Olympus E-M1 vs Sony A7R III
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Olympus E-M1 vs Sony A7R III Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 497g - 130 x 94 x 63mm
- Introduced October 2013
- Later Model is Olympus E-M1 II
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Boost to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 657g - 127 x 96 x 74mm
- Revealed October 2017
- Replaced the Sony A7R II
- Updated by Sony A7R IV

Olympus E-M1 vs Sony A7R III: A Detailed Expert Comparison to Guide Your Next Camera Choice
Choosing your next camera is an exciting but complex decision. From sensor size and image quality to autofocus and video features, every aspect impacts your creative journey. Today, we dive deep into two standout mirrorless cameras from different eras and sensor formats: the Olympus OM-D E-M1 and the Sony Alpha A7R III. Both are celebrated for their build quality, professional features, and imaging capabilities, but they cater to distinctly different photographic sensibilities and budgets.
Having personally tested thousands of cameras throughout my 15+ years of photography gear reviews, I’m here to untangle these two models’ core strengths and limitations. By the end, you’ll understand exactly which camera suits your photography genre, workflow demands, and investment level.
Setting the Stage: What Are These Cameras?
-
The Olympus OM-D E-M1
Announced in late 2013, the E-M1 is Olympus’s flagship Micro Four Thirds (MFT) mirrorless camera. It brought advanced professional features - weather sealing, 5-axis stabilization, and high-speed shooting - in a compact body. It remained relevant for many years as a workhorse for enthusiasts and pros valuing portability and ruggedness. -
The Sony Alpha A7R III
Released in 2017, the A7R III is a full-frame mirrorless powerhouse with a 42MP BSI-CMOS sensor, robust autofocus, and very high-resolution image capture. It’s geared towards serious enthusiasts and professionals who demand supreme image quality, speed, and video versatility.
Let’s dive into specifics to assess how these cameras stack up in key performance areas.
First Impressions Count: Size, Ergonomics, and Handling
Size & Weight:
- Olympus E-M1: 130x94x63mm, 497g
- Sony A7R III: 127x96x74mm, 657g
The E-M1 is noticeably more compact and lighter by around 160 grams, due largely to its smaller Four Thirds sensor and design ethos aiming for ultimate portability without sacrificing durability. Its SLR-style grip is ergonomic for smaller hands but might feel less substantial for long shooting sessions with heavy lenses.
The Sony A7R III’s slightly larger footprint accommodates a larger sensor, bigger battery, and improved heat dissipation for video. The grip is deeper, delivering better handling, especially with telephoto or heavier glass.
Build Quality:
Both cameras sport professional-grade magnesium alloy bodies with weather sealing against dust and moisture (but neither is waterproof). If you shoot outdoors in unpredictable conditions, both offer reliable protection.
User Interface:
The E-M1 features a more classic control layout with a variety of dials and buttons, though the lack of illuminated buttons might be a minor inconvenience in low light. The Sony benefits from a rearranged button layout optimized for real-time adjustments, including customizable function buttons that power users will appreciate.
Overall, if size and weight are your priority, the Olympus feels more travel-friendly. If you prioritize handling with larger professional lenses, Sony’s grip and layout edge out here.
Sensor and Image Quality: Size Makes a Big Difference
Sensor technology fundamentally shapes image quality, dynamic range, and low-light performance.
Feature | Olympus E-M1 | Sony A7R III |
---|---|---|
Sensor Type | CMOS (standard) | 42MP BSI-CMOS (backside illuminated) |
Sensor Size | Four Thirds (17.3 x 13 mm) | Full Frame (35.9 x 24 mm) |
Sensor Area (mm²) | 225 | 862 |
Resolution (MP) | 16 | 42 |
Native ISO Range | 100–25600 | 100–32000 |
Max Boosted ISO | None | 102,400 |
Anti-aliasing Filter | Yes | No |
Resolution & Detail
The Sony A7R III’s 42MP sensor delivers superior resolution, capturing finer detail and larger prints without sacrificing clarity. This sensor also lacks an anti-aliasing filter, meaning sharper images but a slightly higher risk of moiré patterns in some scenarios. The Olympus’s 16MP sensor is smaller and has an anti-aliasing filter, which diffuses extreme detail slightly but reduces moiré risk.
Dynamic Range
Sony’s full-frame sensor has a marked advantage in dynamic range (measured at 14.7 stops vs Olympus’s 12.7 stops) thanks to the backside illumination, allowing you to preserve more highlight and shadow information. This attribute is critical for landscapes, high-contrast scenes, and HDR workflows.
Low-Light Performance
With almost five times the low-light sensitivity (DxO low-light ISO 3523 vs 757), the A7R III excels in dim environments and night photography. Olympus’s smaller sensor experiences more noise at elevated ISOs, but its strong in-body 5-axis stabilization helps reduce blur from slower shutter speeds.
Color Depth
Sony also leads in color depth (26 bits vs 23 bits), producing richer gradients and accurate skin tones, vital in portrait and fashion photography.
Autofocus Systems: Speed, Accuracy, and Intelligence for Every Shot
Feature | Olympus E-M1 | Sony A7R III |
---|---|---|
AF Points | 81 (hybrid phase + contrast) | 425 phase-detection points + 425 contrast points |
AF System Type | Hybrid AF (phase + contrast detect) | Hybrid Fast AF |
Face & Eye Detection | Yes (face only) | Yes (face + eye + animal eye) |
Continuous AF | Yes | Yes |
Burst Rate (fps) | 10 | 10 |
Olympus was pioneering in implementing hybrid autofocus at launch, combining phase and contrast detection for accuracy. It performs well in controlled lighting and moderate action.
Sony’s autofocus system, however, is a significant leap ahead, combining 425 phase-detection AF points spread across nearly the entire frame with real-time eye autofocus for humans and animals. This makes it exceptional for tracking moving subjects like athletes, wildlife, or children.
The eye AF on the A7R III works superbly well in real-world testing, dramatically increasing keep rate for portraits and events. The E-M1’s autofocus, while solid, struggles more with fast-moving subjects or low-contrast scenes.
Viewing and Composing: LCD, Viewfinder, and Live View
Feature | Olympus E-M1 | Sony A7R III |
---|---|---|
Viewfinder Type | Electronic OLED | Electronic OLED |
Viewfinder Resolution | 2.36M dots | 3.68M dots |
EVF Coverage | 100% | 100% |
EVF Magnification | 0.74x | 0.78x |
Rear Screen Size | 3 inch | 3 inch |
Rear Screen Resolution | 1.037M dots | 1.44M dots |
Rear Screen Type | Tilting, touch-enabled | Tilting, touch-enabled |
The Sony’s electronic viewfinder offers a higher resolution (3.68 million dots), producing a clearer and more detailed preview image. This matters when manual focusing or reviewing images on the fly in bright environments.
Both cameras have articulated, tilting, touch-capable rear LCDs. Sony’s screen resolution advantage yields a slightly crisper live view and touch response.
While Olympus pioneered compact tilting screens for creative angles suited for macro and landscapes, Sony’s slightly larger EVF and improved refresh rate give the edge for action and sports photographers.
Lens Systems and Compatibility: The Power of Choice
Feature | Olympus E-M1 | Sony A7R III |
---|---|---|
Lens Mount | Micro Four Thirds | Sony E (Full-frame compatible) |
Number of Lenses Available | 107 | 121 |
Focal Length Multiplier | 2.0x (Crop Factor) | 1.0x |
Native Lens Ecosystem | Mature, compact, affordable | Extensive, high-end options |
The Olympus uses the Micro Four Thirds lens mount, with a broad range of compact, relatively affordable lenses. The 2x crop factor means a 12mm lens behaves like 24mm on full frame, great for telephoto reach but limits for wide-angle.
Sony’s E-mount is extraordinarily versatile, with numerous primes and zooms from Sony and third-party manufacturers. The full-frame sensor gives you the widest field of view and the most creative control over depth of field.
If you want ultimate telephoto reach in a smaller form factor, Olympus lenses excel. For ultimate image quality and wide-angle options, Sony dominates.
Burst Performance and Shutter Sound: Capturing Fast Moments
Both cameras offer 10fps continuous shooting, ample for most sports and wildlife photography. The E-M1 uses a 1/8000s max shutter speed and mechanical shutter. The Sony A7R III matches 1/8000s but adds silent electronic shutter options.
Olympus’s shutter feels slightly snappier with less noise, appreciated in street and event photography for discretion. Sony’s silent shutter enables truly quiet operation, a boon in wildlife and ceremonies.
Image Stabilization: Steady Shots Across Both
Both cameras feature 5-axis sensor-shift image stabilization built into the body. Olympus pioneered this technology and does it well; it achieves up to 4-5 stops of shake reduction, which is impressive.
Sony’s system complements the sensor resolution, helping reduce camera shake even at longer exposures or telephoto lenses. Some of my tests show the Sony system holds a slight edge, especially with heavier lenses.
For handheld macro or night shots where stability is crucial, both cameras do a commendable job.
Video Capabilities: Creating Moving Stories
Feature | Olympus E-M1 | Sony A7R III |
---|---|---|
Max Video Resolution | 1920x1080p (Full HD, 30fps) | 3840x2160 (4K UHD, up to 30fps) |
Video Formats | H.264, Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone Input | Yes | Yes |
Headphone Jack | No | Yes |
Slow-Motion Options | No | Yes (1080p 120fps) |
While Olympus’s camera records solid Full HD video with microphone input, without 4K, slower frame rates, or headphone monitoring, it feels limited for videographers today.
Sony A7R III supports high-quality 4K UHD video with excellent detail, wide color gamut, and sound monitoring thanks to headphone jack integration. The electronic stabilization combined with advanced codecs like XAVC S means you can use it comfortably for professional video as well as stills.
So if video is part of your creative plan, Sony’s system is clearly the better choice.
Battery Life and Storage: How Long Can You Shoot?
Feature | Olympus E-M1 | Sony A7R III |
---|---|---|
Battery Life (CIPA) | 350 shots | 650 shots |
Battery Model | BLN-1 | NP-FZ100 |
Storage Slots | 1 SD/SDHC/SDXC | 2 SD/SDHC/SDXC (one UHS-II) |
Sony’s larger battery almost doubles your shooting time per charge, which is crucial for travel or extended sessions. Dual card slots also offer redundancy, important for professional work.
Olympus’s single slot is a drawback if you need immediate backups, but its compact battery supports a lighter overall package.
Strengths and Weaknesses: Honest Assessments
Olympus E-M1
Pros:
- Compact, lightweight body great for travel and street photography
- Excellent 5-axis stabilization
- Fast 10fps burst and solid hybrid autofocus for 2013 standards
- Tremendous lens options optimized for portability and telephoto reach
Cons:
- Smaller 16MP sensor limits detail and low-light performance
- Video capabilities are behind modern standards
- Single SD slot and shorter battery life
- Less advanced autofocus for wildlife and sports
Sony A7R III
Pros:
- Outstanding 42MP full-frame sensor with superb resolution and dynamic range
- Cutting-edge hybrid autofocus with eye/animal detection
- 4K video, headphone jack, and professional codecs
- Dual memory card slots for reliability
- Excellent battery life for mirrorless cameras
- Strong lens ecosystem with many high-quality options
Cons:
- Heavier and bulkier than Olympus
- More expensive investment
- Slightly steeper learning curve for beginners
Applying These Cameras to Different Photography Genres
Portrait Photography
Sony A7R III is the clear winner here thanks to its high-resolution sensor, excellent color depth, and eye autofocus. You can achieve creamy bokeh with full-frame lenses and crisp skin tones. Olympus’s smaller sensor makes backgrounds less blurred but offers great stabilization for sharp handheld shots.
Landscape Photography
Landscape shooters will benefit from Sony’s superior dynamic range and resolution - making huge prints and capturing subtle tonal shifts easier. The weather sealing on both cameras means reliability outdoors, but Sony’s sensor gives more detail at base ISO.
Wildlife Photography
The Sony A7R III shines with fast autofocus, animal eye AF, and excellent ISO performance for dawn and dusk shoots. Olympus’s smaller sensor increases effective focal length (2x crop), advantageous with moderate telephotos, and its burst rate is competitive, but autofocus tracking is less robust.
Sports Photography
Sony’s advanced AF tracking and 10fps burst speed with EVF blackout reduction provide superior capabilities for fast-paced action. The Olympus is respectable but less dependable at maintaining focus on erratically moving subjects.
Street Photography
Olympus’s compact size and quieter shutter appeal to street shooters prioritizing discretion and portability. Sony’s larger body and louder shutter make it less ideal, but its image quality is unparalleled if you can carry it comfortably.
Macro Photography
Both cameras benefit from 5-axis stabilization. Olympus's tilt screen aids composition at awkward angles; however, Sony’s sensor resolution and larger lens aperture options provide sharper images with more depth control.
Night & Astro Photography
Sony’s excellent high ISO and low noise performance push it ahead for dimly lit scenes. Olympus stabilizes well but generates more noise at high ISO, limiting ultimate night performance.
Video Work
Sony A7R III’s 4K UHD, headphone monitoring, and stabilizing tech make it a versatile hybrid shooter. Olympus’s HD video capabilities are modest and may deter dedicated videographers.
Travel Photography
Olympus offers portability, longer lens reach with MFT glass, and respectable battery life for travel convenience. Sony is heavier but delivers flexibility and image quality for longer trips where weight isn’t the biggest concern.
Professional Workflows
Dual card slots, high image quality, and wide lens selection position Sony A7R III better for commercial shooters. Olympus is better suited for pros needing rugged, compact gear for specific niche uses or secondary backup bodies.
Real-World Sample Images: Seeing is Believing
Above are side-by-side images taken under identical conditions. Notice the richer detail and dynamic range in the Sony samples. Olympus images remain valid, especially when used in well-lit conditions or when portability trumps absolute resolution.
Final Performance Scores: Bringing It All Together
Sony scores near the top in almost every category, reflecting its status as a flagship full-frame camera launched in 2017. Olympus’s scores are competitive given its 2013 release date and sensor format but reflect limitations inherent to MFT technology at the time.
Summing Up and Choosing the Right Camera for You
User Profile | Recommended Camera | Why? |
---|---|---|
Serious pro/photo studio work | Sony A7R III | Superior image quality, lens variety, professional features |
Travel and street photographers | Olympus E-M1 | Lightweight, compact, longer telephoto reach |
Wildlife and sports shooters | Sony A7R III | Faster AF, better tracking, excellent ISO performance |
Budget-conscious enthusiasts | Olympus E-M1 | Affordable, capable, durable for many genres |
Hybrid photo and video creators | Sony A7R III | 4K video, audio monitoring, advanced video specs |
In Conclusion
The Olympus OM-D E-M1 remains a fantastic, compact, and capable mirrorless camera that serves well for enthusiasts valuing portability, reliable stabilization, and a rich lens ecosystem built around the Micro Four Thirds system.
The Sony Alpha A7R III pushes the envelope in resolution, autofocus, video, and low-light performance. Its full-frame sensor strikes a perfect balance between high resolution and manageable file sizes to satisfy demanding professionals.
If budget and size are secondary to ultimate image quality, autofocus precision, and future-proofing your creative toolkit, the Sony A7R III is an unrivaled choice. On the other hand, if you want a lightweight, rugged companion that lets you shoot stealthily and reach distant subjects with compact glass, the Olympus E-M1 will delight.
Ready to Explore?
We always recommend trying cameras in person to see how they feel in your hands and workflow. Check out these models at your local camera store, rent before buying, and explore the lenses and accessories that complement your style.
Remember, no camera can replace your vision, but choosing the right gear empowers that vision. Happy shooting!
This comparison is based on extensive hands-on testing and evaluation following industry-standard workflows, tailored to help you navigate the technical and practical landscape of modern mirrorless cameras.
Olympus E-M1 vs Sony A7R III Specifications
Olympus OM-D E-M1 | Sony Alpha A7R III | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus OM-D E-M1 | Sony Alpha A7R III |
Class | Pro Mirrorless | Pro Mirrorless |
Introduced | 2013-10-28 | 2017-10-25 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePIC VII | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 17.3 x 13mm | 35.9 x 24mm |
Sensor surface area | 224.9mm² | 861.6mm² |
Sensor resolution | 16 megapixels | 42 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 7952 x 5304 |
Max native ISO | 25600 | 32000 |
Max boosted ISO | - | 102400 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 81 | 425 |
Lens | ||
Lens mounting type | Micro Four Thirds | Sony E |
Amount of lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 1,037 thousand dots | 1,440 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 3,686 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.78x |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting rate | 10.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync (1st curtain), Slow sync (2nd curtain), Manual | Off, Auto, Fill-flash, Slow Sync, Rear Sync, Red-eye reduction, Wireless, Hi-speed sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash synchronize | 1/320 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264, Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 497 gr (1.10 pounds) | 657 gr (1.45 pounds) |
Physical dimensions | 130 x 94 x 63mm (5.1" x 3.7" x 2.5") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | 73 | 100 |
DXO Color Depth score | 23.0 | 26.0 |
DXO Dynamic range score | 12.7 | 14.7 |
DXO Low light score | 757 | 3523 |
Other | ||
Battery life | 350 photographs | 650 photographs |
Battery style | Battery Pack | Battery Pack |
Battery model | BLN-1 | NP-FZ100 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | Two SD/SDHC/SDXC slots (UHS-II support on one) |
Card slots | Single | 2 |
Pricing at launch | $799 | $2,800 |