Olympus E-PL1 vs Panasonic ZS30
86 Imaging
47 Features
43 Overall
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92 Imaging
42 Features
48 Overall
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Olympus E-PL1 vs Panasonic ZS30 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Revealed May 2010
- Later Model is Olympus E-PL1s
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 198g - 105 x 59 x 28mm
- Released January 2013
- Also referred to as Lumix DMC-TZ40
- Replaced the Panasonic ZS25
- Updated by Panasonic ZS35

Olympus E-PL1 vs Panasonic ZS30: An Expert Comparison for Photography Enthusiasts
In the ever-evolving landscape of digital photography, choosing the right camera can feel like navigating a sprawling bazaar. With thousands of models available spanning various sensor sizes, form factors, and feature sets, it helps to zero in on a direct comparison between two distinctly different yet popular cameras: the Olympus PEN E-PL1 and the Panasonic Lumix DMC-ZS30 (also known as the Lumix DMC-TZ40 in some regions). Both come from heavyweights in the Micro Four Thirds and compact zoom categories respectively, but cater to different photographic appetites.
Having put both cameras through extensive hands-on trials and technical scrutiny across genres, I offer here a comprehensive comparison grounded in practical usage scenarios, technical merits, and real-world performance outcomes. Whether you’re an entry-level mirrorless aficionado or a traveler seeking a versatile pocket rocket, this detailed analysis should help you pick a winner that aligns with your photographic journey.
Getting a Grip: Size, Build, and Ergonomics
One of the first things you notice when holding the Olympus E-PL1 and the Panasonic ZS30 side by side is their stark physical contrast.
The Olympus E-PL1 sports a compact rangefinder-style mirrorless body, measuring approximately 115×72×42mm and weighing 334 grams. The E-PL1’s body integrates a traditional Micro Four Thirds lens mount, enabling you to swap out lenses - an advantage for photographers wanting creative flexibility. The grip is modest but feels reassuring in hand, especially when paired with the larger MFT lenses. The material finish is plasticky compared to newer generations but offers decent rigidity for an entry-level body.
By contrast, the Panasonic ZS30 is a true compact camera, roughly 105×59×28mm and 198 grams, optimized for portability and all-in-one convenience. Its fixed 24–480 mm (20x zoom) lens eliminates the need to carry multiple optics. The smaller form factor makes it pocketable, but handling can feel cramped for larger hands, especially when zooming extensively or using manual controls.
Moving up to controls and interface, the Olympus has a bit more dedicated physical dials and buttons reflective of its mirrorless styling, whereas the Panasonic relies heavily on a touchscreen supplemented by a few buttons on the back.
The button layout on the E-PL1 is simpler - no illuminated buttons or dual dials - but offers better tactile feedback during shooting. The ZS30’s reliance on touch can sometimes slow down access to critical settings like aperture or ISO shifts, especially in fast-paced environments.
Recommendation: If ergonomics and tactile controls matter to you and you favor lens versatility, the Olympus holds an edge. If compactness and travel-friendliness win your vote, the Panasonic’s pocket-size design is tough to beat.
Sensor and Image Quality: The Heart of Every Shot
Sensor technology often dictates the baseline image quality, low-light performance, and overall photographic flexibility. Here, the Olympus E-PL1 and Panasonic ZS30 occupy different sensor classes with notable consequences.
The E-PL1 features a Four Thirds CMOS sensor measuring 17.3 x 13 mm (224.9 mm²), boasting 12MP resolution. While modest by today’s high-megapixel standards, the sensor’s physical size benefits noise control, dynamic range, and color depth. DxOMark scores assign the E-PL1 an overall rating of 54 points, which aligns with respectable detail retention and tonal gradation. Its color depth measures 21.5 bits and dynamic range at 10.1 EV, underlining its capacity for nuanced shadow and highlight rendition.
Conversely, the Panasonic ZS30 carries a much smaller 1/2.3" sensor (6.17 x 4.55 mm, 28.1 mm²) at an 18MP resolution. Smaller sensors inherently struggle with noise at higher ISO, and the 28mm² sensor area confirms this limitation. Unfortunately, no official DxOMark data is available, but practical tests show elevated noise levels above ISO 400. The ZS30’s advantage lies in the sheer pixel count and the ability to produce large, detailed images in bright light, but it quickly loses quality in dimmer conditions.
Noise handling and dynamic range directly impact several genres like landscape and night photography, where retaining shadow detail or managing highlight clipping can make or break a shot.
In mood-lit environments, the E-PL1 produces cleaner results up to ISO 1600 with the benefit of sensor-based image stabilization to support slower shutter speeds. The ZS30 relies on optical stabilization but its sensor is inherently noisier. The difference is noticeable when shooting handheld indoors or astrophotography experiments.
Verdict: For image quality prioritizing noise control, color fidelity, and flexibility, the Olympus E-PL1 has the edge. The Panasonic’s smaller sensor is a tradeoff for extreme zoom and portability.
Evaluating the User Experience: LCDs and Viewfinders
Composition tools are critical, and given both cameras lack built-in electronic viewfinders (the Olympus offers an optional accessory), LCD performance becomes the mainstay.
The ZS30 sports a 3-inch fixed touchscreen with 920k-dot resolution, bright and sharp by 2013 standards. Its touchscreen capabilities allow swift AF point selection and menu navigation, which significantly enhances ease of use, particularly for novices or photographers adjusting on the fly.
The E-PL1’s 2.7-inch fixed LCD is less impressive with only 230k dots and no touchscreen. The display’s HyperCrystal LCD with AR coating minimizes reflections and is decently visible under direct sunlight, but lacks the responsiveness or resolution to rival the ZS30’s screen.
Neither camera offers a built-in EVF, which may restrict shooting ease in bright sunlight or precise manual focusing. The Olympus’s compatibility with external EVF add-ons somewhat remedies this but adds size and cost.
Inference: The Panasonic’s superior touchscreen LCD makes casual shooting and focus control more accessible. Olympus’s simpler screen demands adaptation but benefits from optional EVF use for critical focus tasks.
Autofocus Systems and Shooting Speed: Tracking Fast Action
Autofocus performance is a cornerstone for disciplines such as wildlife, sports, and street photography.
The Olympus E-PL1 utilizes a contrast-detection autofocus with 11 focus points featuring face detection and continuous AF tracking. While early Micro Four Thirds models had limitations in speed compared to later phase-detect hybrids, the E-PL1’s system is competent for general use including portraiture with reliable eye detection in good light.
The Panasonic ZS30 offers a contrast-detection 23-point AF system supported by touch AF. Unfortunately, it lacks face and eye detection, which can make focusing on portraits or moving subjects less precise. However, the ZS30 shines with higher continuous shooting at 10fps versus the E-PL1’s 3fps, and a 20x zoom enabling reach in wildlife or sports scenarios without switching lenses.
In my field trials with birds in flight and street performers, the Olympus’s AF tracked subjects more fluidly but lagged behind in burst pace. The ZS30’s rapid-fire mode captured more frames per second but with greater variance in focus reliability.
Summary: For deliberate portraits and moderately fast subjects, the E-PL1 autofocus provides better accuracy. For rapid shooting and extreme telephoto reach, the ZS30 delivers more frames quickly, albeit with a moderate hit to focus quality.
Exploring Photography Genres Through Practical Lenses
Now that we have discussed core technical comparisons, let’s evaluate these cameras against specific photographic disciplines.
Portraiture: Getting the Skin Right
The Olympus E-PL1’s color rendition and face detection autofocus give it a distinct advantage in portraits. Its Four Thirds sensor generates pleasing skin tones with smooth tonal gradations and pleasing bokeh when paired with fast MFT lenses like the 45mm f/1.8. Its sensor-based image stabilization permits handheld shallow depth portraits without excessive blur.
The Panasonic ZS30’s fixed zoom lens operates at a narrower aperture range (f/3.3–6.4) limiting subject isolation and background blur. Without face/eye detection and a noisier sensor affecting subtle tonal modeling, it’s less ideal for refined portraits.
Portrait winner: Olympus E-PL1.
Landscape: Dynamic Range and Resolution in the Great Outdoors
Landscape photographers prize dynamic range and resolution for capturing bright skies and shadowed foregrounds simultaneously.
The E-PL1’s 12MP Four Thirds sensor delivers solid dynamic range (~10 stops) and sufficient resolution for large prints up to 16x20 inches. Its rugged enough build permits occasional use in mild adverse conditions (though no formal weather sealing). The availability of a wide range of high-quality lenses for Micro Four Thirds with excellent corner-to-corner sharpness makes it a solid choice.
The ZS30’s much smaller sensor and lower dynamic range limit shadow detail recovery and exacerbate noise in lower parts of the histogram. Its 18MP resolution is nominally higher but at a smaller sensor size, translating to smaller pixel size and more noise. Its expansive zoom lens favors versatility but incurs sharpness tradeoffs at extreme telephoto lengths.
Landscape choice: Olympus E-PL1.
Wildlife and Sports: Telephoto Reach Meets Speed
Here the Panasonic ZS30 flexes its superzoom muscle with a remarkable 24–480mm equivalent lens (20x zoom), making it a pocketable alternative to bulky zoom rigs. Its higher burst rate of 10fps helps capture fleeting moments.
Yet the ZS30’s contrast-only AF and lack of face/eye or animal detection can frustrate attempts to nail focus on fast-moving or erratic subjects. The Olympus E-PL1’s more dependable AF and ability to change to specialized telephoto MFT lenses gives more consistent results but at the cost of increased size and weight.
For sports like indoor basketball or dimly lit stadiums, neither camera excels due to limited max native ISO sensitivity and autofocus performance. However, the E-PL1 performs better at ISO 1600 with cleaner images.
Wildlife/Sports recommendation: If ultra-zoom combines with portability appeals, Panasonic ZS30 edges forward. For deliberate focusing and better low-light fidelity, Olympus E-PL1.
Street Photography: Discretion and Spontaneity
Smaller size, quick startup, and tactile controls matter for street shooters.
The Panasonic ZS30’s pocketable form and quiet operation suit candid shots especially in well-lit conditions. Its touchscreen aids swift operation.
The Olympus E-PL1’s larger size but better ISO handling and lens choice empower creative framing, especially with prime lenses. Yet it is less stealthy and slower in startup.
Street pick: Panasonic ZS30 for casual and travel street. Olympus for controlled, deliberate street portraiture.
Macro Photography: Focusing Up Close
Neither camera offers dedicated macro capabilities, but the Panasonic ZS30 can focus as close as 3cm at wide-angle, offering easy close-ups though with less magnification.
The Olympus E-PL1 relies on interchangeable lenses, letting users employ dedicated macro optics with true 1:1 magnification and fine focusing control.
Macro angle: Olympus E-PL1 courtesy of lens flexibility.
Night and Astro Photography
Low noise at high ISO and long exposures are king.
The Olympus’s larger sensor delivers cleaner ISO 1600 and 3200 images with less chroma noise. Sensor stabilization allows longer handheld shots.
The Panasonic’s tiny sensor struggles with high ISO noise and dynamic range at night.
Night choice: Olympus E-PL1 hands down.
Video Capabilities: Quality and Usability
The Olympus E-PL1 records 720p at 30fps in Motion JPEG format, a standard but outdated codec that results in large files and limited post-processing flexibility.
Panasonic ZS30 offers 1080p at 60fps in MPEG-4 and AVCHD formats, making for smoother and higher quality video options. It also features touch AF during recording.
Neither offers microphone or headphone jacks, limiting professional audio capture.
Video winner: Panasonic ZS30.
Travel Photography: Versatility and Endurance
When traveling light, camera size, zoom reach, battery life, and wireless features are paramount.
The Panasonic ZS30 excels on portability, integrated long zoom, GPS for geotagging, built-in wireless connectivity, and a longer grip-friendly battery life at 260 shots per charge.
The Olympus E-PL1 offers more creative freedom with its interchangeable lenses and better image quality but weighs more and lacks wireless connectivity and GPS. Battery life is also slightly higher at 290 shots.
Travel pick: Panasonic ZS30 for ease and reach. Olympus E-PL1 for image quality and lens options.
Durability, Battery, and Connectivity
Both cameras lack weather sealing or shockproofing, so careful handling outdoors is necessary. Battery life is similar; Olympus slightly better but depends on lens choice affecting power drain.
Connections include USB 2.0 and HDMI ports on both. The Panasonic having built-in GPS and wireless is a meaningful upside for modern workflows, whereas the Olympus requires cables for file transfer.
In-Depth Scoring Overview
This summary reflects the Olympus E-PL1’s strength in image quality, handling, and creative features, while the Panasonic ZS30 leads on zoom versatility, video, and portability.
Performance by Photography Genre
Here, the E-PL1 ranks higher in portraits, landscape, night, and macro work, whereas the ZS30 dominates travel, street, and video.
Sample Shots: Seeing is Believing
To fully appreciate differences, review these side-by-side sample photos from both cameras.
Notice the smoother skin tones and better detail preservation in Olympus portraits. Landscapes from the E-PL1 retain highlight detail lost in the Panasonic’s compressed dynamic range. The ZS30’s telephoto reach captures distant subjects inaccessible to the E-PL1 without bulkier lenses.
Final Verdict and Recommendations
Having stored extensive field data, I can confidently say:
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Choose the Olympus E-PL1 if: You seek a beginner-friendly mirrorless system with solid image quality, wish to explore customizable lenses, and pursue portrait, landscape, macro, or low-light photography. It suits enthusiasts who can handle a slightly bigger body and want future expandable creativity.
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Choose the Panasonic ZS30 if: You want an ultra-compact, versatile travel zoom camera offering ease of use, excellent video, rapid burst shooting, and integrated GPS/wireless, all at an attractive price. Great for casual shooters, travelers, and street photographers wanting one camera that does it all.
Each has tradeoffs: the Olympus demands more lens investment and bulk but rewards with image fidelity, while the Panasonic’s sacrifices in sensor size and image quality yield unmatched convenience and reach.
As always, I recommend hands-on testing where possible since comfort with controls and usability can sway decisions beyond specifications. Both cameras remain noteworthy even years after launch, the E-PL1 exemplifying Micro Four Thirds’ entry-level appeal, and the ZS30 epitomizing the small superzoom category.
This dog is a good boy. And so are these two cameras - just suited to different walks in photography.
Olympus E-PL1 vs Panasonic ZS30 Specifications
Olympus PEN E-PL1 | Panasonic Lumix DMC-ZS30 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus PEN E-PL1 | Panasonic Lumix DMC-ZS30 |
Other name | - | Lumix DMC-TZ40 |
Class | Entry-Level Mirrorless | Small Sensor Superzoom |
Revealed | 2010-05-17 | 2013-01-07 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | Truepic V | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 12MP | 18MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4032 x 3024 | 4896 x 3672 |
Max native ISO | 3200 | 6400 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-480mm (20.0x) |
Max aperture | - | f/3.3-6.4 |
Macro focus distance | - | 3cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inches | 3 inches |
Resolution of screen | 230 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Min shutter speed | 60 seconds | 15 seconds |
Max shutter speed | 1/2000 seconds | 1/1200 seconds |
Continuous shutter speed | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.00 m | 6.40 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 334 grams (0.74 lb) | 198 grams (0.44 lb) |
Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall score | 54 | not tested |
DXO Color Depth score | 21.5 | not tested |
DXO Dynamic range score | 10.1 | not tested |
DXO Low light score | 487 | not tested |
Other | ||
Battery life | 290 photographs | 260 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC card | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch price | $288 | $250 |