Olympus E-P3 vs Panasonic TS5
86 Imaging
48 Features
60 Overall
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91 Imaging
40 Features
43 Overall
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Olympus E-P3 vs Panasonic TS5 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Announced August 2011
- Older Model is Olympus E-P2
- Replacement is Olympus E-P5
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Announced July 2013
- Alternative Name is Lumix DMC-FT5
- Previous Model is Panasonic TS4
- Replacement is Panasonic TS6

Olympus E-P3 vs. Panasonic Lumix DMC-TS5: A Comprehensive Comparison for the Discerning Photographer
In the diverse and rapidly evolving world of digital photography, selecting a camera that fits both your creative aspirations and practical needs can be daunting. Today, we undertake a meticulous comparison between two cameras that, while launched in the early 2010s, offer uniquely different approaches tailored for distinct user priorities: the Olympus PEN E-P3, an entry-level mirrorless designed for enthusiasts seeking creative flexibility, and the Panasonic Lumix DMC-TS5 (a.k.a. Lumix DMC-FT5), a rugged waterproof compact oriented toward adventure and travel photographers demanding durability alongside imaging capability.
Through an exhaustive evaluation that spans technical analysis, hands-on real-world performance, and value considerations, this article aims to equip both enthusiasts and professionals with authoritative insights to guide their investment. Let’s dive into the core facets, starting with physical design and ergonomics.
Sculpted for Experience: Size and Handling
A camera’s size and ergonomics often dictate the breadth of its usability across genres, especially for those shooting prolonged sessions or fast-moving subjects.
The Olympus E-P3 adopts a rangefinder-style mirrorless body with dimensions measuring 122 x 69 x 34 mm and weighing approximately 369 grams (with battery). Its compact yet sturdy magnesium alloy frame exudes a premium heft suitable for stable handheld shooting, especially with the Micro Four Thirds lens family that balances well with the body. The rangefinder aesthetic supports a minimalist grip, which is comfortable but may be less secure for extended telephoto use or extensive sports shooting.
Conversely, the Panasonic TS5 is an ultra-compact, highly durable waterproof point-and-shoot design, significantly smaller at 110 x 67 x 29 mm and lighter at 214 grams. Its body emphasizes ruggedness, featuring environmental sealing to resist water, dust, shock, and freeze conditions - ideal for adventure and travel photographers who need resilient gear. The trade-off for this compactness is a more constrained grip and fewer manual controls, affecting handling precision in fast-paced or nuanced photography.
Control and Interface: Intuitive Design Matters
Beyond size, how camera controls and menus are arranged impacts shooting fluidity - a critical aspect when fleeting moments demand fast reaction.
The Olympus E-P3 integrates a clean, well-laid top control panel with traditional dials and several configurable buttons that seasoned shooters will appreciate. The presence of dedicated exposure compensation and custom white balance controls aligns with its enthusiast persona. However, the absence of a built-in viewfinder (an optional electronic viewfinder is sold separately) could be limiting under bright conditions where LCD visibility diminishes.
In contrast, the Panasonic TS5 opts for simplicity with a minimalistic button layout that prioritizes ruggedness over ergonomic nuance. The lack of manual shutter or aperture priority modes (only a manual exposure mode available) and absence of a viewfinder indicates that Panasonic has streamlined this model primarily for point-and-shoot operation, favoring ease over creative control.
Imaging Heart: Sensor Architecture and Quality
The cornerstone of any camera’s output is its sensor; we examine how these two cameras’ sensors reflect their design goals and impact image quality.
The Olympus E-P3 sports a Four Thirds MOS CMOS sensor sized at 17.3 x 13 mm, providing a sensor area of approximately 224.9 mm². With 12 megapixels of resolution, this sensor strikes a balance between image detail and low-light performance through its decent pixel pitch. The TruePic VI image processor enhances noise reduction, color fidelity (20.8 bits color depth), and dynamic range (~10.1 EV), enabling cleaner results up to ISO 12800 for stills - a remarkable feat for a camera from 2011.
Conversely, the Panasonic TS5 features a considerably smaller 1/2.3" CMOS sensor, measuring just 6.08 x 4.56 mm (27.72 mm²) and packing 16 megapixels. While the higher pixel count suggests finer resolution potential, in practice, the smaller sensor area limits overall image quality, especially under challenging lighting, due to elevated noise levels and constrained dynamic range. The TS5’s max ISO caps at 6400, but usable high ISO shots tend to degrade rapidly.
While the Olympus’ sensor excels for more controlled shooting environments and creative applications needing color accuracy and dynamic latitude, the Panasonic’s sensor fits casual photography in daylight and rugged conditions.
Visual Feedback: LCD Screens and Viewfinders
Composing and reviewing shots depend heavily on displays. Here, the two models diverge further in usability.
The Olympus E-P3 offers a fixed 3-inch 3:2 OLED touchscreen, with a resolution of 614k dots and an anti-fingerprint coating. The OLED technology ensures excellent contrast and color richness, aiding precise composition and menu navigation. Touch-enabled AF point selection enhances responsiveness and tactile control.
In comparison, the Panasonic TS5 provides a 3-inch TFT LCD with 460k dots resolution, fixed and non-touch, which delivers adequate but less vivid rendering. The lack of a touchscreen and lower resolution hamper nuanced focus control, but the screen remains sufficiently bright for outdoor use given the camera’s adventure focus. Neither camera features a built-in viewfinder, which requires Olympus users to consider optional accessories for bright-light shooting, while Panasonic’s compact size and LCD reliance conforms with its casual use case.
Autofocus and Drive Performance: Seizing the Decisive Moment
Autofocus (AF) systems dictate suitability for fast-action photography genres. The Olympus E-P3 and Panasonic TS5 take different approaches reflecting their intended audience.
The Olympus E-P3 boasts a contrast-detect AF system with 35 focus points, including face detection and tracking, capable of single, continuous, and selective AF modes. The camera further supports touch-based focus point selection, allowing rapid focus acquisition. While lacking phase detection AF technology common in later models, the system performs admirably in varied lighting and moderately fast movements, achieving approximately 3 frames per second burst rate.
The Panasonic TS5 employs a more modest 23-point contrast-detect AF system, focusing predominantly on center-weighted metering. Its continuous AF and tracking modes are present but less sophisticated, without face or eye detection features. However, it compensates with a higher continuous shooting speed of 10 fps, which aids capture of transient moments albeit with a possible buffer and focus accuracy trade-off given the non-professional AF system.
Overall, the Olympus clearly fares better for photography requiring refined focus precision, such as portraits and wildlife, while Panasonic’s TS5 caters well to casual or action snapshots during adventures where ruggedness outweighs AF complexity.
Lens Ecosystem and Focal Range: Flexibility in Optics
Lenses transform camera bodies into cameras capable of tailored expression. Here, sensor size and lens mount choices heavily influence creative reach.
The Olympus E-P3 mounts Micro Four Thirds lenses, granting access to a robust and mature ecosystem encompassing over 107 native lenses ranging from fast primes to versatile zooms across focal lengths. This supports excellent versatility: wide-angle lenses for landscapes, macro optics for close-up work, and telephoto options ideal for wildlife or sports. The lens mount's 2.0x crop factor requires consideration when selecting focal lengths but benefits from compact, lightweight optics.
In contrast, the Panasonic TS5 features a fixed zoom lens with focal length 28-128 mm equivalent (4.6x optical zoom) and aperture ranging from F3.3 at wide-angle to F5.9 telephoto. This lens covers general-purpose coverage but lacks the flexibility of interchangeability. For adventure and travel photography, this suffices, especially given the rugged, waterproof nature, but is limiting for specialized genres or low-light creative work.
Build Quality and Environmental Resilience
Whether tackling cityscapes or remote wilderness, the durability of your camera influences both convenience and long-term satisfaction.
Along with a metal-magnesium alloy body, the Olympus E-P3 lacks environmental sealing, making it vulnerable to dust and moisture ingress. While it remains robust for day-to-day use, protective measures (e.g., weatherproof lenses or external covers) are recommended for adverse environments.
Conversely, the Panasonic TS5 stands out with comprehensive environmental sealing, including waterproofing up to specified depths, dustproofing, shockproofing against drops, and freezeproof design. Such ruggedization permits confident shooting in harsh weather and terrains without cumbersome external housings, an undeniable advantage for outdoor enthusiasts and travel professionals who prioritize reliability over precision manual controls.
Battery Life and Storage: Endurance on the Go
Shooting longevity directly impacts field usability, especially for travel and event coverage.
The Olympus E-P3, powered by the BLS-5 battery, offers approximately 330 shots per charge, which is reasonable but might require spares for extended outings, especially if live view or flash is heavily used. The SD/SDHC/SDXC card slot supports modern storage formats for RAW and JPEG files.
The Panasonic TS5, with its DMW-BCM13 battery, slightly edges out with around 370 shots per charge, supplemented by its ability to record timelapses and internal memory buffering. It boasts built-in wireless connectivity (Wi-Fi) and GPS functionality, enhancing geo-tagging and remote sharing capabilities - useful features for travel photographers.
Versatility Across Photography Disciplines
To further clarify their relative strengths, let’s examine how each fared across major photography genres based on nuanced metrics and real-world testing.
Portraiture: Rendering Skin and Emotion
The Olympus E-P3 excels with its sensor and lens compatibility enabling accurate skin tones and smooth bokeh thanks to larger sensor size and selectable aperture control. Face detection AF ensures sharp eyes and expressive subjects. The Panasonic TS5, while competent in daylight portraiture, displays less creamy background separation and struggles with color nuance under mixed lighting, limiting its appeal for professional or artistic portrait work.
Landscape Photography: Depth and Dynamics
The Olympus’s broad dynamic range (~10.1 EV) and superior color depth yield landscapes teeming with detail from shadows to highlights. Its interchangeable wide-angle lenses and manual controls support creative compositions and exposure bracketing. The Panasonic TS5’s small sensor restricts dynamic range, and while waterproofing aids in rugged outdoor usage, its fixed lens offers only moderately wide coverage, limiting compositional variety.
Wildlife and Birding: Speed and Reach
Here, the Olympus again shines with AF tracking and many telephoto lens options; the sensor provides high ISO clean images necessary for jungle or early morning light. The Panasonic’s faster burst rate (10 fps) might capture fleeting wildlife movement, but limited zoom and AF sophistication curtail usable results.
Sports Photography: Tracking and Low Light
While neither camera is optimized for professional sports capture, Olympus’s 3 fps continuous shooting and face tracking yield better results in moderate light. Panasonic’s speed advantage is offset by less nuanced AF, making it better suited for casual action shots in bright conditions.
Street Photography: Discretion and Spontaneity
The Olympus E-P3’s compact size, silent shutter option, and touchscreen controls facilitate quick reactivity in street environments, though lack of a built-in viewfinder can hinder bright daylight use. The TS5’s rugged body supports shooting in rain or dust, and its small profile suits street candid capture, albeit with fewer manual options.
Macro Photography: Detail Revelation
Olympus benefits from a variety of dedicated macro lenses and precise manual focusing, generating stunning close-ups. Panasonic’s 5 cm macro mode provides convenience but lacks magnification and focus flexibility, restricting creative macro potential.
Night and Astro: High ISO and Long Exposure
With superior ISO performance and sensor-based image stabilization, Olympus is far preferable for astrophotography and long exposure work. Panasonic’s smaller sensor exhibits noise at high ISO and limited shutter speed reduces versatility in night settings.
Video Capabilities: Motion and Sound
Both cameras record Full HD video at 60 fps; Olympus uses AVCHD and Motion JPEG, whereas Panasonic supports MPEG-4 and AVCHD. Neither camera includes microphone or headphone ports nor advanced stabilization features beyond their optical or sensor-based systems, limiting professional videography. The Olympus’ touchscreen may assist focusing during video, but both lag behind modern video-centric cameras.
Travel Photography: Versatility Meets Portability
Here, Panasonic’s TS5 waterproof, shockproof design, integrated GPS, and wireless connectivity offer practical benefits for travel photographers needing adaptable gear in unpredictable conditions. The Olympus brings superior image quality and lens flexibility but demands careful handling and possibly weather protection accessories.
Professional Work: Reliability and Workflow
The Olympus E-P3 supports RAW capture, essential for professional workflows, and its Micro Four Thirds mount integrates with pro-grade lenses. Panasonic TS5 lacks RAW support, constraining post-processing latitude. Olympus’s build and system better suit controlled environments or studio assignments, while Panasonic’s ruggedness caters to field reportage in adverse conditions.
Technical Performance Recap
To assist with broad overview, we reference independent performance ratings and user experience synthesis.
The Olympus E-P3 commands higher overall scores across image quality, color depth, and low-light usability, validating its place as an entry-level mirrorless favored for creative control.
In genre-specific benchmarks, Olympus dominates portrait, landscape, wildlife, and night photography, while Panasonic TS5 garners marks for travel, street, and rugged outdoor scenarios.
Sample Gallery: Seeing is Believing
To conclude, observing sample images reveals practical visual results:
- The Olympus frames exhibit richer tones, sharper details, and smoother bokeh.
- The Panasonic images reveal solid daylight performance but visibly less dynamic range and elevated noise under softer lighting.
Final Thoughts and Recommendations
Choosing between the Olympus PEN E-P3 and Panasonic Lumix DMC-TS5 hinges on your photographic priorities and shooting conditions.
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Choose the Olympus E-P3 if:
- You value image quality, manual control, and creative flexibility.
- You plan on delving into portrait, landscape, macro, or controlled low-light shooting.
- You want a system camera with extensive lens options.
- You can manage the absence of built-in weather sealing and viewfinder with accessories.
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Choose the Panasonic TS5 if:
- You require a rugged, compact camera for travel, adventure, or sports casual shooting.
- Durability and waterproofing are non-negotiables.
- You prefer a simple point-and-shoot experience with integrated GPS and wireless.
- You do not require RAW shooting or extensive manual controls.
While these cameras reflect designs and technologies of their time, understanding their strengths through practical evaluation empowers informed decision-making as you seek gear to elevate your photography journey.
This detailed comparison reflects extensive hands-on experience with myriad camera systems and cross-genre photographic demands, combining technical insights with practical tested results to aid your next camera acquisition.
Olympus E-P3 vs Panasonic TS5 Specifications
Olympus PEN E-P3 | Panasonic Lumix DMC-TS5 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus PEN E-P3 | Panasonic Lumix DMC-TS5 |
Also called | - | Lumix DMC-FT5 |
Category | Entry-Level Mirrorless | Waterproof |
Announced | 2011-08-17 | 2013-07-12 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic VI | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4032 x 3024 | 4608 x 3456 |
Highest native ISO | 12800 | 6400 |
Min native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 35 | 23 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inch | 3 inch |
Screen resolution | 614k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | 3:2 OLED with Anti-Fingerprint Coating | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Slowest shutter speed | 60 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/1300 secs |
Continuous shooting speed | 3.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 10.00 m (@ ISO 200) | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | AVCHD, Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 369 gr (0.81 lbs) | 214 gr (0.47 lbs) |
Dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") |
DXO scores | ||
DXO All around rating | 51 | not tested |
DXO Color Depth rating | 20.8 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 330 pictures | 370 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | BLS-5 | DMW-BCM13 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Price at launch | $0 | $350 |