video Performance: From Casual Clips to Creative Output
Video capabilities remain a deciding niche feature for many photographers.
The Olympus FE-5020 shoots basic VGA-quality video at 640x480 resolution up to 30fps - outdated by today’s standard and limiting for any serious video work. The codec (Motion JPEG) eats storage and offers minimal postproduction flexibility.
The Sony QX30 shines with Full HD (1920x1080) recording at 60fps and 30fps in MPEG-4. The addition of optical image stabilization dramatically improves handheld footage smoothness. Although lacking microphone or headphone jacks, the improved sensor and zoom range make it a reasonable choice for casual to moderately serious video projects.
Battery and Storage: Powering Your Passion
Battery life and storage options influence how long you can shoot without interruptions.
The Olympus uses the LI-42B rechargeable battery, which is standard for compacts but with no official CIPA count in this data. In my testing, it required relatively frequent recharges during active shooting days.
Sony’s QX30 uses the NP-BN battery pack, rated approximately for 200 shots on a single charge per CIPA standards, which again is modest but acceptable in this class. The wireless connection to your phone and lack of screen might subtly extend the device’s endurance.
Both cameras support microSD cards for storage, but the Olympus uniquely accepts xD Picture Cards, a mostly obsolete format, which might be problematic if you don’t already own them.
Connectivity: Staying Online and Sharing Fast
Connectivity shapes real-world workflow and instant sharing capabilities.
The Olympus FE-5020 offers only USB 2.0 connectivity, requiring physically syncing images to a computer or using adapters. No wireless features are available.
Conversely, the Sony QX30 integrates built-in Wi-Fi and NFC, enabling seamless pairing with smartphones for remote shooting, image transfer, and sharing. This design caters to hybrid shooters who want to combine the smartphone’s connectivity with optical zoom quality far beyond the phone alone.
Comprehensive Performance Scores: Who Comes Out on Top?
Considering combined attributes such as image quality, autofocus, handling, and versatility, the Sony QX30 generally scores higher for enthusiasts seeking telephoto reach, modern sensors, and smartphone integration.
Which Camera Excels in Each Photography Genre?
I broke down the cameras’ strengths and limitations in specific photographic disciplines.
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Portraits: The Sony’s sharper image, higher resolution, face detection AF, and better skin tone rendering give it the edge. The Olympus’s lens and sensor can handle casual portraits but lack finesse.
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Landscapes: Higher resolution and better dynamic range in the QX30 help capture detailed vistas. The Olympus manages wide-angle shots but with less detail.
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Wildlife: Sony’s 30x zoom, better stabilization, and faster AF make it far superior for distant subjects.
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Sports: Limited continuous AF and burst on Olympus make the Sony clearly better, though neither replaces DSLR/mirrorless action cameras.
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Street: Olympus’s compactness and ease of use outweigh Sony’s bulk and smartphone dependence for quick candid shots.
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Macro: Olympus offers close focusing at 1 cm, excellent for casual macro. Sony lacks dedicated macro functionality.
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Night/Astro: Sony’s higher ISO and better noise control help, but small-sensor limits remain.
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Video: Full HD and stabilization on Sony outperform Olympus's VGA clips.
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Travel: Olympus’s compact profile and simplicity suit minimalist travelers; Sony offers quality zoom but needs your phone.
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Professional Work: Neither replaces flagship cameras; Sony’s output has more flexibility, but limited manual controls restrict professional workflows.
Value Analysis: Which Camera Gives You More Bang for Your Buck?
Priced around $160, the Olympus FE-5020 caters to budget-minded beginners wanting a simple point-and-shoot with decent zoom.
The Sony QX30 commands roughly $350, over double the cost, but rewards with a versatile, higher-quality zoom, better sensor performance, stabilization, and modern connectivity.
If you prioritize ultimate image quality and zoom reach in a compact kit adaptable to smartphones, the QX30 justifies the premium. If you need an uncomplicated compact to grab snapshots with minimal fuss, Olympus holds appeal.
Final Thoughts and Recommendations
Having tested both extensively, here’s how I’d guide you based on your priorities:
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Buy the Olympus FE-5020 if:
- You want a straightforward, affordable compact camera for casual use.
- Portability and ease of use trump image and video sophistication.
- You prefer a traditional point-and-shoot experience with built-in screen.
- Macro close-ups matter as a fun side feature.
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Choose the Sony QX30 if:
- You require a powerful, versatile zoom (up to 720mm equivalent) for wildlife, sports, or travel.
- You are comfortable using a smartphone as your viewfinder and controls.
- Higher-resolution stills and HD video matter in your creative work.
- You want stabilization and modern wireless connectivity for quick sharing.
Both cameras fill a niche in the small sensor compact ecosystem but appeal to very different user types. I encourage trying them in person if possible to experience the divergent handling and shooting styles.
Disclosure: I have no commercial ties to Olympus or Sony and base this review solely on thorough hands-on testing and comparative analysis in the field.
If you found this detailed breakdown helpful, I invite you to share your shooting preferences or questions - I’m always keen to discuss how gear matches creative goals!
Happy shooting!
Olympus FE-5020 vs Sony QX30 Specifications
Olympus FE-5020 | Sony Cyber-shot DSC-QX30 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model | Olympus FE-5020 | Sony Cyber-shot DSC-QX30 |
Also referred to as | X-935 | - |
Class | Small Sensor Compact | Lens-style |
Revealed | 2009-07-22 | 2014-09-03 |
Body design | Compact | Lens-style |
Sensor Information | ||
Chip | TruePic III | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 5184 x 3888 |
Max native ISO | 1600 | 3200 |
Minimum native ISO | 64 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 24-720mm (30.0x) |
Largest aperture | f/3.3-5.8 | f/3.5-6.3 |
Macro focus range | 1cm | - |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | - |
Resolution of screen | 230k dot | 0k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 4 seconds | 4 seconds |
Highest shutter speed | 1/500 seconds | 1/1600 seconds |
Continuous shooting speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.10 m | no built-in flash |
Flash options | Auto, On, Off, Red-eye, Fill-in | None |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60p, 30p) |
Max video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 137 grams (0.30 lb) | 193 grams (0.43 lb) |
Dimensions | 93 x 56 x 25mm (3.7" x 2.2" x 1.0") | 68 x 65 x 58mm (2.7" x 2.6" x 2.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 200 photographs |
Battery form | - | Battery Pack |
Battery model | LI-42B | NP-BN, |
Self timer | Yes (12 seconds) | Yes (2, 10 secs) |
Time lapse shooting | ||
Storage media | xD-Picture Card, microSD | microSD, microSDHC, microSDXC, Memory Stick Micro |
Storage slots | Single | Single |
Launch cost | $160 | $348 |