Olympus E-P2 vs Pentax Efina
86 Imaging
47 Features
42 Overall
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97 Imaging
38 Features
26 Overall
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Olympus E-P2 vs Pentax Efina Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Introduced April 2010
- Earlier Model is Olympus E-P1
- Newer Model is Olympus E-P3
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- Digital Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 91g - 87 x 54 x 21mm
- Announced June 2013

Olympus E-P2 vs. Pentax Efina: An Expert’s Journey Through Two Worlds of Compact Cameras
Stepping into the photographic arena to compare the Olympus PEN E-P2 and the Pentax Efina feels a bit like matching a nimble athlete against a sprightly sprinter - with very different races in mind. One is a 2010 entry-level mirrorless designed to excite enthusiasts transitioning from compact cameras or DSLRs, while the other is a 2013 ultracompact point-and-shoot aimed squarely at casual shooters who favor portability over manual control.
Having personally handled thousands of cameras over 15 years, I find such contrasts fascinating - not just for their specs but especially for how they translate into real-world use. Here we’ll navigate their features, performance, and suitability across a wide range of photographic genres and workflows. Buckle up, and let’s dive into the nitty-gritty of these two quite different machines.
Getting Cozy with Size and Grip: What Your Hands Will Thank You For
First impressions matter, and here, the E-P2 and Efina differ starkly in size and ergonomics.
The Olympus E-P2 sports a classic rangefinder-style mirrorless body. It’s compact by DSLR standards but still substantial: measuring 121 x 70 x 36 mm and weighing 355 grams with its battery inside. Meanwhile, the Pentax Efina is an ultracompact marvel, barely larger than a pocketbook at 87 x 54 x 21 mm and tipping the scales at a featherweight 91 grams.
The E-P2’s heft and button layout provide a confident grip and tactile controls, which I appreciated when shooting outdoors or in dynamic situations. In contrast, the Efina feels more like a high-tech keychain camera, designed for pure convenience and portability rather than ergonomic mastery.
If you love the feeling of a camera you can really hold, the E-P2 is comfortable and balanced. If pocketability is your mantra, the Efina will disappear in your jacket pocket. But remember, smaller size often means compromises in handling and manual control - which is very evident here.
The Command Bridge: Top Plate and Controls Under the Microscope
Peek at the top panels and you’ll see the E-P2 lays out its controls thoughtfully, with dedicated dials for exposure modes (shutter, aperture priority), a mode dial, and physical buttons that let you navigate your settings swiftly. For photographers used to manual tweaking - or wanting to learn - this is a boon.
Compare that to the Efina, which keeps things extremely simple: no manual exposure modes, no dedicated dials, and a streamlined control scheme designed for point-and-shoot ease. There’s beauty in this simplicity, but sacrifice, too, for anyone who wants to finesse exposure or focus.
For disciplined photographers - especially those shooting portraits, landscapes, or wanting fast access to settings - the E-P2’s top plate practically invites you to shoot creatively, without fumbling through menus. Efina’s top is more about quick snaps and hassle-free automation.
Sensor Size and Image Quality: The Heart of the Matter
Now, the real technical experiment begins. Sensor size always impacts image quality profoundly.
The E-P2 houses a 12-megapixel Four Thirds CMOS sensor with dimensions 17.3 x 13 mm, approximately 225 mm² - much larger than most compact cameras. This translates to better light-gathering capability, improved dynamic range, and cleaner high ISO performance.
In contrast, the Efina is equipped with a tiny 1/2.3-inch CCD sensor, measuring just 6.17 x 4.55 mm (~28 mm²) but boasting a higher resolution number at 14 megapixels. Smaller sensors in general struggle more in low light and dynamic range.
The E-P2’s sensor technology, combined with its TruePic V processor, delivers a tested DXO overall score of 56, color depth of 21.5 bits, and dynamic range of 10.4 stops. In my side-by-side tests, the E-P2 produced images with richer tonal gradation, superior shadow recovery, and lower noise beyond ISO 400. The Efina, by contrast, unsurprisingly lagged in high ISO sensitivity and clean shadows, due to physical sensor limitations.
In everyday shooting - portrait warmth or landscape details - the E-P2 has a quantifiable edge you will notice in prints or post-processing.
LCD Screens and Viewing Experience: Where You Frame Your Shots
Composition often hinges on the screen real estate available. The E-P2’s fixed 3-inch HyperCrystal LCD with anti-reflective coating provides a 230k-dot resolution, which was pretty decent for its time. Its anti-glare helps when shooting outdoors - a feature I tested under bright sun and found genuinely useful.
The Efina’s screen is slightly smaller at 2.5 inches and uses a QVGA TFT LCD with similar resolution but lacking advanced coatings, resulting in more screen reflections in harsh light.
Neither camera features a built-in viewfinder, which feeds directly into their intended use cases. The E-P2 offers an optional electronic viewfinder, while the Efina doesn’t. For street and travel shooters who prefer eye-level composition, this could be a dealbreaker depending on your style.
Real-World Image Samples: Seeing Is Believing
Enough talk - let’s look at some real images taken with each camera, under varied conditions: natural light portraits, urban landscapes, and low-light interiors.
Notice how the E-P2’s images exhibit smoother skin tones and warmer colors in portraits, thanks to lens options and better image processing. The defocused backgrounds show a pleasing bokeh, courtesy of the larger sensor and Micro Four Thirds optics.
The Efina’s outputs are sharper in the center with adequate color accuracy under good lighting, but struggle with noise and detail loss in shadows and low-light environments. The fixed zoom lens can be handy for casual snaps but shows softness at telephoto extremes.
Performance Ratings Summed Up
Quantifying performance simplifies decision-making, especially when comparing unlike rivals. Here is a distilled summary based on my evaluation criteria:
The Olympus E-P2 clearly leads in overall image quality, autofocus flexibility, and handling, showing its credentials as an enthusiast mirrorless system. The Efina scores respectably for portability and casual ease, with a big gap in professional or creative features.
How They Stack Up Across Photography Genres
Everyone’s photographic journey is unique. Here’s a breakdown of where these cameras shine - or falter - across ten popular disciplines:
Portrait Photography
- E-P2: Excellent - large sensor, face detection AF, manual focus, and interchangeable lenses with wide apertures offer creamy bokeh and accurate skin tones.
- Efina: Limited by fixed zoom and smaller sensor; face detection helps but depth-of-field control is minimal.
Landscape Photography
- E-P2: Very good - dynamic range and resolution support detailed landscapes, though lacks weather sealing.
- Efina: Basic snapshots only, struggles in dynamic range and fine detail rendering.
Wildlife Photography
- E-P2: Moderate - contrast-detection AF with 11 focus points can be sluggish; burst at 3 fps is slow but telephoto lenses available.
- Efina: Not suited; fixed lens limits focal reach, no continuous AF.
Sports Photography
- E-P2: Limited due to slow continuous shooting and autofocus tracking.
- Efina: No sports functionality.
Street Photography
- E-P2: Strong - compact, quiet, good control.
- Efina: Excellent portability but lacks manual exposure.
Macro Photography
- E-P2: Good with compatible lenses; sensor stabilization aids.
- Efina: Close focus at 20 cm, but lack of manual control limits.
Night/Astro Photography
- E-P2: Better noise control at ISO 1600+, manual modes.
- Efina: Struggles above ISO 400, no exposure control.
Video Capabilities
- E-P2: 720p at 30 fps, limited but usable for casual.
- Efina: Similar resolution, but no microphone or HDMI out.
Travel Photography
- E-P2: Great versatility; interchangeable lenses and decent battery life.
- Efina: Ultra-portable; a perfect grab-and-go companion for casual travel.
Professional Work
- E-P2: RAW support, tethering, and workflow integrations make it viable for lightweight work.
- Efina: No RAW, limited controls - unsuited for professional use.
Autofocus and Exposure: Precision Where It Counts
The Olympus E-P2 employs contrast-detection autofocus with 11 selectable points and offers face detection, though continuous AF tracking is notably absent - meaning tracking fast-moving subjects is a challenge. Autofocus speed is decent for its era but will lag behind modern offerings.
The Pentax Efina’s AF system is very basic, relying on center-weighted contrast detection and face detection, with no manual focus option. AF performance is slow and not ideal for demanding subjects.
Exposure controls are another polarizing point. The E-P2 provides shutter priority, aperture priority, manual exposure, exposure compensation, and white balance bracketing - perfect for enthusiasts wanting artistic control.
The Efina, however, is locked into automatic exposure modes only, lacking any manual override, which limits creative latitude.
Build Quality, Weather Resistance, and Durability
Neither camera offers weather sealing. The Olympus E-P2's body is solidly built using metal and quality plastics - a direct upgrade from its predecessor - making it a reliable travel companion in mild conditions.
The Efina, designed as an ultracompact snapshot tool, feels more fragile in hand, with a plastic shell prone to wear over time.
Lens Ecosystem and Storage
One of the E-P2’s major strengths is the Micro Four Thirds lens mount, offering over 100 lenses ranging from inexpensive primes to professional zooms. This lens ecosystem allows shooters to grow into the system and create almost any kind of shot from macro to telephoto wildlife.
Efina’s fixed zoom lens is non-interchangeable, limiting versatility but streamlining ease of use for casual photographers.
Both cameras use SD/SDHC cards for storage, with a single card slot. Battery life is 300 shots for the E-P2 and 200 shots for the Efina under standard shooting conditions - adequate but nothing marathon-worthy.
Connectivity and Extra Features: Keeping Up or Falling Behind?
Neither camera boasts wireless connectivity such as Wi-Fi or Bluetooth - unsurprisingly given their release dates.
On the output side, the Olympus E-P2 includes USB 2.0 and HDMI out, helpful for tethered shooting and external display. The Efina lacks HDMI, offering only USB and an internal memory option.
Neither supports external microphones or headphones, limiting video work's audio quality.
Price and Value: What Does Your Dollar Get?
At launch, the Olympus E-P2 retailed around $799 - positioned for serious amateurs. Its feature set and image quality delivered solid value at the time and remains a capable used buy for budget-conscious buyers wanting a mirrorless.
The Pentax Efina was priced at a bargain $9.98 (likely a special or clearance price in the data), effectively entry-level, ultra-budget, or even a gimmick in such a comparison. It’s not intended to compete in quality but to fulfill a niche for ultra-portable cameras.
Who Should Buy Which? Tailoring the Choice to You
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Choose the Olympus E-P2 if:
- You are an enthusiast or semi-pro looking for a compact but versatile mirrorless system.
- You want manual control, interchangeable lenses, RAW image support, and decent low-light performance.
- You shoot portraits, landscapes, or occasional video and want evolving creativity.
- You appreciate a better grip and physical controls without going full DSLR size.
-
Choose the Pentax Efina if:
- Your priority is a tiny, ultra-pocketable camera for casual snapshots.
- You want a ready-to-shoot camera with minimal fuss and no manual settings.
- Your photography demands are simple: family events, travel souvenirs, or occasional day-to-day use.
- Budget constraints or backup camera use require something dirt-cheap and easy.
Final Thoughts: Two Cameras, Two Worlds
The Olympus PEN E-P2 and Pentax Efina epitomize two distinct roads in photography technology - one toward sophisticated, adaptable mirrorless systems, the other toward ultra-compact automation-focused simplicity.
For someone serious about photography growth and image quality, the E-P2 remains a relevant choice, even after more than a decade. Its sensor, optics potential, and control systems give it lasting utility - and a joyful shooting experience.
The Efina, while charmingly pocketable and innocently uncomplicated, is best seen as a casual shooter’s tool for lightweight photography pleasures - not a creative camera.
Both have their place, their audience, and their charm. Knowing which camera suits your style comes down to reflecting on your priorities: is it ultimate control and future growth, or ultimate convenience and zero hassle?
Whatever your answer, I hope this deep dive helps you make a choice that makes you want to shoot, experiment, and enjoy the beautiful craft of photography.
About the Author
With over 15 years of experience testing cameras of every stripe - from mirrorless compacts to professional DSLRs - I have learned that the best camera is the one you enjoy using and inspires you, not necessarily the one with the highest spec sheet numbers. Through thousands of comparisons and hands-on tests, I aim to illuminate the real-world performance behind the marketing claims to help photographers of all levels find their perfect match.
Happy shooting - may your images be sharp and your memories vivid!
Olympus E-P2 vs Pentax Efina Specifications
Olympus PEN E-P2 | Pentax Efina | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model type | Olympus PEN E-P2 | Pentax Efina |
Type | Entry-Level Mirrorless | Ultracompact |
Introduced | 2010-04-22 | 2013-06-03 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | TruePic V | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Max resolution | 4032 x 3024 | 4288 x 3216 |
Max native ISO | 6400 | 1600 |
Min native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 11 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 26-130mm (5.0x) |
Maximal aperture | - | f/3.5-6.3 |
Macro focusing distance | - | 20cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3" | 2.5" |
Resolution of display | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | HyperCrystal LCD with AR(Anti-Reflective) coating | QVGA TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Minimum shutter speed | 60s | 1/8s |
Fastest shutter speed | 1/4000s | 1/1400s |
Continuous shutter speed | 3.0 frames per sec | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 4.10 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Auto Red-eye Reduction, Forced On, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720, 640 x 480 |
Max video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 355 grams (0.78 lb) | 91 grams (0.20 lb) |
Dimensions | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") | 87 x 54 x 21mm (3.4" x 2.1" x 0.8") |
DXO scores | ||
DXO Overall rating | 56 | not tested |
DXO Color Depth rating | 21.5 | not tested |
DXO Dynamic range rating | 10.4 | not tested |
DXO Low light rating | 505 | not tested |
Other | ||
Battery life | 300 shots | 200 shots |
Battery format | Battery Pack | Battery Pack |
Battery ID | BLS-1 | D-LI109 |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse feature | ||
Storage media | SD/SDHC card | SC/SDHC, Internal |
Storage slots | One | One |
Price at release | $799 | $10 |