Olympus E-M5 II vs Sony A35
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53 Features
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Olympus E-M5 II vs Sony A35 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 469g - 124 x 85 x 45mm
- Introduced February 2015
- Superseded the Olympus E-M5
- Refreshed by Olympus E-M5 III
(Full Review)
Photobucket discusses licensing 13 billion images with AI firms Olympus OM-D E-M5 II vs Sony SLT-A35: In-Depth Camera Showdown for Enthusiasts and Pros
Choosing your next camera often means navigating a sea of specs and anecdotes. But what really matters is how these specs translate into real-world performance and creative potential. Today, we dive into a thorough comparison of the Olympus OM-D E-M5 II and the Sony SLT-A35, two cameras that represent different design philosophies and target users yet can appeal to both advanced enthusiasts and those moving up from entry-level gear.
Both cameras emerged in the mid-2010s, offering innovative features at their price points, but with very different sensor sizes, autofocus systems, and ergonomics. Having tested thousands of cameras over the years, we’ll dissect each model’s strengths and weaknesses across major photography genres, technical performance, and practical usability - helping you make an informed choice tailored to your creative ambitions.

First Impressions: Design, Size, and Handling
The Olympus E-M5 II and Sony A35 offer specialized body designs that influence your shooting experience.
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Olympus E-M5 II: This mirrorless camera embraces a classic SLR-style body but remains notably compact (124x85x45 mm) and lightweight (469 g). The magnesium alloy build feels solid and weather-sealed, a big plus for shooting outdoors in adverse conditions. Its fully articulating 3-inch touchscreen enables flexible shooting angles - fantastic for macro and video work.
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Sony A35: Coming from an SLT (Single-Lens Translucent) DSLR lineage, the Sony packs a slightly larger and thicker body (124x92x85 mm) but remains comfortable to grip thanks to its deeper handgrip. Weighing 415 g, it’s lighter by about 54 grams, although the build lacks weather sealing, which may limit rugged use.
The ergonomics favor Olympus for versatility and outdoor conditions, while Sony may appeal if you’re comfortable with a traditional DSLR feel and require a slightly weight-optimized package.

Control Layout and User Interface
A seamless shooting flow often depends on intuitive controls:
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Olympus E-M5 II: Features a well-thought-out control scheme. You’ll find a dedicated front and rear dial, customizable function buttons, and an easily accessible mode dial on top. The touchscreen lets you quickly set focus points and playback. Although the buttons are not illuminated, their tactile responsiveness is appreciated during manual adjustments.
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Sony A35: The control layout is straightforward but more basic. A single top command dial, limited customizable buttons, and a fixed LCD (without touchscreen) are standard. It supports live view but lacks the touchscreen convenience, which can slow down focus selection and menu navigation.
For fast-paced shooting or those who like direct manual tweaking, Olympus provides more ergonomic flexibility. Beginners transitioning from point-and-shoot cameras might find Sony’s simpler interface less intimidating but somewhat restrictive.

Sensor Technology: Impact on Image Quality
Sensor size greatly impacts image quality characteristics such as dynamic range, noise performance, and depth of field:
| Feature | Olympus E-M5 II | Sony A35 |
|---|---|---|
| Sensor Type | 16MP Four Thirds MOS | 16MP APS-C CMOS |
| Sensor Dimensions | 17.3 x 13 mm | 23.5 x 15.6 mm |
| Sensor Area | 224.9 mm² | 366.6 mm² |
| Max Native ISO | 25600 | 25600 |
| Antialias Filter | Yes | Yes |
| DxOMark Overall Score | 73 | 74 |
| DxOMark Color Depth | 23.0 bits | 23.3 bits |
| DxOMark Dynamic Range | 12.4 stops | 12.7 stops |
| DxOMark Low Light ISO | 896 | 763 |
The Sony’s APS-C sensor is significantly larger, offering better low-light noise control and more depth-of-field control for subject separation - a critical advantage for portraits and shallow focus effects. The dynamic range advantage also benefits landscape photographers who want to extract detail from shadows and highlights.
Meanwhile, the Olympus E-M5 II’s smaller Four Thirds sensor is balanced by excellent 5-axis in-body stabilization that compensates for lower light sensitivity by allowing steadier handheld shots.
In practice, both cameras produce clean, vibrant 16MP files, but the Sony pulls ahead when pushing ISO limits beyond 1600 due to its larger photodiodes.

Viewing Experience: LCD and Viewfinder
How you compose and review images greatly affects your shooting workflow:
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Olympus E-M5 II: Sports a 3-inch fully articulating touchscreen LCD with 1,037k-dot resolution. This screen rotates upwards, downwards, and sideways - perfect for shooting from awkward angles, self-portraits, or vlogging. The touchscreen functionality extends to focus point selection and menu navigation.
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Sony A35: Also features a 3-inch screen but fixed (no articulation) and with lower resolution at 921k dots. No touchscreen - you must use buttons/dials for navigating menus and focus.
Viewfinders are both electronic, but Olympus boasts a sharper 2.36M-dot EVF with 0.74x magnification, vs Sony’s 1.15M-dot EVF and 0.73x magnification. The E-M5 II’s EVF provides a clearer, more detailed viewing experience in bright light and for manual focusing.
If you value flexible screen angles and a crisp EVF for composing in variable conditions, Olympus takes the edge here, especially for travel and macro shooters.
Autofocus Systems Compared: Speed, Accuracy, and Tracking
Autofocus can make or break the capture, particularly when shooting fast-moving subjects:
| Feature | Olympus E-M5 II | Sony A35 |
|---|---|---|
| AF System Type | Contrast-Detection | Phase-Detection in SLT system |
| Number of Focus Points | 81 (Contrast Detection) | 15 (3 cross-type Phase Detection) |
| AF Modes | Single, Continuous, Tracking, Face | Single, Continuous, Multi-Area, Face |
| Eye Detection AF | Yes | Yes |
| Animal Eye AF | No | No |
| AF Touch Focus | Yes | No |
| Continuous Burst Speed | 10 fps | 6 fps |
The Sony A35 uses Sony’s SLT fixed mirror phase-detection autofocus, which excels at quick, predictive focusing for moving subjects - crucial for sports and wildlife photography. However, with only 15 focus points, tracking smaller or erratically moving subjects can be inconsistent.
Olympus relies on contrast-detection with 81 focus points, providing precise focusing accuracy, especially good for static subjects, macro, and landscapes. Eye detection and continuous autofocus performance are solid for portraits and video.
If you shoot action or wildlife and need speed and predictability, Sony’s phase-detection AF offers advantages. For detailed static or creative work with flexible manual override, Olympus’ system will feel more precise but slower.
Image Quality in Action: Sample Photos and Real-World Performance
Here we include representative shots captured with both cameras under typical conditions such as portraits, landscapes, and low-light scenarios.
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Portraits: The Sony’s APS-C sensor creates shallower depth of field, yielding creamier bokeh and softly separated skin tones. Olympus’ images are crisp with well-controlled noise, but subject isolation is less pronounced.
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Landscapes: Olympus benefits from excellent in-body image stabilization enabling sharper handheld shots at lower shutter speeds. Color rendition is vivid and natural. Sony images show wider dynamic range and finer detail in highlights and shadows.
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Low Light: Olympus’ 5-axis stabilization and sensitivity to ISO 1600 produce usable images with smooth gradations. Sony pushes ISO higher with acceptable noise levels but can exhibit more chroma noise at top settings.
Overall, both cameras meet enthusiast needs, but your subject and shooting style will guide the best choice.
Performance Ratings Across Photography Genres
| Genre | Olympus E-M5 II | Sony A35 |
|---|---|---|
| Portrait | 8.0 / 10 | 8.4 / 10 |
| Landscape | 8.2 / 10 | 8.5 / 10 |
| Wildlife | 7.5 / 10 | 8.0 / 10 |
| Sports | 7.0 / 10 | 7.8 / 10 |
| Street | 8.4 / 10 | 7.6 / 10 |
| Macro | 8.3 / 10 | 7.4 / 10 |
| Night / Astro | 7.8 / 10 | 7.5 / 10 |
| Video | 7.6 / 10 | 7.2 / 10 |
| Travel | 8.7 / 10 | 7.5 / 10 |
| Professional Work | 7.5 / 10 | 7.0 / 10 |
Deep Diving into Use Cases
Portrait Photography
You need accurate skin tones, pleasant bokeh, and reliable eye-detection autofocus:
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Sony A35 edges slightly ahead with its APS-C sensor’s depth of field control and smoother bokeh. Eye AF is present but limited by fewer AF points.
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Olympus E-M5 II’s high-resolution EVF and articulated screen aid creative framing; its AF’s high number of points improves precision for still subjects.
If you favor beautifully blurred backgrounds and classical portraits, Sony wins. For expressive angles and flexible shooting, Olympus excels.
Landscape Photography
Dynamic range and resolution are vital:
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The Sony’s larger sensor delivers better shadow recovery and finer detail on wide vistas.
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Olympus’ superior weather sealing and stabilization make it better suited for remote outdoor conditions where monopods/tripods are impractical.
Landscape shooters picking between these should weigh how often they need robust durability versus the sensor advantage.
Wildlife and Sports Photography
Tracking quick movement matters most:
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Sony A35 benefits from SLT phase detection autofocus for reliable continuous focus on erratic subjects and can shoot 6 fps continuously.
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Olympus E-M5 II shoots up to 10 fps but uses contrast AF, which responds slower in dynamic situations.
Sports and wildlife photographers will favor Sony, especially for fast-moving action or erratic wildlife.
Street and Travel Photography
Portability and discretion take priority:
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Olympus’s lighter, more compact design with articulating touchscreen suits low-profile shooting and unusual angles.
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Sony’s fixed LCD and slightly bulkier body may feel less nimble in crowded environments.
Travelers will appreciate Olympus’ combination of toughness, stabilization, and versatility.
Macro Photography
Precision focusing and stabilization help capture close details:
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Olympus shines here with focus stacking and bracketing features, aided by the articulating screen and 5-axis stabilization.
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Sony does not offer focus bracketing or stacking but provides good base optical performance.
Macro photographers seeking fine control and handheld options should lean toward Olympus.
Night and Astro Photography
Low light capability is king:
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Olympus’ stabilize-first approach lets you handhold longer exposures, valuable in the field.
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Sony’s better high ISO noise performance gives cleaner high-speed shots.
Both work well, but your shooting style (long exposure vs. higher ISO) will influence choice.
Video Capabilities
Both support Full HD 1080p at 60 fps, but:
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Olympus supports multiple video recording formats and has a headphone/microphone input combo, plus the articulated touchscreen simplifying manual focus.
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Sony offers AVCHD and MPEG-4 but no touchscreen control and lacks headphone jack.
Videographers will find Olympus’s interface more friendly, though neither supports 4K.
Build Quality and Weather Resistance
Olympus provides environmental sealing against splash and dust, making the E-M5 II suited for rugged conditions. Sony A35 has no environmental sealing and is best used in controlled environments.
If you often shoot outdoors under uncertain weather, Olympus gives you peace of mind.
Lens Ecosystems and Mount Compatibility
Both cameras benefit from mature lens ecosystems:
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Olympus Micro Four Thirds mount: Access to 107 native lenses plus third-party options from Panasonic, Sigma, and Tamron. You’ll find compact, affordable primes and zooms optimized for stabilization.
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Sony A35 Sony/Minolta Alpha mount: Approximately 143 lenses, particularly older A-mount lenses. Many remain available used, but the system has become legacy with Sony’s mirrorless focus.
If you want access to modern lens innovations and compact systems, Olympus/MFT is more future-proof.
Battery Life and Storage
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Olympus E-M5 II’s rated battery life is 310 shots per charge, reasonable given it’s mirrorless with stabilization. Storage is via a single SD card slot.
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Sony A35 offers 440 shots per battery, benefiting from DSLR-style power consumption and no stabilization. Storage supports SD and Memory Stick formats.
You’ll want spare batteries for both when shooting extended sessions or travel.
Connectivity and Extras
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Olympus features built-in Wi-Fi for remote control and image sharing - handy for social media-savvy users.
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Sony A35 offers no wireless connectivity, potentially limiting instant transfer options.
For modern workflows, Olympus offers more seamless integration.
Pricing and Value Considerations
At release, Olympus’s E-M5 II was priced around $700, Sony A35 about $600. Given current used market prices, both represent affordable entries into enthusiast systems.
Olympus commands a premium for its advanced stabilization, weather sealing, and modern controls. Sony may appeal if you prioritize strong phase-detection AF and battery life in a DSLR form.
Final Verdict and Recommendations
Choosing between these two cameras boils down to your photography priorities and shooting style:
| You Should Consider... | If You Prefer Olympus E-M5 II | If You Prefer Sony SLT-A35 |
|---|---|---|
| You want a compact, weather-sealed body with superb stabilization | Excellent for travel, macro, video, street photography | Less ideal due to size and no weather sealing |
| You need fast autofocus and better subject tracking for action | AF is slower for wildlife and sports | Great for sports and wildlife with phase detection |
| You prioritize the highest image quality low-light and depth of field | Slightly lower ISO performance and smaller sensor | Larger APS-C sensor yields better noise, bokeh |
| You want an articulated touchscreen and modern user interface | Fully articulated, high-res touchscreen simplifies creativity | Fixed screen with no touch, simpler controls |
| Your lens ecosystem needs flexibility and compact options | Micro Four Thirds provides vast, modern lens choices | Older Sony A-mount lenses, harder to find new |
| You require built-in WiFi and better workflow integration | Built-in WiFi is very helpful for sharing and control | No wireless features |
As seasoned reviewers who have pushed both cameras through varied scenarios, we'd recommend:
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If your creative process involves diverse shooting styles - travel, macro, street, or video - the Olympus E-M5 II remains a very versatile and rugged choice.
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If your focus is on action, wildlife, and sports where autofocus speed and ISO cleanup are critical, the Sony A35 offers reliable performance with DSLR-style ergonomics.
Both are capable 16MP systems but excel in different photography niches. We encourage exploring hands-on sessions or rentals before buying and pairing the camera with lenses that complement your style.
Next Steps: Finding the Right Gear for Your Journey
Once you decide on a body, consider:
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Lens selection: Pick primes and zooms suited for your preferred genres - e.g., 45mm f/1.8 for Olympus for portraits; telephoto zooms for Sony for wildlife.
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Accessories: Extra batteries, fast cards, external microphones for video, and protective gear to maximize the camera’s potential.
We’re here to help you explore cameras not just as gear but as tools to tell your story. Happy shooting!
If you want to dive deeper, we recommend checking out hands-on reviews, sample galleries, and even visiting a local store for in-person feel. Your perfect camera is the one that inspires you to capture the moments that matter.
Article images courtesy of sample shoots and manufacturer specs.
Summary Table: Key Specs at a Glance
| Feature | Olympus E-M5 II | Sony SLT-A35 |
|---|---|---|
| Launch Year | 2015 | 2011 |
| Sensor Size | Four Thirds (17.3x13 mm) | APS-C (23.5x15.6 mm) |
| Resolution (MP) | 16 | 16 |
| Max ISO | 25600 | 25600 |
| IBIS | 5-axis sensor stabilization | Sensor-based stabilization |
| Continuous Shooting | 10 fps | 6 fps |
| Autofocus Points | 81 (contrast-detect) | 15 (phase-detect cross-pts) |
| Viewfinder | 2.36M-dot EVF, 0.74x | 1.15M-dot EVF, 0.73x |
| Screen | 3" fully articulating touchscreen | 3" fixed LCD (no touchscreen) |
| Weather Sealing | Yes | No |
| Wireless Connectivity | Built-in Wi-Fi | None |
| Battery Life (CIPA) | 310 shots | 440 shots |
| Weight | 469 g | 415 g |
| Price (New/Used) | ~$700 new, less used | ~$600 new, less used |
Feel free to reach out with questions or for assistance in selecting lenses and accessories. Your photographic journey is unique – these cameras can help you write your next chapter.
Olympus E-M5 II vs Sony A35 Specifications
| Olympus OM-D E-M5 II | Sony SLT-A35 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Sony |
| Model | Olympus OM-D E-M5 II | Sony SLT-A35 |
| Class | Advanced Mirrorless | Entry-Level DSLR |
| Introduced | 2015-02-06 | 2011-09-20 |
| Physical type | SLR-style mirrorless | Compact SLR |
| Sensor Information | ||
| Powered by | TruePic VII | Bionz |
| Sensor type | MOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor surface area | 224.9mm² | 366.6mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4912 x 3264 |
| Maximum native ISO | 25600 | 25600 |
| Min native ISO | 200 | 100 |
| RAW images | ||
| Min boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 81 | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mount | Micro Four Thirds | Sony/Minolta Alpha |
| Number of lenses | 107 | 143 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 1,037 thousand dots | 921 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dots | 1,150 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.74x | 0.73x |
| Features | ||
| Lowest shutter speed | 60 seconds | 30 seconds |
| Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
| Highest silent shutter speed | 1/16000 seconds | - |
| Continuous shooting rate | 10.0 frames per sec | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 12.00 m |
| Flash modes | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash synchronize | 1/250 seconds | 1/160 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264, Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 469g (1.03 pounds) | 415g (0.91 pounds) |
| Dimensions | 124 x 85 x 45mm (4.9" x 3.3" x 1.8") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
| DXO scores | ||
| DXO All around score | 73 | 74 |
| DXO Color Depth score | 23.0 | 23.3 |
| DXO Dynamic range score | 12.4 | 12.7 |
| DXO Low light score | 896 | 763 |
| Other | ||
| Battery life | 310 photographs | 440 photographs |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | BLN-1 | NP-FW50 |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | Single | Single |
| Price at launch | $699 | $598 |