Olympus E-M1 II vs Olympus E-P2
68 Imaging
59 Features
93 Overall
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86 Imaging
47 Features
42 Overall
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Olympus E-M1 II vs Olympus E-P2 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Released September 2016
- Replaced the Olympus E-M1
- New Model is Olympus E-M1 III
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Revealed April 2010
- Succeeded the Olympus E-P1
- Replacement is Olympus E-P3

Olympus E-M1 Mark II vs Olympus PEN E-P2: A Hands-On Comparison for Enthusiasts and Pros
Choosing the right camera is rarely straightforward - especially when comparing two distinct models from the same manufacturer with an eight-year gap between their releases. Today, I’m diving deep into the Olympus OM-D E-M1 Mark II (E-M1 II) and the Olympus PEN E-P2 to help you understand how these cameras perform in real-life photography situations and which suits your needs best. Drawing from years of hands-on experience testing mirrorless cameras and studying sensor technologies, autofocus performance, and ergonomics, I’ll cover everything from sensor capabilities to genre-specific applications.
Let’s get started by breaking down each camera’s headline specifications and build, before moving into detailed real-world use.
First Impressions: Size, Ergonomics, and Build Quality
When you pick up a camera, the feel in your hand sets the tone for your shooting experience. The E-M1 II and E-P2 differ markedly here.
- The E-M1 Mark II sports a SLR-style mirrorless body with a solid, robust feel.
- The PEN E-P2 follows a rangefinder-style design that’s compact and minimalist.
What I found in testing: The E-M1 II’s body measures 134x91x67mm and weighs 574g, while the PEN E-P2 is noticeably smaller and lighter at 121x70x36mm and 355g. The E-M1 II feels like a pro workhorse - rugged, ready to absorb some grime and bad weather conditions (more on that soon). Meanwhile, the PEN E-P2’s slimmer profile makes it easier to slip into a small bag, catering to discretion and portability.
The E-M1 II’s extensive grip allows comfortable handling with larger lenses and extended shooting sessions. In contrast, the PEN’s compactness may require a bit more grip care during long shoots but appeals for travel and street work.
Controls and Interface: Ease of Use in the Heat of the Moment
The ergonomics extend into control layout and touchscreen usability, important when you’re adjusting settings on the fly.
The E-M1 II features a thoughtfully arranged top plate with intuitive dials for ISO, shutter speed, exposure compensation, and a dedicated AF joystick that lets you quickly shift focus points - essential for active shooting environments.
By contrast, the PEN E-P2 has a simpler control setup, relying on fewer customizable buttons and lacks a touchscreen interface.
On the rear, the E-M1 II boasts a fully articulating 3-inch touchscreen LCD with 1,037k dots allowing not only touch AF but easy framing at awkward angles and selfie-friendly shooting. The PEN E-P2 includes a fixed 3-inch LCD with just 230k dots, without touch functionality, making it archaic for fast adjustments but decent for composing in good light.
In my experience, the advanced interface on the E-M1 II accelerates workflow and enhances creative flexibility. The PEN E-P2’s controls, while serviceable, show their age with limited tactile feedback and smaller screen resolution.
Sensor Technology and Image Quality: Four Thirds Then and Now
Both cameras use the Micro Four Thirds (MFT) lens mount, meaning their sensors have the same 17.3-17.4 by 13mm size, but beyond size, the sensor technologies differ dramatically given the eight-year development gap.
- The E-M1 II’s 20MP sensor (without an anti-alias filter) paired with the TruePic VIII processor produces punchy colors, sharp detail, and excellent dynamic range at 12.8 EV.
- The PEN E-P2 employs a 12MP sensor with a TruePic V processor, which, while respectable in 2010, now yields lower resolution and reduced dynamic range (10.4 EV).
Real-world image quality insights:
- Skin tones from the E-M1 II have a natural warmth and subtle gradation - perfect for portrait work.
- The PEN E-P2’s images have less fine detail and lower high ISO sensitivity, resulting in grainier low-light shots.
- Both cameras shoot RAW, but the E-M1 II files allow for more latitude in post-processing due to superior bit depth and less noise.
Also worth noting: the E-M1 II can push ISO up to 25600 natively, whereas PEN E-P2’s max is ISO 6400, making the Mark II better for challenging light conditions.
Autofocus Performance: Tracking Speed and Accuracy
Focusing speed and reliability is a critical metric, especially for sports, wildlife, and event photography.
- The E-M1 II offers a hybrid autofocus system combining both Phase Detection and Contrast Detection with 121 focus points.
- The PEN E-P2 relies solely on contrast detection with only 11 focus points, a clear limitation in speed and tracking performance.
In my testing outdoors with moving subjects, the E-M1 II locks focus instantly on faces and tracks moving targets smoothly - even handling continuous autofocus at a remarkable 60 fps burst rate with AF-S mode available. The PEN E-P2, more suited for static subjects, struggles to maintain focus and blur becomes noticeable in moving scenes.
Face detection is present on both, but the E-M1 Mark II’s implementation is quicker and more reliable for portraiture and street use.
Weather Sealing and Durability: Built for the Elements vs Boutique Chic
If you’re an outdoor or nature photographer, camera durability is non-negotiable.
The E-M1 II features professional-grade environmental sealing, making it splashproof and dustproof - perfect for shooting in adverse conditions or travel photography that isn’t always predictable.
The PEN E-P2 lacks any formal weather sealing, so it requires more cautious handling and risk of damage from moisture or dust.
Lens Ecosystem: Micro Four Thirds Lenses You Can Rely On
Both cameras use the Micro Four Thirds mount with access to over 100 lenses, covering everything from compact primes to professional telephotos.
With the E-M1 II’s professional focus, I recommend pairing it with Olympus’s pro-grade M.Zuiko Pro series lenses that provide superior sharpness and build quality. The PEN E-P2, targeting casual users, is often bundled with compact zoom lenses, suitable for travel and casual shooting but limited if you want maximum image quality.
Burst Shooting and Shutter Speeds: Freezing Fast Action
- The E-M1 II’s shutter speed ranges from 60s to 1/8000s mechanically, or up to 1/32000s electronically. It also shines with burst shooting at up to 60 frames per second (electronic shutter), ideal for wildlife or sports.
- The PEN E-P2 maxes out at 1/4000s shutter speed and a slow 3 fps burst speed.
In my experience with fast-moving subjects, the E-M1 II enables you to capture critical peak action with confidence, while the PEN E-P2’s speed is best suited for slower, more deliberate shooting.
Video Capabilities: From Basic HD to Professional 4K
If video is part of your creative mix, the difference between these cameras is night and day.
- The E-M1 II can record 4K UHD video at 30 fps and cinema-grade 4K DCI at 24p with high bitrates (up to 237 Mbps), plus an internal microphone jack and headphone port for monitoring sound - features that make it a hybrid photo-video tool perfect for multimedia professionals.
- The PEN E-P2 records only 720p HD at 30 fps, with no audio input jacks, making it more of a snapshot video camera for casual use.
Video stabilization in the E-M1 II is bolstered with its sensor-based 5-axis image stabilization, achieving smoother handheld footage. The PEN’s stabilization is limited by its sensor and software limitations.
Battery Life and Connectivity: Shooting Longer, Sharing Quicker
The E-M1 II uses the BLH-1 battery supporting about 350 shots per charge, which can be extended with battery grips and optimized power modes. The PEN E-P2’s BLS-1 battery manages a slightly lower 300 shots, sufficient for casual use but less robust for prolonged sessions.
Connectivity-wise, the E-M1 II boasts built-in Wi-Fi for instant image transfer and remote control via smartphone apps - a feature missing entirely from the PEN E-P2, which lacks wireless connectivity.
Shooting Genres: Which Camera Excels Where?
Understanding the practical impact of these specs is easier when broken down by photography style.
Portrait Photography
- E-M1 II delivers beautiful bokeh with MFT lenses, excellent skin tone rendition, and reliable face/eye detection autofocus.
- PEN E-P2 performs adequately but with slower AF and lower resolution, not ideal for demanding portrait sessions.
Landscape Photography
- The E-M1 II’s wider dynamic range and 20MP resolution provide richer detail and better highlight recovery.
- PEN E-P2’s lower DR limits highlight preservation; fixed screen and limited weather sealing also restrict versatility for outdoor shoots.
Wildlife and Sports
- E-M1 II’s fast AF and 60 fps burst give you the edge capturing fast animals or athletes.
- PEN E-P2’s slow performance means you may miss critical moments here.
Street and Travel Photography
- The PEN E-P2’s compactness and stealth advantage suit street work.
- The E-M1 II balances portability with pro-grade features, suitable for serious travel photography where ruggedness matters.
Macro Photography
- Both benefit from MFT lenses, but the E-M1 II’s advanced focus bracketing and stacking provide superior precision.
Night and Astro Photography
- The E-M1 II’s higher ISO range and noise control make it vastly superior for low-light and long-exposure work.
Video Production
- E-M1 II is a clear winner for creative videographers.
- PEN E-P2’s video capabilities are too limited for serious use.
Sample Images and Color Science: What the Cameras Capture
I took both cameras on a test shoot to capture a variety of scenarios.
You’ll notice the E-M1 II’s images are sharper, with better dynamic range in shadows and highlights, and smoother noise handling at higher ISO. The PEN E-P2’s photos have a softer look, lower resolution details, and noticeable noise in darker areas.
Overall Performance and Value Ratings
Synthesizing my hands-on research and technical testing data, here’s how these cameras compare:
Feature | Olympus E-M1 Mark II | Olympus PEN E-P2 |
---|---|---|
Image Quality | 80 (DxO Mark) | 56 (DxO Mark) |
Autofocus Speed | Excellent | Fair |
Burst Rate | Outstanding (60fps) | Slow (3fps) |
Video Capability | Professional 4K | Basic 720p |
Build Quality / Sealing | Robust, weather-sealed | Lightweight, non-sealed |
Battery Life | Good (350 shots) | Moderate (300 shots) |
Screen Usability | Fully articulating, touchscreen | Fixed, low-res |
Connectivity | Built-in Wi-Fi | None |
Price (at launch) | ~$1700 | ~$800 |
Who Should Buy Which Camera: Expert Recommendations
Consider the Olympus OM-D E-M1 Mark II if you:
- Are a professional or enthusiast needing a versatile, rugged camera ready for sports, wildlife, landscapes, and video.
- Require fast autofocus, high burst rates, and excellent image quality across lighting conditions.
- Want robust weather sealing and extensive lens support.
- Plan to do hybrid photo-video work valuing 4K quality and audio monitoring.
- Are willing to invest in a pro-level camera body.
Consider the Olympus PEN E-P2 if you:
- Are a casual or beginner photographer who prioritizes portability and simplicity.
- Want a lightweight camera for street and travel photography without professional demands.
- Have a tighter budget but want decent image quality and access to the MFT lens lineup.
- Prefer a smaller, less intimidating camera to learn on.
Final Thoughts: Balancing Features, Performance, and Price
The Olympus E-M1 Mark II remains a powerhouse even years after its launch, pushing the limits of Micro Four Thirds sensor technology with a professional-grade feature set. While pricier and bulkier than the PEN E-P2, it excels in image quality, autofocus performance, and versatility - qualities essential for serious photographers and content creators.
The PEN E-P2, now over a decade old, still holds appeal for those valuing compactness and simplicity. However, its dated technology limits its usefulness for demanding photography today. For casual shooting, its lighter weight and style may still be attractive.
Photography gear evolves fast, but understanding the underlying tech and use-case suitability helps you buy smarter. I’ve tested thousands of cameras over the years, and this comparison captures the essence of why investing in the right tool pays dividends in your creative output.
If you’ve found this guide useful and want personalized advice for your photography journey, feel free to reach out or leave comments. Happy shooting!
Summary Table: Side-by-Side Quick Stats
Aspect | Olympus E-M1 Mark II | Olympus PEN E-P2 |
---|---|---|
Launch Year | 2016 | 2010 |
Sensor | 20MP 4/3” CMOS, no AA filter | 12MP 4/3” CMOS, AA filter |
Autofocus Points | 121 (hybrid PDAF + CDAF) | 11 (CDAF only) |
Burst Speed | 60fps (electronic shutter) | 3fps |
Video | 4K UHD 30p, 4K DCI 24p | 720p 30p |
Screen | 3” fully articulating touchscreen | 3” fixed, no touchscreen |
Weight | 574g | 355g |
Weather Sealing | Yes | No |
Battery Life | 350 shots | 300 shots |
Price at Launch | $1700 | $800 |
Thank you for reading this detailed comparison. Whether you choose the E-M1 II for pro-level performance or the PEN E-P2 for accessible fun, both open doors to the fantastic world of Micro Four Thirds photography.
Your next step: Try handling both if possible, and ask yourself which features are truly essential for your style. This will keep your investment aligned to your creative goals for years to come.
Olympus E-M1 II vs Olympus E-P2 Specifications
Olympus OM-D E-M1 Mark II | Olympus PEN E-P2 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Olympus |
Model | Olympus OM-D E-M1 Mark II | Olympus PEN E-P2 |
Type | Pro Mirrorless | Entry-Level Mirrorless |
Released | 2016-09-19 | 2010-04-22 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | TruePic VIII | TruePic V |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.4 x 13mm | 17.3 x 13mm |
Sensor surface area | 226.2mm² | 224.9mm² |
Sensor resolution | 20 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 |
Highest resolution | 5184 x 3888 | 4032 x 3024 |
Highest native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 100 |
RAW images | ||
Minimum boosted ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 121 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 1,037 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | HyperCrystal LCD with AR(Anti-Reflective) coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic (optional) |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/8000s | 1/4000s |
Maximum quiet shutter speed | 1/32000s | - |
Continuous shooting speed | 60.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 9.10 m (at ISO 100) | no built-in flash |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/250s | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video file format | MOV, H.264 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 574g (1.27 pounds) | 355g (0.78 pounds) |
Dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") |
DXO scores | ||
DXO All around score | 80 | 56 |
DXO Color Depth score | 23.7 | 21.5 |
DXO Dynamic range score | 12.8 | 10.4 |
DXO Low light score | 1312 | 505 |
Other | ||
Battery life | 350 photographs | 300 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | BLH-1 | BLS-1 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots | SD/SDHC card |
Storage slots | Dual | 1 |
Pricing at launch | $1,700 | $799 |