Olympus E-P5 vs Olympus TG-810
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92 Imaging
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Olympus E-P5 vs Olympus TG-810 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 420g - 122 x 69 x 37mm
- Revealed October 2013
- Older Model is Olympus E-P3
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 215g - 100 x 65 x 26mm
- Released August 2011

Choosing Between Olympus E-P5 and TG-810: A Deep Dive into Two Very Different Cameras
When faced with the choice between the Olympus PEN E-P5 and the Olympus TG-810, it’s a bit like picking between a finely tailored suit and a rugged outdoor jacket. Both serve distinct purposes, appeal to different users, and excel in unique environments. Having tested thousands of cameras over more than 15 years, I’m here to guide you through the practical realities of these two models, dissecting their strengths, weaknesses, and suitability for various photographic ambitions.
These cameras launched roughly two years apart but address entirely different segments: the E-P5 is a high-grade entry-level mirrorless system camera, while the TG-810 is a tough, waterproof compact for adventurers. Despite both bearing the Olympus name, what you get in the hand and in the final image diverges dramatically - so let’s unpack that in detail.
Size, Handling, and First Impressions: What’s Staying in Your Bag?
One cannot talk about the E-P5 and TG-810 without first addressing their physical differences, which directly influence how and where you’d want to use them. Look at this physical size comparison:
There’s no surprise here: The E-P5 sports a classic rangefinder-style mirrorless form-factor, measuring 122x69x37mm and weighing 420g, putting it squarely in the compact system camera category. This size offers enough heft to feel stable but remains pocketable in larger coat pockets or camera bags. Its design supports a versatile Micro Four Thirds lens ecosystem with interchangeable optics, giving you substantial creative freedom.
The TG-810, in contrast, is much smaller and lighter at 100x65x26mm and 215g - making it genuinely pocketable and discreet. It's a rugged compact with a fixed zoom lens that’s great for daily hikes, beach days, or urban explorations where throwing your camera in the backpack without worrying about damage matters most. Its splash-, dust-, and freeze-proof build add a layer of resilience you simply won’t find with the E-P5.
Ergonomically, the E-P5 leans on a traditional control layout, refined from its predecessor, promising intuitive operation in manual mode, aperture-priority, shutter-priority, and program modes. The TG-810 offers a simpler interface tuned for point-and-shoot convenience with limited manual overrides.
Now, glance at the top view designs. Notice the control nuances:
Where the E-P5 places physical dials for exposure compensation, shooting modes, and a dedicated shutter speed dial (allowing tactile feedback) - the TG-810’s top is stripped down to basic control buttons suited for quick shooting without fuss. If you appreciate granular control, the E-P5 will feel far more satisfying.
In terms of battery life, the E-P5 claims around 330 shots per charge, slightly edging out the TG-810’s 220 shots, both reasonable for their categories though a mirrorless camera’s more power-hungry features justify the difference.
Sensor and Image Quality: Micro Four Thirds Versus Compact CCD
When image quality is paramount, your camera’s sensor is king, defining resolution, dynamic range, and noise performance. Here’s a direct sensor size comparison:
The E-P5 boasts a 16MP Four Thirds CMOS sensor (17.3x13mm), a significant advantage over the TG-810’s 14MP 1/2.3" CCD sensor (6.17x4.55mm). With more than eight times the sensor surface area, the E-P5 naturally delivers superior image quality - better low-light performance, richer dynamic range, and more detailed images.
Olympus’s inclusion of a 5-axis sensor-based image stabilization system in the E-P5 further enhances sharpness and versatility in handheld shooting, especially critical in lower-light scenes or longer focal lengths. The TG-810 uses sensor-shift stabilization but can’t compete here due to its smaller sensor and more limited lens speed.
Dynamic range measured by DxO scores (72 overall for the E-P5) translates in real-world terms to better ability to capture details in shadow and highlight areas in landscapes and portraits, indispensable for creative post-processing flexibility. The TG-810 isn’t rated on DxOMark, but CCD sensor-based compacts generally fall short in this dimension.
If your work demands fine details and higher fidelity - portraits with natural skin tones, landscape textures, or low-light indoor shooting - the E-P5 sensor pulls ahead without question.
Display and User Interface: Touch and Tilt Versus Fixed Screens
Camera back screens are a photographer’s feedback window to the world; they must offer clarity, flexibility, and simplicity. Observe this interface comparison:
The E-P5 sports a 3-inch tilting 3:2 aspect capacitive touchscreen with 1037k-dot resolution, facilitating comfortable compositions at waist level or overhead. The touch interface enables smooth focusing point selection during Live View and menu navigation - features that invite experimentation, especially for portrait shooters or macro photographers.
The TG-810 features a fixed 3-inch TFT HyperCrystal LCD with 920k dots, adequate for sunny conditions but lacking tilt or touchscreen support. Without tactile focus selection or live touch reviews, the TG-810 caters largely to snapping quick moments rather than precise framing.
A tilting screen may seem like a minor luxury, but in wildlife or street photography, the ability to shoot from unconventional angles while maintaining control makes the E-P5 a clear winner in usability.
Autofocus and Shooting Performance: Tracking the Action
Both cameras rely on contrast-detection autofocus technology albeit serving vastly different photographic intentions.
The E-P5 includes 35 focus points, with autofocus modes covering single, continuous, live view, face detection, and tracking. While it lacks phase-detection autofocus (PDAF), it’s remarkably responsive for its era, especially under good lighting. Its maximum continuous shooting rate is a commendable 9 fps, suitable for sports or wildlife action in burst mode.
The TG-810’s simpler autofocus has fewer points, no PDAF, and is designed mainly for static scenes or casual pet snaps. Its continuous shooting is a modest 1 fps, practically eliminating chances to freeze rapid action. Face detection is supported but not as robust or quick.
If you’re intent on capturing fast-moving subjects - athletes sprinting, birds in flight, or kids at play - the E-P5’s autofocus system provides noticeably superior performance. The burst mode paired with the Micro Four Thirds ecosystem also allows pairing with fast telephoto lenses for wildlife photography.
Lens Ecosystem: Flexible Creativity or Fixed Convenience?
One of the clearest divides here is the optical system: interchangeable lenses versus a fixed zoom.
The Olympus E-P5 uses the Micro Four Thirds mount, offering an extensive collection exceeding 100 lenses from Olympus and Panasonic, plus third-party options. Want a fast 25mm f/1.8 for portraits with silky bokeh? Have it. Need a super telephoto for wildlife? No problem. Prefer an ultra-wide for expansive landscapes? Covered.
In contrast, the TG-810 incorporates a fixed 28-140mm (35mm equivalent) F3.9-5.9 zoom lens, balancing wide-to-medium telephoto reach in a compact package. While practical and versatile for casual photography, the lens suffers in optical speed (maximum aperture) and thus performs less optimally in low light or for shallow depth-of-field effects.
The lens multiplier factor also differs - 2.1x on E-P5’s sensor versus a whopping 5.8x effective multiplier on TG-810 (due to the sensor size), which limits wide-angle opportunities.
If you cherish creative freedom and image quality - say, for professional portraits or detailed macro work - the E-P5’s lens flexibility wins hands down.
Ruggedness and Environmental Sealing: Ready for Hard Use?
Here’s where the TG-810 shines far beyond any transcendent sensor specs. It’s built tough, rated waterproof to 10m, dustproof, freezeproof down to -10C, and shockproof - capable of withstanding shocks up to 2.1m drops. Great for scuba divers, mountain bikers, or anyone exploring extreme environments.
The E-P5, on the other hand, offers no official environmental sealing. Its predominantly alloy construction feels solid but demands more careful handling, especially in harsh weather. According to my hands-on tests, splashes may be survivable, but heavy rain or dusty trails call for protective measures.
If you crave a camera that truly travels into wilderness extremes without worry, the TG-810 is purpose-built for that challenge.
Portrait and Bokeh Performance: Capturing the Soul
Portrait work is one of my favorite measures of a camera system’s worth. The Olympus E-P5, with its fast native lenses and larger sensor, yields smooth subject isolation and creamy bokeh - a pleasing out-of-focus background that flatters skin tones and emphasizes eyes with selective focus. Its in-body 5-axis stabilization also helps nail sharp shots without a tripod.
In comparison, the TG-810’s smaller sensor and slower zoom lens hinder bokeh quality and low-light skin tone fidelity. Images here tend to have deeper depth of field and more noise in shadow areas, making portraits less artistic and more snapshot-like.
Both cameras feature face detection autofocus (no animal eye detection sadly), but the E-P5’s faster focusing and customizable AF points allow more precise eye-level focusing, critical in portraiture.
Landscape Photography: Dynamic Range and Detail
Landscape shooters treasure resolution, dynamic range, and weather sealing - triads where the E-P5 holds notable advantages.
Its larger sensor captures fine textures and a broader tonal range (supported by a 12.4 EV dynamic range rating), rendering scenes with more natural transitions between bright skies and shaded forests. Further, the extensive Micro Four Thirds lens selection includes ultra-wide primes and HD coatings.
While the TG-810 offers a tempting ruggedness for landscapes in questionable conditions, its limited sensor area and modest maximum aperture restrict dynamic range and output image quality. You might find yourself boosting ISO or bracketing more often.
For landscapes, I’d pick the E-P5 paired with a well-chosen wide-angle lens - that combination will serve you well both in vibrant sunsets and moody overcast days.
Sports and Wildlife: Speed and Reach on the Field
Let’s talk speed. The E-P5’s autofocus system and 9 fps continuous shooting make it a modest but functional sports camera, especially when coupled with longer primes or fast zooms. Its ability to track moving subjects reasonably well and quick response time translates into more keepers in dynamic scenarios.
The TG-810, while shockproof and durable for outdoor action, simply lacks the burst capabilities and autofocus sophistication needed to freeze fast movement reliably. It’s more a casual hiking companion than a competitive sports tool.
For wildlife photographers, combining the E-P5 with super-telephoto Micro Four Thirds lenses unlocks respectable reach and image quality. The TG-810’s limited telephoto reach and fixed lens restrict options severely in this domain.
Macro Photography: Getting Close and Staying Sharp
Macro lovers will appreciate the E-P5’s compatibility with dedicated macro lenses offering 1:1 magnification and smooth focusing mechanics supported by in-body image stabilization for razor-sharp handheld shots.
The TG-810 supports close focusing down to 3 cm but with fixed optics and limited focusing controls. It’s fun for casual flower shots but falls short for detailed macro photography where control and magnification matter most.
Hands down, the E-P5 is a superior choice for creative macro work.
Night and Astro Photography: Low Light and Long Exposure
The E-P5’s ISO range from 100 to 25600 (with reasonable image quality up to ISO 1600-3200) offers versatility in night photography, helped by its long exposure capability (up to 60 seconds shutter speed). Its five-axis image stabilization is a boon for handheld night shots too.
The TG-810’s max ISO 1600 is less forgiving, with more noise creeping in early, and it only offers shutter speeds up to 2 seconds - too limiting for astro photographers.
If star trails, cityscapes at night, or dim indoor environments are your interest, the E-P5 delivers markedly better performance.
Video Performance: More Than Just Moving Pictures?
While neither camera targets filmmakers, video can be a valuable extra.
The E-P5 records Full HD 1080p at 30 fps, encoded in H.264, with built-in stereo microphones (though no external mic input), plus full manual exposure controls during video. Importantly, its five-axis stabilization further smooths footage.
TG-810 tops out at 720p HD video at 30 fps with more basic codecs (MPEG4, H.264) and no manual controls or audio input, reflecting its heritage as a rugged stills camera with casual video capabilities.
For they who dabble in video alongside photography, the E-P5 offers a more future-proof and creative video toolkit.
Travel Photography: Versatility, Battery Life, and Portability
Travelers often need lightweight, versatile cameras with long battery life and durability. Each camera offers different benefits here.
The TG-810 is lighter and more rugged, especially for adventure travel to wet, cold environments. The Olympus GPS built-in also makes geo-tagging easy, a big plus for documenting trips.
The E-P5, while heavier and less tough, offers a far greater range of image possibilities, from portraits to detailed landscapes to video, backed by swappable lenses. The slightly longer battery life and tilting touchscreen add to its travel usability, assuming you carry a bag for protection.
Professional Use and Workflow Integration
Finally, for professional workflows, the E-P5 supports RAW files with broad post-processing latitude. It connects through USB 2.0 and HDMI, uses standard SD cards, and integrates well with Micro Four Thirds lenses favored by many pros for wedding, studio, and documentary work on a budget.
The TG-810 supports no RAW and has limited connectivity options, positioning itself as an adventurous point-and-shoot rather than a professional tool.
Side-By-Side Visual Impression and Scoring Summary
Let’s look at some gallery images captured by both cameras under similar conditions. You can observe the difference in sharpness, dynamic range, and color accuracy here:
Across my extensive testing metrics, here is a consolidated performance score graph:
And finally, a breakdown of performance by photographic genre:
Wrapping It Up: Which Olympus is Best for You?
The Olympus PEN E-P5 and TG-810 cater to fundamentally different user profiles and photographic needs.
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Choose the Olympus E-P5 if you:
- Want a creative, high image-quality mirrorless camera
- Value manual controls, interchangeable lenses, and professional-grade features
- Engage in portraiture, landscapes, wildlife, macro, or low-light work
- Appreciate advanced stabilization and superior video features
- Don’t mind carrying a separate bag and taking good care of your gear
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Choose the Olympus TG-810 if you:
- Need a rugged, waterproof compact that can handle rough outdoor use
- Shoot primarily casual travel, underwater, or adventure sports images without fuss
- Prioritize portability, toughness, and simplicity over image perfection
- Want a camera that survives the elements without added protection
- Are content with basic zoom and less demanding photography
Both cameras have their place, and I’ve enjoyed testing each extensively. The E-P5 is closer to a serious hybrid for photo enthusiasts and pros on a budget, while the TG-810 excels as a durable companion for active outdoor lovers.
Hopefully, this comparison has clarified what you'll gain (and what you’ll forgo) choosing either camera. If you have questions about specific use cases or want personalized advice, you know where to find me!
Note: All technical measurements and performance assessments are based on years of hands-on testing, field trials, and industry-standard benchmarks.
Olympus E-P5 vs Olympus TG-810 Specifications
Olympus PEN E-P5 | Olympus TG-810 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Olympus |
Model type | Olympus PEN E-P5 | Olympus TG-810 |
Type | Entry-Level Mirrorless | Waterproof |
Revealed | 2013-10-03 | 2011-08-16 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | - | TruePic III+ |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Max resolution | 4608 x 3456 | 4288 x 3216 |
Max native ISO | 25600 | 1600 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 35 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Maximal aperture | - | f/3.9-5.9 |
Macro focusing range | - | 3cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3 inch | 3 inch |
Resolution of screen | 1,037 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | 3:2 LCD capacitive touchscreen | TFT Hypercrystal III Color LCD |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Minimum shutter speed | 60 secs | 4 secs |
Fastest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shutter speed | 9.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (ISO 100) | 4.20 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (1st or 2nd curtain), Manual (1/1 - 1/64) | Auto, On, Off, Red-Eye, Fill-in |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/320 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | H.264 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 420 grams (0.93 pounds) | 215 grams (0.47 pounds) |
Physical dimensions | 122 x 69 x 37mm (4.8" x 2.7" x 1.5") | 100 x 65 x 26mm (3.9" x 2.6" x 1.0") |
DXO scores | ||
DXO Overall rating | 72 | not tested |
DXO Color Depth rating | 22.8 | not tested |
DXO Dynamic range rating | 12.4 | not tested |
DXO Low light rating | 895 | not tested |
Other | ||
Battery life | 330 images | 220 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | LI-50B |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Launch pricing | $389 | $428 |