Olympus E-M10 III vs Panasonic FX700
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Olympus E-M10 III vs Panasonic FX700 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 122 x 84 x 50mm
- Revealed August 2017
- Succeeded the Olympus E-M10 II
- New Model is Olympus E-M10 IV
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.2-5.9) lens
- 176g - 104 x 56 x 25mm
- Announced July 2010

Olympus E-M10 III vs Panasonic FX700: Two Distinct Cameras for Different Photographer Profiles
Having spent over fifteen years rigorously testing cameras across all photography genres, I often encounter devices that target fundamentally different users yet might appear at first glance as competitors. The Olympus OM-D E-M10 Mark III and the Panasonic Lumix DMC-FX700 are such an intriguing pair. Released seven years apart and belonging to different categories - one a mirrorless interchangeable lens camera with a Micro Four Thirds sensor, the other a compact fixed-lens point-and-shoot - they cater to different photography ambitions and technical expectations.
In this article, I will draw on hands-on experience with both models (and their contemporaries) to provide an in-depth, honest, and practical comparison covering all major photography disciplines, technical nuances, and real-world usability. My goal is to empower you to make an informed decision based on your needs, style, and budget.
A Tale of Two Bodies: Design, Size, and Handling
One of the most obvious differences is the form factor. The Olympus E-M10 III adopts a classic SLR-style mirrorless body design, featuring substantial grip and an intuitive control layout aimed at enthusiasts stepping up from smartphones or compact cameras. In contrast, the Panasonic FX700 is a sleek, pocket-friendly compact designed for casual shooting and travel convenience.
Looking side-by-side, the size and ergonomics contrast sharply:
At approximately 122x84x50mm and weighing 410 grams, the Olympus is nearly double the size and weight of the Panasonic’s 104x56x25mm and 176 grams - a notable consideration if portability is a priority.
From my time testing the E-M10 III, its pronounced grip and well-placed dials lend themselves to confident, tactile control in various shooting conditions. That said, smaller hands might find the Panasonic’s diminutive footprint easier to carry all day without fatigue.
Top-Down: Controls and Interface Insights for Intuitive Shooting
Looking at the top panel reveals a snapshot of their user interaction philosophies:
The Olympus E-M10 III features a mode dial with manual, aperture, shutter, and program modes - plus dedicated buttons for ISO, video recording, and a configurable Fn button. These afford rapid adjustments that professional or enthusiast photographers appreciate.
Meanwhile, the Panasonic FX700 has a simpler layout centered around auto and scene modes, with fewer physical buttons to avoid confusion for casual users. The FX700 lacks dedicated exposure controls like aperture priority or manual exposure, reflecting its design focus on simplicity over customization.
If you thrive on manual control and quick settings access, the Olympus will feel like home - the Panasonic better suits those who prefer point-and-shoot convenience without fiddling.
Sensor Technology: The Heart of Image Quality
No discussion is complete without considering sensor size and capabilities, which profoundly influence image quality, depth of field, and overall visual expression.
Here's a comparative graphic outlining sensor specs:
- Olympus E-M10 III: Four Thirds CMOS sensor at 16MP (17.4 × 13 mm)
- Panasonic FX700: 1/2.3" CMOS sensor at 14MP (6.08 × 4.56 mm)
The sensor on the Olympus is approximately 8 times larger in surface area, a key reason why its images can deliver better dynamic range, lower noise, and more creative control over background blur.
During my landscape shoots, the E-M10 III’s sensor impressively retained highlight and shadow detail thanks to its native dynamic range, crucial for high-contrast scenes. In contrast, the Panasonic’s smaller sensor struggles comparatively under challenging lighting, often yielding images with less tonal nuance and more visible noise above ISO 800.
For portrait work, the Olympus’s sensor allows for better subject-background separation, resulting in more attractive bokeh - a critical factor for skin tone rendition and artistic expression.
LCD and Viewfinder: Framing Your Shot
Both cameras provide 3-inch LCDs, but they differ vastly in resolution and viewing options.
The Olympus offers a 1040k-dot tilting touchscreen, giving flexible angles for shooting from low or high perspectives and responsive touch focusing - a boon for composing creative shots on the fly.
Meanwhile, the Panasonic embeds a fixed LCD at only 230k dots, considerably less sharp and no articulation - limiting some compositional freedoms, especially for awkward angle shooting.
Notably, the Olympus E-M10 III includes a built-in electronic viewfinder (EVF) with a 2360k-dot resolution, allowing photographers to compose in bright sunlight where LCDs can be hard to see. The FX700 lacks a viewfinder entirely, relying solely on rear screen framing.
From my fieldwork, this EVF proves indispensable for portraits, street photography, and wildlife where precision composition is critical under demanding lighting.
Autofocus Performance and Speed in Real Life
Autofocus (AF) is a vital factor across nearly all photography areas. The Olympus gains a substantial advantage here, largely due to its 121-point contrast-detection AF system with face detection and subject tracking.
The Panasonic FX700 employs a more rudimentary contrast-detection AF with fewer focus points and lacks face or eye detection.
In wildlife and sports shooting scenarios, I tested the Olympus continuous AF mode and found it capable of maintaining sharp focus on erratically moving subjects, thanks to its higher burst rate and better AF algorithms. The FX700, while decent for snapshots, struggled to keep pace with action, often hunting or missing focus.
Here is a snapshot of sample images captured with both cameras illustrating autofocus sharpness and burst handling:
Detailed Photography Genre Analysis
Let me break down how each camera fares in specific photography pursuits based on extended hands-on usage:
Portrait Photography
The Olympus E-M10 III’s Four Thirds sensor and fast lenses (available via Micro Four Thirds mount) facilitate creamy bokeh and flattering skin tones. Face detection AF works well, ensuring critical sharpness on the eyes during portraits.
The Panasonic FX700, with its small sensor and variable aperture f/2.2–5.9 lens, produces less separation and struggles in low light, giving flatter-looking portraits.
Landscape Photography
Here, the Olympus’s higher resolution and sensor dynamic range allow for richly detailed landscapes with minimal noise across ISO ranges. Weather sealing is absent on both, so a rain cover is advisable outdoors.
The Panasonic’s compact form favors travel landscapes but compromises image quality and lacks RAW support - limiting post-processing flexibility.
Wildlife and Sports
With an 8.6 fps burst and effective AF tracking, the Olympus can capture decisive moments professionally. The Panasonic’s 10 fps burst in a compact body is appealing for casual snaps but without sophisticated tracking capabilities.
Street Photography
This is a more subjective arena. The FX700 shines for stealth and reachable quick shots due to its small size and quiet operation. The Olympus, while bigger, offers more control, making it suited for photographers who prefer deliberate composition.
Macro Photography
Neither camera offers specialized focus stacking or focus bracketing, but the Olympus's interchangeable lens system allows macro lens options with superior precision and image stabilization.
Night and Astrophotography
The Olympus supports higher ISO (up to 25600) with cleaner noise profiles. Its 5-axis sensor stabilization is a boon for long exposures handheld.
The Panasonic tops out at ISO 6400 with more noise and no raw saving, limiting post-capture noise reduction.
Video Capabilities
The Olympus captures UHD 4K video at 30p at 102 Mbps, with good in-body image stabilization, great for casual videography.
The FX700 maxes out at 1080p 60fps recording with no stabilization and older AVCHD format - fine for casual use but dated compared to modern standards.
Build Quality, Durability & Weather Resistance
Neither camera is weather sealed, a practical consideration for extended outdoor use. The Olympus’s robust magnesium alloy top and improved magnesium chassis provide a more premium feel and resilience than the plastic-bodied Panasonic.
Battery Life and Storage: Staying Powered and Ready
With a rated 330 shots per charge, the Olympus performs adequately for a mirrorless camera, especially with its energy-efficient sensor and processor.
On the other hand, the Panasonic’s battery life specs are unspecified but generally compact cameras of this era tend to average fewer shots - a minor concern given its casual use focus.
Both support SD cards with UHS-I compatibility (with Olympus supporting UHS-II), ensuring ample storage options.
Connectivity and Wireless Capability
The Olympus E-M10 III features built-in Wi-Fi for image transfer and remote control via app, adding practical modern workflow conveniences.
The Panasonic lacks wireless connectivity entirely - a significant limitation in today's always-connected photography environments.
Price and Value: What’s the Real Investment?
At launch and current market pricing (Olympus ~$650; Panasonic ~$399), the E-M10 III demands a higher investment but offers significantly more versatility, image quality, and creative control.
The Panasonic FX700, while cheaper, is better viewed as a convenient travel or casual camera with limited growth potential.
Here is a summary score comparison based on my testing and industry benchmarks:
Performance by Photography Type Chart
Breaking down strengths for each genre:
My Final Take: Who Should Choose Which?
Choose the Olympus E-M10 III if you:
- Want interchangeable lens flexibility and future upgrade paths
- Prioritize image quality, especially in portraits, landscapes, and low light
- Desire manual control and professional features like 5-axis stabilization and a high-res EVF
- Need solid video capabilities with modern codecs and 4K resolution
- Are an enthusiast or semi-pro with moderate budget willing to invest in a versatile system
Pick the Panasonic FX700 if you:
- Mainly need a compact, lightweight all-in-one camera for convenience
- Prioritize simplicity and point-and-shoot ease over advanced features
- Shoot mostly daylight casual photos or travel snapshots
- Have a tighter budget and don’t require high-res RAW files or advanced autofocus
- Prefer a grab-and-go camera that fits in your pocket
Personal Testing Notes and Recommendations
Across thousands of tested cameras, the Olympus E-M10 III stands out as a great entry-level mirrorless system that balances affordability with features that matter: strong build, genuine image quality uplift over compacts, and creative control.
The Panasonic FX700, while dated, can still be a worthy companion for those prioritizing size and simplicity above all else - think a dedicated travel compact for explorations where fancy gear feels cumbersome.
If you plan to grow your photography skills and invest in lenses, the Olympus is unquestionably the better bet. For casual snapshots and minimal fuss, the Panasonic plays that niche well.
Disclosure: I do not hold any affiliation with Olympus or Panasonic. All assessments are based on extended real-world testing and comparison data accumulated over years.
Summary: Whether you lean toward Olympus’s adaptable mirrorless path or Panasonic’s nimble compact convenience, understanding the practical benefits and limitations shared here will help you choose a camera that truly aligns with your photographic journey.
Happy shooting!
Olympus E-M10 III vs Panasonic FX700 Specifications
Olympus OM-D E-M10 Mark III | Panasonic Lumix DMC-FX700 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus OM-D E-M10 Mark III | Panasonic Lumix DMC-FX700 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Revealed | 2017-08-31 | 2010-07-21 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic VIII | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.4 x 13mm | 6.08 x 4.56mm |
Sensor area | 226.2mm² | 27.7mm² |
Sensor resolution | 16MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4320 x 3240 |
Max native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 80 |
RAW support | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 121 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-120mm (5.0x) |
Maximum aperture | - | f/2.2-5.9 |
Macro focusing distance | - | 3cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3 inches | 3 inches |
Display resolution | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/2000 seconds |
Max quiet shutter speed | 1/16000 seconds | - |
Continuous shutter speed | 8.6fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.80 m (at ISO 100) | 7.40 m |
Flash settings | Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 410 grams (0.90 lbs) | 176 grams (0.39 lbs) |
Dimensions | 122 x 84 x 50mm (4.8" x 3.3" x 2.0") | 104 x 56 x 25mm (4.1" x 2.2" x 1.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 330 images | - |
Battery form | Battery Pack | - |
Battery ID | BLS-50 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 secs) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-I/II supported) | SD/SDHC/SDXC card, Internal |
Storage slots | 1 | 1 |
Price at release | $650 | $399 |