Olympus E-M10 II vs Panasonic TS25
82 Imaging
53 Features
77 Overall
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95 Imaging
39 Features
28 Overall
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Olympus E-M10 II vs Panasonic TS25 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 120 x 83 x 47mm
- Announced August 2015
- Previous Model is Olympus E-M10
- Later Model is Olympus E-M10 III
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Released January 2013
- Additionally referred to as Lumix DMC-FT25
President Biden pushes bill mandating TikTok sale or ban Olympus E-M10 II vs Panasonic Lumix DMC-TS25: An In-Depth Comparative Analysis for Serious Photographers
When comparing cameras across fundamentally different categories - an entry-level mirrorless model versus a rugged compact - the evaluation must go beyond spec sheets. The Olympus OM-D E-M10 II and the Panasonic Lumix DMC-TS25 embody contrasting design philosophies and target user profiles. This detailed comparison, grounded in hands-on experience and technical testing, will illuminate each model’s practical capabilities, strengths, and limitations across varied photographic disciplines.

Physical Design and Handling: Ergonomics vs Portability
Physically, the Olympus E-M10 II is a mirrorless camera with a classic SLR-style body, measuring 120 x 83 x 47 mm and weighing approximately 390 g. The Panasonic TS25 is a compact waterproof unit, considerably smaller at 104 x 58 x 20 mm and lighter at 144 g. This size disparity influences handling, usability, and intended use cases.
The E-M10 II’s substantial grip, dedicated buttons, and dials cater to photographers who value manual control and ergonomics, enabling longer shooting sessions without fatigue. The top and rear control layout offers a traditional DSLR-like experience (see next section). In contrast, the TS25 favors portability and ruggedness; its design optimizes water, dust, and shock resistance in a small footprint, suiting adventurers or casual shooters in harsh environments.
For users prioritizing an extended, manual shooting experience with physical controls, the Olympus’s design undoubtedly offers superior handling. Those whose photography occurs in environments threatening to more delicate gear will appreciate the Panasonic’s robust compactness.
Control Layout and User Interface: Traditional Meets Simplified

The Olympus E-M10 II’s top plate features dedicated dials for shutter speed, exposure compensation, and shooting modes, along with a well-positioned shutter button and function keys. This conventional layout allows quick adjustments - essential for dynamic scenarios such as sports or wildlife photography.
The Panasonic TS25’s control set is minimal. Unlike the Olympus, it lacks manual exposure modes or customizable buttons, reflecting its fixed-lens simplicity and consumer-oriented interface. Its limited shutter speed range (max 1/1300 s) and absence of manual focus restricts creative control.
Professional users will find the Olympus interface vastly superior for deliberate exposure adjustments, precise autofocus selection, and quick mode switching. The TS25 operates on a point-and-shoot paradigm with minimal interactive controls, suitable for spontaneous use but restrictive for refined photographic workflows.
Sensor Technology and Image Quality: A Study in Contrast

At the heart of image quality differences is sensor technology:
- Olympus E-M10 II: Micro Four Thirds sensor (17.3 x 13 mm), 16 MP CMOS with TruePic VII processor. Features 81 contrast-detection AF points, no phase detection. Supports RAW capture.
- Panasonic TS25: 1/2.3" CCD sensor, 16 MP with smaller physical area (6.08 x 4.56 mm). Fixed lens, no RAW, limited AF points (23 contrast-detection points).
The larger sensor in the Olympus yields improved light gathering, higher dynamic range (measured at 12.5 EV via DxO), and superior low-light performance (ISO up to 25,600 natively). The TruePic VII processor contributes to cleaner noise reduction and better color fidelity, with a DxO color depth of 23.1 bits.
Conversely, the Panasonic’s tiny CCD sensor introduces noise at relatively low ISOs and exhibits narrower dynamic range, limiting latitude in challenging lighting. The fixed lens and limited aperture range (f/3.9–5.7) further constrain image quality potential and background separation.
In practical shooting, the Olympus’s images demonstrate more detail, reduced noise, and truer skin tones - critical for portraiture and landscape work. The TS25’s JPEG-only output and smaller sensor size restrict it to casual snapshots, despite its convenience.
Viewfinder and Rear Screen: Composing with Clarity

The Olympus sports a 3" tilting touchscreen LCD with 1.04 million dots and a bright electronic viewfinder (EVF) with 100% coverage and 2.36 million-dot resolution at 0.62x magnification, facilitating precise manual focus and composition in various lighting conditions.
The Panasonic TS25’s fixed 2.7” TFT LCD has significantly lower resolution (230k dots) and no EVF. Its LCD visibility can suffer in bright outdoor scenarios, particularly underwater or in direct sunlight.
For photographers who rely on critical focusing, exposure preview, and detailed composition feedback - such as in macro or wildlife work - the Olympus’s superior viewfinder and articulated screen are indispensable. The TS25 serves better as a grab-and-go camera where fine control is less critical.
Autofocus System: Performance Differences in Speed and Accuracy
The E-M10 II utilizes a contrast-detection AF system with 81 selectable points and face detection, delivering respectable autofocus speed and accuracy under diverse conditions. It supports focus bracketing and continuous AF modes, enhancing utility in macro and moving subject photography.
The TS25, with only 23 contrast-detection points and no face or eye detection, lacks manual focus capability and advanced AF modes. Its autofocus tends to hunt notably in low light or complex scenes, and it cannot track fast-moving subjects effectively.
Sports and wildlife photographers, privileging autofocus precision and responsiveness, will find the Olympus vastly more capable, enabling reliable focus tracking and selective focusing zones. The TS25’s autofocus is adequate for daylight casual shots but unsuitable for action or nuanced composition.
Burst Shooting and Shutter Speed Capabilities
The Olympus delivers up to 8 fps continuous shooting with shutter speeds ranging from 60 s to 1/4000 s, offering versatility from long exposures to capturing fleeting moments. It includes exposure compensation, shutter priority, aperture priority, and manual modes - tools essential for professional work and creative control.
The Panasonic TS25 caps at a single frame per second and max shutter speed of 1/1300 s, precluding fast action capture or complex exposure workflows.
Photographers requiring burst capabilities for sports, wildlife, or event coverage will find the Olympus’s performance appropriate, while the Panasonic’s limitations confine it to static scenes.
Image Stabilization: Sensor-Based vs Optical
Both cameras include image stabilization, but with significant differences:
- Olympus E-M10 II: Sensor-shift 5-axis stabilization compensates for camera shake across multiple axes, effective in handheld low-light shooting, macro, and video.
- Panasonic TS25: Optical image stabilization integrated into the fixed lens.
While optical stabilization benefits framing and simple correction, Olympus’s 5-axis sensor stabilization is more versatile and efficient, delivering marked improvements in detail retention during slow shutter speeds or telephoto use.
Weather Resistance and Durability
The Panasonic TS25 is ruggedized: waterproof to depths, dustproof, shockproof, and freezeproof, designed to withstand outdoor adventures and harsh conditions.
The Olympus E-M10 II lacks environmental sealing, making it vulnerable to moisture and dust ingress, which is a consideration for field use in inclement weather.
Outdoor photographers requiring reliable operation in extreme environments will prioritize the Panasonic. Conversely, those who value image quality and control typically manage environmental risks with protective gear and prefer the Olympus’s capabilities.
Video Recording Features: Flexibility and Quality
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Olympus E-M10 II: Full HD 1080p video at 60/30/24 fps, with stereo sound recording (though no external mic port), with sensor-based stabilization enhancing handheld footage. It handles common video codecs like H.264 and Motion JPEG, suitable for enthusiast-level cinematography.
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Panasonic TS25: HD 720p video at 30 fps, with mono sound and no external mic or HDMI output. The camera’s video quality is basic, fulfilling casual video needs.
Videographers requiring full HD, stabilization, and decent audio will prefer the Olympus. The TS25 video feature is entry-level and limited.
Battery Life and Storage Practicalities
Olympus’s BLS-50 battery yields approximately 320 shots per charge, respectable for mirrorless standards, while the Panasonic’s smaller battery rated for 250 shots fits its compact form factor.
Both models accept SD cards; Olympus supports SD/SDHC/SDXC, and Panasonic also allows internal storage. Olympus’s USB 2.0 and HDMI ports facilitate tethering and external monitor connection, features absent on the TS25.
For heavy daily use, the Olympus’s larger battery and expanded connectivity are advantageous. The Panasonic’s simplicity fits casual or backup needs.
Lens Ecosystem and System Expandability
The Olympus utilizes the Micro Four Thirds mount, compatible with over 100 lenses from Olympus, Panasonic, and third parties. Lens options range from high-quality primes and zooms to specialized lenses for macro, tilt-shift, and wide-angle applications. This ecosystem enables photographic versatility across genres.
The Panasonic TS25 has a fixed 25–100 mm equivalent zoom lens. With no interchangeable lens capability or manual focus, it is locked into one limited focal range and optical formula.
Serious photographers will find Olympus’s system flexibility essential for evolving creative requirements. The Panasonic’s fixed lens restricts long-term growth.
Performance Analysis Across Photography Disciplines
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Portrait Photography:
Olympus delivers superior skin tone rendition, bokeh through lens selection, and face/eye AF detection for precise focus. The Panasonic’s smaller sensor and fixed lens produce flatter depth-of-field and less accurate skin tones. -
Landscape Photography:
Olympus’s dynamic range, resolution (4608x3456), and lens versatility yield expansive, detailed landscapes. Panasonic’s sensor size and lower dynamic range limit highlight and shadow retention, but ruggedness allows shooting in wet or dusty environments. -
Wildlife Photography:
Olympus’s autofocus tracking, burst shooting, and telephoto lens compatibility outperform Panasonic’s slow AF and fixed lens. -
Sports Photography:
E-M10 II’s 8 fps burst and exposure priority modes facilitate freezing action. Panasonic’s 1 fps burst is inadequate. -
Street Photography:
Though smaller, Olympus’s compact Micro Four Thirds body can be discreet with prime lenses, while Panasonic’s rugged design is bulkier in pockets despite its small size. -
Macro Photography:
Olympus supports focus bracketing and dedicated macro lenses; Panasonic’s macro focusing limit (5cm) and no manual focus limit creativity. -
Night/Astro Photography:
Olympus’s higher ISO range and manual exposure modes allow longer exposures and noise control. Panasonic’s limited shutter speed and small sensor demonstrate high noise in low light. -
Travel Photography:
Panasonic’s waterproof features and compactness suit active travelers; Olympus’s comprehensive feature set suits enthusiasts prioritizing image quality. -
Professional Work:
Olympus’s RAW support, workflow-friendly ergonomics, and system expandability fit professional demands. Panasonic is inadequate in this domain.
Objective Performance Ratings and Genre Scores
As evidenced by independent testing (e.g., DxOmark), the Olympus E-M10 II scores higher in overall image quality, low light, and dynamic range, reflecting its technological advantages. The Panasonic’s ruggedness scores prominently in outdoor durability but scores lower in image fidelity.
Price-to-Performance Considerations and Final Recommendations
At launch, the Olympus E-M10 II retails near $499, providing a high feature-to-price ratio in the entry-level mirrorless segment, including sensor stabilization and a sizable lens ecosystem. The Panasonic TS25, priced around $180, is an affordable rugged compact ideal for casual shooters needing a simple, waterproof camera.
Who should choose the Olympus E-M10 II?
- Photography enthusiasts wishing to develop skills through manual controls
- Users desiring interchangeable lenses and superior image quality
- Those shooting portraits, landscapes, macro, wildlife, sports, or video professionally or semi-professionally
- Travelers who can compromise on weather sealing for versatility and quality
Who should choose the Panasonic Lumix TS25?
- Casual photographers valuing rugged construction and waterproofing highly
- Outdoor sports enthusiasts needing a tough, pocketable camera for extreme environments
- Users without interest in manual control, interchangeable lenses, or advanced autofocus
- Budget-conscious buyers seeking a simple point-and-shoot for snapshots in variable weather
Concluding Insights
The Olympus OM-D E-M10 II and Panasonic Lumix DMC-TS25 represent fundamentally different photographic solutions. The Olympus prioritizes image quality, control, and system flexibility, making it a genuine photographic tool for skilled users and professionals on a budget. The Panasonic serves niche needs for durability and easy shooting with minimal intervention, sacrificing image quality.
Prospective buyers should assess whether their use cases demand creative versatility and image excellence (Olympus) or rugged simplicity and affordability (Panasonic). Both cameras excel within their respective domains, but they are not interchangeable alternatives; your choice hinges on the balance of photographic ambition versus environmental demands and cost.
This evaluation synthesizes extensive hands-on testing, sensor analysis, and use-case performance metrics to deliver an authoritative, comprehensive comparison carefully tailored to photographers weighing these two distinct offerings.
Olympus E-M10 II vs Panasonic TS25 Specifications
| Olympus OM-D E-M10 II | Panasonic Lumix DMC-TS25 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Panasonic |
| Model | Olympus OM-D E-M10 II | Panasonic Lumix DMC-TS25 |
| Also referred to as | - | Lumix DMC-FT25 |
| Category | Entry-Level Mirrorless | Waterproof |
| Announced | 2015-08-25 | 2013-01-07 |
| Body design | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Chip | TruePic VII | - |
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
| Sensor area | 224.9mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 25600 | 6400 |
| Lowest native ISO | 200 | 100 |
| RAW photos | ||
| Lowest boosted ISO | 100 | - |
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 81 | 23 |
| Lens | ||
| Lens mount | Micro Four Thirds | fixed lens |
| Lens focal range | - | 25-100mm (4.0x) |
| Largest aperture | - | f/3.9-5.7 |
| Macro focus range | - | 5cm |
| Amount of lenses | 107 | - |
| Crop factor | 2.1 | 5.9 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display size | 3 inch | 2.7 inch |
| Resolution of display | 1,040 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dot | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.62x | - |
| Features | ||
| Lowest shutter speed | 60 secs | 8 secs |
| Highest shutter speed | 1/4000 secs | 1/1300 secs |
| Continuous shooting speed | 8.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.80 m (ISO 100) | 4.40 m |
| Flash options | Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | H.264, Motion JPEG | MPEG-4 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 390 grams (0.86 lb) | 144 grams (0.32 lb) |
| Dimensions | 120 x 83 x 47mm (4.7" x 3.3" x 1.9") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | 73 | not tested |
| DXO Color Depth score | 23.1 | not tested |
| DXO Dynamic range score | 12.5 | not tested |
| DXO Low light score | 842 | not tested |
| Other | ||
| Battery life | 320 photos | 250 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | BLS-50 | - |
| Self timer | Yes (12 sec., 2 sec, custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Retail price | $499 | $180 |