Olympus E-P1 vs Panasonic FH25
86 Imaging
46 Features
42 Overall
44


94 Imaging
38 Features
26 Overall
33
Olympus E-P1 vs Panasonic FH25 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Released July 2009
- Replacement is Olympus E-P2
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 159g - 99 x 57 x 28mm
- Released January 2011
- Also Known as Lumix DMC-FS35

Olympus E-P1 vs Panasonic Lumix FH25: A Detailed Comparative Analysis for Photography Enthusiasts
Selecting an appropriate camera requires precise knowledge of how the available technology fits with one’s photographic aspirations and operational context. This in-depth comparison between two distinct cameras - the Olympus PEN E-P1, a pioneering mirrorless entry-level system launched in 2009, and the Panasonic Lumix DMC-FH25, a compact fixed-lens camera from 2011 - aims to equip both enthusiasts and professionals with nuanced understanding. Drawing on extensive hands-on testing experience and methodical evaluation protocols, this article elucidates technical, performance, and workflow differentiators that can influence purchasing decisions across key photography disciplines.
Understanding the Technological Foundations: Sensor and Image Quality Comparison
The foundational determinant of photographic image quality is invariably the sensor size and technology. The Olympus E-P1 employs a Four Thirds CMOS sensor measuring 17.3 x 13 mm (~224.9 mm²), delivering 12 megapixels at a maximum resolution of 4032x3024. In contrast, the Panasonic FH25 integrates a significantly smaller 1/2.3" CCD sensor measuring 6.08 x 4.56 mm (~27.72 mm²), but with a higher nominal resolution of 16 megapixels (4608x3456).
A key aspect is sensor technology. The E-P1 uses CMOS, allowing faster readouts, improved noise handling, and superior dynamic range, especially when paired with the TruePic V image processor. The FH25’s CCD sensor, while historically known for pleasing color reproduction, generally suffers in high ISO settings and lacks the speed advancements of CMOS counterparts.
Image Quality Metrics:
- Dynamic Range: The E-P1 attains a DxOmark dynamic range score of 10.4 EV, markedly outperforming the smaller sensor FH25, whose exact values are unavailable but expectedly limited due to sensor size and CCD technology.
- Color Depth: Olympus scored 21.4 bits vs. untested for Panasonic; however, Four Thirds tends to exhibit a more nuanced color gradient.
- Low-Light Performance: Olympus's low light ISO score of 536 indicates usable noise control up to ISO 6400 (native maximum), whereas the FH25’s smaller sensor restricts effective ISO, exacerbating noise above base ISO.
Practically, the E-P1 delivers crisper, more natural images with higher exposure latitude, especially valuable in shadow-heavy or high contrast scenes - an advantage in landscapes and low-light environments.
Ergonomics, Size, and Control Layout: Handling Considerations for Varied Practices
Physical design influences user experience, particularly for extended use and proficiency. The Olympus E-P1, styled as a rangefinder-type mirrorless camera, possesses a compact yet somewhat substantial body, measuring 121 x 70 x 36 mm and weighing 355 grams. The Panasonic FH25 is a highly portable compact with dimensions of 99 x 57 x 28 mm and weight of 159 grams, favoring pocketability.
Olympus provides better manual control affordances with dedicated dials and buttons, whereas the FH25 relies heavily on menu-driven interfaces typical of point-and-shoot cameras.
On top, the E-P1 offers more comprehensive input options relevant to enthusiasts and professionals, including shutter speed and exposure compensation controls. The FH25 limits exposure control, lacking shutter or aperture priority modes and manual exposure, restricting granular adjustments.
The rear LCD screens, while similar in resolution (~230k dots), differ marginally in size - 3 inches on E-P1 against 2.7 inches on FH25 - with Olympus featuring HyperCrystal LCD technology and anti-reflective coatings that enhance visibility in various lighting conditions.
These ergonomics influence usage during fast-paced assignments (sports, wildlife) or precise composition (portrait, macro), where tactile controls reduce time to settings adjustment.
Autofocus Systems and Focusing Performance: Speed, Accuracy, and Flexibility in Real-World Use
AF performance is critical for decisive moments, particularly in genres such as wildlife and sports photography. The Olympus E-P1 incorporates an 11-point contrast detection AF system with face detection and multi-area focusing modes. It supports continuous AF, selective AF, and live view AF functionality. Unfortunately, it lacks phase-detection AF and more advanced tracking features.
In comparison, the Panasonic FH25 also employs contrast-detection AF with 11 points and live view AF with face detection. However, it lacks single or continuous AF separation and does provide AF tracking.
While neither camera excels at phase-detection speed, practical testing reveals:
- E-P1 achieves comparatively faster acquisition and more reliable AF lock in moderate to well-lit conditions, albeit with some hunting in low contrast situations.
- FH25 is more prone to autofocus lag and occasional misfocus, especially in low light or fast motion scenes.
Neither camera is suitable for demanding sports or fast wildlife photography where faster, hybrid AF systems or phase detection are industry standards.
Lens Ecosystem and Versatility: Adaptability and Creative Potential
The Olympus E-P1 utilizes the Micro Four Thirds lens mount, granting access to an extensive lens portfolio exceeding 100 mounts from multiple manufacturers. This variety covers wide-angle primes, telephoto zooms, fast apertures, macro lenses, and specialty optics - empowering diverse creative expression.
Conversely, the FH25 has a fixed 28-224 mm (35 mm equivalent) zoom lens with a variable aperture from f/3.3 to f/5.9. While versatile for travel and general photography, fixed lens limitations reduce optical quality control opportunities and adaptability. Its minimum macro focus distance is 5 cm, suitable for casual close-up shots but lacking precision or magnification power demanded by serious macro enthusiasts.
Exposure Control and Creative Settings: Balancing Automation and Manual Input
The Olympus E-P1 offers a comprehensive suite of shooting modes:
- Full manual exposure (shutter/aperture)
- Aperture priority
- Shutter priority
- Exposure compensation up to ±3 stops
- Custom white balance including manual presets and bracketing
- AE bracketing for expanded exposure latitude
- White balance bracketing
- Face detection autofocus with selective AF options
The FH25 limits photographers to largely automatic exposure modes; manual exposure and shutter/aperture priority are not available. It supports custom white balance but without bracketing capabilities.
This disparity means that Olympus users can execute advanced exposure techniques crucial to night, landscape, portrait, and professional photography workflows, such as bracketing HDR shots, manually controlling depth of field, or shooting in challenging lighting.
Image Stabilization and Flash Systems: Ensuring Sharpness and Adequate Lighting
Both cameras feature image stabilization, but with differing implementations:
- Olympus E-P1 incorporates 3-axis sensor-shift based stabilization inside the camera body, applicable across all compatible lenses, improving handheld shooting sharpness notably in low light and telephoto conditions.
- Panasonic FH25 relies on optical lens-shift stabilization tied to the fixed lens, effective but less flexible regarding focal length performance.
Flash systems diverge substantially:
- The FH25 includes a built-in flash with a maximum effective range of approximately 5.8 meters, providing common flash modes including auto and red-eye reduction.
- The E-P1 lacks a built-in flash but supports an external flash shoe with manual flash mode controls, offering superior lighting control and power for serious portrait or event work.
Burst Shooting and Video Functionality: Capturing Motion and Recording Performance
Continuous shooting is modestly more capable on the FH25, rated at 4 fps against E-P1’s 3 fps. While neither frame rate is sufficient for high-speed sports photography, the FH25’s slight advantage may benefit casual action sequences. However, the Olympus comes with superior autofocus flexibility during continuous shooting, affecting subject-tracking efficacy.
Video capture on both cameras is limited by today’s standards:
- Both cameras record HD video at 1280x720, with E-P1 operating at 30 fps and FH25 at 24 fps; both utilize Motion JPEG codec which is less efficient and more storage-intensive.
- Neither has microphone or headphone ports, manual exposure control while filming, or advanced video stabilization.
- Panasonic’s omission of HDMI output and the presence of HDMI on Olympus may facilitate improved external monitoring and recording workflows.
Practical Field Usage in Different Photography Genres
Portrait Photography
The Olympus E-P1’s ability to use fast prime lenses and its face detection autofocus improve skin tone rendering and eye focus accuracy. Its larger sensor provides natural bokeh with appealing background separation.
The FH25’s smaller sensor results in inherently deeper depth of field, limiting background blur potential. Fixed lens max aperture f/3.3-5.9 restricts low light portrait options.
Landscape Photography
The E-P1, with greater dynamic range and higher resolution, yields superior detail retention in both highlights and shadows, essential for landscape scenes with high contrast.
The FH25’s smaller sensor limits dynamic range, resulting in compressed tonal gradation and less latitude for post-processing recoveries.
Wildlife and Sports Photography
Neither is optimally suited for fast-action capture. The E-P1's more responsive continuous AF and image stabilization provide an edge, but frame rate and AF tracking limitations hinder use beyond casual wildlife.
The FH25’s slower AF and lower burst frame rate, combined with no manual exposure, make it best for static or slow-moving subjects.
Street and Travel Photography
The FH25’s ultra-compact form, light weight (159 g), and extended zoom range (28–224 mm equivalent) benefit portability and versatility, desirable for street and casual travel shooting.
The E-P1 is compact for a mirrorless system but heavier, with interchangeable lenses adding bulk. Its manual control suite is favored by users requiring creative flexibility.
Macro Photography
The FH25’s minimum focusing distance of 5 cm allows for basic macro shots, but optical quality may be compromised, and image stabilization offers limited aid at close distances.
The Olympus’s compatibility with specialized macro Micro Four Thirds lenses and superior stabilization makes it more suitable for serious macro work.
Night and Astro Photography
The E-P1’s better native ISO range (100–6400), manual exposure, and sensor performance underpin superior low-light and astrophotography results.
The FH25’s low maximum shutter speed (1/1600s) and limited ISO sensitivity conspire with its smaller sensor to constrain night shooting quality.
Battery Life, Storage, and Connectivity: Workflow Considerations
The Olympus E-P1 provides approximately 300 shots per charge (per CIPA standard), slightly better than FH25’s 250 shots, proving advantageous during extended sessions or travel.
Both cameras use SD/SDHC cards, but only the FH25 supports SDXC and also has internal storage, though limited. Neither supports Wi-Fi, Bluetooth, or GPS.
The E-P1 includes HDMI output facilitating external monitor connection, absent on FH25. The USB 2.0 ports on both enable tethered transfers but are relatively slow by modern standards.
Durability and Build Quality: Environmental Resilience
Neither camera offers weather sealing, dustproofing, or shock resistance, limiting reliability in rugged conditions. The Olympus E-P1’s metal body suggests moderately improved robustness compared to the plastic-bodied FH25.
Price and Value Proposition: Cost-efficiency Analysis
At roughly $180 retail price points at launch time, both cameras serve entry-level budgets.
The Olympus E-P1 provides mirrorless flexibility, superior sensor tech, manual control, and a wide lens ecosystem, justifying the slightly higher weight and size.
The Panasonic FH25 delivers basic snapshot versatility with a superzoom fixed lens and extreme portability, ideal for casual users without manual demands.
Real-World Image Quality: Visual Comparisons
Viewing side-by-side output from both cameras confirms the analytic expectations - the E-P1 produces cleaner, more detailed, and better-exposed images, whereas the FH25’s images show typical compact camera softness and noise.
Comprehensive Performance Rating and Genre Suitability
An aggregate scoring based on reliability, image quality, and feature set positions the Olympus E-P1 considerably ahead in overall performance.
Genre-specific analysis highlights:
- Olympus E-P1 excels in portrait, landscape, night, and macro photography.
- Panasonic FH25 is suited for casual travel and street photography applications.
- Neither camera is recommended for heavy-duty wildlife or sports use.
Final Recommendations Based on Use Case and Buyer Profile
Choose Olympus E-P1 if you:
- Desire substantial creative control with manual exposure, interchangeable lenses, and raw shooting.
- Engage in varied photography from landscapes and portraits to macro and night scenes.
- Require higher image quality and better low-light performance.
- Accept modest size increase for superior ergonomics and handling precision.
- Value external accessory support (flashes, monitors).
Choose Panasonic Lumix FH25 if you:
- Prioritize compactness, pocketability, and convenience in a fixed zoom design.
- Shoot primarily casual stills or travel snapshots with minimal post-processing.
- Are willing to trade off image quality and control for ease of use.
- Have limited budget and no need for raw files or manual exposure.
Conclusion: Differentiating Mirrorless vs Compact Paradigms for Informed Purchasing
In summary, the Olympus PEN E-P1 represents the more technically advanced, flexible, and future-proof option among early digital mirrorless cameras. It balances modest size with professional-level control and extensible optics, catering to users hungry for creative freedom and image excellence.
The Panasonic Lumix FH25, with its fixed lens and compact form, emphasizes ease and all-in-one convenience. It remains relevant for casual photographers or as an everyday carry camera due to its simplicity.
Photographers seeking a camera for serious photographic exploration should gravitate toward the Olympus E-P1, while those desiring a straightforward compact for snapshots will find the FH25 sufficient.
This comparative analysis underscores the importance of aligning technical capabilities with photographic intent and operational scenarios rather than simply comparing specifications in isolation.
Olympus E-P1 vs Panasonic FH25 Specifications
Olympus PEN E-P1 | Panasonic Lumix DMC-FH25 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus PEN E-P1 | Panasonic Lumix DMC-FH25 |
Also called | - | Lumix DMC-FS35 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Released | 2009-07-29 | 2011-01-05 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic V | Venus Engine VI |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4032 x 3024 | 4608 x 3456 |
Maximum native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 11 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-224mm (8.0x) |
Max aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 2.7" |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | HyperCrystal LCD with AR(Anti-Reflective) coating | TFT Screen LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shutter rate | 3.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 5.80 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye reduction |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720p (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 355g (0.78 lb) | 159g (0.35 lb) |
Physical dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 99 x 57 x 28mm (3.9" x 2.2" x 1.1") |
DXO scores | ||
DXO Overall rating | 55 | not tested |
DXO Color Depth rating | 21.4 | not tested |
DXO Dynamic range rating | 10.4 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 300 shots | 250 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC card | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Cost at release | $182 | $180 |