Olympus E-PL3 vs Pentax K-r
88 Imaging
48 Features
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67 Imaging
52 Features
52 Overall
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Olympus E-PL3 vs Pentax K-r Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 313g - 110 x 64 x 37mm
- Launched September 2011
- Superseded the Olympus E-PL2
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 598g - 125 x 97 x 68mm
- Launched March 2011

Olympus E-PL3 vs Pentax K-r: An Expert’s Hands-On Comparison of Two 2011 Entrants
When two cameras share a release year but come from very different design philosophies - mirrorless versus DSLR, compact portability versus traditional SLR heft - how do you decide which is right for you? I’ve spent enough time with both the Olympus PEN E-PL3 and the Pentax K-r to shed light on their comparative strengths, weaknesses, and real-world behavior across a spectrum of photography genres. This isn’t just specs regurgitation; it’s a practical user-centered review to help you pinpoint which one fits your creative ambitions and shooting style.
Strap in for a deep dive that covers everything from sensor characteristics to autofocus reflexes, ergonomics, image quality nuances, and more. And, because pictures often say more than words, I’m weaving in relevant images at key moments - both literal photos and visuals that illuminate the comparison.
Getting Acquainted: Design, Size, and Handling
First impressions matter. The feel of a camera, its ergonomics, weight, and physical controls can either encourage you to shoot more or hide it in the closet. The E-PL3 is Olympus’s rangefinder-style mirrorless camera - a compact, lightweight system aimed at enthusiasts stepping up from point-and-shoots but wary of DSLR bulk. Meanwhile, the Pentax K-r is a compact APS-C DSLR - a more traditional approach with an optical viewfinder and bulkier body.
Look at the physical dimensions and weight: the Olympus E-PL3 comes in at a featherweight 313 grams with a body size of 110x64x37mm. The Pentax K-r is almost twice as heavy at 598 grams and significantly larger at 125x97x68mm. If you prize portability - say you’re a traveler who hates lugging gear around or simply want a camera that slips undetected into your bag - the Olympus’s smaller build is a dream.
Ergonomically, the PEN’s sleek rangefinder style means fewer buttons but a tilting 3” LCD screen that’s handy for shooting at odd angles. The Pentax’s DSLR grip feels more substantial and traditional, with plentiful physical controls that professional or advanced amateurs will appreciate. It also sports a larger 3” screen but fixed rather than tilting.
In my experience, the E-PL3’s body lightness makes it joyous on long photo walks, but in challenging weather or rapid shooting scenarios, that reduced heft can make it less stable in hand. The Pentax’s heft translates to steadier grip and better balance, especially with longer lenses.
Control Layout and Viewfinder Experience
Ergonomics is more than size - how the camera lets you shoot fast and intuitively counts hugely. Pentax’s DSLR roots mean a top plate packed with control dials and buttons, including an exposure compensation dial, mode dial, and a pentamirror optical viewfinder covering 96% frame with 0.57x magnification. Olympus, on the other hand, opts for a very minimalist approach, leaning almost entirely on its rear LCD screen and fewer physical buttons.
The Olympus has no built-in viewfinder, instead offering an optional electronic viewfinder accessory. For those who prefer composing with eyes close to the camera, this might be a drawback. I found that in bright sunlight, relying on the E-PL3’s LCD could be tricky despite its anti-reflective HyperCrystal coating. The Pentax’s optical viewfinder, by contrast, remains usable in any light and provides a natural shooting experience with no electronic lag.
The Pentax’s more substantial control set allows quicker access to shutter speed, aperture controls, and exposure compensation. An enthusiast or semi-pro shooting sports, wildlife, or street photography will appreciate the rapid, tactile control. Olympus’s simpler layout makes it easier for beginners or casual shooters but can frustrate advanced users wanting more direct command.
Sensor Size, Resolution, and Image Quality
The dreaded sensor specs debate! Both cameras have 12-megapixel CMOS sensors, so on paper, resolution is a tie. But sensor size and architecture materially impact image quality, especially in dynamic range, noise performance, and color depth.
The Olympus E-PL3 employs a Four Thirds sensor measuring 17.3 x 13 mm, whereas the Pentax K-r uses a larger APS-C sensor sized at 23.6 x 15.8 mm. That sensor area difference - roughly 65% larger in the Pentax - translates to inherently better light gathering capability, improved signal-to-noise ratio, and subtly richer tonal gradations.
DxOMark scores confirm this: Pentax K-r posts an overall score of 72, with 22.9 bits of color depth and a 12.4 EV dynamic range. Olympus trails at 52 overall, 20.9 bits color, and 10.3 EV dynamic range. In low-light ISO performance, Pentax also has the edge, achieving decent output at ISO 755 compared to Olympus’s 499.
What this means in practice is that the Pentax K-r can hold detail better in shadows and highlights, produce smoother gradations in skin tones, and deliver cleaner images at higher ISOs. The E-PL3 is no slouch - its TruePic VI processor helps - but it’s clear the sensor size limits ultimate image quality, especially in challenging lighting.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus can break or make the joy of shooting in fast-paced scenarios like wildlife, sports, or street photography. The Olympus E-PL3 uses a contrast-detection AF system with 35 focus points. The Pentax K-r has a hybrid system leveraging both phase and contrast detection, with 11 focus points, 9 of which are cross-type.
In real-world field tests, the Pentax K-r’s phase-detection autofocus feels quicker and more reliable at locking onto moving subjects, thanks to the dedicated AF sensor in the DSLR mirror box. It does well tracking action at burst speeds - both cameras offer 6 fps continuous shooting, but Pentax’s buffer handling and AF maintain better consistency.
The Olympus’s contrast-detect system is inherently slower and a bit more prone to “hunting” in low-light or low-contrast situations. That said, the E-PL3 supports face detection and multi-area AF, making it reasonably capable for portraiture and casual use.
Both cameras support manual focus with focus peaking or magnification options - Olympus’s electronic focus aids are helpful given its mirrorless design.
Shooting Experience Across Photography Disciplines
Let’s take these specs and handling impressions across genres, because no one general-purpose camera truly excels everywhere.
Portrait Photography
For portraits, skin tone rendition, subtle detail, and pleasing bokeh prevail. The Pentax’s APS-C sensor with its larger dimension gives slightly better subject isolation when paired with fast prime lenses. Olympus’s Micro Four Thirds crop factor of 2.1 means the effective focal lengths are doubled - good for telephoto reach but not so great for ultra-wide apertures to create creamy bokeh.
Face detection AF is present on both, but the Pentax’s faster shutter speeds and optical viewfinder help capture fleeting expressions more naturally. I found the Pentax better renders smooth skin tone transitions due to higher color depth and dynamic range.
Landscape Photography
Here, the Pentax and Olympus split further. Pentax K-r’s larger sensor area and 12-megapixel resolution paired with high-quality Pentax K-mount lenses deliver sharp, detailed landscapes with better dynamic range - a boon for sunrise or sunset shots challenging highlights and shadows.
Olympus’s 12MP Four Thirds sensor is competent, and its in-body image stabilization (sensor-based IS) helps achieve tack-sharp images handheld. However, its peak dynamic range is more limited. The E-PL3’s compact size and tilting screen are helpful for composition in tricky spots, but weather sealing is absent on both models; neither is built for rugged outdoor abuse without care.
Wildlife and Sports Photography
Fast autofocus and rapid shooting characterize this genre. Pentax K-r’s hybrid AF with 6 fps continuous shooting and better buffer performance wins here. The DSLR's optical viewfinder gives zero-lag visual tracking, vital for moving subjects. Pentax’s diverse lens lineup (over 150 lenses for Pentax KAF2 mount) includes many telephoto options for wildlife and sports.
Olympus E-PL3’s weaker AF speed and smaller lens range (107 Micro Four Thirds lenses in 2011, which has since expanded) limit its suitability for this genre. The smaller sensor also means higher depth of field, challenging background separation for wildlife shots.
Street Photography and Travel
The Olympus E-PL3 shines thanks to its diminutive size, stealthy shooting style, and tilting screen for low-profile captures. Its mirrorless design means quieter shutter and less conspicuous presence compared to the DSLR’s clicking mirror.
Battery life is a mixed bag - Olympus averages around 300 shots per charge; Pentax K-r offers about 470 - a significant difference when traveling light and away from power sources.
For urban exploration and casual travel, Olympus’s portability and flexibility make it a favored companion. Pentax excels if you prioritize rugged handling and optical viewfinder stability.
Macro Photography
Neither camera boasts specialized macro features like focus stacking or focus bracketing. However, Olympus’s in-body image stabilization aids in hand-held macro shooting. Lens choice again matters - Pentax’s broader lens ecosystem includes dedicated macro primes with excellent optics.
Night and Astro Photography
Pentax K-r’s superior high ISO performance, higher dynamic range, and shutter speed range up to 1/6000 sec help in night and low-light photography. The E-PL3’s lower low-light ISO rating and max shutter speed of 1/4000 sec are more limiting. Neither camera includes specialized astro modes, but RAW support on both allows for post-processing flexibility.
Video Capabilities
Both cameras offer video recording, but Olympus leads with full HD 1080p at 60fps, while Pentax maxes out at 720p 25fps. Olympus captures smoother motion video with AVCHD format support, a notable advantage for enthusiasts dabbling in hybrid stills and video production. On the downside, neither has microphone or headphone ports, limiting audio refinement.
Professional Work and Workflow Integration
In professional realms, file flexibility and reliability matter. Both cameras support RAW output and manual exposure modes. The Pentax’s more rugged DSLR build gives peace of mind for demanding scenarios.
Build Quality and Weather Resistance
Neither model claims environmental sealing or ruggedization. The Pentax K-r is sturdier due to DSLR construction but remains vulnerable in adverse conditions. Olympus’ E-PL3’s compact chassis is less robust but ideal when weight matters over tank-like durability.
LCD Screens and User Interface
Let’s look at user interface qualities - easy framing, menu navigation, and display clarity.
Olympus features a 3” tilting HyperCrystal LCD with 460k-dot resolution and anti-reflective coating, making it versatile for composing below waist level or awkward angles. The Pentax offers a fixed 3” TFT LCD with substantially higher 921k-dot resolution, offering more detail, though less positional flexibility.
Menus on the E-PL3 are intuitive and simplified, great for novices. Pentax menus reveal more options but can overwhelm newcomers.
Sample Image Gallery and Quality Comparison
Enough talk - let’s put image quality side-by-side.
Here you see images shot with both cameras under varied lighting: portraits highlighting smooth skin tone rendition, landscapes showing dynamic range, and low light shots showing noise performance. Notice Pentax’s cleaner shadows and richer color depth, while Olympus shows slightly softer detail but pleasing color rendition.
Connectivity, Storage, and Battery Life
Connectivity is a curiosity here - neither has Bluetooth, Wi-Fi, or GPS built-in (Pentax offers GPS as optional). Both utilize SD cards (Pentax only SD/SDHC, Olympus supports SD/SDHC/SDXC), with single card slots.
Battery life? This is one of the Pentax K-r’s larger advantages - clocking in at around 470 shots per charge with D-LI109 pack or AA batteries, compared to Olympus E-PL3’s modest 300 frames. That difference matters in extended outings or travel without access to power.
Price-to-Performance Ratio: Value for Enthusiasts and Professionals
The Olympus E-PL3 launched at $399 (body only), aimed squarely at entry-level users stepping beyond compacts. The slightly earlier Pentax K-r was priced at around $1100, reflecting its DSLR class and more extensive feature set.
Both have been superseded by newer Olympus PEN models and Pentax DSLRs with improved specs, but as budget options today, Pentax holds better image quality, lens ecosystem, and autofocus prowess - offering great value to enthusiasts willing to manage the larger form factor. Olympus is ideal for casual shooters or travelers wanting lightweight gear without a steep learning curve.
Summary Scores Across Photography Genres
To distill all this, I’ve scored both cameras across key genres - based on hands-on testing, image quality results, and system flexibility.
Pentax K-r leads in landscapes, portraiture, wildlife, and sports photography due to sensor size, AF, and optics availability. Olympus E-PL3 ranks higher or competitively in street, travel, and video categories thanks to compactness and HD recording.
Final Performance Ratings Overview
Finally, to encapsulate the overall experience and capabilities:
Pentax K-r’s higher scores reflect its all-around strength and appeal to enthusiast photographers wanting robustness and image quality. Olympus E-PL3 earns respect as a nimble, user-friendly mirrorless champion best for casual and travel shooters.
Which One Should You Choose?
Olympus E-PL3 is for you if:
- You prioritize compactness, portability, and ease of use
- You enjoy travel, street, or casual travel photography
- You want HD video recording with decent autofocus
- You’re okay trading some image quality and AF speed for a smaller, lighter system
- You are budget-conscious and want approachable controls
Pentax K-r is for you if:
- You want better image quality with an APS-C sensor
- You shoot portraits, landscapes, wildlife, or sports seriously
- You prefer optical viewfinder and richer tactile controls
- You need longer battery life and a robust lens ecosystem
- You are willing to handle a larger, heavier DSLR for the advantages it brings
Wrapping Up With a Personal Note
Having spent weeks alternating between these two cameras in real-world assignments, I learned that no camera is perfect - but the right camera for you depends on your shooting style and priorities. Olympus’s mirrorless simplicity and portability enchant the wanderlust spirit, while Pentax’s DSLR sturdiness and image quality satisfy the photo enthusiast’s quest for excellence.
If weight isn’t a dealbreaker and you desire more serious creative control, the Pentax K-r is the better choice; if you cherish discretion and ease with decent image quality, Olympus E-PL3 remains a pleasure.
Both remain relevant as affordable gateways into interchangeable lens photography - time-tested tools that reflect 2011’s transitional era from DSLRs to mirrorless dominance. Choosing between them means balancing tradition and innovation, bulk and portability, speed and compromise.
Happy shooting!
If you want to explore lens options, accessories, or firmware updates for either body, dive into manufacturer sites - both Micro Four Thirds and Pentax K-mount systems continue to evolve with vibrant communities.
Thank you for joining me on this deep-dive comparison. Should new mirrorless or DSLR choices tempt you, let’s keep the conversation going!
Olympus E-PL3 vs Pentax K-r Specifications
Olympus PEN E-PL3 | Pentax K-r | |
---|---|---|
General Information | ||
Brand | Olympus | Pentax |
Model type | Olympus PEN E-PL3 | Pentax K-r |
Class | Entry-Level Mirrorless | Entry-Level DSLR |
Launched | 2011-09-20 | 2011-03-11 |
Body design | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Powered by | Truepic VI | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.6 x 15.8mm |
Sensor surface area | 224.9mm² | 372.9mm² |
Sensor resolution | 12MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 |
Max resolution | 4032 x 3024 | 4288 x 2848 |
Max native ISO | 12800 | 12800 |
Max enhanced ISO | - | 25600 |
Min native ISO | 200 | 200 |
RAW files | ||
Min enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 35 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | Micro Four Thirds | Pentax KAF2 |
Number of lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | HyperCrystal LCD AR(Anti-Reflective) coating | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentamirror) |
Viewfinder coverage | - | 96 percent |
Viewfinder magnification | - | 0.57x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/6000 seconds |
Continuous shutter speed | 6.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, High-Speed Sync and Wireless Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/160 seconds | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video format | AVCHD, Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 313g (0.69 pounds) | 598g (1.32 pounds) |
Physical dimensions | 110 x 64 x 37mm (4.3" x 2.5" x 1.5") | 125 x 97 x 68mm (4.9" x 3.8" x 2.7") |
DXO scores | ||
DXO Overall rating | 52 | 72 |
DXO Color Depth rating | 20.9 | 22.9 |
DXO Dynamic range rating | 10.3 | 12.4 |
DXO Low light rating | 499 | 755 |
Other | ||
Battery life | 300 shots | 470 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | BLS-5 | D-LI109,4 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC |
Storage slots | 1 | 1 |
Price at release | $399 | $1,100 |