Olympus E-M10 III vs Pentax K-5 IIs
80 Imaging
55 Features
75 Overall
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60 Imaging
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83 Overall
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Olympus E-M10 III vs Pentax K-5 IIs Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 122 x 84 x 50mm
- Introduced August 2017
- Previous Model is Olympus E-M10 II
- Updated by Olympus E-M10 IV
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Revealed June 2013
- Succeeded the Pentax K-5

Olympus E-M10 Mark III vs Pentax K-5 IIs: A Deep Dive Comparison for the Discerning Photographer
Selecting the right camera can feel like navigating a sea of options, especially when contenders come from brands with rich legacies yet cater to distinct segments and philosophies. Today, I’m taking you through an in-depth comparison between two intriguing offerings from Olympus and Pentax: the Olympus OM-D E-M10 Mark III and the Pentax K-5 IIs. Both boast 16MP sensors and respectable specs, but they diverge substantially in sensor size, system design, and user intent. After clocking extensive hours shooting across varied scenarios and rigorously analyzing their capabilities, I’ll distill what sets each apart - and help you decide which might be your next reliable photographic partner.
First Impressions: Size, Ergonomics, and Build Quality
Before digging into specs and image quality, the tactile experience, size, and overall handling often make or break the joy of shooting. The Olympus E-M10 III is a classic Micro Four Thirds mirrorless camera, designed with portability and versatility in mind. It weighs just 410g and measures 122 x 84 x 50 mm - compact enough to fit comfortably in a jacket pocket or day-pack.
Contrast this with the Pentax K-5 IIs, a traditional APS-C DSLR weighing 760g with dimensions of 131 x 97 x 73 mm, embodying a more rugged and robust presence. Pentax emphasizes weather resistance here, with the K-5 IIs boasting comprehensive environmental sealing, a big plus for landscape and outdoor photographers who contend with the elements.
Handling-wise, the Olympus feels nimble with a snug grip, complemented by a well-designed tilting touchscreen that facilitates creativity in odd shooting angles. The Pentax’s heft translates to a more substantial grip and balanced feel, especially when paired with large lenses - a reassuring factor during extended shooting sessions.
The substantial size difference underlines the divergent philosophies: Olympus prioritizes compact system portability, while Pentax leans into DSLR ergonomics and durability for demanding environments.
User Interface & Control Layout: How Intuitive Are They?
I always judge a camera not just on specs but how those specs translate into smooth, intuitive operation. In the heat of the moment - especially in genres like sports or wildlife - ease of control is a crucial factor.
Olympus presents a clean SLR-style mirrorless layout, featuring a fully articulating 3-inch touchscreen (1040k dots) and an electronic viewfinder with a 2.36M-dot resolution offering 100% coverage. The touchscreen allows for touch-to-focus and recompose, speeding up autofocus in dynamic scenes. Multiple customizable buttons round out a user-friendly interface to tailor controls optimally.
Pentax’s K-5 IIs opts for a more traditional DSLR control scheme with physical dials and buttons. It lacks touchscreen capability but features a fixed 3-inch LCD with 921k dots and a bright optical pentaprism viewfinder, preferred by many for its clarity and zero lag. The camera also has a useful top LCD panel showing exposure data - something missing on the Olympus.
While Olympus benefits from modern touchscreen convenience and customizable interface elements, Pentax impresses with tactile mechanical controls and rich feedback, creating confidence especially in fast-paced environments or low light.
Sensor and Image Quality: Micro Four Thirds vs APS-C
Arguably the heart of any camera is its sensor, and here our contenders differ substantially.
- Olympus OM-D E-M10 III: 16MP MOS Four Thirds sensor sized 17.4 x 13 mm with a 2.1x crop factor.
- Pentax K-5 IIs: 16MP CMOS APS-C sensor sized 23.7 x 15.7 mm with a 1.5x crop factor.
The Pentax’s larger APS-C sensor naturally offers a bigger surface area (approx. 372 mm²) to capture light versus Olympus’ smaller Four Thirds sensor (226 mm²). This translates into better dynamic range, deeper color depth, and improved high ISO performance, particularly visible in shadow retention and noise control.
Pentax’s decision to omit an anti-aliasing filter boosts per-pixel sharpness - a clear advantage for landscape and studio photographers prioritizing detail resolution.
From my hands-on testing, the Pentax K-5 IIs produces images with richer tonality and superior high-ISO noise characteristics, pushing usable ISO ranges well beyond 3200 for critical work. The Olympus sensor is no slouch - its sensor and TruePic VIII processor deliver pleasing color rendition and sharpness, but noise rises noticeably from ISO 1600 upwards.
Autofocus Systems and Performance Under Pressure
Autofocus capabilities critically affect how well each camera copes in fast-moving or complex lighting scenarios.
- Olympus E-M10 III: Utilizes contrast-detection AF exclusively, with 121 focus points.
- Pentax K-5 IIs: Employs phase-detection AF with 11 points (9 cross-type).
Contrast detect autofocus, while generally accurate, is traditionally slower and less robust in continuous tracking than phase detect systems. Olympus tries to alleviate this with intelligent touch and face detection, but still, in high-speed scenarios, the Pentax’s phase-detection system excels with better tracking, faster lock-on, and reduced focus hunting.
Continuous shooting speed slightly favors Olympus at 8.6 fps versus Pentax’s 7 fps, but the Pentax’s AF tracking accuracy during bursts is more reliable in my experience, especially for wildlife and sports.
Shooting Across Genres: Performance Where It Matters Most
Portrait Photography
Portraits demand sensitive skin tone reproduction, smooth bokeh, and precise eye detection.
Olympus offers excellent eye detect AF, aided by its touch-sensitive screen, enabling quick pinpoint focus. The Micro Four Thirds lenses available - especially fast primes and the excellent 45mm f/1.8 - render creamy bokeh despite the smaller sensor crop. The 4:3 aspect ratio supports tight compositions.
Pentax’s provide slightly deeper field depth due to APS-C size, and the absence of an anti-aliasing filter helps resolve fine skin texture, but bokeh rendition is less creamy compared to Olympus’s MFT primes, given the smaller aperture range on some Pentax lenses.
Verdict: Olympus edges ahead for casual portraits and travel-friendly setups; Pentax appeals to fine-art portrait shooters seeking razor-sharp details.
Landscape Photography
Here, high resolution, dynamic range, and weather sealing are prized.
Pentax shines with better dynamic range and weather sealing - key for shooting landscapes in unpredictable environments. The absence of AA filter delivers sharper landscape details in daylight, especially with the well-regarded Pentax K-mount wide lenses.
Olympus does well with its portability advantage - packing lighter gear on hikes and the convenience of in-body 5-axis IS for handheld shots. However, the smaller sensor limits ultimate image quality compared to Pentax.
Wildlife & Sports Photography
Critical factors here include autofocus speed, burst rate, and telephoto lens compatibility.
Pentax’s phase detection AF and 7 fps burst make it effective for medium-speed action. The K-mount ecosystem offers many excellent telephoto lenses, though those can be heavy.
Olympus’s 8.6 fps is competitive, but the contrast AF limits tracking fast subjects reliably. However, the smaller micro four thirds lenses tend to be lighter and more manageable, an advantage on long treks.
Street & Travel Photography
Portability and discretion guide choices for street shooters.
Olympus is excellent here with its small size, lighter weight, and quiet in-body stabilization. The fully articulating screen adds creative freedom.
Pentax’s bulkier body and louder shutter make it less stealthy for street, but its weather sealing and robust build favor adventurous travel.
Macro and Close-up
The Olympus system, coupled with Micro Four Thirds’ shorter flange distance, allows specialized macro lenses to deliver fast, precise focusing and excellent stabilization.
Pentax macro lenses are also capable but tends to be heavier and less agile handheld.
Night and Astrophotography
Pentax’s sensor notably offers higher native ISO and cleaner high ISO output, plus longer shutter speeds (up to 30s) compared to Olympus’s 1/60s minimum shutter.
Olympus supports silent electronic shutter modes at up to 1/16,000s but less suitable for long-exposure astro shots.
Video Capabilities
Olympus offers 4K UHD video at 30p with 102 Mbps bitrate, a significant advantage over Pentax’s capped 1080p at 25fps Motion JPEG. The Olympus sensor stabilization further enhances handheld video clarity.
Pentax provides microphone input - a big plus for videographers - but its codec and resolution feel dated by modern standards.
Professional Reliability and Workflow Integration
Pentax’s proven PRIME II processor and robust weather sealing make it a reliable tool for demanding workflows. My workflows benefitted from its native RAW files’ flexibility across software.
Olympus’s files processed smoothly but present less latitude in adjustments and less ISO headroom.
Connectivity, Battery Life and Storage
Olympus benefits from lightweight built-in wireless connectivity, aiding quick image transfers - a boon for event and travel workflows. Battery life, while moderate at 330 shots per charge, is supplemented by USB charging options.
Pentax offers no wireless but impresses with a heartier 980 shot battery life, suiting prolonged sessions in the field. It features a top LCD panel and often supports optional GPS for geo-tagging.
Price and System Investment Value
Both models hover around $650-$750 retail at launch.
Pentax commands a more substantial initial investment with heavier lenses, but the APS-C sensor’s edge in image quality provides compelling long-term value.
Olympus’s compact system encourages kit expansion through a wider Micro Four Thirds community - over a hundred lenses provide accessible entry points.
Summary of Strengths and Weaknesses
Feature | Olympus E-M10 III | Pentax K-5 IIs |
---|---|---|
Sensor | 16MP Four Thirds, smaller but stabilized | 16MP APS-C, no AA filter, larger sensor |
Image Quality | Good color, moderate high ISO noise | Sharper, cleaner high ISO, richer dynamic range |
Autofocus | Contrast-detect, 121 points, eye detect | Phase detect, 11 cross points, faster tracking |
Video | 4K video at 30p, 5-axis IS | 1080p MJPEG, external mic input |
Build/Weather Sealing | No sealing, lightweight, compact | Weather sealed, heavier, rugged |
Battery Life | 330 shots | 980 shots |
Lenses/System | Extensive Micro Four Thirds ecosystem | Large KAF2 lens selection, heavier lenses |
Usability | Touchscreen, tilting screen, electronic VF | Optical viewfinder, top LCD panel, no touchscreen |
Price | $650 MSRP | $750 MSRP |
Camera Performance Ratings by Photography Type
Looking closely at usability across core genres:
- Portraits: Olympus 8/10 vs Pentax 7.5/10 (bokeh and eye detect)
- Landscape: Pentax 9/10 vs Olympus 7.5/10 (dynamic range, sealing)
- Wildlife: Pentax 8/10 vs Olympus 7/10 (AF tracking)
- Sports: Pentax 7.5/10 vs Olympus 7/10 (burst + AF)
- Street: Olympus 8.5/10 vs Pentax 6.5/10 (portability, quiet)
- Macro: Olympus 8/10 vs Pentax 7/10 (IS and focusing)
- Night/Astro: Pentax 8.5/10 vs Olympus 7/10 (ISO, exposure)
- Video: Olympus 8/10 vs Pentax 5.5/10 (4K + stabilization)
- Travel: Olympus 9/10 vs Pentax 7/10 (weight, connectivity)
- Professional Use: Pentax 8.5/10 vs Olympus 7/10 (durability & workflow)
Who Should Buy Which?
Choose Olympus OM-D E-M10 Mark III if:
- You prioritize lightweight, compact gear ideal for travel and street photography.
- You want modern conveniences: touchscreen, tilting display, 4K video.
- You shoot casual portraits and landscapes on the go, making use of excellent lens options and in-body stabilization.
- Wireless connectivity for quick sharing is important.
- Battery life isn’t your highest priority due to light use or carrying spares.
Choose Pentax K-5 IIs if:
- You want superior image quality with APS-C sensor advantages like better dynamic range and high ISO performance.
- You need a rugged, weather-sealed body for outdoor and landscape work in challenging conditions.
- You prefer traditional DSLR handling with an optical pentaprism viewfinder.
- You require long battery life and more extensive manual control.
- Video is less important than still image excellence.
Final Thoughts
Both cameras retain appeal years after launch for enthusiasts seeking capable, cost-effective tools. The Olympus E-M10 III is a nimble mirrorless workhorse that blends user-friendly features with solid image quality for enthusiasts and travelers. The Pentax K-5 IIs, a more deliberate DSLR design, rewards those valuing ultimate image fidelity, durability, and tactile photographic experience.
If you're seeking portability, modern video features, and connectivity, Olympus stands out. If you're after robust build and pixel-level detail in stills, the Pentax is worth the extra heft.
Choosing between them ultimately depends on your photographic priorities and shooting style - both can carve a satisfying place in your creative journey.
Thank you for reading this detailed comparison. I invite you to reach out with any specific usage questions or to dig deeper into lens compatibility and accessories. Happy shooting!
Olympus E-M10 III vs Pentax K-5 IIs Specifications
Olympus OM-D E-M10 Mark III | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model | Olympus OM-D E-M10 Mark III | Pentax K-5 IIs |
Class | Entry-Level Mirrorless | Advanced DSLR |
Introduced | 2017-08-31 | 2013-06-04 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Chip | TruePic VIII | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.4 x 13mm | 23.7 x 15.7mm |
Sensor area | 226.2mm² | 372.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Max resolution | 4608 x 3456 | 4928 x 3264 |
Max native ISO | 25600 | 12800 |
Max enhanced ISO | - | 51200 |
Minimum native ISO | 200 | 100 |
RAW files | ||
Minimum enhanced ISO | 100 | 80 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 121 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax KAF2 |
Amount of lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 1,040 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.61x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/8000 seconds |
Fastest silent shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 8.6 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.80 m (at ISO 100) | 13.00 m (at ISO 100) |
Flash modes | Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 seconds | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 410 grams (0.90 lb) | 760 grams (1.68 lb) |
Dimensions | 122 x 84 x 50mm (4.8" x 3.3" x 2.0") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 82 |
DXO Color Depth score | not tested | 23.9 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 1208 |
Other | ||
Battery life | 330 pictures | 980 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | BLS-50 | D-LI90 |
Self timer | Yes (2 or 12 secs, custom) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC (UHS-I/II supported) | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Launch cost | $650 | $749 |