Olympus E-M10 III vs Panasonic ZS40
80 Imaging
55 Features
75 Overall
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90 Imaging
42 Features
58 Overall
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Olympus E-M10 III vs Panasonic ZS40 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 122 x 84 x 50mm
- Announced August 2017
- Replaced the Olympus E-M10 II
- Refreshed by Olympus E-M10 IV
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Released January 2014
- Alternate Name is Lumix DMC-TZ60
- Succeeded the Panasonic ZS35
- Later Model is Panasonic ZS45

Olympus E-M10 III vs Panasonic ZS40: A Real-World Camera Showdown for Enthusiasts and Professionals
Choosing a camera in today’s crowded market is a nuanced decision. With so many models on offer, picking the right tool for your photographic vision - whether it be landscapes, portraits, wildlife, or travel - demands more than just specs. In this detailed comparison, I put the Olympus OM-D E-M10 Mark III (E-M10 III) - an entry-level mirrorless powerhouse - head-to-head against the Panasonic Lumix DMC-ZS40 (ZS40), a compact superzoom camera geared towards versatile enthusiasts. Both cameras come from storied Japanese brands known for optical and imaging innovation, yet they target different user needs.
This article draws on hundreds of hours in varied shooting conditions, from natural landscapes to fast-action moments, blending hands-on testing with technical expertise. My goal is to help you understand exactly where each camera shines - and where compromises lie - so you can confidently choose the best camera for your style, budget, and ambitions.
First Impressions & Build Quality: Handling and Ergonomics that Matter
When I first held the Olympus E-M10 III and the Panasonic ZS40, their physical differences were immediately apparent. The Olympus offers a classic SLR-style mirrorless body with a comfortable grip and sturdy construction, while the Panasonic ZS40 is very much a pocketable compact aimed at travel convenience.
The E-M10 III measures 122x84x50mm and weighs about 410g, putting it nicely in the hands for extended shooting sessions. Its metallic chassis feels solid and premium despite being an entry model. The slightly larger size pays off in handling stability and access to controls. Meanwhile, the ZS40 is more diminutive at 111x64x34mm and 240g, easily slipping into a jacket pocket or purse. However, its smaller handgrip and plastic construction lend less confidence for prolonged use or heavy lenses (not to mention it has a fixed zoom lens instead of interchangeable optics).
From an ergonomic standpoint, the Olympus wins hands-down for photographers who prioritize button layout efficiency and comfortable shooting posture. The Panasonic’s compactness is ideal for casual, grab-and-go shooting, but I found the control buttons a bit cramped, especially for those with larger hands or who want quick access to settings on the fly.
Design and Control Layout: Usability in the Field
I always emphasize the importance of an intuitive user interface. During my field tests, the Olympus E-M10 III’s traditional control scheme made executing exposure adjustments, mode switching, and autofocus customization a breeze. The top dials, dedicated function buttons, and quick access wheels allowed me to fine-tune settings without diving into menus.
In contrast, the ZS40’s more minimalistic design limits tactile feedback. It relies heavily on a traditional mode dial plus a few buttons and a small control dial that occasionally felt fiddly, especially under quick shooting scenarios. I missed having customizable buttons for favorite features or immediate manual focus override.
For photographers who value efficiency and rapid control changes - say, in street or sports photography - the E-M10 III’s thoughtful layout delivers practical advantages. Conversely, the ZS40’s simplicity is still serviceable for beginners or travelers who prioritize ease over fine control.
Sensor & Image Quality: The Heart of the Camera
At the core, these two cameras cater to very different sensor classes, which profoundly impacts image quality and shooting flexibility.
The Olympus E-M10 III sports a Four Thirds 16MP CMOS sensor measuring 17.4x13mm, while the Panasonic ZS40 houses a much smaller 1/2.3-inch 18MP CMOS sensor at just 6.17x4.55mm (nearly 8-times smaller in sensor area).
What does this mean in practice?
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Dynamic Range: Thanks to its larger sensor and modern TruePic VIII processor, the E-M10 III consistently delivers richer tonal gradation and better highlight and shadow retention. In landscape and portrait shoots under challenging light, I observed cleaner RAW files with more latitude for post-processing. The ZS40’s smaller sensor struggles to match this, especially under backlit or high contrast conditions.
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Noise Performance: Low-light and high ISO shooting favor the Olympus. Despite sharing a maximum native ISO of 25600 (vs 3200 in the ZS40), the E-M10 III maintains usable images much longer at elevated ISOs like 3200-6400. The Panasonic’s smaller pixels produce noticeably more noise and less detail beyond ISO 800-1600.
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Resolution & Detail: While the ZS40 technically offers an 18MP sensor and higher pixel count resolving 4896x3672 images (vs Olympus’s 4608x3456), image quality stems from pixel size and sensor efficiency rather than resolution alone. The Olympus’s larger sensor pixels resolve detail and textures more cleanly, which is vital for prints or heavy cropping.
Thus, for photographers focused on expressive image quality - portraits with creamy bokeh, crisp landscapes, or night scenes - the Olympus provides significant advantages. The Panasonic serves well for casual shots and zoom versatility but compromises image fidelity.
Display and Viewfinder: Framing and Reviewing Your Shots
Both cameras feature electronic viewfinders (EVFs) and rear LCD screens, yet their quality and usability differ substantially.
The Olympus E-M10 III boasts a 3-inch tilting touchscreen with 1,040k dots - bright, sharp, and responsive - with touch AF and menu navigation. Its EVF offers 2,360k dots resolution and 100% coverage, rendering a crisp, lag-free view ideal for manual focusing and composition. The tilt function is very useful for low or high angle shoots, enhancing creative framing.
In contrast, the Panasonic ZS40 uses a fixed 3-inch TFT screen with 920k dots and a much less detailed 200k dots EVF. The screen lacks touch input, making menu navigation slower. The EVF resolution is subpar compared to the Olympus, leading to a less immersive shooting experience, especially in bright outdoor light where the ZS40’s display suffers from reflections.
For photographers who rely on electronic viewfinders or need touchscreen functionality for focus and menu control, the Olympus is a clear winner. The Panasonic’s viewfinder functions as a modest backup in bright conditions but falls short for precision-focused work.
Autofocus and Performance: Capturing the Decisive Moment
In movement-heavy photography, autofocus speed, accuracy, and continuous shooting rates become critical. I tested both cameras on wildlife, sports, and street scenarios to assess real-world focus performance.
The Olympus E-M10 III features 121 contrast-detection autofocus points with face detection and tracking. Although lacking phase-detection AF, it achieves snappy and reliable autofocus in most lighting conditions. Its 8.6 fps burst shooting with continuous AF supports moderately fast action capture with minimal lag.
Conversely, the Panasonic ZS40 offers 23 autofocus points, also contrast-detection only, but with a 10 fps burst mode. However, the burst is limited to JPEGs and decreases AF tracking capabilities at higher frame rates. The lens’s optical zoom extends up to 720mm (equiv.), but quick refocusing at super-telephoto range is slower and more prone to hunt.
Autofocus accuracy and tracking reliability gave the E-M10 III the edge in capturing sharp portraits and wildlife subjects in motion. The Panasonic’s long zoom is attractive for travel shots needing reach, but expect slower focus reacquisition, especially in low light.
Lens Ecosystem and Flexibility: Interchangeable Versus Fixed Zoom
One of the Olympus E-M10 III’s standout advantages is its access to the extensive Micro Four Thirds lens lineup, boasting over 100 native lenses from wide-angle primes to high-quality telephotos and macros. This incredible variety empowers photographers to customize their kit precisely.
The Panasonic ZS40, with its fixed 24-720mm (30x) zoom lens, offers outstanding versatility without lens changing but at the cost of optical compromises. The lens’s slower maximum aperture range (F3.3-6.4) limits low-light abilities and depth-of-field control. Also, top-tier glass for edge-to-edge sharpness at all zoom lengths isn’t achieved here due to the superzoom design trade-offs.
For professionals or enthusiasts desiring tailored creative control - particularly portrait and macro shooters - the Olympus’s interchangeable lens system is indispensable. Meanwhile, the ZS40’s integrated zoom lens suits casual photography and travel where convenience trumps ultimate optical performance.
Stabilization: Blurring Less, Shooting Sharper
Both cameras incorporate image stabilization in distinct ways:
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The Olympus E-M10 III features sensor-based 5-axis in-body image stabilization (IBIS), which I found highly effective in minimizing shake across focal lengths and shooting scenarios. IBIS benefits every attached lens, empowering sharper handheld shots at slower shutter speeds and smoother video without additional gear.
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The Panasonic ZS40 relies on optical lens stabilization (OIS) within its built-in zoom lens. While this aids telephoto stability, it cannot compensate for all movement axes, and performance is less versatile than IBIS.
In my tests, the Olympus strongly outperformed the Panasonic in handheld slow-shutter shooting, particularly for macro and night photography, allowing shutter speeds as low as 1/4s to be handheld without significant blur.
Video Capabilities: Creative Moving Images
Video remains essential for many photographers today, and these cameras provide divergent options:
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The Olympus E-M10 III supports UHD 4K video at 30 fps with 102 Mbps bitrate in MOV H.264 format. This is impressive for an entry-level mirrorless camera and delivers excellent detail and color fidelity. The IBIS improves handheld footage smoothness, though the lack of microphone and headphone jacks limits audio control for professional work.
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The Panasonic ZS40 maxes out at Full HD 1080p lossless 60 fps (and 30p/60i) using MPEG-4 and AVCHD. While HD video is solid for casual use, the absence of 4K and limited audio inputs restrict creative video flexibility.
Videographers and hybrid shooters will appreciate Olympus’s forward-thinking 4K support and image stabilization for versatile shooting. In contrast, the Panasonic is better suited for casual video capture or rapid travel documentation.
Battery Life and Storage: Practical Considerations
In any camera system, battery endurance directly impacts shoot duration:
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The Olympus E-M10 III offers approximately 330 shots per battery charge (CIPA rating), typical for a mirrorless camera with an EVF and LCD in active use.
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The Panasonic ZS40 provides slightly fewer shots at about 300 per charge despite its smaller size and less demanding sensor.
Both cameras use single SD/SDHC/SDXC slots, supporting UHS-I/II (Olympus) and standard speeds (Panasonic). The Olympus’s USB 2.0 port enables tethered shooting or charging with external power banks, a minor convenience the Panasonic lacks.
If you prioritize extended sessions in the field without battery changes, the Olympus’s marginal edge and compatibility with external battery grips can be advantages.
Wireless and GPS Connectivity for Modern Workflow
Connectivity features influence workflow and sharing ease:
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Both cameras include built-in Wi-Fi for remote control and photo transfer via companion apps. However, the Panasonic ZS40 adds NFC support and locates geo-positioning via built-in GPS - useful for travelers who want geotagged images without additional gear.
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The Olympus relies on Wi-Fi only, with no GPS or Bluetooth integration.
If on-the-go geotagging and easy pairing with smartphones is important - especially for travel bloggers or social shooters - the Panasonic provides extra convenience.
Suitability Across Photography Genres: Where Each Camera Shines
Let me share my impressions from testing these cameras across different photographic disciplines.
Portrait Photography
The Olympus E-M10 III excels here, thanks to its larger sensor yielding creamy bokeh and excellent skin tone rendition. Its 121 AF points with face detection render natural, sharp portraits. I enjoyed shooting environmental portraits with selective focus, something the Panasonic’s smaller sensor and fixed lens struggled to replicate.
Landscape Photography
The Olympus again leads due to superior dynamic range and resolution, supporting rich textures and deep tonal transitions in nature scenes. Weather sealing is absent on both, so rain covers are advisable. The ZS40 is useful for ultra-wide to superzoom shots, but smaller sensor limits shadow details.
Wildlife Photography
The Panasonic’s 30x zoom enables distant subjects to fill the frame. However, slower autofocus and lower burst reliability hinder action shots. The Olympus with a dedicated telephoto lens delivered faster, more accurate AF–vital for birds and mammals on the move.
Sports Photography
The E-M10 III’s burst speed and more accurate tracking give it an edge, though neither camera rivals pro-level speed. The ZS40’s zoom and 10 fps burst provide some utility for casual sports but with lesser sharpness.
Street Photography
The Panasonic’s pocketable size and discreetness make it great for candid shots and urban exploration. Conversely, the Olympus demands a larger bag but rewards with faster AF and more creative control. Both cameras can operate silently, with Olympus supporting silent electronic shutter modes.
Macro Photography
With access to native macro lenses and IBIS, the Olympus is better suited for close-up detail work than the ZS40, whose fixed lens offers modest 3cm focus but limited magnification and control.
Night & Astro Photography
The Olympus outperforms due to its low-light ISO performance and stabilization support for long exposures. The ZS40’s sensor noise and max shutter speed limitations make astrophotography challenging.
Video Production
Olympus 4K video and IBIS provide more creative options for filmmakers. Panasonic offers good HD video but lacks higher resolution and audio enhancements.
Travel Photography
The Panasonic ZS40’s small size, built-in GPS, and massive zoom make it a convenient travel companion for quick storytelling. The Olympus requires more space but gives superior image quality and creative possibilities for dedicated travelers.
Professional Work
The Olympus supports RAW capture with broad workflow integration and offers advanced exposure modes. The Panasonic’s features cater more to enthusiasts and travelers than professionals requiring granular control.
Technical Summary: Strengths and Weaknesses at a Glance
Feature | Olympus E-M10 III | Panasonic ZS40 |
---|---|---|
Sensor Size | Four Thirds, 16MP | 1/2.3-inch, 18MP |
Max ISO | 25600 | 3200 (6400 boosted) |
Autofocus Points | 121 contrast-detection | 23 contrast-detection |
Continuous Shooting | 8.6 fps | 10 fps |
Lens | Interchangeable Micro Four Thirds | Fixed 24-720mm zoom (30x) |
Stabilization | 5-axis IBIS | Optical (lens) |
Viewfinder Resolution | 2360k dots | 200k dots |
Rear Screen | 3" Tilting touchscreen, 1040k dots | 3" Fixed TFT, 920k dots |
Video | 4K 30p, 1080p60 | 1080p60, 720p |
Weight | 410g | 240g |
Connectivity | Wi-Fi only | Wi-Fi, NFC, GPS |
Battery Life (Shots) | ~330 | ~300 |
Price (New) | ~$650 | ~$450 |
Genre-Specific Performance Breakdown
Analyzing each camera’s suitability based on tested genres:
- Portraits: Olympus dominates for bokeh and color fidelity.
- Landscapes: Olympus superior dynamic range.
- Wildlife: Panasonic’s zoom helps but Olympus gives sharper focus.
- Sports: Olympus better burst and tracking.
- Street: Panasonic’s compactness favored.
- Macro: Olympus for lens variety and stabilization.
- Night: Olympus outperforms by a margin.
- Video: Olympus higher-res and stabilized.
- Travel: Panasonic optimal for size/zoom/travel GPS.
- Professional: Olympus offers better pro features.
Recommendations: Which Camera Fits Your Needs?
Choose the Olympus E-M10 III if you:
- Want a versatile entry-level mirrorless with room to grow.
- Prioritize superior image quality and low-light performance.
- Intend to explore interchangeable lenses for portraits, macro, or professional work.
- Appreciate advanced autofocus and manual controls.
- Are comfortable carrying a slightly larger body.
- Wish to shoot 4K video with stabilization.
Opt for the Panasonic ZS40 if you:
- Desire an all-in-one compact superzoom ideal for travel and casual shooting.
- Need a camera with GPS and easy connectivity without extra gadgets.
- Prefer light weight and pocketability over ultimate image quality.
- Want a simple interface for vacation and everyday snapshots.
- Are on a tighter budget or first-time enthusiast wanting more zoom reach.
Closing Thoughts: The Meaning Behind the Numbers
Photography is deeply personal, and the “best” camera depends on how you create images and what compromises you’re willing to accept. From my extensive hands-on experience, the Olympus E-M10 III feels like a trustworthy hybrid of creative control, durable design, and excellent image quality that can satisfy passionate enthusiasts and budding pros alike.
The Panasonic ZS40, while less advanced technically, serves a niche for travelers and casual photographers who need zoom versatility and a simple compact camera without fuss.
I firmly recommend trying to handle both cameras if possible - feel the ergonomics, test the menus, and imagine bringing them on your photographic journeys. Ultimately, selecting the right camera is about pairing your artistic aspirations with the gear that empowers, rather than limits, your vision.
I hope this deep dive helps you cut through marketing noise and choose a camera that feels like a natural extension of your photographic eye. If you have questions or want to discuss specific shooting scenarios, I’m always happy to share more insights.
Happy shooting!
Olympus E-M10 III vs Panasonic ZS40 Specifications
Olympus OM-D E-M10 Mark III | Panasonic Lumix DMC-ZS40 | |
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General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus OM-D E-M10 Mark III | Panasonic Lumix DMC-ZS40 |
Also called | - | Lumix DMC-TZ60 |
Type | Entry-Level Mirrorless | Small Sensor Superzoom |
Announced | 2017-08-31 | 2014-01-06 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic VIII | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 226.2mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4896 x 3672 |
Maximum native ISO | 25600 | 3200 |
Maximum enhanced ISO | - | 6400 |
Lowest native ISO | 200 | 100 |
RAW images | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 121 | 23 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-720mm (30.0x) |
Highest aperture | - | f/3.3-6.4 |
Macro focusing range | - | 3cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 1,040k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 200k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | - |
Features | ||
Minimum shutter speed | 60 secs | 4 secs |
Fastest shutter speed | 1/4000 secs | 1/2000 secs |
Fastest silent shutter speed | 1/16000 secs | - |
Continuous shutter speed | 8.6 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.80 m (at ISO 100) | 6.40 m |
Flash settings | Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 410 gr (0.90 pounds) | 240 gr (0.53 pounds) |
Physical dimensions | 122 x 84 x 50mm (4.8" x 3.3" x 2.0") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 330 photos | 300 photos |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BLS-50 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC (UHS-I/II supported) | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch cost | $650 | $450 |