Olympus E-P5 vs Pentax 645Z
85 Imaging
52 Features
76 Overall
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49 Imaging
80 Features
74 Overall
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Olympus E-P5 vs Pentax 645Z Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 420g - 122 x 69 x 37mm
- Launched October 2013
- Succeeded the Olympus E-P3
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Released April 2014
- Superseded the Pentax 645D

Olympus E-P5 vs Pentax 645Z: A Thorough Comparison for Discerning Photographers
Selecting the right camera often comes down to pinpointing what photographic journey you’re on. Are you chasing landscapes at dawn, shooting portraits in a studio, or perhaps venturing into wildlife or architectural photography? The Olympus E-P5 and Pentax 645Z are two cameras from different realms of imaging, each targeted at distinct user profiles and photographic ambitions.
With over 15 years in camera testing, handling thousands of bodies across formats - from entry-level mirrorless to medium format DSLRs - I can confidently say this comparison not only explores specs but unpacks real-world performance, handling, and creative potential. Whether you’re a seasoned pro eyeing the 645Z or an enthusiast considering the E-P5, this article’s mission is clarity, insight, and practical advice.
First Impressions and Handling: Size, Ergonomics, and Build
At first glance, comparing the Olympus E-P5 and Pentax 645Z is like juxtaposing a nimble sports car against a luxury sedan. The E-P5 fits snugly into the rangefinder-style mirrorless category, designed for portability and discretion. The Pentax 645Z, by contrast, embodies the professional medium-format DSLR philosophy: robust, solid, and unapologetically large.
Olympus E-P5 measures a modest 122x69x37mm and weighs 420g, making it extraordinarily pocketable for a camera with 5-axis in-body stabilization and a touch-capacitive LCD. This compactness lends itself beautifully to street, travel, and candid photography where discretion and lightness matter. I’ve carried the E-P5 comfortably for extended walks and quick snaps without fatigue - a vital consideration for photojournalists or event shooters seeking versatility without weight.
The Pentax 645Z, on the other hand, is a chunkier piece of photographic machinery (156x117x123mm, 1550g), demanding more deliberate use. It’s clearly built for those who prioritize image quality and durability over pocketability. This camera’s weather sealing throughout (including dustproofing and freezeproofing) enhances confidence in rugged outdoor use - ideal for landscape and studio professionals who need ultimate reliability. Its pentaprism viewfinder (more on that shortly) is bigger and brighter but adds to bulk.
Moving to controls, the E-P5 sports an array of manual dials reminiscent of classic rangefinders, favoring tactile engagement. Meanwhile, the 645Z’s DSLR form factor offers more dedicated buttons and a top LCD display for quick readouts, boosting efficiency during dynamic shoots.
Both designs have their merits. I appreciate how the E-P5’s minimalist footprint encourages learning exposure fundamentals, while the 645Z’s comprehensive control array streamlines professional workflows.
Sensor and Image Quality: The Heart of Photographic Performance
The sensor is the core that defines image quality, noise characteristics, and dynamic range. Here’s where the Olympus E-P5 and Pentax 645Z diverge profoundly.
Olympus E-P5:
- Sensor Type: Four Thirds CMOS (17.3x13mm)
- Resolution: 16MP (4608x3456)
- Pixel Pitch: Approx. 3.8µm
- Anti-Aliasing Filter: Yes
- ISO Range: 100–25600 native
- DxOMark Score: Overall 72 (Color Depth 22.8 bits, Dynamic Range 12.4 EV, Low Light ISO 895)
Pentax 645Z:
- Sensor Type: Medium Format CMOS (44x33mm)
- Resolution: 51MP (8256x6192)
- Pixel Pitch: Approx. 5.3µm
- Anti-Aliasing Filter: No
- ISO Range: 100–204800 native
- DxOMark Score: Overall 101 (Color Depth 26 bits, Dynamic Range 14.7 EV, Low Light ISO 4505)
The 645Z’s massive medium format sensor, nearly 6.5x larger in surface area than the E-P5’s Four Thirds sensor, translates immediately into superior image quality. This advantage manifests as cleaner high-ISO performance, better dynamic range retention in highlights and shadows, and truly exquisite color depth - qualities that are crucial for studio or fine art work, landscapes with broad tonal gradations, and large prints.
In practical terms, I’ve seen the 645Z deliver stunningly detailed textures in fabric and skin tones - perfect for portrait photographers who demand skin tone fidelity and subtle gradations without resorting to heavy post-processing. The lack of an anti-aliasing filter pushes sharpness further, albeit requiring careful focus to avoid moiré.
The E-P5’s smaller sensor means images will exhibit more noise at high ISOs and somewhat less dynamic range, but it makes up for this with agility (both in body weight and faster readout speeds) and a robust lens ecosystem. The Four Thirds system’s 2.1x crop factor affects landscape compositions but also extends telephoto reach for wildlife photo enthusiasts on a budget.
Viewing Experience: LCD and Viewfinder Systems
How you frame a shot - both through the viewfinder and on the rear screen - can make or break user experience, especially for demanding genres like street and reportage.
The Olympus E-P5 flaunts a 3-inch tilting capacitive touchscreen LCD with 1,037k-dot resolution supporting touch AF and menu navigation. The interface is among the smoothest I’ve tested in its class. The lack of a built-in EVF is notable but Olympus offers an optional external EVF accessory. The tilting screen works wonders for low-angle macro shots or self-timer group photos, but I find the absence of an integrated viewfinder a compromise for fast-moving scenarios or bright outdoor shooting.
By contrast, the Pentax 645Z includes a sizeable 3.2-inch tilting LCD screen, slightly larger, though no touchscreen functionality. More consequentially, it features a large, bright optical pentaprism viewfinder with 0.85x magnification and 98% coverage - an exceptional feature in the digital medium format category. This optical finder’s clarity and color rendition make composition and manual focusing a tactile joy.
For outdoor or studio photographers who depend on crystal-clear framing with no lag, the 645Z’s optical viewfinder wins hands down. That said, the E-P5’s touchscreen responsiveness and clean UI lend themselves superbly to beginners or street photographers craving intuitive controls.
Autofocus and Shooting Speed: Catching the Decisive Moment
Autofocus sophistication and burst shooting capabilities can drastically influence performance in fast-paced genres like wildlife and sports.
Olympus E-P5 sports 35 contrast-detection AF points with face detection and continuous AF tracking modes. Its shutter speed tops at 1/8000 sec with up to 9 fps continuous shooting - a remarkable feat for an entry-level mirrorless from 2013.
Pentax 645Z features 27 autofocus points that incorporate phase detection (via the PRIME III processor), face detection, and continuous AF tracking. The max shutter speed is 1/4000 sec, and burst shooting maxes out at a modest 3 fps.
I conducted side-by-side tests on tracking fast-moving subjects: the E-P5’s quicker readout and higher burst rate give it an edge in capturing fleeting wildlife or street moments. However, its contrast-based AF occasionally hunts in low-contrast environments. The 645Z’s phase detection AF is more reliable in stable studio or landscape contexts but feels lumbering in rapid sequences.
Interestingly, neither camera is designed primarily for sports shooters, but Olympus’s responsiveness earns it a slight nod for those aiming for agility without super high frame rates.
Lens Ecosystems and Compatibility: Optical Versatility
Lens availability and native compatibility hugely influence a camera’s versatility.
Olympus E-P5 mounts Micro Four Thirds lenses - a vast ecosystem with over 100 native lenses, including many third-party options. The 2.1x crop factor means your 45mm prime behaves like a 90mm telephoto on full-frame terms, extending reach beneficially for birding or portraiture. Native primes from Olympus and Panasonic cover everything from ultra-wide to telephoto with excellent optical quality. Additionally, adapter options permit use of many legacy lenses.
Pentax 645Z uses the Pentax 645AF2 mount, with just six native lenses currently on the market - a limited but highly specialized selection. These lenses, designed for medium format sensors, deliver extraordinary sharpness and build quality. The 0.8x crop factor (relative to 35mm) means a 90mm lens acts like about 72mm, preserving classic field-of-view perspectives. However, the smaller native lens inventory demands more deliberate investment.
If lens choice and flexibility are priorities, especially for travel or street photography, Olympus’s Micro Four Thirds lineup is unmatched. For ultimate image quality and specialized medium-format optics, the Pentax system shines.
Durability, Weather Sealing, and Battery Life: Endurance in the Field
Depending on your shooting environment, camera durability can be make-or-break.
The Olympus E-P5, while stylish and well-built, lacks any official weather sealing or ruggedization. Its lightweight plastic and metal construction is sturdy but not suited for wet or dusty conditions. Battery life stands at around 330 shots per charge, respectable but requiring spares for long outings.
The Pentax 645Z is built like a tank with comprehensive dustproofing, weather sealing, and freezeproof rating - a boon for professional landscape or outdoor portrait shooters braving cold or inclement climates. Its heft reflects this ruggedness, as does the inclusion of a top LCD for vital info at a glance. Battery life is an impressive 650 shots per charge, supporting extended day use without packed extras.
For adventurous or environmental photographers, the 645Z clearly wins on durability and endurance; Olympus E-P5 suits urban and casual shooting.
Video Capabilities: What You Can Capture Beyond Stills
While both cameras are still-centric, we tested their video basics and usability.
Olympus E-P5 offers full HD 1080p at 30fps (H.264 codec), with a touchscreen facilitating focus and exposure controls during recording. Its in-body 5-axis stabilization is highly effective, smoothing handheld clips impressively - a big advantage for run-and-gun filmmaking or vlogging without gimbals.
Pentax 645Z records 1080p video up to 60i fps using MPEG-4 or H.264, lacks 4K, and does not have in-body stabilization. It does have a microphone input, allowing better sound capture - a professional touch missing in the Olympus.
Neither camera targets videographers, but Olympus’s versatile stabilization and responsive touchscreen make it preferable for casual video work. Serious filmmakers may look elsewhere.
Image Samples and Performance Scores: Real-World Evidence
Seeing is believing. We tested both cameras extensively in varied conditions, generating a gallery of images showcasing portraits, landscapes, and macro shots.
The Pentax 645Z’s images exhibit remarkable detail, smooth tonality, and minimal noise - especially at base ISO 100. Skin tones appear natural and nuanced, making it a dream for portrait studios. Landscapes reveal extensive dynamic range without blown highlights or crushed shadows.
The E-P5 renders pleasing colors with good contrast, though noise becomes visible beyond ISO 1600. Its smaller files are easier to handle in editing, and in-hand stabilization assists handheld shooting in dim environments.
Our experts’ combined performance ratings reflect these observations clearly:
Specialized Photography Genres: Which Camera Excels Where?
To help you decide based on your interests, here’s a breakdown of genre-specific strengths:
- Portrait Photography: Pentax 645Z wins for exquisite skin tone rendition and shallow depth-of-field control at 51MP. E-P5 is competent but limited by Four Thirds sensor size.
- Landscape: 645Z’s dynamic range and weather sealing have no equal; E-P5 suffices for casual outings.
- Wildlife: E-P5’s fast burst and smaller system mean greater telephoto reach in less bulk.
- Sports: Neither ideal, but E-P5’s faster frame rate prevails.
- Street: E-P5’s compactness and touchscreen make it superb.
- Macro: In-body stabilization on E-P5 aids handheld focus; 645Z’s resolution shines in studio.
- Night/Astro: 645Z’s high ISO and dynamic range are superior.
- Video: Olympus stabilizes and records cleaner.
- Travel: E-P5 preferred for light packing.
- Professional Work: 645Z’s medium format sensor, ruggedness, and workflow integration make it a professional powerhouse.
Connectivity and Storage: Staying Up to Date
Olympus E-P5 includes built-in wireless for quick image transfer but lacks Bluetooth or NFC. USB 2.0 limits tethering speed, but Wi-Fi supports remote shooting and sharing.
Pentax 645Z offers no wireless features and relies on USB 3.0 for data transfer. Dual SD card slots provide backup and extended storage - a professional necessity.
For photographers who prioritize quick connectivity, Olympus’s wireless presence is helpful, though dated. Pentax focuses on robust storage and tethering options.
Budget and Value: What Are You Paying For?
Price tags reveal target markets.
- Olympus E-P5 costs around $389 (used or discounted), making it an attractive mirrorless choice that punches above its weight.
- Pentax 645Z commands over $5000, reflecting its medium format credentials, professional build, and image quality.
While the Pentax offers a jaw-dropping IQ advantage, factoring in lenses and accessories can push the total cost higher. Olympus’s affordable lens ecosystem and body price make it an excellent entry point for enthusiasts.
Final Thoughts: Choosing Your New Camera Companion
So how do you choose between the Olympus E-P5 and Pentax 645Z? It boils down to your photographic goals and shooting style.
If you seek a versatile, lightweight system great for street, travel, casual portraiture, and wildlife with solid image quality and video options, the Olympus E-P5 remains a commendable option - even years after release. Its portability, built-in 5-axis stabilization, responsive touchscreen, and extensive lens selection deliver remarkable creative freedom for the price.
If image quality reigns supreme, and you work professionally in studio, landscape, or fine art contexts where print sizes soar and high dynamic range is critical, the Pentax 645Z is a no-compromise solution. Its medium format sensor, robust weather sealing, superior color fidelity, and refined optics build a formidable photographic tool. The tradeoff is size, weight, and cost.
Summary Table: Olympus E-P5 vs Pentax 645Z
Feature | Olympus E-P5 | Pentax 645Z |
---|---|---|
Sensor Size & Type | Four Thirds CMOS (16MP) | Medium Format CMOS (51MP) |
Max ISO | 25600 | 204800 |
In-Body Stabilization | Yes, 5-axis sensor-based | No |
Autofocus System | Contrast-detection, 35 pts | Phase-detection, 27 pts |
Continuous Shooting FPS | 9.0 | 3.0 |
Screen | 3" Tilting, Touchscreen | 3.2" Tilting, No Touch |
Viewfinder | None built-in (Optional EVF) | Optical pentaprism, 0.85x |
Weather Sealing | None | Weather & freezeproof |
Weight | 420g | 1550g |
Battery Life | 330 shots | 650 shots |
Price (approximate) | $389 | $5023 |
In Closing: Experience and Expertise You Can Trust
I hope this detailed side-by-side has illuminated the strengths and compromises of these two cameras rooted in my extensive hands-on testing. The Olympus E-P5 remains a nimble, inexpensive companion for adventurers and street photographers seeking excellent agility and stabilization. The Pentax 645Z, meanwhile, stands tall as a medium format masterpiece built for professionals obsessed with ultimate image quality.
If you want personal recommendations tailored to your photography goals, feel free to ask. Remember: no camera is truly “best” in all scenarios - choosing wisely is about understanding tradeoffs and what matters most to your creative vision.
Happy shooting!
End of Article
Olympus E-P5 vs Pentax 645Z Specifications
Olympus PEN E-P5 | Pentax 645Z | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model type | Olympus PEN E-P5 | Pentax 645Z |
Class | Entry-Level Mirrorless | Pro DSLR |
Launched | 2013-10-03 | 2014-04-15 |
Physical type | Rangefinder-style mirrorless | Large SLR |
Sensor Information | ||
Processor Chip | - | PRIME III |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Medium format |
Sensor measurements | 17.3 x 13mm | 44 x 33mm |
Sensor area | 224.9mm² | 1,452.0mm² |
Sensor resolution | 16 megapixels | 51 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 |
Full resolution | 4608 x 3456 | 8256 x 6192 |
Max native ISO | 25600 | 204800 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 35 | 27 |
Lens | ||
Lens support | Micro Four Thirds | Pentax 645AF2 |
Total lenses | 107 | 6 |
Crop factor | 2.1 | 0.8 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3" | 3.2" |
Resolution of screen | 1,037k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | 3:2 LCD capacitive touchscreen | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 98 percent |
Viewfinder magnification | - | 0.85x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shooting rate | 9.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (ISO 100) | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (1st or 2nd curtain), Manual (1/1 - 1/64) | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/320 seconds | 1/125 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 420 grams (0.93 lb) | 1550 grams (3.42 lb) |
Physical dimensions | 122 x 69 x 37mm (4.8" x 2.7" x 1.5") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO All around rating | 72 | 101 |
DXO Color Depth rating | 22.8 | 26.0 |
DXO Dynamic range rating | 12.4 | 14.7 |
DXO Low light rating | 895 | 4505 |
Other | ||
Battery life | 330 photos | 650 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots |
Card slots | 1 | Two |
Launch pricing | $389 | $5,024 |