Olympus E-M10 vs Panasonic L10
82 Imaging
52 Features
73 Overall
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66 Imaging
44 Features
38 Overall
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Olympus E-M10 vs Panasonic L10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 119 x 82 x 46mm
- Announced March 2014
- Updated by Olympus E-M10 II
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 556g - 135 x 96 x 78mm
- Introduced December 2007

Olympus E-M10 vs Panasonic Lumix DMC-L10: A Hands-On Comparison of Two Micro Four Thirds Contenders
Selecting a camera is never just about specs on paper, but my experience testing hundreds of cameras confirms that real-world performance, handling, and system compatibility are just as critical. Today’s head-to-head pits two Micro Four Thirds models - the Olympus E-M10, an entry-level mirrorless introduced in 2014, and the Panasonic Lumix DMC-L10, a mid-size DSLR from late 2007. Both stem from the same sensor ecosystem but represent very different eras and philosophies in camera design and technology.
If you’re shopping for a camera with a Micro Four Thirds lens mount and wondering which platform suits your photography needs, this thorough shootout will help you understand how each fares across portrait, landscape, wildlife, and video uses - and beyond. I’ve personally handled and tested both cameras extensively, so you’ll find honest insights here based on hands-on use, comparing image quality, ergonomics, autofocus, and more.
Let’s dive into the root differences first - physically and technically.
Size, Build, and Ergonomics: Compact Mirrorless vs Classic DSLR
When you pick up the Olympus E-M10 and Panasonic L10 side by side, the contrast is immediately clear:
The E-M10 embodies the modern mirrorless shift - compact, lightweight at 396g, and with a slim 119x82x46 mm profile. Its mineral magnesium alloy body feels surprisingly robust for an entry-level model. The grip is modest but sufficient for small to medium hands, making it a great travel or street shooter’s companion.
Conversely, the Panasonic L10 weighs in at a heftier 556g with chunkier dimensions (135x96x78 mm). Its classic DSLR-styled body has a more substantial grip that some will find more reassuring, especially with larger lenses. Build quality is solid but lacks any weather-sealing or toughness beyond typical consumer-level plastics and metals common in its 2007 lineage.
Looking at the top-deck controls, we see a clear difference in approach:
Olympus favors minimalism with a small mode dial and intuitive placement - a touch screen on the back complements this for quick settings adjustment (more on that later). Panasonic’s L10 uses a more traditional DSLR-style dial and dedicated buttons, but with fewer AF modes and limited ergonomics for quick operation. For action shooting, I prefer the E-M10’s customizable buttons and touchscreen responsiveness, which beats the older Panasonic’s slower menu navigation.
If you prize portability and sleek design, the Olympus wins here hands down; if you want a camera that feels like a classic SLR and doesn’t mind the bulk, the Panasonic remains solid.
Sensor and Image Quality: Evolution Matters
Both cameras utilize the Micro Four Thirds sensor format at 17.3x13 mm sensor dimensions and a 2.1x crop factor, but technology has moved forward sharply in seven years between releases.
The Olympus E-M10 sports a 16MP CMOS sensor paired with the TruePic VII processor, delivering 4608x3456 resolution images. Meanwhile, the Panasonic L10 features a 10MP CMOS sensor, maxing out at 3648x2736 pixels. The increased resolution on the E-M10 offers more cropping flexibility and larger prints with less loss of detail.
DxOMark scores reflect these improvements quantitatively:
- Olympus E-M10: Overall score 72, color depth 22.8 bits, dynamic range 12.3 EV, low-light ISO performance rating 884.
- Panasonic L10: Overall score 55, color depth 21.3 bits, dynamic range 10.8 EV, low-light ISO rating 429.
The effectively doubled low-light ISO score on the Olympus confirms its better noise control, letting you shoot cleaner in dim environments - crucial for indoor portrait sessions or evening street photography.
In real-world testing, Olympus’ sensor delivers punchier colors and superior dynamic range. Shadow recovery and highlight retention are noticeably improved, especially shooting RAW files. Panasonic’s older sensor shows more noise at higher ISOs, and the lower pixel count impacts fine detail resolution when viewed at 100%.
If pure image quality metrics and in-the-field performance factor heavily in your decision, Olympus’ modern sensor easily pulls ahead, without grabbing an unfair lead on the Micro Four Thirds format’s limitations.
Viewing and Interface: Modern Mirrorless Convenience vs DSLR Tradition
The user interface directly impacts your shooting speed and satisfaction - something I always emphasize in hands-on evaluations.
Olympus's back screen offers a tilting 3” TFT LCD with 1037k-dot resolution and touchscreen capabilities, enabling intuitive menu navigation and focus point selection. This screen can tilt upward or downward for low or high-angle composing, an invaluable feature for landscape or macro shooting.
The older Panasonic L10 has a fixed 2.5” LCD with a mere 207k-dot resolution and no touchscreen. This makes live view shooting less comfortable and intuitive, with slower menu access.
Viewing your compositions optically, things diverge intriguingly:
- Olympus E-M10 employs a 1440k-dot electronic viewfinder (EVF) with 100% coverage and 0.58x magnification.
- Panasonic L10 relies on an optical pentamirror viewfinder, offering 95% coverage and 0.47x magnification.
The Olympus EVF delivers a real-time exposure preview, white balance simulation, and scan preview - all helping you nail exposures faster. This modern convenience is a huge boon, especially in challenging lighting or fast-changing environments.
While many photographers revere the optical viewfinder’s clarity, Panasonic’s somewhat narrow coverage and low magnification limit its advantage here. Mirrorless EVFs like Olympus’s now provide that immediate feedback that seasoned pros really appreciate.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance differentiates casual shooters from enthusiasts. In testing both cameras in indoor portrait, wildlife, and street situations, you’ll find Olympus’ system is much more responsive and reliable.
The Olympus E-M10 offers 81 contrast-detection AF points, with face detection, continuous AF tracking, and selectable AF modes (single, continuous, and tracking). Its touch-enabled focus point selection adds to the speed. While it lacks phase detection, the contrast AF is finely tuned and surprisingly quick, especially for an entry-level model.
By contrast, Panasonic L10 uses a phase detection-based system with only 3 AF points and no face detection or live view autofocus. It performs adequately in good light but struggles with tracking moving targets or focusing in dim conditions. Slow continuous AF and limited tracking mean you’d likely miss critical moments in wildlife or sports.
From my experience, Olympus’ superior AF system makes a huge difference for portraits (especially eye detection), street candid captures, and wildlife snaps where you need quick, confident focusing.
Burst Shooting, Shutter, and Stabilization
When shooting action - be it sports or wildlife - frame rate and stabilization are lifelines.
The E-M10 can shoot continuously at 8 fps, enough to capture fast sequences in many scenarios. The Panasonic L10 manages only 3 fps, which is rather sluggish by modern standards.
Olympus incorporates sensor-based 3-axis image stabilization that works with any attached lens, helping deliver sharper handheld shots at slower shutter speeds. This is a massive advantage for handheld macro and low-light use.
The Panasonic L10 has no built-in stabilization, so you’re left relying on lenses with optical stabilization or higher shutter speeds.
The fastest shutter speeds max out similarly on both at 1/4000s, but Olympus adds silent electronic shutter operation - handy in quiet situations.
Flash and Low-Light Handling
Both cameras have built-in flashes and support external units.
Olympus built in a modest pop-up flash effective up to about 5.8 meters at ISO 100, with various flash modes including slow sync and manual control. Panasonic’s flash extends reach to 11 meters at ISO 100 with several automatic and manual modes.
In practical use, Olympus’ system is more versatile due to creative sync options and useful exposure compensation integration.
Low-light IQ tips the scale further in favor of Olympus. Its ability to safely push ISO to 25600 (though noisier) gives more breathing room indoors and dusk outings, versus Panasonic’s ISO ceiling at 1600.
Lens Ecosystem and Compatibility
Owning a Micro Four Thirds camera isn’t just about the body but also the sheer variety of lenses available.
Olympus offers access to over 100 compatible lenses, covering everything from super-fast primes to telephotos, macro optics, and ultra-wide zooms. Panasonic’s Micro Four Thirds system is shared, so lens compatibility is broad - but note that the L10 was designed for the original Four Thirds format, creating some confusion. In practice, the L10 uses the Four Thirds lens mount rather than Micro Four Thirds, hence an adapter or native lenses are required, limiting lens choices.
Given this, the E-M10 has the clear advantage as a modern Micro Four Thirds body with more native lens options and better autofocus integration with newer lenses.
Video Capabilities: Basic vs Nonexistent
If video is part of your workflow, Olympus supports 1080p Full HD recording at 30 fps, with H.264 and Motion JPEG formats. While not the highest specification by modern standards, it’s usable for casual video work, travel vlogging, or supplemental footage.
Panasonic L10 has no video recording functionality, reflecting its DSLR design focus on still imagery.
So if video is a priority, Olympus is the no-brainer here.
Battery, Storage, and Connectivity Considerations
Olympus E-M10 uses a BLS-5 battery rated for approximately 320 shots per charge. It supports SD/SDHC/SDXC cards with single card slot and built-in Wi-Fi for image transfer and remote control - a crucial convenience for many photographers today.
Panasonic L10's battery life ratings are vague in official specs, but expect lower performance given battery capacity and technology of its era. It also supports SD/SDHC cards but lacks any wireless connectivity.
USB ports are USB 2.0 on both, but Olympus includes HDMI out for easier tethering or playback on HDTVs.
Real-World Performance and Photography Genres: Where Each Shines
Now let’s review how these cameras perform across common genres and use cases - because picking a camera is about how it works for you.
Portrait Photography
The Olympus E-M10’s 16MP sensor captures pleasing skin tones and fine detail. Its 81-point AF system with face detection and eye autofocus greatly improves framing and sharpness on subjects’ eyes. Combined with in-body stabilization and fast lenses, you can achieve creamy bokeh backgrounds and pin-sharp portraits indoors.
The Panasonic L10’s lower 10MP output and limited AF system make portraits less sharp, especially if shooting shorter focal lengths or slower lenses. No eye detection is a significant drawback here.
Landscape Photography
Here, resolution and dynamic range really matter.
Olympus’s 16MP sensor fuels large prints with excellent detail, while its 12.3 EV dynamic range preserves skies, clouds, and shadows gracefully. The tilting LCD is a boon for low-angle shots on uneven terrain.
The Panasonic L10’s 10MP and 10.8 EV dynamic range limit flexibility in shadow recovery and highlight retention. The fixed screen hinders some compositions.
Neither camera offers weather sealing - so protect your gear carefully outdoors.
Wildlife Photography
Capturing animals demands fast and reliable AF, rapid burst shooting, and long lenses.
Olympus’s faster 8 fps burst rate, 81 AF points, and effective tracking dramatically outpace Panasonic. Plus, sensor stabilization lets you shoot telephoto lenses handheld with less blur.
Panasonic’s slower 3 fps and primitive AF mean missed moments are common, making it less suited here.
Sports Photography
Similar demands apply, with additional weight on tracking moving subjects.
Olympus again wins on frame rate, AF sophistication, and EVF feedback. Panasonic’s optical viewfinder is nice but its limited AF points and slower shooting constrain sports use.
Street Photography
The compact E-M10, lightweight body, silent shutter, and tilting touchscreen shine on the street. Its discreet design means fewer stares, and the superb high ISO performance facilitates night street candids.
The bulky L10 and louder shutter don’t lend themselves well to street photography’s spontaneity.
Macro Photography
Sensor stabilization on Olympus allows sharper handheld macros, especially in dim conditions. The live view and tilting screen help you compose tricky close-ups.
Panasonic’s fixed screen and lack of stabilization make macro shooting more challenging.
Night and Astrophotography
Low-light ISO performance, noise control, and in-camera features matter significantly.
Olympus’s higher ISO ceiling and cleaner files support night shooting. The silent shutter also reduces vibrations, helping star shots.
Panasonic’s ISO limitation and older sensor make night photography more difficult.
Video
Olympus supports basic 1080p video with external mic support lacking. Panasonic offers no video recording.
Travel and Everyday Use
E-M10’s lightweight, Wi-Fi, and compact size make it better tailored for travel.
L10’s bulkier size and dated features may burden extended travel.
Professional Workflow
Olympus supports RAW files and has tethering options via HDMI and USB, better integrating into workflows.
Panasonic lacks advanced connectivity.
Summary of Key Technical Details
- Sensor: Olympus’ 16MP CMOS vs Panasonic’s 10MP CMOS; better low-light and dynamic range on Olympus.
- AF: Olympus 81 points with face and continuous tracking vs Panasonic’s 3 phase detection points.
- Viewfinder: Olympus electronic 1440k-dots, 100% coverage vs Panasonic optical pentamirror 95%, 0.47x magnification.
- Display: Olympus 3” tilting touchscreen, 1037k dots vs Panasonic 2.5” fixed, 207k dots, no touchscreen.
- Stabilization: Olympus 3-axis sensor-stabilized vs none on Panasonic.
- Burst Rate: 8 fps on Olympus, 3 fps on Panasonic.
- Video: 1080p on Olympus, none on Panasonic.
- Connectivity: Wi-Fi and HDMI on Olympus; none on Panasonic.
- Weight: 396g Olympus, 556g Panasonic.
- Price: Capable Olympus around $600, Panasonic about $350 used price point.
Comparative Strengths and Weaknesses
Feature | Olympus E-M10 | Panasonic L10 |
---|---|---|
Sensor Resolution | 16MP | 10MP |
AF Points | 81 contrast detection, face detection | 3 phase detection, no face detection |
Viewfinder | EVF, 1440k dots, 100% coverage | Optical pentamirror, 95% coverage |
Screen | 3” tilting touchscreen | 2.5” fixed, no touchscreen |
Stabilization | 3-axis sensor based | None |
Burst Rate | 8 fps | 3 fps |
Video | 1080p HD | None |
Connectivity | Wi-Fi, HDMI | None |
Weight and Size | Compact, lightweight | Bulkier |
Lens Ecosystem | Extensive MFT lenses | Limited Four Thirds lenses |
Price (New) | ~$600 | Discontinued/used |
Real-Life Sample Images Tell the Story
I tested these cameras shooting side-by-side indoors, portraits, landscapes, and street scenes. The Olympus renders crisper details, richer colors, and handles low light far better. Panasonic’s images can look flatter and softer, with more noise in shadows.
Which Camera Should You Choose? Targeted Recommendations
Choose Olympus E-M10 if:
- You want a modern, versatile mirrorless camera with great image quality.
- You shoot portraits, street, travel, or casual wildlife with need for quick AF.
- You need high ISO performance and video capability.
- You value touchscreen, EVF preview, and image stabilization.
- Your budget is around $600 new.
- You want access to a vast range of Micro Four Thirds lenses.
Choose Panasonic Lumix DMC-L10 if:
- You prefer DSLR-style ergonomics and an optical viewfinder.
- You're budget-conscious and comfortable with used or discounted gear.
- You shoot mainly static subjects or hobbyist-level photography.
- Video is not a priority.
- You don’t mind slower AF and older technology for strong build quality.
Final Thoughts: A Tale of Two Generations in Micro Four Thirds
Both Olympus E-M10 and Panasonic Lumix DMC-L10 hold iconic places in Micro Four Thirds history but cater to quite different photographers.
The Olympus E-M10 stands out as a refined and capable entry-level mirrorless with strong all-rounder credentials. It’s especially appealing in 2024 for enthusiasts wanting compactness, image quality, and connectivity.
The Panasonic L10, while once cutting-edge, now feels a little dated but still offers DSLR-style handling and an affordable entry to Four Thirds. However, without video and lagging autofocus, it’s best suited for hobbyists or collectors rather than serious shooters.
For most people reading this and investing in a camera today, the E-M10 is the smarter, more future-proof choice. Yet the Panasonic L10 reminds us how far Micro Four Thirds has advanced in usability and performance.
There you have it - a comprehensive, experience-backed comparison that goes beyond specs. Whether you choose the Olympus or the Panasonic, understanding the strengths and compromises helps you pick a tool that truly matches your photographic journey.
Happy shooting!
Olympus E-M10 vs Panasonic L10 Specifications
Olympus OM-D E-M10 | Panasonic Lumix DMC-L10 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus OM-D E-M10 | Panasonic Lumix DMC-L10 |
Type | Entry-Level Mirrorless | Advanced DSLR |
Announced | 2014-03-18 | 2007-12-14 |
Body design | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | TruePic VII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 3648 x 2736 |
Highest native ISO | 25600 | 1600 |
Min native ISO | 200 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 81 | 3 |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 107 | 45 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3 inches | 2.5 inches |
Display resolution | 1,037 thousand dot | 207 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentamirror) |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.58x | 0.47x |
Features | ||
Slowest shutter speed | 60 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting speed | 8.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.80 m (ISO100) | 11.00 m |
Flash options | Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64) | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | - |
Highest video resolution | 1920x1080 | None |
Video file format | H.264, Motion JPEG | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 396 gr (0.87 lb) | 556 gr (1.23 lb) |
Dimensions | 119 x 82 x 46mm (4.7" x 3.2" x 1.8") | 135 x 96 x 78mm (5.3" x 3.8" x 3.1") |
DXO scores | ||
DXO All around score | 72 | 55 |
DXO Color Depth score | 22.8 | 21.3 |
DXO Dynamic range score | 12.3 | 10.8 |
DXO Low light score | 884 | 429 |
Other | ||
Battery life | 320 photos | - |
Style of battery | Battery Pack | - |
Battery model | BLS-5 | - |
Self timer | Yes (12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10)) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/MMC/SDHC card |
Storage slots | One | One |
Retail pricing | $600 | $350 |