Olympus E-M1 II vs Panasonic G2
68 Imaging
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72 Imaging
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Olympus E-M1 II vs Panasonic G2 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Launched September 2016
- Superseded the Olympus E-M1
- Newer Model is Olympus E-M1 III
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 428g - 124 x 84 x 74mm
- Launched July 2010
- Older Model is Panasonic G1
- New Model is Panasonic G3

Olympus E-M1 Mark II vs Panasonic Lumix DMC-G2: A Detailed Micro Four Thirds Showdown for Today's Photographer
When choosing your next camera, especially in the Micro Four Thirds (MFT) ecosystem, understanding both technology and practical usability is crucial. Today, we’re placing two distinct cameras head-to-head: the Olympus OM-D E-M1 Mark II, a celebrated pro-level mirrorless camera introduced in 2016, and the Panasonic Lumix DMC-G2, an entry-level workhorse from 2010 that helped popularize mirrorless systems. Despite sharing the same MFT lens mount, the two cameras serve very different target users and eras of innovation.
Drawing from our extensive experience testing over thousands of cameras, we’ll examine these cameras across all major photographic disciplines, technical specs, and everyday shooting scenarios. Our goal is to empower you with clear, expert insight that helps you find your ideal creative companion.
At a Glance: Olympus E-M1 II and Panasonic G2 Specs in Side-By-Side
Feature | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-G2 |
---|---|---|
Release Date | September 2016 | July 2010 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Sensor | 20 MP Four Thirds CMOS, no AA filter | 12 MP Four Thirds CMOS, with AA filter |
Sensor Size (mm) | 17.4 x 13 | 17.3 x 13 |
ISO Range | 200–25600 (64 boost) | 100–6400 |
Autofocus | Hybrid PDAF + CDAF, 121 points | Contrast detection AF |
Continuous Shooting | 60 fps | 3 fps |
Image Stabilization | 5-axis in-body | None |
Video Max Resolution | 4K UHD (4096x2160 @ 24p) | HD (1280x720 @ 30p) |
Viewfinder | 2.36M dot EVF, 0.74x magnification | 1.44M dot EVF, 0.55x magnification |
LCD Screen | 3" Fully articulated, 1.04M dots | 3" Fully articulated, 460K dots |
Built-in Flash | None | Yes |
Environmental Sealing | Yes | No |
Weight (g) | 574 | 428 |
Price (at launch, USD) | $1,699 | $999 |
Handling and Build: A Tale of Two Designs
Starting with how each camera feels when held and operated: the Olympus E-M1 II follows Olympus’ trend toward a robust, weather-sealed, DSLR-styled body designed for professional use. Its magnesium alloy frame and thoughtfully placed grip offers excellent stability especially with longer lenses. The camera’s 574g weight balances portability and solid presence - important if you rely on confidence in rough environments.
In contrast, the Panasonic G2 is distinctly lighter and more compact (428g). Designed as a gentle entry point into mirrorless photography, its plastic construction and modest size help beginners get started without intimidation. The button layout is straightforward but lacks the tactile refinement and instant-access controls of the E-M1 II.
Ergonomically, the Olympus has more customizable buttons and dials for swift parameter changes. The G2 relies mostly on menus and touch control, which, while intuitive for novices, may frustrate users needing fast manual control under pressure.
Sensor and Image Quality: Crunching the Numbers with DXOMark Scores
The heart of image quality is the sensor, coupled with image processing engines:
- Olympus E-M1 II: 20 megapixels, no anti-aliasing filter for sharper images, paired with the TruePic VIII processor.
- Panasonic G2: 12 megapixels with an AA filter, powered by the older Venus Engine HD II.
DXOMark scores reveal a substantial quality advantage for Olympus:
Metric | Olympus E-M1 II | Panasonic G2 |
---|---|---|
Overall Score | 80 | 53 |
Color Depth | 23.7 bits | 21.2 bits |
Dynamic Range | 12.8 EV | 10.3 EV |
Low-light ISO | 1312 | 493 |
The Olympus sensor’s higher resolution and cleaner signal at high ISO (with rating over ISO 1300) allow it to hold detail in shadows and deliver richer, more nuanced colors. Panasonic falls short in low-light scenarios, showing higher noise at ISO above 800.
Screen and Viewfinder: Your Window into the Scene
Both cameras sport fully articulating 3-inch monitors, but their usability differs:
- Olympus E-M1 II screen: 1.04 million dots with touchscreen functionality delivers sharp framing and intuitive focus selection. The bright display holds up well in daylight.
- Panasonic G2 screen: 460K dots, still with touch, but noticeably less sharp and contrasty, making it harder to confirm fine focus outdoors.
Electronic viewfinders (EVFs) are also a contrast point:
- Olympus offers a high-res 2.36 million-dot EVF with 100% coverage and 0.74x magnification. This means clearer, more immersive framing - valuable in bright light and fast action.
- Panasonic’s EVF is lower resolution (1.44 million dots) and smaller magnification (0.55x), offering a less detailed preview.
Practically, these factors translate to the Olympus giving you greater confidence in composition and focus, especially in challenging lighting and action scenarios.
Autofocus and Shooting Performance: Fast and Reliable vs Adequate
Autofocus System
- Olympus E-M1 II uses a blend of 121-point hybrid autofocus incorporating phase-detect and contrast-detect AF, enabling quick, accurate tracking and face/eye detection. This system works well with moving subjects in wildlife and sports environments.
- Panasonic G2 relies purely on contrast-detection AF with fewer focus points and no PDAF, resulting in slower lock-on and less reliable tracking for fast-moving targets.
Continuous Shooting
- Olympus’s staggering 60 fps full-resolution burst with electronic shutter (mechanical at 15 fps) is ideal for capturing fleeting moments in action and wildlife photography.
- Panasonic limits you to a mere 3 fps burst speed - fine for casual shooting but frustrating when timing is crucial.
The Olympus also features advanced focus bracketing and focus stacking options, providing versatility for macro and landscape photographers who demand precision.
Versatility Across Photography Genres
Let's explore real-world suitability of each camera for various photography types.
Portraiture
Olympus’s higher resolution, superior dynamic range, and 5-axis image stabilization combined with fast, accurate eye-detection autofocus enable clean, beautifully detailed portraits with smooth skin tones and creamy background bokeh - though the smaller MFT sensor means background blur is subtler than APS-C or full-frame.
Panasonic G2, with lower resolution and older AF, produces decent portraits but may fall short for professional work demanding refined detail and consistent focus on eyes.
Landscape
Here, the Olympus again shines because of:
- Higher dynamic range for capturing shadow and highlight detail across vast scenes
- Weather sealing that lets you shoot in unpredictable outdoor environments
- Robust focus bracketing for extended depth-of-field images
The Panasonic G2’s lower dynamic range and lack of sealing limits outdoor reliability but remains capable for casual landscapes.
Wildlife and Sports
Quick autofocus, high burst rates, and rugged build make the Olympus a clear choice. Its continuous 15 fps mechanical shutter speed and 60 fps electronic shooting excel at freezing movement - complemented by excellent lens compatibility, especially for telephoto optics.
Panasonic’s slower focus and low burst rate limit usability in fast-action sports or wildlife, better suited for posed or slower subjects.
Street Photography
Panasonic’s smaller, lighter body offers discreet handling better suited for unobtrusive street shooting. Though not as fast as Olympus, the G2’s touch screen and articulated LCD allow creative shooting angles.
Olympus is bigger and more aggressive in design, but still manageable. Its superior high-ISO performance helps when shooting in available light on city streets after dark.
Macro Photography
Olympus supports focus stacking and bracketing. Its sensor-shift image stabilization allows sharper handheld macro shots - crucial given close focusing distances. Panasonic G2 lacks these features, requiring more manual patience.
Night and Astrophotography
The Olympus outperforms Panasonic in high ISO noise control and dynamic range - both critical when shooting stars or nightscapes. It also supports long exposures and timelapse recording built-in, while the Panasonic does not.
Video Capabilities
Olympus recorded 4K UHD (up to 4096x2160 @ 24p) with clean H.264 codec, mic and headphone input for monitoring audio during shoots - a boon for serious videographers.
Panasonic G2 maxes out at 720p HD, with older AVCHD Lite codec. It has a mic input but lacks headphone jack or 4K support, limiting professional video use.
Lens Ecosystem and Compatibility
Both cameras share the Micro Four Thirds mount with an enviable catalog of over 100 lens options from Olympus, Panasonic, and third-party brands.
- The Olympus E-M1 II benefits from Olympus’s PRO series lenses, designed for durability and optical excellence, plus Panasonic’s excellent lenses for versatility.
- Panasonic G2 supports the same lineup but with older firmware may not exploit newer lens autofocus capabilities fully.
If you’re starting or expanding your lens collection, both platforms provide paths to creative growth.
Battery Life and Storage Options
Surprisingly, the two cameras offer similar battery endurance:
- Olympus: approx. 350 shots per charge
- Panasonic: approx. 360 shots per charge
The Olympus supports dual SD card slots, important for backup or extended shooting days; Panasonic has a single slot.
Connectivity and Workflow Integration
Olympus offers built-in Wi-Fi for wireless image transfer and remote control - a feature missing from Panasonic G2's connectivity options.
USB 3.0 on Olympus versus USB 2.0 on Panasonic means faster tethering and data transfer when offloading files.
Price-to-Performance: What Your Investment Buys
While the Olympus E-M1 II was launched at $1,700 - steep for casual shooters - it delivers pro-level features, outstanding image quality, and futureproof tech.
The Panasonic G2 was $1,000 at launch, geared to beginners wanting affordable access to mirrorless advantages.
If budget is your top priority or you want a lightweight second camera, Panasonic G2 remains viable as a used purchase.
Real-world Image Examples: See for Yourself
Viewing side-by-side samples highlights the Olympus’s crisper detail, superior color rendering, and cleaner shadows in varied lighting. Panasonic images hold up at low ISO but degrade quickly in dimmer scenes.
Overall Performance Summary and Genre Rankings
Below is a synopsis of our extensive testing and DXOmark data combined with hands-on experience:
Discipline | Olympus E-M1 II | Panasonic G2 |
---|---|---|
Portrait | Excellent | Good |
Landscape | Excellent | Fair |
Wildlife | Excellent | Poor |
Sports | Excellent | Poor |
Street | Good | Good |
Macro | Very Good | Fair |
Night/Astro | Very Good | Poor |
Video | Very Good | Fair |
Travel | Good | Good |
Professional Work | Excellent | Fair |
Final Recommendations: Which One Is Right For You?
Choose the Olympus OM-D E-M1 Mark II if:
- You demand professional-grade build, weather resistance, and top-tier autofocus
- You want versatility for wildlife, sports, landscapes, and video production
- You need excellent high-ISO performance and detailed image quality
- You’re ready to invest in a camera that will serve demanding creative workflows
- You’ll benefit from advanced features like in-body stabilization, dual card slots, and wireless control
Choose the Panasonic Lumix DMC-G2 if:
- You’re just starting in mirrorless photography on a tighter budget
- You prefer a lightweight, compact body for casual and street shooting
- You can accept slower autofocus and limited burst rates in exchange for simplicity
- Your video needs are modest and focused on HD resolution
- You want access to the Micro Four Thirds lens ecosystem in an affordable way
Wrapping Up Your Exploration Journey
Whether you gravitate toward the Olympus E-M1 II’s cutting-edge tech and professional credentials or the approachable Panasonic G2’s beginner-friendly design, both cameras represent landmark moments in Micro Four Thirds history.
We encourage you to handle each camera yourself if possible. Real-world use remains the best test to judge fit, feel, and performance aligned with your vision. Coupling your chosen body with the right lenses and accessories unlocks your creative potential.
Ready to get started? Check out trusted retailers or local rental houses to try these cameras. Find the right gear and join the rewarding journey of crafting your photographic story.
This comprehensive comparison has drawn on years of expertise, rigorous testing, and countless hours behind both cameras to give you trusted, practical insights. For continued updates on camera technology and gear advice, stay tuned to our expert reviews.
Images used in this article are for illustrative purposes, showing side-by-side ergonomics, technical specs, sample galleries, and detailed performance data.
Olympus E-M1 II vs Panasonic G2 Specifications
Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-G2 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-G2 |
Class | Pro Mirrorless | Entry-Level Mirrorless |
Launched | 2016-09-19 | 2010-07-12 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic VIII | Venus Engine HD II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.4 x 13mm | 17.3 x 13mm |
Sensor area | 226.2mm² | 224.9mm² |
Sensor resolution | 20MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5184 x 3888 | 4000 x 3000 |
Highest native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 100 |
RAW images | ||
Minimum enhanced ISO | 64 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 121 | - |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Range of screen | Fully Articulated | Fully Articulated |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 1,037k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 1,440k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | 0.55x |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/8000 secs | 1/4000 secs |
Fastest silent shutter speed | 1/32000 secs | - |
Continuous shutter speed | 60.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 9.10 m (at ISO 100) | 11.00 m |
Flash settings | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/250 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video file format | MOV, H.264 | AVCHD Lite, Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574g (1.27 lbs) | 428g (0.94 lbs) |
Physical dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 124 x 84 x 74mm (4.9" x 3.3" x 2.9") |
DXO scores | ||
DXO Overall rating | 80 | 53 |
DXO Color Depth rating | 23.7 | 21.2 |
DXO Dynamic range rating | 12.8 | 10.3 |
DXO Low light rating | 1312 | 493 |
Other | ||
Battery life | 350 photographs | 360 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC |
Storage slots | 2 | One |
Launch cost | $1,700 | $1,000 |