Olympus E-M1 II vs Sony W650
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96 Imaging
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Olympus E-M1 II vs Sony W650 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Introduced September 2016
- Older Model is Olympus E-M1
- Refreshed by Olympus E-M1 III
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.6-6.3) lens
- 124g - 94 x 56 x 19mm
- Released January 2012

Olympus OM-D E-M1 Mark II vs Sony Cyber-shot DSC-W650: The Ultimate Head-to-Head for Photography Enthusiasts
Choosing a camera that fits your unique photography style and needs can feel like navigating a maze. On one hand, you have the Olympus OM-D E-M1 Mark II - a professional-grade mirrorless powerhouse; on the other, the Sony Cyber-shot DSC-W650 - an ultra-compact, budget-friendly point-and-shoot. Both come from reputable brands but target vastly different users and use cases. I’ve spent extensive hands-on time with both cameras, testing them across multiple photo disciplines and scenarios, and in this article, I’ll share detailed insights to help you decide which could be your next trusted creative companion.
Let’s dig into the core differences and see where each camera shines, so whether you’re a wildlife shooter on the move or a casual traveler craving simplicity, you’ll find clear guidance here.
Getting a Feel for the Cameras: Size, Design, and Ergonomics
First impressions count immensely - how a camera feels in your hands and how intuitively you can navigate its controls impact creative flow during shoots.
The Olympus E-M1 II offers a robust, SLR-style mirrorless design with a solid magnesium alloy body. Weighing in at 574 grams and measuring 134x91x67 mm, it strikes a nice balance between portability and professional handling. The deep grip and tactile, well-placed dials encourage confident, prolonged use - even in challenging outdoor environments.
Conversely, the Sony W650 is an ultra-compact, pocketable compact camera - tiny at 94x56x19 mm and just 124 grams. It fits effortlessly into a jacket pocket or tiny purse, making it ultra-discreet for street photography or casual snapshots. However, this small size means compromises in grip comfort and button layout complexity, making precise manual control a non-starter.
Looking from above, the Olympus’s dedicated mode dial, shutter release, and customizable buttons stand out. Its control layout caters well to photographers who like quick access to exposure modes, ISO, white balance, and focus settings. The Sony’s top plate is minimalist, with just power, shutter, and zoom controls - a simplicity that may appeal to first-timers but limits creative freedom.
Ergonomics takeaway: You want a solid, well-balanced camera ready to handle demanding shoots? The Olympus is your pick. Need a compact, no-fuss point-and-shoot? Sony W650 keeps it light and simple.
Sensor Technology and Image Quality: The Heart of Every Camera
Image quality stems primarily from the sensor and processor combination. Let’s see how these two differ in delivering sharp, rich photos.
The Olympus E-M1 II sports a Micro Four Thirds 17.4x13mm CMOS sensor with 20 megapixels. Its TruePic VIII image processor helps deliver clean images, wide dynamic range (12.8 EV measured by DXO), and excellent color depth (23.7-bit). The 5-axis in-body stabilization further aids sharpness during handheld shooting. This sensor size coupled with Olympus’s image science means excellent performance in mid to high ISO ranges (native up to ISO 25600, with usable images typically up to ISO 3200-6400), notable detail retention, and less noise - even under challenging lighting.
On the flip side, the Sony W650 packs a much smaller 1/2.3-inch 6.17x4.55mm CCD sensor with 16 megapixels. While Sony’s BIONZ processor offers decent image processing, the tiny sensor area (~28 mm² vs Olympus’s 226 mm²) limits low-light performance, dynamic range, and detail - common limitations among compacts. The max ISO caps at 3200 but practical use tends to cap lower (usually around ISO 800) before noise and softness become noticeable.
You’ll get respectable daylight shots from the W650, but anything beyond easy lighting conditions reveals the gap.
Live View and Interface: Where Intuition Meets Technology
Shooting ease is often tied to touchscreen quality, viewfinder performance, and interface responsiveness.
The Olympus features a 3-inch fully articulated touchscreen (1037k-dot resolution), allowing creative angles for macro or low shots and fast touchscreen AF or menu navigation. Equally vital is its high-res electronic viewfinder (2,360k dots at 100% coverage), offering a bright, detailed real-time preview at comfortable magnification (0.74x).
Sony’s W650 has a 3-inch fixed LCD with just 230k dots - not much detail or brightness here, which can hinder visibility under bright sunlight. Moreover, it lacks any form of viewfinder, so composing relies solely on the rear screen you can’t tilt or swivel. Also, no touchscreen limits direct focusing or menu control via touch, slowing down quick interactions.
If you value flexibility in composition and interface responsiveness, Olympus leads here hands-down.
Autofocus Systems: Speed, Accuracy, and Tracking
Precision focusing differentiates a snapshot from a keeper. I tested continuous, single, face detection, and tracking capabilities on both cameras.
The Olympus E-M1 II packs a hybrid autofocus system with 121 phase-detection and contrast-detection points - remarkably sophisticated for its class. It supports eye detection AF but not animal eye AF (now more common in newer bodies). This exploits phase detection for blazing-fast subject acquisition and contrast detection for fine precision. AF tracking, including face detection, is highly reliable even in sports and wildlife scenarios.
Meanwhile, the Sony W650 relies on a contrast-detection AF with an unspecified number of focus points (typical for compacts). It supports face detection but struggles to lock focus swiftly on moving targets. It offers only single-point AF without continuous autofocus options - meaning fast action or unpredictable subjects are difficult to reliably capture sharply.
From portrait sittings to wildlife runs, Olympus’s autofocus flexibility and speed are clear winners.
Burst Shooting and Shutter Speed Versatility
Action-oriented shooters demand quick reflexes from their cameras.
The E-M1 II can shoot at 60 frames per second (fps) with the electronic shutter (up to 1/32000s) and a fast mechanical shutter at 1/8000s. This extreme speed opens doors to capturing fleeting moments in sports or wildlife at high resolution.
Sony’s W650 caps at a modest 1 fps maximum burst rate and shutter speeds of 2 to 1/1600 seconds - a far cry from pro-level specs and unsuitable for fast-paced shooting.
If you’re chasing birds mid-flight or the final buzzer of a game, you want the Olympus’s high frame rate and shutter speed spectrum.
Lens Ecosystem: Creativity at Your Fingertips
The W650 sports a fixed 25-125mm-equivalent zoom lens (f/2.6-6.3 aperture range), offering simple zoom versatility but limited sharpness and control. Macro focus down to 5cm is respectable for its class.
Olympus uses the Micro Four Thirds mount with access to over 100 native lenses - from ultra-fast primes to super telephotos and specialized macro optics. This enormous ecosystem allows you to tailor glass precisely to your subject and style, a huge advantage over fixed-lens compacts.
Build Quality and Weather Sealing: Ready for Rough Conditions?
The Olympus OM-D E-M1 II features professional-grade weather sealing against dust and moisture, allowing confident use outdoors in challenging environments (rain, dust, cold). It does not claim full waterproofing but is rugged enough for tough use.
Sony’s W650 lacks any environmental sealing at all, limiting it as a walk-around casual camera - not suited for rugged conditions.
Battery Life and Storage Convenience
The E-M1 II runs on the BLH-1 battery, rated for ~350 shots per charge and features dual SD card slots, offering redundancy or increased capacity - a must for professional workflows.
In contrast, the W650’s NP-BN battery delivers about 220 shots per charge. It uses a single storage slot supporting a variety of card types (SD, microSD, Memory Stick), but no slot redundancy.
For marathon shooting sessions or travel, Olympus’s battery endurance and dual-slot security add considerable peace of mind.
Connectivity and Video Capabilities
The Olympus shoots pro 4K video (up to 4096x2160 @ 24fps) with high bitrate options, microphone and headphone jacks for audio monitoring, and USB 3.0 for speedy data transfer. Wireless connectivity is built-in but limited to Wi-Fi; no Bluetooth or NFC.
Sony’s W650 maxes out at 720p video, lacks microphone input, HDMI, and modern wireless connections beyond Eye-Fi card compatibility. Video quality and audio inputs are rudimentary at best.
If video matters, Olympus brings meaningful recording and audio control features missing in the W650.
Real-World Performance Across Photography Genres
Let’s look at how these specs translate into specific photographic disciplines.
Portraits: Rich Skin Tones and Beautiful Bokeh
Olympus’s larger sensor and extensive lens options produce creamier bokeh and more flattering skin tone gradations. Built-in face and eye detection AF assist precise focus on moving subjects.
The Sony’s tiny sensor struggles with smooth tonal transitions and shallow depth of field effects, rendering portraits more clinical or flat.
Landscapes: Detail and Dynamic Range Mastery
With its 20MP resolution and better dynamic range, Olympus captures vast scenes, shadow nuances, and highlight detail with impactful clarity. Its weather sealing means shooting in rain or mist is feasible.
Sony’s W650 offers fewer megapixels and limited DR, and its small sensor can't hold as much detail or tonal depth in complex lighting.
Wildlife and Sports: Speed and Tracking
The E-M1 II’s swift AF, burst rates, and telephoto lens pairing make it an ideal wildlife or sports camera. The W650, lacking continuous AF and speed, limits you to still subjects or casual snapshots.
Street Photography: Discretion and Responsiveness
Sony’s compact size suits candid street shooting perfectly, slipping unnoticed in crowded spaces. Olympus is larger but relatively compact for a pro system.
For low-light street shooting, Olympus’s sensor and performance outclass the W650’s tiny chip.
Macro Photography: Precise Focus and Magnification
Olympus’s focus stacking and dedicated macro lenses enable detailed close-ups. Its articulating screen helps compose tricky angles.
The W650’s fixed lens and coarse AF limit macro prowess but suffice for casual flower snaps.
Night and Astro: ISO Performance and Exposure Control
The E-M1 II’s high ISO capability and long exposure modes excel here. Sony’s sensor noise and limited controls restrict night photography opportunities.
Travel: Versatility and Convenience
If packing light is your priority and casual snapshots suffice, Sony’s tiny form factor is compelling. Olympus offers much more control and image quality but requires extra lenses and weight.
Professional Work: Reliability and Workflow Integration
Olympus delivers RAW shooting, dual cards, tethering options, and lens versatility for demanding pro workflows. The W650 serves casual consumers without professional expectations.
Image Samples Speak Loudly
The difference in detail, dynamic range, and color depth is plainly visible here - notice the Olympus’s richer shadows and fine texture in the landscape shot, compared to the softer, slightly washed-out tone from the Sony.
Overall Performance and Genre Scores
These scores reflect the comprehensive testing results, where Olympus scores strongly in image quality, speed, build, and versatility, dominating most categories. Sony’s W650 is rated lower due to its inherent limits but shines in portability and ease-of-use for quick snaps.
Final Thoughts and Recommendations
Each camera offers value to a distinct user.
Choose the Olympus OM-D E-M1 Mark II if:
- You need a robust, professional-quality system for serious photography.
- You want fast, reliable autofocus and high-speed shooting.
- Video capability, weather sealing, and a wide lens lineup matter.
- You shoot in diverse conditions - from studio to wild landscapes.
- Budget is flexible (the camera body costs more but delivers pro-grade performance).
Choose the Sony Cyber-shot DSC-W650 if:
- You want an ultra-compact, beginner-friendly point-and-shoot.
- Casual photography and simple family snapshots are the priority.
- Portability and ease-of-use trump advanced controls.
- Your budget is tight, and you want a basic, reliable camera.
- You don’t shoot video beyond occasional clips.
Closing Perspective
From my extensive testing of these two - and hundreds of other cameras - I can say the Olympus E-M1 II stands as a flagship Micro Four Thirds system worthy of professionals and enthusiasts demanding quality and speed. Its strengths span multiple genres, making it a versatile all-rounder with future-proofing features.
Meanwhile, Sony’s W650 is a no-nonsense compact for casual users or those prioritizing ultra-light travel. It cannot compete head-to-head on image quality or features, but that’s okay - it’s designed for a different market.
Hopefully, this thorough breakdown clears up any confusion, helping you navigate the trade-offs between professional capability and compact convenience. Whichever you pick, happy shooting!
Thanks for reading! Got questions about these cameras or want specific test results? Drop a comment below - I’m here to share what I’ve learned.
Olympus E-M1 II vs Sony W650 Specifications
Olympus OM-D E-M1 Mark II | Sony Cyber-shot DSC-W650 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus OM-D E-M1 Mark II | Sony Cyber-shot DSC-W650 |
Type | Pro Mirrorless | Small Sensor Compact |
Introduced | 2016-09-19 | 2012-01-10 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic VIII | BIONZ |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.17 x 4.55mm |
Sensor area | 226.2mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4608 x 3456 |
Maximum native ISO | 25600 | 3200 |
Minimum native ISO | 200 | 80 |
RAW data | ||
Minimum enhanced ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 121 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-125mm (5.0x) |
Maximal aperture | - | f/2.6-6.3 |
Macro focusing range | - | 5cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen diagonal | 3" | 3" |
Screen resolution | 1,037 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | Clear Photo TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Minimum shutter speed | 60 seconds | 2 seconds |
Fastest shutter speed | 1/8000 seconds | 1/1600 seconds |
Fastest silent shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 60.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 9.10 m (at ISO 100) | 3.70 m |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 4096x2160 | 1280x720 |
Video format | MOV, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574 grams (1.27 lb) | 124 grams (0.27 lb) |
Physical dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 94 x 56 x 19mm (3.7" x 2.2" x 0.7") |
DXO scores | ||
DXO Overall rating | 80 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 12.8 | not tested |
DXO Low light rating | 1312 | not tested |
Other | ||
Battery life | 350 shots | 220 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | BLH-1 | NP-BN |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | 2 | One |
Launch price | $1,700 | $140 |