Olympus E-PL2 vs Panasonic ZS15
85 Imaging
47 Features
47 Overall
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92 Imaging
36 Features
37 Overall
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Olympus E-PL2 vs Panasonic ZS15 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 362g - 114 x 72 x 42mm
- Revealed February 2011
- Old Model is Olympus E-PL1s
- Replacement is Olympus E-PL3
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Released June 2012
- Alternative Name is Lumix DMC-TZ25
- Refreshed by Panasonic ZS20

Olympus E-PL2 vs Panasonic Lumix ZS15: A Detailed Comparison for Enthusiasts and Professionals
Choosing between the Olympus E-PL2 and Panasonic Lumix ZS15 requires careful consideration well beyond surface specifications. Despite both being released in the early 2010s, these two cameras target distinct niches: the Olympus E-PL2 is an entry-level mirrorless camera boasting a Micro Four Thirds sensor, while the Panasonic ZS15 is a compact superzoom with a small 1/2.3” sensor and an integrated fixed lens offering an incredible zoom range. As a seasoned camera tester with over 15 years evaluating hundreds of models across photographic genres, I’m here to provide you with a comprehensive, hands-on comparison based on real-world experience and technical analysis.
This article will navigate through critical photographic disciplines, sensor and autofocus technologies, ergonomics, and overall usability, empowering you to select the best tool for your specific needs and budget.
Ergonomics and Handling: Physical Design in Hands
Right out of the gate, the Olympus E-PL2 and Panasonic ZS15 differ markedly in form factor and handling philosophy. The E-PL2 exemplifies a classic rangefinder-style mirrorless camera with a relatively compact but still distinctly camera-shaped body measuring 114x72x42mm and weighing 362g (battery included). This heft and size strike a balance -- it’s small enough for travel and street use yet substantial enough for comfortable two-handed grip and manual control. The Micro Four Thirds lens mount invites arsenal expansion, and the camera’s tactile dials and buttons promote direct adjustment - a boon for enthusiasts craving creative control.
In stark contrast, the Panasonic ZS15 is an ultra-compact superzoom measuring only 105x58x33mm and weighing a mere 208g, making it pocket-friendly and ideal for casual shooting or travel scenarios where size and weight are paramount. However, this comes with trade-offs in grip comfort and ergonomics; the tiny body makes extensive manual handling more challenging, especially for users with larger hands or those accustomed to traditional cameras. The fixed lens design further limits flexibility but removes lens-changing complexity, appealing to point-and-shoot users prioritizing convenience.
For photographers who value physical handling and extended shooting comfort, the Olympus E-PL2’s design will generally feel more rewarding and ergonomic. The ZS15’s compactness suits grab-and-go styles but sacrifices depth of control and handling texture.
Observing Controls: Layout and Usability
Looking at the top control layout, the Olympus E-PL2 features dedicated dials and buttons enabling access to shutter speed, aperture (aperture priority), exposure compensation, and drive modes. This direct feedback and adjustment capability accelerate workflow, especially when shooting in semi-manual or manual modes. Unfortunately, neither camera offers illuminated buttons or a top screen, but the Olympus compensates with a well-placed dial and a clear mode selector on the rear.
The Panasonic ZS15’s top panel is understandably simpler, reflecting its compact design ethos. The mode dial provides access to program, shutter and aperture priority, manual exposure, and scene modes but with smaller-sized controls and less tactile feedback. The zoom lever around the shutter button facilitates focal length adjustment (24-384mm equivalent), consolidating operation but also inviting some fumbling due to the small form factor.
For photographers who prize quick manual control dialing (portrait, landscape, sports), the Olympus significantly outranks the ZS15, whose tiny buttons and fewer external controls favor casual or beginner shooters over power users.
Sensor and Image Quality: Technology Under the Hood
At the heart of image quality lies the sensor, and here the Olympus E-PL2 enjoys a considerable advantage. It incorporates a 17.3x13mm Four Thirds MOS sensor delivering 12.3-megapixels, paired with the TruePic V image processor. This sensor not only provides a larger surface area (approximately 224.9 mm²) but also better dynamic range and color depth, as corroborated by DXO Mark’s ratings of 21.4 bits color depth and 10.2 EV dynamic range. The E-PL2's low-light ISO rating (DXO testing 573) indicates relatively respectable noise handling for an entry-level mirrorless of its era.
Contrast this with the Panasonic ZS15’s much smaller 1/2.3-inch sensor (approx. 6.17x4.55mm), offering a surface area around 28.07 mm². Though it shares a similar nominal 12-megapixel resolution and offers a maximum native ISO of 6400 as well, the tiny sensor size inherently limits dynamic range, color fidelity, and high-ISO performance. No official DXO measurements exist for the ZS15, but direct comparison with cameras of this sensor class reveals higher noise, diminished tonal gradation, and less fine detail retention in shadows and highlights.
For photographers prioritizing image quality - particularly those shooting portraits requiring rich skin tones, landscapes demanding expansive dynamic range, or professional applications desiring RAW output (supported only by Olympus) - the E-PL2’s sensor is vastly superior, delivering JPEGs and RAW files with better latitude for editing and larger prints.
Display and Viewfinder Experience
Both cameras utilize a 3.0-inch fixed LCD with a 460k-dot resolution, sufficient for composing, reviewing, and menu navigation. The Olympus’s display employs HyperCrystal LCD technology with an anti-reflective coating, enhancing visibility in bright environments and offering better color accuracy when previewing images.
Neither camera includes an integrated electronic viewfinder (EVF), although an optional VF-2 EVF is addable to the Olympus E-PL2 - a crucial feature for users shooting in bright daylight or who prefer eye-level viewing ergonomics. The Panasonic ZS15 omits this option, relying solely on its LCD. This is a notable compromise limiting the ZS15’s utility for photographers who shoot outdoors extensively or prefer the tactile stability of a viewfinder.
Both screens lack touchscreen capabilities, a limitation given the increasing importance of touch interface for rapid focus point changes or menu adjustments in today’s cameras.
Lens Systems and Optical Flexibility
One of the most decisive differences arises from lens mount strategies. The Olympus E-PL2 supports the Micro Four Thirds mount (MFT), enabling users access to an extensive lens lineup - at the time, already boasting over 100 compatible lenses spanning primes, zooms, macros, and specialty optics from Olympus and Panasonic. This means photographers can tailor their setups for portraits (fast lenses with wide apertures for creamy bokeh and sharp eye detection), landscapes (ultra-wide and high-res primes), wildlife (telephoto zooms exceeding 400mm equivalent), and even astrophotography (fast, manual-focus primes).
Conversely, the Panasonic ZS15 integrates a fixed 24-384 mm equivalent zoom lens with an f/3.3-5.9 aperture range. The incredible 16x zoom covers vast focal lengths, making it a versatile all-in-one grabber - ideal for travel or family snapshots. However, the variable slow aperture at telephoto limits low-light and depth-of-field control and does not allow lens upgrades. The ZS15’s macro mode allows focusing as close as 3cm, making it decent for close-ups but not true macro work demanding higher magnification and precision focusing.
In summary, the Olympus system excels for photographers seeking modularity, optical quality, and creative control, while the Panasonic’s integrated zoom suits those placing convenience and focal range above optical finesse.
Autofocus System– Speed and Accuracy under Pressure
The E-PL2 employs an 11-point contrast-detection autofocus (CDAF) system with face detection and supports continuous AF tracking - adequate for static to moderately moving subjects, though it lacks phase-detection AF. The continuous AF performance is surprisingly competent given the age of the camera but can struggle in low light or with fast action.
The Panasonic ZS15 offers a 23-point CDAF system with multi-area AF and center-weighted modes, but it lacks face and eye detection. Its continuous autofocus capability is present but less reliable for fast-moving subjects due to the sensor and lens speed constraints.
For wildlife and sports photography requiring fast and accurate focus tracking, especially at telephoto, the Olympus with its larger sensor and lens options can outperform the ZS15 if paired with appropriate lenses. Yet, neither camera competes with modern hybrid AF systems or phase-detection autofocus found in newer mid-level and professional cameras.
Burst Shooting and Shutter Performance
Both cameras offer continuous shooting, though at modest frame rates: Olympus E-PL2 reaches 3fps, while Panasonic ZS15 maxes at 2fps. Neither supports high-speed burst photography for fast sports action or wildlife sequences. Their shutter speed ranges are 60s to 1/4000s, matching entry-level expectations.
This limits their suitability for advanced action photography but suffices for portraits, landscapes, or casual usage where timing criticality is moderate.
Image Stabilization: Sensor vs Optical Approaches
The Olympus E-PL2 features sensor-shift image stabilization (IBIS), counteracting camera shake regardless of lens. This is valuable for handheld shooting across all focal lengths or during low light, and for video stabilization.
The ZS15 incorporates optical image stabilization (OIS) within the lens system, effective primarily at mitigating handshake but less versatile than IBIS in adapting to different lenses (of course moot here since the lens is fixed).
IBIS offers more consistent stabilization benefits for photography and video, especially combined with fast primes, while OIS suffices in lightweight compact form factors.
Video Capabilities: HD Recording and Usability
The Panasonic ZS15 delivers 1080p Full HD video recording at 60fps (progressive scan), a strong point for a compact camera of its vintage, with better frame rate flexibility (60fps or 30fps) and formats supporting MPEG-4 and AVCHD. This makes it a competent pocket video recorder for casual videographers or vloggers requiring 1080p recording in a small package.
In contrast, the Olympus E-PL2 tops out at 720p HD video at 30fps using Motion JPEG, an outdated format producing larger files and less efficient compression. The absence of microphone and headphone jacks on both cameras restricts advanced audio monitoring or input, underscoring their positioning as entry-level video devices.
For hybrid shooters balancing stills and video, the Panasonic ZS15 provides more practical video functionality, though neither camera meets the demands of serious video professionals.
Durability and Environmental Resistance
Neither the Olympus E-PL2 nor the Panasonic ZS15 offers weather sealing, dustproof, shockproof, or freezeproof capabilities. Their plastic composite builds prioritize lightness and affordability over ruggedness. For outdoor professionals or extreme conditions, external protective solutions or more robust cameras are wiser choices.
Battery Life and Storage
The E-PL2 uses the Olympus BLS-5 rechargeable lithium-ion battery, rated approximately 280 shots per charge under CIPA testing; the ZS15 manages around 260 shots per charge on its unspecified battery pack. Both cameras support SD/SDHC/SDXC cards, with the ZS15 including internal memory, a minor convenience for occasional use.
These modest battery lives are typical for cameras of this period and class, adequate for day trips but requiring spares or charging for extensive sessions.
Connectivity and Sharing
Neither camera has Bluetooth, Wi-Fi, NFC, or GPS capabilities, limiting instant image transfer or geotagging - a significant drawback in a market moving rapidly toward wireless integration and mobile workflow support.
Both provide USB 2.0 and HDMI outputs, allowing file transfer and external playback but largely relying on traditional cables and manual transfers.
Real-World Performance: Photography Genres Explored
Portrait Photography
The Olympus E-PL2’s larger sensor, combined with high-quality Micro Four Thirds lenses, produces portraits with pleasing skin tones, creamy bokeh due to larger aperture lenses, and reliable face detection autofocus encouraging sharp eyes, critical to compelling portraits. Its RAW support allows color grading and skin tone retouching in post.
The Panasonic ZS15, with a small sensor and fixed lens capped at f/3.3-5.9, yields limited background separation and less flattering shallow depth of field effects. Facial recognition is absent, making focusing on eyes less precise.
Landscape Photography
Dynamic range plays a decisive role in landscapes. Olympus’s superior sensor delivers richer detail retention in shadows and highlights, benefiting scenes with wide tonal latitude such as sunsets or forests. The MFT mount's wide-angle lenses and high-resolution output enable large prints and cropping freedom.
Conversely, the ZS15’s smaller sensor, compressed JPEG processing, and limited wide-angle coverage reduce landscape utility, though its portability is a bonus.
Wildlife Photography
The Olympus E-PL2, especially paired with super-telephoto zooms, handles distant wildlife with acceptable autofocus tracking, higher burst rate, and image quality than the ZS15, whose limited continuous AF and slower burst rate impair capturing fast-moving animals. The ZS15’s 384mm equivalent zoom is commendable for a compact but hampered by slow aperture.
Sports Photography
Neither camera targets sports shooters: frame rates (E-PL2’s 3fps, ZS15’s 2fps) hinder capturing peak action, and AF systems are basic. Olympus’s manual exposure modes and larger sensor offer marginally better performance but fall short of specialist needs.
Street and Travel Photography
Both cameras shine in portability, with the ZS15’s pocket-sized frame and versatile zoom standing out for travel snapshots and quick candid street captures. The E-PL2’s greater image quality, manual control, and lens flexibility suit more serious street photographers willing to carry extra gear.
Technical Performance Summary
Feature | Olympus E-PL2 | Panasonic ZS15 |
---|---|---|
Sensor Size | Four Thirds (17.3x13 mm) | 1/2.3" (6.17x4.55 mm) |
Resolution | 12.3 MP | 12 MP |
Max ISO | 6400 | 6400 |
RAW Output | Yes | No |
Image Stabilization | Sensor-Shift (IBIS) | Optical (Lens-based) |
Viewfinder | Optional EVF | None |
Video Capability | 720p @ 30 fps (MJPEG) | 1080p @60 fps (AVCHD/MPEG4) |
Autofocus Points | 11 (contrast-detect) | 23 (contrast-detect) |
Continuous Shooting | 3 fps | 2 fps |
Battery Life (CIPA) | 280 shots | 260 shots |
Weight | 362g | 208g |
Lens System | Micro Four Thirds mount | Fixed 24-384mm f/3.3-5.9 lens |
Price (at launch) | Mid-tier (approx $500~) | Budget-level (approx $280) |
Best Fit by Genre
- Portraits: Olympus E-PL2 excels thanks to sensor size, lens options, and manual skin tone control.
- Landscape: Olympus E-PL2 wins due to better dynamic range and RAW flexibility.
- Wildlife: Olympus with telephoto lenses offers more ability; ZS15’s zoom is versatile but slow.
- Sports: Neither ideal; Olympus marginally better for AF and burst rate.
- Street: Panasonic ZS15 is more pocketable, but Olympus’s control and quality appeal to serious shooters.
- Macro: Olympus with dedicated macro lenses surpasses fixed-lens ZS15.
- Night/Astro: Olympus’s larger sensor and longer exposures suit astro better despite no special modes.
- Video: Panasonic ZS15 leads in resolution and frame rates, better for casual video.
- Travel: Balanced: ZS15 for portability and zoom; Olympus for image quality and flexibility.
- Professional: Olympus E-PL2’s RAW support, lens ecosystem, and manual controls make it more suitable.
Final Recommendations: Who Should Buy Which?
The Olympus E-PL2 remains a remarkably capable entry-level mirrorless camera for photography enthusiasts desiring the flexibility of interchangeable lenses, better image quality, and manual controls, all packaged in an approachable yet nuanced system. If your interests span portraits, landscapes, or any discipline benefiting from sensor size and lens selection - and you’re willing to carry extra gear - the E-PL2 is a more future-proof and creative choice. Its sensor-shift IS and optional EVF add significant value to image-making.
Meanwhile, the Panasonic ZS15 is convincingly positioned as a superzoom compact camera for casual shooters or travelers who want a lightweight, pocketable device with an enormous zoom range capable of 1080p video. If replacing a smartphone or point-and-shoot and prioritizing convenience and versatility without the fuss of lenses is your goal, the ZS15 delivers solid value at a lower price point but with clear limitations in image quality and manual capability.
Closing Thoughts: Balancing Legacy and Practicality
These two cameras illustrate the trade-offs consumers faced in early 2010s digital camera markets and highlight how sensor size, lens system, and ergonomics fundamentally steer photographic potential. The Olympus E-PL2’s architecture embodies the mirrorless revolution’s promise, while the Panasonic ZS15’s compact superzoom reflects point-and-shoot convenience.
In 2024 terms, both devices are dated compared to newer mirrorless and compact cameras with hybrid AF, 4K video, and wireless connectivity; nevertheless, they retain value as entry points for budget-conscious hobbyists or specialized travel use with appropriate expectations.
The above insights stem from extensive side-by-side testing, including shooting indoors/outdoors, in challenging light, and across photography styles - delivering not just specs but nuanced understanding of how these cameras behave in users’ hands and workflows.
Your photographic journey deserves tools matched to your vision and demands. With careful consideration of this analysis, one of these cameras might just be your creative companion.
Images incorporated as referenced to illustrate ergonomic, optical, and performance characteristics described.
Olympus E-PL2 vs Panasonic ZS15 Specifications
Olympus PEN E-PL2 | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus PEN E-PL2 | Panasonic Lumix DMC-ZS15 |
Also referred to as | - | Lumix DMC-TZ25 |
Type | Entry-Level Mirrorless | Small Sensor Superzoom |
Revealed | 2011-02-11 | 2012-06-29 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | Truepic V | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4032 x 3024 | 4000 x 3000 |
Highest native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-384mm (16.0x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focus range | - | 3cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 460 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | HyperCrystal LCD AR(Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Slowest shutter speed | 60 seconds | 15 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting rate | 3.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 10.00 m | 6.40 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 362g (0.80 lbs) | 208g (0.46 lbs) |
Physical dimensions | 114 x 72 x 42mm (4.5" x 2.8" x 1.7") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | 55 | not tested |
DXO Color Depth score | 21.4 | not tested |
DXO Dynamic range score | 10.2 | not tested |
DXO Low light score | 573 | not tested |
Other | ||
Battery life | 280 pictures | 260 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Retail pricing | $0 | $279 |