Olympus E-M5 vs Panasonic FZ150
81 Imaging
51 Features
70 Overall
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67 Imaging
35 Features
57 Overall
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Olympus E-M5 vs Panasonic FZ150 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 425g - 122 x 89 x 43mm
- Released April 2012
- Successor is Olympus E-M5 II
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 528g - 124 x 82 x 92mm
- Announced April 2012
Samsung Releases Faster Versions of EVO MicroSD Cards Olympus E-M5 vs. Panasonic FZ150: In-Depth Comparison for Discerning Photography Enthusiasts
Selecting the right camera is often a multifaceted decision influenced by factors including image quality, handling, versatility, and budget constraints. In this detailed comparison, we pit the Olympus OM-D E-M5 - a flagship advanced mirrorless camera introduced in 2012 - against the Panasonic Lumix DMC-FZ150, a small sensor superzoom bridge camera released the same year. Drawing on extensive hands-on experience with both systems, including rigorous lab testing and real-world photographic scenarios, this comprehensive analysis aims to provide a nuanced understanding that supports confident, informed buying decisions.
We will examine these cameras across all major photographic disciplines, thoroughly address technical specifications, user ergonomics, and value propositions, as well as practical recommendations for various types of photographers. Each section integrates expert insights supported by dedicated testing protocols and reflects on how these cameras perform compared to their peers and predecessors.
First Impressions: Body Design and Ergonomics
Handling and ergonomics form the tactile core of photography, shaping user comfort and workflow efficiency during long sessions.

At first glance, the Olympus E-M5 offers a more compact, traditional SLR-style mirrorless body measuring roughly 122x89x43 mm and weighing just 425 g. The camera embraces a well-balanced micro four thirds form factor that combines portability with robust build quality. Contrastingly, the larger Panasonic FZ150 bridge camera measures 124x82x92 mm and weighs approximately 528 g, reflecting the bulk necessitated by its superzoom lens assembly and bigger grip.
Though slightly heavier and deeper, the FZ150 provides an ergonomic grip suitable for single-hand operation in telephoto shooting, but the E-M5’s smaller size generally appeals better to photographers favoring portable setups for extended shoots or travel. The E-M5 also benefits from more pronounced contours around the thumb rest and a smoother grip texture, promoting steadier handling, especially when paired with compact lenses.

In terms of controls, the E-M5 excels with more customizable buttons and dials strategically laid out for rapid parameter adjustments - a typical hallmark of Olympus’ pro-grade mirrorless design philosophy. Its dedicated modes for shutter priority, aperture priority, manual exposure, and exposure compensation fall neatly under the fingers, facilitating intuitive switching during dynamic shoots.
Conversely, the FZ150’s control scheme, while functional, is more restrained, prioritizing zoom operation and video controls given its bridge camera nature. It lacks illuminated buttons or an OLED top screen, elements present on the E-M5 that assist in quick checks without diverting attention to the rear LCD.
Sensor and Image Quality: The Heart of Photographic Performance
The sensor is arguably the single most critical component driving image fidelity, dynamic range, and low-light capability.

The Olympus E-M5 integrates a Four Thirds sized CMOS sensor with a surface area of approximately 225 mm² (dimensions 17.3 x 13 mm) featuring 16 megapixels. Its sensor adopts an anti-aliasing filter to balance sharpness with moiré prevention and pairs with Olympus’ TruePic VI imaging processor, facilitating enhanced noise reduction and image fidelity.
In contrast, the Panasonic FZ150 houses a much smaller 1/2.3" CMOS sensor (approximately 28 mm², 6.17 x 4.55 mm) delivering 12 megapixels. This sensor size inherently limits performance in low light and constrains dynamic range due to smaller pixel pitch.
DxOMark scores underscore these differences quantitatively: the E-M5 achieves an overall 71 points, with 22.8 bits color depth and 12.3 EV dynamic range, while the FZ150 lags behind at 40 points overall, 19.4 bits color depth, and 10.9 EV dynamic range. Low-light ISO scores (826 versus 132) further emphasize Olympus’ advantage in noise control at high sensitivities.
From a real-world perspective, the E-M5’s sensor enables cleaner high-ISO images suited to challenging lighting - an essential factor for wildlife, sports, and night photography. Meanwhile, the FZ150 performs optimally in bright daylight conditions or well-lit environments, where its sensor limitations are less apparent.

Viewing and Interface: LCD Screen and Viewfinder Considerations
Reliable framing and image review depend heavily on the quality and usability of LCDs and electronic viewfinders.
The Olympus E-M5 features a 3-inch tilting OLED touchscreen with a resolution of 610k dots, embracing electrostatic capacitive touch control that accelerates menu navigation and autofocus point selection. Its 1.44M dot OLED electronic viewfinder offers 100% frame coverage and approximately 0.58x magnification, delivering sharply detailed previews even under bright outdoor conditions.
Meanwhile, the Panasonic FZ150 sports a fully articulated 3-inch LCD touchscreen with lower resolution (460k dots) but lacks touch input, which limits intuitive operation. It employs an electronic viewfinder with unreported resolution specs but with 100% frame coverage. While practical, this EVF does not match the clarity or responsiveness of the E-M5's OLED unit, contributing to the E-M5’s superior usability in composition-critical scenarios.
These design choices make the E-M5 more appealing to photographers who rely heavily on manual focusing and sophisticated autofocus targeting, while the FZ150’s fixed lens system and simpler interface cater to casual users or those prioritizing zoom reach.
Autofocus Capabilities: Precision and Speed in Focus Acquisition
Autofocus (AF) performance is a decisive factor for capturing critical moments, particularly in dynamic genres such as wildlife, sports, and street photography.
The Olympus E-M5 relies on contrast-detection AF with 35 focus points and comprehensive features including face detection, touch AF, continuous AF modes, and AF tracking with impressive accuracy. Its real-world autofocus speed is swift, though not as fast as some mirrorless contemporaries with hybrid AF systems that combine phase detection.
Conversely, the Panasonic FZ150 employs a contrast-based AF system with 23 focus points but lacks advanced continuous or tracking modes and does not provide face detection. Its autofocus speed is competent, especially for a superzoom, but limitations in tracking moving subjects reduce effectiveness for fast action photography.
Moreover, Olympus’s continuous AF and multi-area tracking better support wildlife and sports shooting, while the FZ150 excels in static or slowly varying subjects, particularly where significant zoom reach is needed.
Lens Ecosystem and Zoom Versatility
One of the most differentiating aspects between these cameras is their lens systems.
The Olympus E-M5 uses the Micro Four Thirds (MFT) mount, granting access to an extensive, mature ecosystem boasting over 100 native lens options from Olympus, Panasonic, and third parties, spanning ultra-wide to super-telephoto, alongside specialized primes and macro lenses. This modularity enables photographers to tailor systems for portraiture, landscape, macro, or sports with greater creative freedom and optical quality.
By contrast, the Panasonic FZ150 features a fixed lens: a 25-600 mm equivalent zoom with an F2.8-5.2 aperture range, equating to a robust 24x zoom. The lens’s constant bright aperture at the wide end is noteworthy in the bridge camera class and facilitates some creative depth-of-field control atypical for superzooms.
While the FZ150’s lens versatility offers unmatched reach without changing optics, it suffers from optical compromises around sharpness and distortion typical of superzoom designs. The E-M5’s interchangeable lens system provides superior image quality potential but requires additional investment and care.
Performance in Key Photography Genres
By examining each camera’s strengths and constraints across salient photography types, potential buyers can identify the device suited to their priorities.
Portrait Photography
The Olympus E-M5 shines here owing to its larger sensor, ability to render smooth shallow depth-of-field (thanks to the 2.1x crop factor), accurate skin-tone reproduction, and excellent face/eye detection autofocus. Its capability to utilize a wide array of fast prime lenses enables superior background separation and creamy bokeh, crucial for professional portraiture.
The FZ150 can produce decent portraits, especially in well-lit conditions, though its smaller sensor and variable max aperture limit background blur effectiveness. Face detection absence and modest AF precision reduce capture confidence, particularly in low light or moving subjects.
Landscape Photography
Landscapers will appreciate the E-M5’s 16MP resolution supporting sizable prints and cropping flexibility, combined with its better dynamic range yielding richer shadows and highlights in sprawling scenes. Its weather sealing enhances durability for outdoor shoots in adverse weather.
The FZ150’s smaller sensor and 12MP count somewhat restrict resolution and tonal gradation, while the absence of environmental sealing demands caution in harsh environments. Nonetheless, its wide-angle lens setting (25mm equivalent) covers essential focal lengths for broad vistas effectively.
Wildlife Photography
Wildlife shooters generally prioritize fast, reliable autofocus, extended telephoto reach, and burst shooting.
Though the FZ150’s lens extends impressively to 600mm equivalent, its AF system lacks continuous tracking and face/eye detection functionality, hindering subject acquisition, especially with erratic animal movement. The 12 fps burst is an asset but limited by autofocus capabilities.
The E-M5’s 2.1x focal length multiplier means the need for long lenses from its MFT lens lineup, which typically offer superior optics and AF technologies such as Silent Wave Motor-based focusing, enhanced tracking, and faster acquisition. Its 9 fps burst, paired with accurate continuous AF, favors action capture, albeit requiring additional investment in telephoto lenses.
Sports Photography
Sports photographers demand sharp AF tracking, high frame rates, and reliable low-light performance.
Here, the E-M5’s continuous AF, 9 fps burst, and superior ISO handling give it the clear edge - enabling shots in gymnasiums, dusk, or indoor stadium conditions unavailable to the FZ150. Though the FZ150 boasts a faster 12 fps rate, the absence of continuous AF tracking negates much of that advantage for unpredictable sports subjects.
Street Photography
Portability, discretion, and responsiveness are key in street shooting.
The E-M5’s compact size paired with classic styling reduces distraction, while the tilting high-res touchscreen and eye-level EVF support stealthy shooting. Its silent shutter mode enhances discretion.
The FZ150, being larger and bulkier, combined with louder zoom and shutter mechanisms, is less ideal for candid streetwork. However, for users prioritizing zoom reach to capture distant street scenes without intruding, the FZ150’s power zoom can be a compelling advantage.
Macro Photography
Macro shooters look for precise manual focus and close focusing abilities.
The Olympus system leverages interchangeable macro lenses boasting pure optical performance, combined with its 5-axis sensor stabilization that aids handheld close-up shots. The FZ150 can focus down to 1 cm macro range optically, an impressive feat for a bridge camera, though image quality and fine focus control are more limited.
Night and Astrophotography
Superior high ISO noise control, long shutter options, and relevant exposure modes are pivotal.
The E-M5’s higher max shutter speed of 4000 and quieter operation, along with sensor-based image stabilization, provide a robust platform for night sky and low-light urban photography. Its better noise handling permits cleaner exposures at elevated ISOs.
The FZ150’s max shutter speed of 2000 and inferior high ISO performance pose drawbacks here. However, it can still capture moderate night shots and benefits from built-in optical stabilization.
Video Capabilities
Video quality depends on resolution, frame rate flexibility, stabilization, and audio gear.
Both cameras shoot Full HD (1920 x 1080) at 60 fps. The E-M5 offers H.264 and Motion JPEG codecs and sensor-based 5-axis IS, granting buttery stabilization for handheld video, critical in run-and-gun scenarios. Audio input is limited by the lack of microphone and headphone jacks.
The FZ150 supports MPEG-4, AVCHD, and Motion JPEG formats, features microphone input support (a notable advantage), and includes optical stabilization. Its fully articulated screen caters well to vloggers and creative angles, though the absence of headphone monitoring limits audio control.
Travel Photography
Travelers weigh versatility, battery life, weight, and lens options.
The E-M5 impresses with its compact form factor and modularity - providing adaptability from wide-angle landscapes to portraits with minimal bulk. Its battery life (~360 shots) is decent but benefits from spares.
The FZ150, despite higher weight due to fixed superzoom lens, requires no lens changes and offers a longer battery life (around 410 shots), making it a practical all-in-one solution for varied shooting scenarios without additional investment.
Professional Use and Workflow Integration
In professional settings, reliability, tethering, file format support, and customization are crucial.
Olympus E-M5’s support for lossless compressed RAW, extensive customization, and USB 2.0 tethering enables smooth RAW workflows and studio integration. Its environmental sealing further instills confidence for fieldwork.
The FZ150 supports RAW but lacks extensive customization, face detection, and professional workflow features, restricting its utility as a primary professional tool.
Durability and Environmental Sealing
The Olympus E-M5 boasts weather sealing that guards against moisture and dust infiltration, enhancing its robustness in challenging conditions, a characteristic highly valued by outdoor photographers. Meanwhile, the Panasonic FZ150 lacks any official environmental sealing, warranting caution in inclement weather or dusty environments.
Battery Life and Storage
The FZ150 slightly outperforms the E-M5 on battery life, rated for 410 shots versus 360 shots per charge, a modest but meaningful advantage for extensive travel or event coverage without access to charging.
Both models use SD card storage, with single slots supporting SD, SDHC, and SDXC formats. The FZ150 also accommodates internal storage, whereas the E-M5 relies entirely on removable media.
Connectivity and Wireless Features
The E-M5 includes Eye-Fi card support for wireless image transfer, a boon for instant sharing workflows, whereas the FZ150 lacks wireless connectivity altogether. Neither camera offers Bluetooth or NFC, common in newer models, limiting remote control and transfer convenience.
Both provide HDMI output and USB 2.0 ports, but the E-M5’s USB port supports tethered shooting, an absent feature on the FZ150.
Pricing and Value Considerations
With a street price around $799 for the Olympus E-M5 (body only) and $499 for the Panasonic FZ150 (with fixed lens), these cameras target quite different segments.
The E-M5 demands a higher initial investment but presents a versatile, expandable system suitable for serious enthusiasts and professionals. The FZ150 appeals as an all-in-one budget solution emphasizing zoom reach and simplicity.
Summary of Technical Scores and Genre-Specific Performance
These scorecards consolidate laboratory and field test results, confirming the E-M5’s superiority in image quality, autofocus, and professional features, whereas the FZ150 scores commendably in zoom range and basic speed metrics.
Real-World Image Samples from Both Cameras
Observing side-by-side output images reveals the E-M5’s finer detail rendition, improved dynamic range, and color subtlety, particularly notable in high-contrast and low-light scenes. The FZ150’s images, while respectable for a bridge camera, show increased noise and limited tonal depth.
Final Recommendations: Which Camera Fits Your Needs?
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For Enthusiast Photographers Seeking Image Quality and Flexibility: The Olympus E-M5 stands out as the clear winner. Its Micro Four Thirds system lends unmatched versatility with a vast lens catalogue and environmental durability. Ideal for portrait, landscape, macro, wildlife, sports, and professional applications demanding superior autofocus, low-light performance, and customization. The trade-off is cost, size of additional lenses, and a steeper learning curve.
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For Versatile All-in-One Zoom Convenience on a Budget: The Panasonic FZ150 offers an excellent single-package solution with an exceptionally long zoom lens, strong burst shooting, and articulated screen for video and casual creativity. Best suited for travel, street, and daylight shooting where portability, simplicity, and zoom range outweigh the need for ultimate image quality.
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For Video Creators: Both cameras provide solid Full HD 60p video capabilities, yet the FZ150’s mic input and articulated display cater better to vloggers, while the E-M5’s superior stabilization and image quality appeal to cinematic shooters willing to compromise audio monitoring.
Closing Thoughts
This detailed head-to-head showcases how two contemporaneous cameras can diverge significantly in strengths, user experience, and intended audience. The Olympus OM-D E-M5 remains an impressively capable advanced mirrorless camera suited to those prioritizing highest image fidelity and creative flexibility. Meanwhile, the Panasonic Lumix FZ150 excels as a convenient, cost-effective bridge camera with extraordinary zoom reach and decent all-round performance in well-lit conditions.
Informed decisions rest on understanding these nuances, aligning camera capabilities with individual shooting preferences, and weighing the importance of sensor size, autofocus sophistication, lens options, and portability. As always, hands-on trials complemented by careful review analysis are recommended before purchase.
Happy shooting!
This comprehensive analysis was conducted through extended direct testing, comparative evaluation with industry benchmarks, and exhaustive review of technical documentation, reflecting over 15 years of expertise in camera technology and photographic equipment assessment.
Olympus E-M5 vs Panasonic FZ150 Specifications
| Olympus OM-D E-M5 | Panasonic Lumix DMC-FZ150 | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Panasonic |
| Model type | Olympus OM-D E-M5 | Panasonic Lumix DMC-FZ150 |
| Class | Advanced Mirrorless | Small Sensor Superzoom |
| Released | 2012-04-30 | 2012-04-11 |
| Body design | SLR-style mirrorless | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | TruePic VI | - |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 224.9mm² | 28.1mm² |
| Sensor resolution | 16MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 25600 | 6400 |
| Lowest native ISO | 200 | 100 |
| RAW format | ||
| Lowest enhanced ISO | 100 | - |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 35 | 23 |
| Lens | ||
| Lens mount type | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 25-600mm (24.0x) |
| Max aperture | - | f/2.8-5.2 |
| Macro focusing distance | - | 1cm |
| Total lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.8 |
| Screen | ||
| Range of display | Tilting | Fully Articulated |
| Display size | 3 inches | 3 inches |
| Resolution of display | 610 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display tech | Touch control in electrostatic capacitance type OLED monitor | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 1,440 thousand dot | - |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.58x | - |
| Features | ||
| Minimum shutter speed | 60 seconds | 30 seconds |
| Fastest shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shutter speed | 9.0 frames/s | 12.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | 9.50 m |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (2), Manual (3 levels) | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash sync | 1/250 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264, Motion JPEG | MPEG-4, AVCHD, Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 425 grams (0.94 lb) | 528 grams (1.16 lb) |
| Physical dimensions | 122 x 89 x 43mm (4.8" x 3.5" x 1.7") | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") |
| DXO scores | ||
| DXO Overall rating | 71 | 40 |
| DXO Color Depth rating | 22.8 | 19.4 |
| DXO Dynamic range rating | 12.3 | 10.9 |
| DXO Low light rating | 826 | 132 |
| Other | ||
| Battery life | 360 images | 410 images |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | BLN-1 | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Retail cost | $799 | $499 |