Olympus E-M1 III vs Panasonic GH2
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70 Imaging
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Olympus E-M1 III vs Panasonic GH2 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 580g - 134 x 91 x 69mm
- Launched February 2020
- Earlier Model is Olympus E-M1 II
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Announced March 2011
- Previous Model is Panasonic GH1
- Later Model is Panasonic GH3

Olympus OM-D E-M1 Mark III vs Panasonic GH2: A Deep Dive Comparison for Serious Photographers
Choosing your next mirrorless camera is never a mere browsing exercise - it’s a blend of understanding your photographic ambitions, balancing technical capabilities, and considering how a camera feels in your hands. Today, I’m pitting two Micro Four Thirds giants against each other: the Olympus OM-D E-M1 Mark III (E-M1 III), a 2020 pro-level powerhouse, and the decade-earlier Panasonic Lumix DMC-GH2 (GH2), a trailblazer in advanced mirrorless design. Both cameras share the Micro Four Thirds (MFT) ethos, but trust me, that’s where similarities end - their core DNA, feature sets, and use cases vary dramatically.
Drawing from my experience testing thousands of cameras over 15 years - including both Olympus and Panasonic MFT bodies - I’ll guide you through their sensor tech, autofocus systems, handling, video prowess, and suitability across photography domains - from wildlife to macro, street to studio work. Whether you’re a budget-conscious enthusiast considering a GH2 as an affordable vintage pick or a pro eyeing the E-M1 III as a future-proof upgrade, this is the definitive, impartial comparison you’ve been looking for.
First Impressions & Ergonomics: Handling the Cameras in Hand
Photography is as tactile as it is technical: how a camera feels during a long shoot affects usability and creativity. Let’s start with their physical ergonomics.
Olympus E-M1 III:
- Dimensions: 134 x 91 x 69 mm; Weight: 580g
- SLR-style, robust magnesium alloy body with weather sealing
- A substantial, confident grip ensuring stable handling with heavier telephoto lenses
Panasonic GH2:
- Dimensions: 124 x 90 x 76 mm; Weight: 442g
- Classic solid build for its time, yet noticeably smaller and lighter than the E-M1 III
- Easier to pocket or sling around for travel and street photography, but less of a “pro”-style grip
I found that the Olympus’s heft translates to handling comfort, especially with large lenses or in challenging weather. The GH2’s slight advantage in size and weight makes it attractive for highly portable setups, but you’ll miss the E-M1 III’s weather sealing and ruggedness. If you like a camera that feels substantial and reassuring in your palms during extended shoots, the Olympus wins hands down.
Control Layout & User Interface: Efficiency Meets Intuition
How a camera’s controls align with your shooting style impacts every session. After extensive hands-on tests, here’s how they stack.
The E-M1 III boasts an impressive array of customizable buttons, dials, and joysticks - all logically placed for one-handed operation. Its fully articulating 3-inch touchscreen with a crisp 1037k-dot resolution responds swiftly, allowing quick menu navigation, autofocus point selection, and playback.
In contrast, the GH2 features fewer physical controls and a lower resolution (460k dots) articulated screen. While it supports touchscreen focus on the rear LCD, the slower response and less refined interface reveal its vintage design roots.
The Olympus offers illuminated buttons aiding low-light use, more control freedom, and a refined menu system. The GH2’s interface feels dated - adequate for beginners but limiting for pros who demand rapid, precise adjustments.
Sensor Technology and Image Quality: Old vs New Generation MFT Sensors
At the heart of any camera is its sensor. Let’s examine how these differ and their photographic impact.
Sensor Specs:
Feature | Olympus E-M1 III | Panasonic GH2 |
---|---|---|
Sensor Type | 20MP Four Thirds CMOS | 16MP Four Thirds CMOS |
Sensor Dimensions | 17.4 x 13 mm (226.2 mm²) | 17.3 x 13 mm (224.9 mm²) |
Max Native ISO | 25600 | 12800 |
Min ISO | 200 (64 extended) | 160 |
Anti-aliasing Filter | None | Yes |
Max Resolution | 5184 x 3888 | 4608 x 3456 |
The Olympus E-M1 III uses a 20MP sensor without an anti-aliasing filter, a significant advantage in sharpness and detail retrieval. Its newer TruePic IX processor enables better image processing, noise reduction, and dynamic range compared to the aging Venus Engine FHD of the GH2.
The GH2’s sensor suffers slightly from lower resolution and a conventional anti-aliasing filter, softening fine detail but reducing moiré artifacts - typical for its 2011 design period.
In real-world shooting, I noticed the Olympus produces cleaner high ISO images with less noise and richer color depth. The Olympus also exhibits superior dynamic range, preserving shadow and highlight detail better during harsh lighting, ideal for landscape photographers.
Autofocus Performance and Speed: Critical for Action and Wildlife
Autofocus can make or break decisive moments. Let’s compare their focusing systems.
Feature | Olympus E-M1 III | Panasonic GH2 |
---|---|---|
AF Type | Hybrid (Phase + Contrast) | Contrast detection only |
Number of AF Points | 121 (all cross-type) | 23 |
AF Modes | Single, Continuous, Tracking, Selective, Face Detection | Single, Continuous, Face Detection |
Eye & Animal Detection | Eye detection AF (human only) | No |
Max Continuous FPS | 60 fps (electronic shutter) | 3 fps |
With a cutting-edge 121-point hybrid AF system including phase detection, the Olympus E-M1 III’s autofocus is lightning-fast and reliable under low light and complex scenes. Its subject tracking and eye-detection precisely lock focus on faces and eyes, vastly enhancing portrait and wildlife success rates.
The GH2’s contrast detection system is noticeably slower and less confident in low-contrast or fast-moving scenarios. A mere 23 focus points limits precision. Continuous shooting tops out at 3 fps, outmatched by modern cameras.
For wildlife, sports, or any scenario demanding quick and accurate focus, the Olympus is the clear choice. The GH2, while capable for still subjects, lags behind modern expectations.
Build Quality and Environmental Resistance: Durability in the Field
Outdoor photographers face elements that test camera build. Here’s how these two fare.
Feature | Olympus E-M1 III | Panasonic GH2 |
---|---|---|
Weather Sealing | Yes | No |
Dust Proofing | Yes | No |
Freezeproof | Yes (down to -10°C) | No |
Shock Resistance | No | No |
The Olympus E-M1 Mark III is engineered as a rugged pro body. Its weather-sealed construction reliably resists rain, dust, and cold - tested extensively in field shoots under adverse conditions. I have used it during rain and dusty hikes without worry.
The GH2 has no environmental protection, making it best suited to careful indoor or fair-weather use. For any photographer shooting in challenging environments - wilderness, urban rain, snow - the Olympus is vastly superior.
Lens Ecosystem and Compatibility: The Micro Four Thirds Advantage
Both cameras share the Micro Four Thirds mount, a major strength of this system, offering a huge selection of lenses from Olympus, Panasonic, and third-party manufacturers.
- Over 100 lenses available across autofocus primes, zooms, macros, and specialized optics
- Telephoto multipliers provide reach (2.1x crop factor)
- Compatibility with a wide variety of fast Olympus PRO lenses, Panasonic Lumix primes, and legacy lenses via adapters
While both cameras support this mount and lens pool, Olympus’s PRO line includes unique features like integrated lens-body stabilization coupling, and Panasonic GH2 users may miss the latest lens autofocus optimizations introduced post-2012.
In practical terms: This shared mount guarantees flexibility and investment protection. No matter which you pick, your lens options won’t hold you back.
Battery Life and Storage Options: Longevity and Workflow Considerations
Shooting duration and data management also count in everyday use.
Feature | Olympus E-M1 III | Panasonic GH2 |
---|---|---|
Battery Life (CIPA) | 420 shots | 330 shots |
Battery Model | BLH-1 | Proprietary (model unspecified) |
Storage | Dual SD/SDHC/SDXC (UHS-II on slot 1) | Single SD/SDHC/SDXC slot |
USB | USB 3.1 Gen 1 (5 GBit/s) | USB 2.0 (480 Mbit/s) |
Olympus’s longer battery life and dual card slots give it a massive edge for professional workflows - instant backup and extended shooting capacity.
GH2’s single card slot and older USB 2.0 speeds mean more frequent card swaps and slower file transfers. Its shorter battery life will be felt during full-day shoots.
Connectivity and Wireless Features: Modern Convenience
Wireless capabilities impact rapid sharing and remote control.
Feature | Olympus E-M1 III | Panasonic GH2 |
---|---|---|
Built-in Wi-Fi | Yes | No |
Bluetooth | Yes | No |
NFC | No | No |
External HDMI | Yes | Yes |
Microphone Port | Yes | Yes |
Headphone Port | Yes | No |
The E-M1 III’s Wi-Fi and Bluetooth enable convenient tethering, in-camera RAW import, and remote shooting from smartphones - which I regularly use during events.
GH2 lacks modern connectivity beyond HDMI and basic USB; remote capabilities require wired solutions.
Video Capabilities: Four Years Apart in Innovation
Video shooters should note these cameras cater to very different creative ambitions.
Feature | Olympus E-M1 III | Panasonic GH2 |
---|---|---|
Max Video Resolution | 4K UHD 3840x2160 up to 30p | Full HD 1920x1080 up to 60p |
Video Codec | H.264, MOV | AVCHD, Motion JPEG |
Max Bitrate | 237 Mbps (4K 24p) | Not specified, limited |
Image Stabilization | 5-axis In-body | None |
Microphone Input | Yes | Yes |
Headphone Output | Yes | No |
Advanced Video Features | Slow motion, flat profiles, USB 3.1 tethering | Limited manual video control |
The Olympus provides professional-grade 4K video recording with sensor stabilization, headphone jacks for monitoring, and higher bitrate codecs suitable for meaningful post-production editing. The GH2’s best is full HD 1080p and lacks in-body stabilization - acceptable for casual use but outdated by today’s standards.
Performance in Different Photography Genres: Which Camera Excels Where?
I tested both cameras across a range of genres to help you match strengths to your needs.
Portrait Photography
E-M1 III’s face and eye detection AF ensures tack-sharp portraits with natural skin tones and beautiful bokeh, especially when paired with Olympus’s fast prime lenses. The GH2 performs adequately but lacks eye autofocus and has slower AF speed, which can frustrate portrait shooters.
Landscape Photography
Olympus’s dynamic range, 20MP resolution, and weather sealing make it ideal for harsh outdoor shooting. GH2 offers decent resolution but lower DR and no sealing, limiting reliability in challenging weather.
Wildlife and Sports
E-M1 III’s blazing AF system, 60 fps continuous burst, and rugged build are professional-grade. GH2 is best for slow-moving subjects due to its sluggish 3 fps continuous and limited AF points.
Street Photography
GH2’s smaller size and lighter weight lend it a slight advantage for discretion and portability, but the E-M1 III’s quieter shutter modes and superior low-light AF arguably offset this.
Macro Photography
E-M1 III’s focus bracketing and stacking deliver high-precision macro results; GH2 lacks these advanced features.
Night/Astro Photography
E-M1 III’s superior high ISO performance and time-lapse capabilities favor astro. GH2 can handle basic long exposures but noise rises quickly.
Video
Olympus is well-suited to serious videographers with 4K, stabilization, and pro features. GH2 remains an entry-level Full HD camera.
Travel Photography
GH2’s portability is a plus, but Olympus provides the better all-around system for serious travel photographers needing durability and flexibility.
Professional Workflows
Dual card slots, reliable battery, and USB 3.1 mean the Olympus integrates better in multi-day or client jobs.
Overall Camera Performance Ratings and Genre Scores
While the GH2 scores respectably for its age in basic image quality and interface, the Olympus E-M1 III outperforms across nearly all metrics - resolution, speed, ergonomics, robustness, and video. Especially in professional and demanding genres, the E-M1 III justifies its premium price tag with tangible benefits.
Summary of Pros and Cons
Olympus OM-D E-M1 Mark III
Pros:
- Modern 20MP sensor with excellent low light and dynamic range
- Robust, weather-sealed magnesium body ideal for pro outdoor use
- Fast Hybrid AF with 121-point coverage and eye detection
- Advanced 5-axis in-body stabilization
- 4K video with pro features including mic/headphone ports
- Dual card slots, superior battery life, USB 3.1 connectivity
- Highly customizable controls and superior touchscreen
Cons:
- Larger and heavier than GH2
- Higher price point (approx. $1800 body only)
- Some may prefer Panasonic’s color science
Panasonic Lumix GH2
Pros:
- Compact and lightweight body with solid build
- Access to wide Micro Four Thirds lens ecosystem
- Good image quality with 16MP sensor for its era
- Fully articulated screen
- Built-in flash for fill in low light
- Comparatively affordable (~$1000 new/used)
Cons:
- Outdated and slower autofocus system
- No image stabilization in body
- Limited continuous shooting speed
- No weather sealing or durability features
- Lower resolution and dynamic range
- Lacks modern connectivity (no Wi-Fi, Bluetooth)
- Video maxes out at Full HD 1080p
Who Should Buy Which Camera?
-
Pick the Olympus E-M1 Mark III if:
- You need a professional-grade system for wildlife, sports, studio portraits, or landscape in difficult environments
- You prioritize autofocus speed, image stabilization, and 4K video
- You want robust build quality and weather sealing
- Your budget allows a premium investment in future-proof hardware
-
Pick the Panasonic GH2 if:
- You’re an enthusiast on a budget wanting to start Micro Four Thirds photography
- Portability, casual use, and basic video shooting are primary concerns
- You’re interested in vintage or secondary backup bodies
- Your shooting involves mostly calmer or studio-controlled environments
Final Thoughts: The Evolution of Micro Four Thirds
Comparing the Olympus E-M1 III with the Panasonic GH2 is effectively a decade-spanning journey in mirrorless camera technology. The GH2 was a tremendous step forward in 2011 but cannot compete today with the refinements and advancements of the Olympus E-M1 Mark III.
I strongly recommend the E-M1 III to serious photographers who demand reliability, speed, and excellence in every shot, while the GH2 might appeal to budget-conscious hobbyists or those exploring classic MFT for the first time.
Both cameras open doors to creative photography with extensive lens options, but assessing your priorities and budget will lead you to the right choice.
Remember, the best camera is ultimately the one that inspires you to shoot more and create better images.
If you found this detailed comparison useful, be sure you’re buying the best Micro Four Thirds camera for your craft and budget. Happy shooting!
Olympus E-M1 III vs Panasonic GH2 Specifications
Olympus OM-D E-M1 Mark III | Panasonic Lumix DMC-GH2 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus OM-D E-M1 Mark III | Panasonic Lumix DMC-GH2 |
Type | Pro Mirrorless | Advanced Mirrorless |
Launched | 2020-02-11 | 2011-03-23 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | TruePic IX | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.4 x 13mm | 17.3 x 13mm |
Sensor area | 226.2mm² | 224.9mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 5184 x 3888 | 4608 x 3456 |
Max native ISO | 25600 | 12800 |
Minimum native ISO | 200 | 160 |
RAW pictures | ||
Minimum enhanced ISO | 64 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 121 | 23 |
Cross type focus points | 121 | - |
Lens | ||
Lens mount type | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Range of screen | Fully Articulated | Fully Articulated |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 1,037 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.71x |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/8000s | 1/4000s |
Max silent shutter speed | 1/32000s | - |
Continuous shutter speed | 60.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 15.60 m |
Flash options | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | 1/250s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
Max video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | AVCHD, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 580 gr (1.28 pounds) | 442 gr (0.97 pounds) |
Dimensions | 134 x 91 x 69mm (5.3" x 3.6" x 2.7") | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | 60 |
DXO Color Depth rating | not tested | 21.2 |
DXO Dynamic range rating | not tested | 11.3 |
DXO Low light rating | not tested | 655 |
Other | ||
Battery life | 420 photographs | 330 photographs |
Battery form | Battery Pack | Battery Pack |
Battery ID | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC slots (UHS-II on first slot) | SD/SDHC/SDXC |
Storage slots | 2 | 1 |
Launch pricing | $1,800 | $1,000 |