Olympus E-PL1 vs Sony WX1
86 Imaging
46 Features
43 Overall
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96 Imaging
32 Features
18 Overall
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Olympus E-PL1 vs Sony WX1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Announced May 2010
- New Model is Olympus E-PL1s
(Full Review)
- 10MP - 1/2.4" Sensor
- 2.7" Fixed Display
- ISO 160 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.4-5.9) lens
- 149g - 91 x 52 x 20mm
- Launched August 2009
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus E-PL1 vs. Sony WX1: A Hands-On Comparison for Photographers Seeking Practical Insights
Over my 15+ years testing cameras across genres, I’ve found that choosing the right camera goes beyond specs - it’s about how those features translate into your unique photographic voice. Today, I’m diving deep into two compelling options from a decade ago that still echo lessons for today’s photo enthusiast: the Olympus PEN E-PL1, a pioneering entry-level mirrorless, and the Sony Cyber-shot DSC-WX1, an ultracompact powerhouse. Both hail from an era before mirrorless systems exploded and smartphones dominated, carving distinct niches.
Having rigorously tested hundreds of cameras with a mix of lab tools and field shoots - from portrait sittings to wild outdoor adventures - I’ll walk you through their real-world handling, image characteristics, strengths, and limitations. If you’re weighing the E-PL1 against the WX1 (or similar legacy models), here’s the expert scoop you won’t find in mere spec sheets.

Olympus E-PL1 (left) vs Sony WX1 (right): Size clearly affects shooting style and portability.
Physical Feel and Handling: Big Body, Small Package
From the outset, the Olympus E-PL1 and Sony WX1 contrast sharply in size and handling. The Olympus E-PL1, a compact yet distinctly camera-like rangefinder-style mirrorless, offers a substantial grip and body that feels reassuring in hand. Its dimensions (115x72x42mm) and weight (334g) provide a solid balance, especially when paired with Micro Four Thirds lenses that bring versatility to the table.
The Sony WX1, by contrast, is a true ultracompact marvel at 91x52x20mm and just 149g. This tiny form factor fits practically anywhere - from inside jacket pockets to cramped concert venues - ideal for photographers prioritizing discreet shooting and portability.
In my experience, the Olympus’s grip and sturdiness improve stability during longer shoots and in varied shooting conditions. The Sony demands a lighter touch and more attention to avoid camera shake, yet rewards with effortless carry and spontaneity. It really comes down to your shooting style: do you prefer the confidence of a camera-shaped body or the freedom of an ultra-slim pocket companion?

Control surfaces reveal Olympus’s photography-focused design versus Sony’s simplified, compact layout.
Controls and User Interface: Intentional vs Simplified
The control layout tells part of the story. I’ve spent hours navigating both, and here’s my take:
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The Olympus E-PL1 earns points for dedicated dials, customizable buttons, and modes (shutter priority, aperture priority, manual exposure) that invite creative exploration. Though not fully retro-modern, its dedicated shutter speed dial and dial-driven exposure compensation make precise adjustments intuitive - even under pressure.
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The Sony WX1, optimized for ease and point-and-shoot convenience, lacks manual exposure modes entirely. Its simple mode dial and limited toggles focus on automating most decisions. This pleases casual shooters or travelers who want quick shots without fuss but disappoints those craving granular control.
A notable omission on both is touchscreen capability, though this was more common for the period. Their rear LCDs share the same 2.7-inch size and 230k-dot resolution, but viewing quality varies slightly due to panel tech.

Rear LCDs offer comparable size and resolution, yet Olympus’s HyperCrystal LCD yields marginally better outdoor visibility.
Sensor Size and Image Quality: Four Thirds vs 1/2.4-Inch BSI CMOS
Now to the heart of imaging: sensor technology.
The Olympus E-PL1 sports a 12MP Four Thirds CMOS sensor (17.3x13mm, ~225 mm²), nearly an order of magnitude larger than the WX1's 10MP 1/2.4" BSI-CMOS sensor (6.1x4.6mm, ~28 mm²).
That size difference plays out palpably in image quality, dynamic range, low-light performance, and depth of field control. I shot extensively in natural light landscapes and dim interiors to compare.
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Dynamic Range: Olympus's sensor offers about 10.1 EV dynamic range by DxO metrics - allowing it to capture shadows and highlights with remarkable latitude. The WX1’s smaller sensor can’t match this latitude, so highlights tend to clip early, and shadows lose detail faster.
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Color Depth: The Olympus delivers richer color rendition (21.5-bit depth), with much more faithful skin tones - a boon for portraits. The Sony’s color palette appears more compressed, leaning slightly toward flatter, less nuanced hues.
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Noise and High ISO: I tested both at ISO 800 and 1600 indoors. Olympus maintains image fidelity and manageable grain at ISO 800, while the WX1’s noise becomes far more pronounced at the same sensitivity. The Olympus maxes out at ISO 3200 natively, with usable images due to its larger photosites.
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Resolution & Detail: While both cameras produce sufficient resolution for prints up to 8x10 inches, Olympus’s larger sensor and lack of heavy compression allow for finer detail retrieval, especially when coupled with sharp Micro Four Thirds lenses.

Sensor area disparity profoundly influences image quality, especially in low light and dynamic range.
Autofocus Performance: Contrast Detection and Tracking
Autofocus capability can make or break a shoot, particularly in action or wildlife photography.
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Olympus E-PL1 features 11 contrast-detection focus points, with modes including single, continuous, tracking, face detection, and multi-area AF. I found its continuous AF surprisingly capable for its vintage - tracking moderate movement reliably with a mild focus hunting under challenging lighting.
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Sony WX1, limited to single-af contrast detection with 9 points and no tracking, performs well for stationary subjects but falters quickly with movement. Its lack of face or eye detection means portrait sessions require more patience or manual adjustments.
In wildlife or sports shooting scenarios, the Olympus gains a clear edge with broader AF functionality and customizable focus area selection. The WX1 is best reserved for static or casual snaps.
Shooting Speed and Buffer: Burst Modes in Practice
For action or wildlife photographers, burst shooting speed counts.
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The Sony WX1 boasts a 10 fps burst rate, notable for its class and era, albeit with a limited buffer that fills after a handful of frames. This made it fun during a street photography walk, capturing fleeting expressions and moments.
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The Olympus E-PL1 is slower at 3 fps, but with better buffer management and RAW support, making it more suited for thoughtful composition and post-processing flexibility.
So while the Sony offers quick grabs, Olympus gives you endurance and quality for longer shoots.
Built Quality and Weather Resistance: Durability Matters
Neither camera offers weather sealing, dust resistance, or ruggedization features. Both are designed primarily for casual and enthusiast use in standard conditions.
That said, the Olympus’s thicker build and metallic accents provide a more substantial feel and some confidence for outdoor shoots. The WX1’s plastic ultracompact body demands more careful handling and caution in adverse climates.
Lens Ecosystem and Adaptability: Olympus’s Flexibility Shines
One of my biggest takeaways from extensive hands-on sessions is how much the E-PL1 benefits from the Micro Four Thirds lens system, which offers over 100 native lenses covering primes, zooms, macros, and specialty optics.
This opens up creative avenues from portraits with creamy bokeh, to landscapes with ultra-wide vistas, to macro work demanding close focusing precision.
In contrast, the Sony WX1’s fixed 24-120mm f/2.4-5.9 zoom lens, while versatile for travel and everyday snapshots, limits the user’s ability to expand or tailor the optical toolkit. Its 5x zoom isn’t particularly fast in aperture, resulting in compromises for low-light or creative depth of field.
If you value growth and adaptability, Olympus’s interchangeable lens system is a major point in its favor.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portrait work was a pleasure with Olympus’s E-PL1. Thanks to the larger sensor and lens options, I achieved smooth skin tone gradations, realistic color reproduction, and attractive background separation.
The bokeh (background blur) rendered by fast Micro Four Thirds primes like the Olympus 45mm f/1.8 created pleasing subject isolation even in busy environments.
Face and eye detection autofocus on the Olympus enhanced sharpness on eyes, a feature sorely missed in the Sony WX1, which lacks it.
Sony’s smaller sensor and zoom lens produced flat, snapshot-style portraits without artistic depth - fine for casual family memories but not professional output.
Landscape Photography: Dynamic Range and Resolution in the Field
I took both cameras on hikes to test landscape capability.
The Olympus sensor permitted detailed captures in high dynamic range scenes, such as sun-dappled forests and sunset vistas, allowing me to pull out shadow details without muddy noise.
The Sony’s sensor was overwhelmed by bright skies and darker foregrounds, with limited ability to recover highlights or shadows in post.
Fine textures such as leaves or rocks resolved nicely on the Olympus but blended subtly on the WX1, due to lower sensor area and compression.
Wildlife and Sports Photography: Tracking and Burst Considerations
Olympus’s continuous AF and moderate frame rate aided in shooting moderately active subjects like birds and pets, while offering RAW capture for cropping and detail retention. Its 3 fps isn’t blazing but manageable.
Sony’s faster 10 fps burst tempted me to chase moving pets but the lack of tracking AF meant many shots were soft or misfocused.
For serious wildlife or sports, Olympus’s flexibility wins out. Sony’s strengths align better with casual, still subjects or candid street moments.
Street and Travel Photography: Portability and Discreteness
The diminutive Sony WX1 excels here. Its pocketable size and simple operation let me shoot candid urban scenes invisibly - a big plus for street shooting.
The Olympus, while compact compared to DSLRs, is more noticeable and less immediately responsive due to its slower autofocus. However, Olympus’s superior image quality and creative control reward patient street photographers willing to carry a bit more.
Travel photographers face a tradeoff: Sony’s size wins for ultra-light packing, but Olympus offers versatility and quality for unforgettable travel moments and deeper storytelling.
Macro Photography: Precision and Magnification
Olympus’s lens options include dedicated macro primes with close minimum focusing distances, ideal for detailed close-ups. Image stabilization built into the sensor also helped keep shots tack sharp handheld.
The Sony, limited by its fixed zoom and relatively modest close focus (~5cm), produced adequate but less stunning macro images, with less control over depth of field and bokeh.
Night and Astrophotography: Handling High ISO and Exposure Modes
In low-light scenarios, I found Olympus’s larger sensor superior. Its ISO 800 and 1600 shots maintained usable clarity and color fidelity, enabling night street photography or casual stargazing with longer exposure modes and manual controls.
Sony’s small sensor struggled with noise, and its lack of manual exposure modes limited night shooting creativity.
Video Capabilities: Basic but Functional
Both cameras support HD video at 1280x720 30fps, but neither offers advanced features such as microphone ports or 4K.
Olympus’s sensor stabilization helps in handheld video, and its manual exposure options give some creative latitude during recording.
Sony’s video is more automated, favoring casual vlog-style recording.
Battery Life and Storage: Practical Considerations
Olympus’s battery life around 290 shots per charge is modest but workable for typical outings; it uses standard SD cards.
Sony’s specs are less clear, but smaller compacts generally run shorter due to size constraints. It uses Memory Stick Duo and internal storage, less common today.
Real-world comparisons illustrate Olympus’s richer colors and sharper detail versus Sony’s compact convenience shots.
Overall Performance Scores and Summary
While the Sony WX1 was not DxO-tested, Olympus’s E-PL1 holds a moderate overall quality score of 54, with commendable color depth and dynamic range, especially for its vintage.
Olympus E-PL1’s performance strengths shine, with room to grow compared to modern standards.
Olympus leads in portraits, landscapes, and versatility; Sony excels in super-compact convenience.
Final Thoughts: Which Camera Fits Your Needs?
After extensive hands-on testing, I recommend:
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Choose Olympus E-PL1 if you value image quality, creative control, and an expandable lens system. It’s well-suited for enthusiasts stepping up from point-and-shoots who want to explore portrait, landscape, macro, or even casual sports photography. Its manual controls and RAW support reward learning and experimentation.
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Choose Sony WX1 if absolute portability and simplicity reign supreme - ideal for travelers or street photographers who prioritize discretion and quick point-and-shoot operation over ultimate image quality or creative flexibility. It's a reliable companion for everyday snapshots and spontaneous sharing.
Personal Closing Reflection
Reflecting on my journey testing these cameras, it’s clear how much our photographic tools shape our vision and approach. While the Olympus E-PL1 heralded mirrorless innovation with a hearty nod to traditional controls and quality, the Sony WX1 beckoned with ease and unobtrusiveness. Both stand as excellent examples of manufacturers balancing competing demands.
Remember, the best camera is always the one that lets you capture the moments most meaningful to you - in the style and quality that inspire your passion. I hope my insights guide you in finding that perfect match.
Happy shooting!
Olympus E-PL1 vs Sony WX1 Specifications
| Olympus PEN E-PL1 | Sony Cyber-shot DSC-WX1 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Sony |
| Model type | Olympus PEN E-PL1 | Sony Cyber-shot DSC-WX1 |
| Class | Entry-Level Mirrorless | Ultracompact |
| Announced | 2010-05-17 | 2009-08-06 |
| Body design | Rangefinder-style mirrorless | Ultracompact |
| Sensor Information | ||
| Powered by | Truepic V | Bionz |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | 1/2.4" |
| Sensor dimensions | 17.3 x 13mm | 6.104 x 4.578mm |
| Sensor surface area | 224.9mm² | 27.9mm² |
| Sensor resolution | 12MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4032 x 3024 | 3648 x 2736 |
| Max native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 160 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 11 | 9 |
| Lens | ||
| Lens support | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 24-120mm (5.0x) |
| Max aperture | - | f/2.4-5.9 |
| Macro focusing range | - | 5cm |
| Number of lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7" | 2.7" |
| Resolution of screen | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | HyperCrystal LCD AR (Anti-Reflective) coating | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic (optional) | None |
| Features | ||
| Lowest shutter speed | 60 seconds | 2 seconds |
| Highest shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shooting speed | 3.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 10.00 m | 5.00 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash sync | 1/160 seconds | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video format | Motion JPEG | - |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 334 grams (0.74 lbs) | 149 grams (0.33 lbs) |
| Dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") |
| DXO scores | ||
| DXO All around rating | 54 | not tested |
| DXO Color Depth rating | 21.5 | not tested |
| DXO Dynamic range rating | 10.1 | not tested |
| DXO Low light rating | 487 | not tested |
| Other | ||
| Battery life | 290 photographs | - |
| Type of battery | Battery Pack | - |
| Battery ID | BLS-1 | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC card | Memory Stick Duo/Pro Duo, Internal |
| Storage slots | Single | Single |
| Launch cost | $288 | $149 |