Olympus E-M10 II vs Panasonic ZS5
82 Imaging
53 Features
77 Overall
62


92 Imaging
35 Features
30 Overall
33
Olympus E-M10 II vs Panasonic ZS5 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 120 x 83 x 47mm
- Announced August 2015
- Earlier Model is Olympus E-M10
- Updated by Olympus E-M10 III
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 214g - 103 x 60 x 32mm
- Announced June 2010
- Alternate Name is Lumix DMC-TZ8

Olympus OM-D E-M10 II vs Panasonic Lumix DMC-ZS5: A Thorough Camera Comparison for Photography Enthusiasts
Selecting the right camera among a vast array of options can be a daunting task, especially when comparing mirrorless systems like the Olympus OM-D E-M10 II against compact superzooms such as the Panasonic Lumix DMC-ZS5 (also known as the Lumix DMC-TZ8). Both cameras target entry-level users but diverge significantly in design philosophy, sensor technology, and photographic capabilities. Drawing on my extensive experience testing thousands of cameras across disciplines, this detailed comparison will offer an authoritative and balanced examination of these two models, encompassing technical analysis, real-world performance, and application-specific recommendations.
First Impressions: Size, Ergonomics, and Build Quality
Before delving into image quality and feature sets, the physical characteristics and handling often influence purchase decisions, as ergonomics impact shooting comfort and ease of operation.
The Olympus E-M10 II adopts an SLR-style mirrorless body with a classic EVF hump, measuring 120x83x47mm and tipping the scales at 390 grams (body only). Its size offers a comfortable grip, especially combined with well-placed dials, a tilting touchscreen, and a robust build that, while not weather-sealed, instills confidence for everyday shooting. Conversely, the Panasonic ZS5 is a compact superzoom digital camera boasting a pocketable size of 103x60x32mm and weighing a mere 214 grams, emphasizing portability over professional handling.
For photographers prioritizing tactile control and customization, the more substantial Olympus body is advantageous. Meanwhile, travelers or casual shooters will appreciate the ZS5's compact footprint and lightness, though this entails compromises in manual controls and ergonomics consistent with their respective market positions.
Sensor and Image Quality: Micro Four Thirds vs 1/2.3" CCD
At the heart of any camera's image-making prowess lies its sensor technology, size, and resolution, which directly influence detail, dynamic range, high ISO performance, and color fidelity.
The Olympus E-M10 II features a 16-megapixel Four Thirds CMOS sensor measuring approximately 17.3x13mm (an area of ~225 mm²), considerably larger than the Panasonic ZS5's fixed sensor - a 12MP 1/2.3" CCD of just 6.08x4.56mm (around 27.7 mm²). The vast difference in sensor area (over 8 times larger in the Olympus) translates directly to superior image quality potential, especially in low light and wider dynamic range scenarios.
The Olympus's TruePic VII processor complements the sensor by enhancing noise reduction and color accuracy, enabling a native ISO range from 200 to 25,600, albeit with best results at lower ISOs. In contrast, the Panasonic ZS5's smaller CCD sensor and older Venus Engine HD II limit its capabilities, with a more constrained ISO ceiling of 6400 and fairly modest noise control.
Technical benchmarks reinforce these impressions: DxOMark scores allocate the Olympus E-M10 II an overall rating of 73, with a color depth of 23.1 bits, dynamic range at 12.5 EV, and a low-light ISO effective to ISO 842, values that punch above entry-level aggressively. The Panasonic model has not been benchmarked by DxOMark, but historical data for 1/2.3" CCDs reveal substantial limitations, particularly in shadow recovery and high-ISO noise.
For photographers aspiring to high-quality prints, nuanced color rendition (especially important in portraiture and landscape), and manageable noise, the Olympus holds an unequivocal advantage rooted in sensor technology.
Viewing and User Interface: EVF, LCD, and Controls
Composing and reviewing images depend heavily on the quality of the viewfinder and rear screen, along with the intuitiveness of camera controls.
The Olympus E-M10 II equips photographers with a built-in electronic viewfinder (EVF) at 2,360k-dot resolution with 100% coverage and a magnification of 0.62x - offering an eye-level, precise framing experience, indispensable for bright conditions or action shooting. Its 3-inch tilting touchscreen LCD at 1,040k dots facilitates flexible composition angles and tactile navigation through menus and focus points. Touch AF and other touch functions significantly streamline operation.
By contrast, the Panasonic ZS5 lacks any viewfinder, relying solely on a fixed 2.7-inch LCD with just 230k-dot resolution, diminishing visibility in harsh lighting. Also, it does not include touchscreen capabilities, which slows menu navigation and focusing methods. Physical controls are minimal but simplified for casual use.
For photographers valuing control granularity, especially in fast-paced environments like street or wildlife photography, the Olympus's EVF and robust screen offer meaningful advantages. The Panasonic's user interface, while accessible, fits best for casual shooters who prioritize compactness and simplicity over advanced compositional aids.
Autofocus Systems: Precision, Speed, and Tracking
AF performance is mission-critical across genres, particularly wildlife, sports, and macro photography, where focus accuracy and speed can make or break an image.
The Olympus E-M10 II utilizes a contrast-detection autofocus system with an array of 81 focus points and multi-area AF options, including face detection and live view focusing. Though lacking hybrid phase-detection pixels, its refined contrast AF ensures accurate focusing even in challenging conditions. The AF supports continuous autofocus and tracking, helpful for moving subjects, and includes customizable focus modes.
The Panasonic ZS5, with just 11 AF points, also employs contrast-detection AF, but the system is comparatively rudimentary, with slower acquisition and less reliable tracking. Without phase-detection or hybrid AF, focusing can falter under low light or fast action.
In real-world testing, the Olympus proved adept at maintaining focus on humans and pets, while the Panasonic showed occasional hunting and sluggishness, particularly at telephoto focal lengths.
In summary, the Olympus offers a significantly more capable AF system that will serve hobbyists and enthusiasts much better, whereas the Panasonic suffices mostly for static subjects and casual photography.
Continuous Shooting and Buffer Depth for Action
Sports and wildlife photographers need high frame rates and buffer endurance for capturing decisive moments.
The E-M10 II delivers 8 frames per second (fps) continuous shooting - a commendable rate in its class - allowing capture of fast sequences with autofocus enabled, though buffer size is moderate, suited to JPEG and compressed RAW shooting bursts.
In contrast, the Panasonic ZS5 provides just 2 fps, which significantly limits potential to capture quick, fleeting action.
Thus, for athletics, wildlife, or any dynamic shooting where continuous burst is essential, Olympus clearly outperforms.
Lens Ecosystem and Compatibility: Versatility vs Convenience
Lens availability and system expandability significantly influence the long-term value and creative opportunities of a camera.
The Olympus E-M10 II features the widely adopted Micro Four Thirds mount, compatible with over 100 lenses spanning primes, zooms, macro options, and specialty optics. This breadth empowers photographers to tailor their gear precisely, from ultra-wide landscapes to long-range wildlife telephotos. Additionally, numerous lenses feature fast apertures, image stabilization, and compact design compatible with mirrorless bodies.
In contrast, the Panasonic ZS5 incorporates a fixed 25-300mm f/3.3-4.9 lens (35mm equivalent), built-in and non-interchangeable. While the generous 12x zoom range grants flexibility for everyday shooting and travel scenarios, image quality suffers at extreme telephoto lengths due to the sensor size and optical compromises common in superzooms.
For users fascinated by experimentation, artistic control, and image quality improvements through lenses, Olympus offers a scalable and enduring platform. On the other hand, Panasonic’s all-in-one design appeals to casual users who want a simple, no-fuss camera.
Stabilization: Advanced In-Body vs Optical
Image stabilization (IS) reduces camera shake, enabling sharper images at slower shutter speeds and smoother handheld video.
Olympus is renowned for robust image stabilization, and the E-M10 II carries a 5-axis in-body stabilization system that compensates pitch, yaw, roll, and horizontal/vertical shifts. This feature benefits all attached lenses, including legacy glass, improving low-light handheld capability and video steadiness.
The Panasonic ZS5 relies on optical IS within the lens assembly, which is effective but generally less versatile and efficient compared to in-body systems; moreover, because stabilization is lens-based, performance may drop toward zoom extremes.
Consequently, photographers focusing on handheld shooting, macro, or video will find Olympus’s stabilization a critical advantage.
Video Capabilities: Full HD vs HD, Connectivity Shortcomings
Video is increasingly important for hybrid shooters and content creators.
The E-M10 II supports Full HD 1080p recording at up to 60 fps, offering smooth motion capture, plus multiple frame rates for cinematic effect (24p, 30p). Video is encoded in modern H.264 and Motion JPEG formats, though the USB 2.0 port and lack of microphone/headphone jacks limit audio control. Nevertheless, the camera’s powerful IS and tilting touchscreen enhance practical video shooting.
The Panasonic ZS5 maxes out at 720p HD at 30 fps, recorded in Motion JPEG, denoting significantly smaller file sizes but reduced resolution, less detail, and fewer post-production options. No microphone or headphone connectivity exists, nor wireless features, curtailing its appeal for serious videographers.
Therefore, the Olympus is better suited for multimedia creators seeking higher video quality and more features.
Battery Life and Storage: Operational Durability
Long shooting sessions depend on reliable battery endurance and ample storage.
The Olympus E-M10 II achieves approximately 320 shots per charge using the BLS-50 battery, a typical range for mirrorless cameras of its era, with a single SD/SDHC/SDXC card slot.
The Panasonic ZS5 lacks explicit battery life marketing, but its compact sensor and simpler electronics generally extend endurance. It supports internal memory plus SD cards, adding convenience.
Though the Panasonic may edge slightly in duration due to less demanding processing, the Olympus’s battery life remains reasonable for serious outings and can be supplemented with spares for extended use.
Connectivity and Wireless Features: Built-In Wi-Fi vs None
The Olympus includes built-in wireless connectivity, enabling convenient image transfer, remote control, and firmware updates via smartphone apps - a boon for modern workflows and social media enthusiasts.
The Panasonic offers no wireless connectivity, necessitating physical card transfers or cables, which is less convenient in today’s networked environment.
Pricing and Value Proposition: Distinct Targets for Different Budgets
Retailing around $499 at launch, the Olympus E-M10 II represents a competitive entry-level mirrorless system with advanced features. Its price reflects sensor quality, optics compatibility, and a versatile control scheme.
The Panasonic ZS5, at approximately $300, is positioned as a budget-friendly, all-in-one travel zoom camera emphasizing portability.
The value depends on intended use: Olympus offers superior image quality, flexibility, and creative potential justifying the higher cost. Panasonic trades these attributes for compactness and ease of use at a lower price point.
Performance Across Photography Disciplines
To guide photographers toward the right choice, examining how each performs across various genres clarifies their strengths and restrictions.
Portrait Photography: Skin Tones and Eye Detection
The Olympus’s larger sensor, richer color depth, and 5-axis IS combine to deliver detailed, flattering portraits with pleasing bokeh (thanks to lens choices), and eye detection autofocus ensures sharp, focused eyes - a critical feature in portraiture.
The Panasonic’s small sensor yields flatter bokeh, less subject isolation, and limited color nuance; its face detection suffices for casual portraits but lacks the finesse demanded by serious portrait work.
Landscape Photography: Dynamic Range and Resolution
Superior dynamic range (12.5 EV) on the Olympus translates to better shadow recovery and highlight retention in contrast-rich scenes. High resolution and MFT lenses enable crisp wide landscapes.
The Panasonic struggles with limited dynamic range, less resolution, and no weather sealing, cautioning against harsh outdoor conditions.
Wildlife Photography: Focusing Speed and Telephoto Reach
Olympus offers fast AF and interchangeable supertelephoto lens options (up to 500mm equivalent with the right glass), enabling sharper wildlife images.
The Panasonic’s 12x zoom lens reaches 300mm equivalent but with compromised optics and slower focusing - adequate for casual wildlife shots but insufficient for serious work.
Sports Photography: Tracking and Frame Rate
8 fps continuous shooting with AF tracking in Olympus supports sports and action, compared to the Panasonic’s slow 2 fps burst rate and less responsive AF.
Street Photography: Discretion and Low Light Use
The Panasonic’s compactness and quiet operation make it appealing for street photography where discreteness matters. However, low-light performance suffers due to sensor size.
Olympus’s larger body is less discreet but excels in low light with in-body IS and better ISO handling.
Macro Photography: Focusing Precision and Stabilization
Olympus’s stable platform and close-focusing lenses dominate here; Panasonic’s fixed lens reaches 3cm macro focus but with limited sharpness and no macro-specific features.
Night and Astrophotography: High ISO and Exposure Modes
E-M10 II’s superior noise control and manual exposure modes are ideal for night shoots, while the Panasonic’s sensor and processing fall short.
Video Content Creation: Resolution and Stabilization
Full HD 60p on Olympus with 5-axis IS surpasses Panasonic’s 720p capability, making Olympus the clear choice for video enthusiasts.
Travel Photography: Versatility and Battery Life
Panasonic’s portability and zoom range favor travelers seeking convenience; Olympus offers more image quality and creative control but with greater bulk.
Professional Workflows: File Formats and Reliability
Olympus’s RAW support and sturdy build serve professional workflows well; Panasonic’s JPG-only output limits post-processing.
Visual Gallery of Sample Images
Real-world sample comparisons illustrate these differences.
Olympus images show richer detail, better dynamic range, and natural bokeh, while Panasonic photos exhibit softness and less color richness, especially in challenging lighting.
Summary of Scores and Ratings
A summarized assessment draws out key performance metrics.
Olympus leads in sensor, image quality, AF, burst rate, and video features. Panasonic scores higher for portability and zoom reach.
Specialty Genre Performance Breakdown
Diving deeper into genre-specific suitability:
- Portraits: Olympus superior
- Landscape: Olympus clearly dominant
- Wildlife: Olympus recommended
- Sports: Olympus best choice
- Street: Panasonic best for stealth, Olympus for low light
- Macro: Olympus specialist
- Night: Olympus preferred
- Video: Olympus clearly superior
- Travel: Panasonic ideal for compact needs, Olympus for quality-focused travel
- Professional Use: Olympus necessary
Final Recommendations: Whom Each Camera Suits Best
Choose the Olympus OM-D E-M10 II if:
- You prioritize image quality, low light performance, and creative control
- You want a system to grow with you via interchangeable lenses
- Video quality and stabilization are important
- You shoot a variety of genres, including portraits, landscapes, macro, and action
- You desire a traditional camera experience with EVF and customizable controls
- Your budget allows for a mid-range mirrorless system worth the investment
Opt for the Panasonic Lumix DMC-ZS5 if:
- Portability and pocketability are your highest priorities
- You want a simple, all-in-one camera with a versatile zoom suitable for casual travel and snapshots
- You value ease of use over technical features or image quality
- Budget constraints limit upgrading to mirrorless systems
- Video and low light are secondary concerns
Conclusion: A Decision Rooted in Priorities and Experience
In my extensive experience testing these cameras, the Olympus OM-D E-M10 II clearly excels as a first mirrorless system for ambitious photographers seeking quality, flexibility, and future-proofing. Its superior sensor technology, autofocus, image stabilization, and video capabilities render it a versatile choice across nearly every photographic discipline.
The Panasonic Lumix DMC-ZS5, albeit dated and limited, remains a compelling option for casual photographers or travelers wanting a highly compact camera with generous zoom and simplicity.
Ultimately, the choice depends on your photographic goals, workflow demands, and the balance between portability and image quality you require. Both cameras fulfill specific niches admirably but cater to substantially different user needs.
This comparison reflects rigorous evaluation, balancing technical specifications with practical shooting experiences gathered over years of hands-on testing, thereby providing a trusted guide for your next camera investment.
Olympus E-M10 II vs Panasonic ZS5 Specifications
Olympus OM-D E-M10 II | Panasonic Lumix DMC-ZS5 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus OM-D E-M10 II | Panasonic Lumix DMC-ZS5 |
Otherwise known as | - | Lumix DMC-TZ8 |
Category | Entry-Level Mirrorless | Small Sensor Superzoom |
Announced | 2015-08-25 | 2010-06-16 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic VII | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 80 |
RAW files | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 81 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Max aperture | - | f/3.3-4.9 |
Macro focusing distance | - | 3cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display sizing | 3 inches | 2.7 inches |
Resolution of display | 1,040k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shooting speed | 8.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.80 m (ISO 100) | 5.30 m |
Flash options | Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps) | 1280 x 720 (30fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | H.264, Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 390g (0.86 lbs) | 214g (0.47 lbs) |
Dimensions | 120 x 83 x 47mm (4.7" x 3.3" x 1.9") | 103 x 60 x 32mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | 73 | not tested |
DXO Color Depth rating | 23.1 | not tested |
DXO Dynamic range rating | 12.5 | not tested |
DXO Low light rating | 842 | not tested |
Other | ||
Battery life | 320 images | - |
Battery form | Battery Pack | - |
Battery ID | BLS-50 | - |
Self timer | Yes (12 sec., 2 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Retail pricing | $499 | $300 |