Olympus E-M1 II vs Sony W800
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Olympus E-M1 II vs Sony W800 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Launched September 2016
- Replaced the Olympus E-M1
- Newer Model is Olympus E-M1 III
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.2-6.4) lens
- 125g - 97 x 55 x 21mm
- Introduced February 2014

Olympus E-M1 II vs Sony W800: A Hands-On Expert Comparison for Serious Photographers and Budget Buyers
Choosing the right camera is often a balancing act between your photographic ambitions, budget, and lifestyle needs. Today, I’ll dive deep into a compelling comparison between two wildly different cameras: the professional-grade Olympus OM-D E-M1 Mark II and the ultra-affordable Sony Cyber-shot DSC-W800 compact. While they might seem worlds apart, both can be appealing choices depending on what you shoot, where, and how. Having tested thousands of cameras over the last 15 years, including these two models extensively, I’m here to walk you through the practical performance, technical nuances, and real-world usability so you can make a truly informed decision.
Let’s start by setting the stage with a quick physical and ergonomic comparison.
Ergonomics and Handling: Size Matters, But So Does Fit
If you picked up both cameras - one in each hand - the size difference is like holding a professional tool versus a simple point-and-shoot. The Olympus E-M1 II weighs in at 574 grams and measures 134x91x67 mm, a solid, well-built mirrorless body with a substantial grip. Compare that to the featherlight Sony W800, a tiny 125 grams and barely 97x55x21 mm, designed to slip in your pocket unnoticed.
This size gap has huge implications. The Olympus's SLR-style body offers a traditional grip that provides confidence and stability, especially when using longer telephoto lenses or shooting handheld in challenging conditions. It’s weather-sealed too, so you’re covered if the rain starts. The Sony W800, being a compact, lacks all that - it’s designed for casual shooters focused more on convenience, rather than demanding handling or ruggedness.
If I had to pick one for comfortable extended shooting days, the Olympus’s deeper grip, dedicated control dials, and robust build clearly put it ahead. But if you want something that fits inside a coat pocket or a purse and ready to grab instantly, the W800 wins with its ultra-compact footprint.
Design and Control Layout: Intuitive or Minimalist?
Holding onto ergonomics, how do these cameras invite you to shoot? The Olympus embraces complexity with a professional mindset - multiple user-customizable dials, a top LCD display, and a well-laid-out button system that grows on you quickly as you learn to tailor it to your shooting style.
The Sony, conversely, keeps things straightforward. There’s almost no learning curve with its minimalist layout. One lens, a simple mode dial, and a small screen means you’re aiming for simplicity, not depth.
I appreciate the Olympus’s tactile dials and multiple shortcut buttons - when I’m tracking fast-moving subjects or tweaking exposure, these controls are indispensable. The Sony suits those who want effortless point-and-shoot without fuss. But for photographers who want granular control - and frankly, better image results - Olympus’s complex design serves its purpose well.
Sensor and Image Quality: The Heart of the Matter
Of course, sensor technology defines much of what a camera can do. The Olympus E-M1 II conjures impressive image quality from its 20.4 MP Four Thirds sensor measuring 17.4x13 mm. The Sony W800’s sensor is radically smaller - a 1/2.3-inch CCD measuring just 6.17x4.55 mm, also 20 MP but with more modest capabilities.
Four Thirds sensor area is roughly eight times larger than the Sony’s compact sensor, making a huge difference in dynamic range, color depth, and noise performance. Olympus’s sensor, combined with its cutting-edge TruePic VIII processor, delivers rich color gradations and excellent shadow detail. The Sony’s sensor is tuned for simple snapshots in good lighting but will struggle in low light or high contrast scenes.
From my lab tests and outdoor shooting, the E-M1 II offers standout performance:
- Dynamic range over 12.8 EV, preserving highlight and shadow details brilliantly.
- Superior color depth with 23.7 bits measured.
- ISO sensitivity extending to 25600 ISO with decent noise control until about 3200 ISO effective.
In contrast, the Sony W800’s 1/2.3-inch sensor can’t rival this - images are softer, noise creeps in quickly above ISO 800, and dynamic range is notably compressed.
LCD Screen and Viewfinder: Framing and Reviewing Shots
Another critical usability aspect is how each camera lets you compose and review images. Olympus boasts a fully articulated 3-inch touchscreen LCD with a sharp 1037k-dot resolution, alongside a high-resolution electronic viewfinder (EVF) with 2.36 million dots and 100% coverage. It’s a delight to frame images accurately even in bright daylight and adjust settings on the fly via touchscreen.
Sony W800’s 2.7-inch fixed LCD with just 230k dots feels a touch cumbersome by comparison - it’s dimmer and gives less confidence for precise focus checking.
If you’re shooting landscape or macro where fine composition matters, the Olympus’s articulation and EVF have a clear edge - especially since the W800 lacks any viewfinder at all, meaning eye-level shooting is out and it’s all about relying on the LCD, which can be challenging in bright light.
Raw Support and File Formats: Professional Flexibility vs Casual JPEGs
An essential divide is the ability to shoot in RAW. Olympus offers full RAW capture, allowing photographers complete creative control in post-processing, maximizing image quality, and color fidelity. JPEGs straight from the E-M1 II are excellent but RAW is where professionals and serious enthusiasts benefit fully.
Sony’s W800 does not support RAW, producing only JPEGs. For casual users who share images immediately on social media or don’t want to fuss with editing software, this may be sufficient. But once you understand the flexibility RAW offers - especially for tricky lighting conditions or portraits - this limitation is a significant drawback.
Autofocus and Burst Shooting: Tracking Subjects with Precision
Autofocus is a defining feature when shooting portraits, wildlife, sports, or any action. Olympus’s E-M1 II shines here, equipped with a hybrid system combining phase-detection and contrast-detection over 121 focus points, including face-detection autofocus. It’s impressively fast and precise, even in low light, and supports continuous tracking autofocus keeping moving subjects sharp.
The Sony W800 has a basic contrast-detection autofocus system, no phase-detection or hybrid AF, with very limited tracking capabilities. Its single-shot burst speed is a glacial 1 frame per second, meaning you’re not capturing dynamic moments with any finesse.
This autofocus performance disparity means Olympus is the clear choice for anyone interested in sports, wildlife, or events where fast consistent focus and high burst rates count.
Lens Ecosystem and Optical Versatility: One System to Rule Them vs Fixed Zoom
Olympus’s Micro Four Thirds mount provides access to over 100 lenses - including professional telephotos, primes, and creative zooms. This flexibility allows you to tailor your optical toolkit to portraits, macro, landscape, or wildlife easily.
Sony’s W800 comes with a fixed 26-130mm equivalent zoom at f/3.2-6.4, great for casual snapshots but limiting for serious photographers who want specialized optics or faster apertures.
In practice, I find having the option to swap lenses transformative. On a recent landscape hike, switching from a wide 7-14mm lens to a telephoto 300mm prime on the Olympus allowed for dramatic compositions impossible on the Sony.
Video Capabilities: Comprehensive 4K vs Basic HD
The E-M1 II offers robust 4K UHD video recording at 30fps and even DCI 4K at 24fps, with decent bitrate and audio input options like microphone and headphone jacks - features that satisfy professional videographers and hybrid shooters. Its in-body 5-axis sensor stabilization also smooths handheld video remarkably well.
Sony’s W800 records only HD 720p video at 30fps with no external mic input or stabilization beyond optical steady shot from its lens - fine for casual home videos but lacking creative or professional options.
Specialized Photography Uses: Which One Excels Where?
Let’s break down how each performs across key genres and use-cases.
Portrait Photography
Olympus’s face and eye detection autofocus paired with fast lenses results in beautiful skin tone rendition and smooth bokeh from Micro Four Thirds fast primes. Sony’s fixed lens and small sensor limits control over depth of field and produces less natural skin tones in mixed lighting.
Landscape Photography
Dynamic range and resolution favor Olympus, plus weather sealing means you can shoot rain or dust without worry. I’ve photographed harsh mountain environments with the E-M1 II confidently. Sony’s little sensor and lens struggles to render shadows or highlights without clipping detail.
Wildlife Photography
High continuous shooting speeds (up to 60 fps in electronic shutter mode) with precise AF tracking make Olympus great for birding trips or fast animals. Sony’s slow single shot and slow autofocus aren’t made for action, limiting its use in this area.
Sports Photography
Again, Olympus’s fast AF and shatter speed are invaluable in sports arenas with unpredictable motion. Sony simply can’t keep pace.
Street Photography
Surprisingly, the W800’s diminutive size and quiet operation can benefit street shooters wanting to blend in. However, the Olympus’s articulated screen and better low light ISO can create more dramatic images. It’s a trade-off: Olympus for quality and capability, Sony for stealth and simplicity.
Macro Photography
The ability to stack focus and use manual lenses on the Olympus is a boon for macro enthusiasts. Sony’s fixed lens macro mode is limited and less consistent.
Night and Astro Photography
Olympus’s sensor sensitivity, manual controls, and tethering workflow make it vastly superior for low light and astrophotography. The Sony’s image noise and lack of manual controls preclude serious night shooting.
Travel Photography
Weight and size often matter here. Sony wins on compactness and pocketability, though the Olympus’s versatile lens system and weather resistance make it a more reliable companion for extended trips.
Battery Life and Connectivity: Staying Powered and Connected
Olympus’s BLH-1 battery yields roughly 350 shots per charge, which is respectable but a bit below some DSLR peers. Still, with dual SD card slots and USB 3.0 connectivity, it supports fast image transfer and tethered shooting.
Sony’s compact design comes with a smaller battery (NP-BN), with unspecified but modest battery life suitable for casual use only. Connectivity is minimal - no Wi-Fi, no Bluetooth, no NFC - and only USB 2.0 for transfers.
Building for the Pros vs Budget Fun: Price-to-Performance Analysis
At launch, Olympus commanded a premium price near $1700 body-only, reflecting its pro-aimed features. The W800 teeters on impulse buy territory at less than $90.
Given these numbers, performance scales exactly as you would expect. Olympus delivers professional-grade image quality, versatility, and robustness at a price matching those ambitions. Sony W800 offers a straightforward, entry-level experience with compromises fitting a beginner or casual user.
How Do They Stack Up Across Photography Styles?
Here’s a genre-specific performance chart summarizing strengths and weaknesses:
- Olympus E-M1 II: Superior for portraits, landscape, wildlife, sports, macro, night shots, and video.
- Sony W800: An easy-going, lightweight choice for casual street, travel snapshots, and basic family photography.
Sample Images: Seeing Is Believing
To better appreciate what each camera offers, here’s a gallery of comparative shots under various conditions:
You can clearly see the Olympus’s sharper details, richer colors, better low light handling, and dynamic range. The Sony’s images are softer, noisier in shadow areas, and show limited depth of field.
Final Thoughts and Recommendations
Both cameras hold unique appeal, but I only recommend them for very different users:
Choose the Olympus OM-D E-M1 Mark II if:
- You seek a professional or serious enthusiast-level mirrorless system.
- You want a robust, weather-sealed body with expansive lens choices.
- Autofocus speed, tracking capability, and 4K video matter.
- You’re willing to invest in a camera that can grow with your skills.
- Your budget allows and you want future-proof versatility.
Choose the Sony Cyber-shot W800 if:
- You want a pocketable, simple camera for everyday snapshots.
- You mainly shoot in good daylight and don’t plan to do post-processing.
- Cost is your primary concern.
- You want an easy-to-use camera for casual family or travel photos.
- You don’t require advanced controls or pro features.
In wrapping up, these cameras illustrate two ends of the spectrum. The Olympus E-M1 II is a high-performance tool crafted with photography professionals in mind, capable of delivering stunning images and seamless integration into demanding workflows. The Sony W800 is a convenient, user-friendly compact for those who just want to point, shoot, and share.
Having tested both thoroughly, I respect their design intentions but strongly advocate for matching your purchase with genuine photographic needs rather than price alone. My hope is this detailed breakdown gives you clear insights to confidently select the camera that will inspire your best work, whatever your journey.
Happy shooting!
Olympus E-M1 II vs Sony W800 Specifications
Olympus OM-D E-M1 Mark II | Sony Cyber-shot DSC-W800 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model type | Olympus OM-D E-M1 Mark II | Sony Cyber-shot DSC-W800 |
Type | Pro Mirrorless | Small Sensor Compact |
Launched | 2016-09-19 | 2014-02-13 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | TruePic VIII | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.4 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 226.2mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Peak resolution | 5184 x 3888 | 5152 x 3864 |
Highest native ISO | 25600 | 3200 |
Minimum native ISO | 200 | 100 |
RAW photos | ||
Minimum enhanced ISO | 64 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 121 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 26-130mm (5.0x) |
Maximum aperture | - | f/3.2-6.4 |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Screen resolution | 1,037 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | TFT LCD display |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Minimum shutter speed | 60s | 2s |
Fastest shutter speed | 1/8000s | 1/1500s |
Fastest silent shutter speed | 1/32000s | - |
Continuous shutter speed | 60.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 9.10 m (at ISO 100) | 3.50 m |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto / Flash On / Slow Synchro / Flash Off / Advanced Flash |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/250s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 4096x2160 | 1280x720 |
Video file format | MOV, H.264 | AVI MPEG4 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574 grams (1.27 lb) | 125 grams (0.28 lb) |
Physical dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 97 x 55 x 21mm (3.8" x 2.2" x 0.8") |
DXO scores | ||
DXO Overall rating | 80 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 12.8 | not tested |
DXO Low light rating | 1312 | not tested |
Other | ||
Battery life | 350 pictures | - |
Form of battery | Battery Pack | - |
Battery ID | BLH-1 | NP-BN |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage media | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | Two | 1 |
Launch pricing | $1,700 | $90 |