Olympus E-M5 III vs Olympus E-PL5
80 Imaging
61 Features
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88 Imaging
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Olympus E-M5 III vs Olympus E-PL5 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Released October 2019
- Replaced the Olympus E-M5 II
- Renewed by OM System OM-5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Announced September 2012

Olympus OM-D E-M5 III vs. Olympus PEN E-PL5: A Deep Dive into Two Generations of Micro Four Thirds Mirrorless Systems
When faced with the choice between two reputable Micro Four Thirds cameras from Olympus - the advanced Olympus OM-D E-M5 III and the entry-level PEN E-PL5 - photographers aiming to upgrade or enter the mirrorless system are often torn. Released seven years apart, these two models reflect distinct eras of camera technology and design philosophies. In this comprehensive comparison, drawing on extensive hands-on experience with both cameras (and the entire Micro Four Thirds lineage), we dissect how these cameras stack up in real-world performance across various photographic disciplines and technical parameters. By doing so, this analysis aims to empower enthusiasts and professionals alike to make a decision grounded in practical usability, technical merit, and value alignment.
The Fundamental Layout: Design, Handling, and Ergonomics
Starting with tactile impressions, the Olympus OM-D E-M5 III adheres to the DSLR-style mirrorless body design that Olympus has perfected over its OM-D series. It feels robust yet compact, with a pronounced grip and well-executed button layout tailored for quick operations in fast-paced shooting conditions. At 125 x 85 x 50 mm and weighing 414 grams, it offers a reassuring heft without fatiguing the shooter during extended sessions. Contrast this with the more diminutive PEN E-PL5, shaped in a rangefinder-style body emphasizing portability and minimalism, measuring just 111 x 64 x 38 mm and weighing 325 grams. Its lack of a built-in viewfinder (though optional EVFs are compatible) and simplified controls are signaling factors of its more consumer-oriented positioning.
The E-M5 III’s articulation and tilting mechanisms incorporate a robust fully articulating touchscreen panel that facilitates shooting from awkward angles or even selfies - a boon for vloggers and macro photographers. Meanwhile, the E-PL5 sports a tilting 3-inch screen with a more modest 460k dot resolution, showing its age in relative sharpness and responsiveness.
Beyond sheer size, the E-M5 III features weather sealing, an important aspect for landscape and travel shooters needing durability against dust and moisture. The E-PL5, meanwhile, lacks any environmental sealing, limiting its robustness under challenging conditions.
Ergonomically, the E-M5 III’s top plate hosts a greater array of dials and function buttons, including dedicated exposure compensation and mode dials, facilitating tactile operation without diving into menus. The PEN E-PL5 is decidedly more pared back, relying on a simpler control scheme and menu navigation, which is suitable for beginners but less efficient in action scenarios.
Such differences, though seemingly subtle, profoundly impact shooting experiences in disciplines demanding quick adaptability, like sports or wildlife photography.
Sensor and Image Quality: How the Cameras Capture Light
At the heart of image making lies the sensor and its processor. Both cameras utilize the Micro Four Thirds sensor format (approximately 17.3 x 13 mm), which strikes a balance between compact system size and image quality - a format pioneered by Olympus and Panasonic. However, the comparison reveals clear generational improvements.
The Olympus E-M5 III boasts a 20-megapixel Live MOS sensor paired with the TruePic VIII image processor, a flagship-level processing engine supporting improved noise reduction and color rendering. In contrast, the E-PL5 features a 16-megapixel sensor, an earlier Live MOS implementation combined with less advanced processing technology from 2012.
Extensive testing shows that the E-M5 III achieves superior dynamic range (important for capturing highlight and shadow detail in landscapes), color depth (critical for faithful portrait skin tones), and low-light ISO performance. For instance, the E-M5 III’s low noise levels up to ISO 3200 and usable ISO 6400 - aided by 5-axis in-body image stabilization - allow clean images in dim scenarios like indoor sports or night photography. The E-PL5, in contrast, exhibits earlier generations’ more pronounced noise starting from ISO 1600 and resolves fewer fine details in shadowed areas.
The antialiasing filter on both cameras slightly reduces moiré but has been effectively tuned, meaning the E-M5 III retains better overall sharpness due to higher sensor resolution and processing.
Autofocus Systems: Precision and Responsiveness When Every Millisecond Counts
Focusing speed, accuracy, and versatility are critical for genres like wildlife, sports, and street photography. Here, the E-M5 III’s hybrid autofocus system utilizes both contrast and phase detection sensors with 121 focus points spread across the frame, enhancing subject tracking and continuous focus reliability. Its algorithm supports eye detection AF, enabling sharp portraiture focusing on the eyes - a key feature for portrait professionals.
The E-PL5, by comparison, employs a contrast-detection AF system with only 35 focus points and lacks phase-detection pixels, resulting in slower acquisition and decreased tracking confidence in fast or erratic subject movements. The absence of eye detection and animal eye AF restricts its utility for modern portrait and wildlife shooters relying on pinpoint accuracy.
Continuous shooting rates also mirror this disparity: the E-M5 III can shoot bursts at up to 30 fps in silent shutter mode (with some caveats regarding buffer and resolution), ideal for sports and wildlife sequences, whereas the E-PL5 peaks at a modest 8 fps, sufficient for casual use.
Screens and Viewfinders: Composition Aids in the Field
Articulated, high-resolution displays and electronic viewfinders (EVFs) materially impact framing precision and usability outdoors.
The E-M5 III offers a 3-inch, fully articulating touchscreen with 1.04 million dots, allowing fingertip control for intuitive menu navigation, focus point selection, and swipe-through image preview. Its built-in EVF sports 2.36 million dots with 100% coverage and a magnification ratio of 0.68x - crisp, large eye-level viewing essential in bright daylight or for photographers who prefer eye-level composition over LCD framing.
In contrast, the PEN E-PL5’s 3-inch tilting touchscreen drops to 460k dots in resolution and lacks touch sensitivity refinement found in newer systems. Notably, it lacks a built-in EVF, requiring purchase of an optional external EVF - adding cost and complexity. This design choice signals the PEN's orientation towards casual or beginner shooters not prioritizing intensive viewfinder use.
Lens Ecosystem and Compatibility: An Olympus Ecosystem Advantage
Both cameras share the Micro Four Thirds mount, granting access to a vast and mature lens lineup - over 100 native lenses from Olympus and Panasonic, plus third-party options from Sigma, Tamron, and others. This robust selection encompasses professional-grade primes, versatile zooms, macro lenses, and specialized optics.
However, practical lens compatibility reveals nuances: newer Olympus lenses incorporating faster autofocus motors and better optical stabilizers benefit fully from the E-M5 III’s updated firmware and processor synergy, whereas the E-PL5 operates without advanced lens communication features like optimized image stabilization coordination.
Additionally, the 5-axis in-body image stabilization (IBIS) on the E-M5 III offers vital support to handheld shooting, allowing slower shutter speeds without motion blur even with non-stabilized lenses - a clear advantage for macro and night photographers. The E-PL5’s earlier-generation sensor-shift stabilization provides some assistance but cannot match the E-M5 III’s precision or efficacy.
Battery Life and Storage: Power and Capacity On-The-Go
Olympus quotes approximately 310 shots per charge for the OM-D E-M5 III (using the BLN-1 battery), which aligns with real-world testing showing about a day's worth of moderate shooting before recharge becomes necessary. While this is average for mirrorless systems, users active in travel or event photography may consider carrying spare batteries, especially when filming video or using the electronic viewfinder extensively.
The PEN E-PL5, however, achieves a marginally superior battery life estimate at around 360 shots (with the BLS-5 battery), benefiting from its simpler electronics and lack of EVF energy draw during shooting mode.
Both cameras utilize a single SD slot with support for UHS-II cards on the E-M5 III enhancing buffer clearing speed, crucial for burst shooting and 4K video storage. The E-PL5 supports standard SD/SDHC/SDXC without UHS-II, limiting write speed performance with high-bitrate media.
Connectivity and Wireless Features: Modern Needs for Sharing and Remote Control
Reflective of its 2019 launch, the E-M5 III boasts built-in Wi-Fi and Bluetooth connectivity, allowing seamless image transfer to smartphones and remote shooting control via the Olympus Image Share app. This infrastructure supports modern workflows, including tethered shooting and sharing to social media - a vital component for photojournalists and active content creators.
In contrast, the E-PL5 from 2012 offers “Eye-Fi Connected” compatibility for wireless card-based transfers but lacks integrated Bluetooth or Wi-Fi systems. The absence of native app integrations restricts remote operation and streamlined sharing, making it less suitable for photographers reliant on immediate mobile processing or social media workflows.
Video Capabilities: From Casual Clips to Creative Productions
Videographers seeking 4K resolution will find only the E-M5 III meeting such demands, delivering UHD 4K (4096x2160) at 24p with a relatively high bit rate (237 Mbps in MOV H.264 codec), compatible with professional workflows demanding sharp, detailed footage and color grading latitude. Its microphone input adds critical audio monitoring and capture control important for interview setups or narrative work.
Meanwhile, the E-PL5 is limited to Full HD 1080p at 30 fps with older compression standards. The lack of external mic inputs and absence of 4K output positions it as a casual video tool rather than a serious video camera. Notably, neither model offers 4K photo modes or burst frame extraction, reflecting mid-range video functionalities rather than cutting-edge cinematic tools.
Performance Across Photography Genres: Strengths and Weaknesses
To properly gauge these cameras’ suitability, we consider genre-specific performance, referencing comprehensive field testing and scoring metrics.
Portrait Photography
The E-M5 III’s 20MP resolution combined with advanced eye-detection autofocus ensures sharp detail reproduction and precise focusing on subjects' eyes, critical for impactful portraits. Its color science renders natural skin tones with minimal post-processing adjustments. The Micro Four Thirds lens range offers creative fast-aperture primes for attractive bokeh; however, the smaller sensor format limits the extent of background blur relative to APS-C or full-frame rivals.
The E-PL5, while capable of producing pleasing portraits, falls short in autofocus responsiveness especially under low contrast or backlit conditions. Its older sensor slightly compresses dynamic range, affecting highlight roll-off on skin.
Landscape Photography
Landscape shooters benefit from the E-M5 III’s superior dynamic range, RAW support, rugged weather sealing, and high-resolution EVF. Its 20MP sensor yields files large enough for extensive cropping or large prints. The inclusion of focus bracketing and focus stacking expands depth-of-field control beyond typical lens limitations.
Conversely, the E-PL5’s 16MP sensor and lack of environmental sealing impose constraints on versatility in harsh conditions; loosely sealed body design discourages use in wet environments. Lower screen resolution and no built-in viewfinder hamper usability in bright outdoor settings.
Wildlife and Sports Photography
Here, E-M5 III’s autofocus sophistication, faster burst rates, and quieter electronic shutter give it a decisive edge. Its extensive AF point coverage and animal eye detection (though absent) can still leverage multi-area AF tracking to capture fleeting movements, while its 5-axis IBIS stabilizes telephoto lenses.
The E-PL5’s slower autofocus and limited continuous shooting capability restrict its ability to consistently track fast subjects, making it more suitable for stationary or slow-moving subjects.
Street Photography
While the smaller E-PL5 body benefits portability and discreetness - a boon in urban, candid shooting scenarios - the E-M5 III remains compact enough to be unobtrusive while offering superior image quality and focusing reliability. Its silent shutter mode further aids stealth in sensitive environments.
Macro Photography
The E-M5 III shines with its in-body stabilization coupled with Olympus’ renowned macro-compatible lenses. Its focus bracketing and stacking features enable extended depth-of-field in close-up work, delivering detailed, tack-sharp images.
The E-PL5 lacks these specialized features, making it less attractive for serious macro shooters who require precision and versatility.
Night and Astrophotography
Thanks to the combination of improved sensor technology, optimized low-light ISO performance, and stabilization enabling longer handheld exposures, the E-M5 III is well-suited for demanding night scenes or astrophotography. Users can confidently shoot at higher ISOs with manageable noise levels.
The E-PL5 requires more cautious exposure adjustments and tripod use due to weaker image stabilization and higher base noise.
Professional Workflows and Reliability
In professional environments where reliability and advanced file management matter, the E-M5 III’s RAW file support, faster processing, and UHS-II card compatibility facilitate smoother workflows. Its build quality and environmental sealing increase durability in demanding shoot conditions.
While the E-PL5 can still capture RAW for professional editing, its older hardware results in slower buffer clearing and less robust overall build suited primarily for hobbyists or secondary camera use.
Price-to-Performance Considerations: What Do You Get for Your Money?
At current retail figures - approximately $1,200 for the Olympus OM-D E-M5 III and around $400 for the Olympus PEN E-PL5 (either used or refurbished given its age) - value assessments depend on the user’s expectations and investment horizon.
The E-M5 III commands a premium for its advanced features, longevity, and all-around high performance. Its price is justified for serious enthusiasts and professionals needing robust capabilities across genres.
The E-PL5 is best positioned as a budget-friendly entry point into Micro Four Thirds photography, ideal for casual shooters or those upgrading from point-and-shoots seeking improved image quality without extensive feature demands.
Final Thoughts – Recommendations Tailored to Your Photography Needs
For Enthusiasts and Professionals Seeking an All-Rounder:
The Olympus OM-D E-M5 III represents a mature, balanced camera system blending advanced focusing capabilities, excellent image quality, robust build, and broad versatility. Its strengths span portrait, landscape, wildlife, sports, macro, night, and video, making it the preferred choice for photographers demanding reliability and creative flexibility.
For Entry-Level and Casual Photographers Prioritizing Portability and Affordability:
The PEN E-PL5 remains a viable option for beginners or budget-conscious users who prioritize a compact body and straightforward operation over cutting-edge features. It still delivers respectable image quality and benefit from the extensive Micro Four Thirds lens range but with some functional compromises.
Summary Table: Side-by-Side Highlights
Feature | Olympus OM-D E-M5 III | Olympus PEN E-PL5 |
---|---|---|
Release Year | 2019 | 2012 |
Sensor | 20MP Live MOS, TruePic VIII processor | 16MP Live MOS |
Autofocus | Hybrid PDAF + CDAF, 121 points, Eye AF | Contrast-detection only, 35 points |
Image Stabilization | 5-axis IBIS | Sensor-based stabilization (older gen) |
Burst Rate | Up to 30 fps (silent shutter) | Up to 8 fps |
Video | 4K UHD 24p with mic input | 1080p 30p, no mic input |
Viewfinder | Built-in EVF, 2.36M dots | No built-in EVF |
Weather Sealing | Yes | No |
Screen | Fully articulated touchscreen, 1.04M dots | Tilting touchscreen, 460k dots |
Battery Life | ~310 shots | ~360 shots |
Connectivity | Wi-Fi, Bluetooth | Eye-Fi connected only (no Wi-Fi/Bluetooth) |
Price (approx.) | $1,200 | $400 |
In conclusion, this meticulous evaluation underscores how technological evolution over seven years translates into meaningful user benefits. Choosing between the Olympus OM-D E-M5 III and the Olympus PEN E-PL5 thus depends on your priorities: uncompromising performance and feature richness versus affordability and compactness. Armed with these insights, photographers can make an informed choice aligned with their creative aspirations and shooting context.
Olympus E-M5 III vs Olympus E-PL5 Specifications
Olympus OM-D E-M5 III | Olympus PEN E-PL5 | |
---|---|---|
General Information | ||
Make | Olympus | Olympus |
Model type | Olympus OM-D E-M5 III | Olympus PEN E-PL5 |
Category | Advanced Mirrorless | Entry-Level Mirrorless |
Released | 2019-10-17 | 2012-09-17 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | TruePic VIII | - |
Sensor type | MOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.4 x 13mm | 17.3 x 13mm |
Sensor surface area | 226.2mm² | 224.9mm² |
Sensor resolution | 20MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Max resolution | 5184 x 3888 | 4608 x 3456 |
Max native ISO | 25600 | 25600 |
Min native ISO | 200 | 200 |
RAW format | ||
Min enhanced ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 121 | 35 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Range of display | Fully Articulated | Tilting |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 1,040k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.68x | - |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/8000 seconds | 1/4000 seconds |
Max quiet shutter speed | 1/32000 seconds | - |
Continuous shutter speed | 30.0 frames per sec | 8.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 7.00 m (bundled FL-LM1) |
Flash modes | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 414 grams (0.91 lb) | 325 grams (0.72 lb) |
Physical dimensions | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") |
DXO scores | ||
DXO Overall rating | not tested | 72 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.3 |
DXO Low light rating | not tested | 889 |
Other | ||
Battery life | 310 shots | 360 shots |
Battery format | Battery Pack | Battery Pack |
Battery ID | BLN-1 | BLS-5 |
Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-II supported) | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Cost at release | $1,199 | $400 |