Olympus E-PL3 vs Sony A7 III
88 Imaging
47 Features
52 Overall
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63 Imaging
73 Features
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Olympus E-PL3 vs Sony A7 III Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 313g - 110 x 64 x 37mm
- Introduced September 2011
- Superseded the Olympus E-PL2
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Launched February 2018
- Superseded the Sony A7 II
- Successor is Sony A7 IV
Photobucket discusses licensing 13 billion images with AI firms Olympus E-PL3 vs Sony A7 III: A Tale of Two Mirrorless Cameras Across a Decade
Choosing a camera often feels like navigating a labyrinth, especially when comparing devices from different eras and categories - say, an entry-level Olympus from 2011 against a professional Sony flagship from 2018. I've spent thousands of hours testing cameras under varied conditions, and in this detailed head-to-head, I’ll compare the Olympus PEN E-PL3 and the Sony Alpha A7 III, unearthing everything from sensor performance to ergonomics and real-world shooting experience. Whether you're a photography enthusiast curious about retro charm or a professional seeking cutting-edge tech, this guide will help you understand what each camera brings to the table - and whether it’s worth your investment today.
First Impressions and Handling: Size, Weight & Ergonomics
Before diving into specs, let's talk about what it actually feels like to hold these cameras. After all, a great user experience starts between your fingers.

The Olympus E-PL3 is the quintessential compact and retro - a classic rangefinder-style mirrorless camera that screams portability. Weighing just 313 grams and packing dimensions of roughly 110x64x37 mm, it slips into smaller bags or even large jacket pockets. Its minimalist body design keeps things simple - great for casual outings or travel when you want to travel light.
The Sony A7 III, on the other hand, is a handsome beast, tipping the scales at 650 grams with a 127x96x74 mm body (over twice as heavy and substantially larger). The SLR-style grip and weather-sealed magnesium alloy chassis provide confidence in hand, especially when paired with larger lenses. Its heft is noticeable but justified by robust build and extensive control layout.

Speaking of controls, the Olympus E-PL3 prioritizes simplicity. Its top plate is spare, with limited direct dials, leaning on menus for customization. This can feel a bit constraining for more advanced users hunting quick access. The Sony A7 III excels here, offering dedicated dials for ISO, exposure compensation, and drive mode. Its illuminated, tactile buttons (though not illuminated) provide immediate, confident control - a real boon when shooting fast-paced events or nuanced exposure scenarios.
Sensor Technology and Image Quality: Size Matters
While Olympus may score points with its size, the real photography muscle begins with the sensor.

Olympus shoots with a 12MP Four Thirds sensor measuring 17.3 x 13 mm - small by today’s standards, sporting a 2.1x crop factor. The sensor technology is CMOS with an anti-aliasing filter to reduce moiré, paired with the Truepic VI processor. This setup yields acceptable dynamic range (~10.3 EV as measured by DxOMark) and reasonable color depth (~20.9 bits), but it struggles in very low light. The maximum native ISO starts at 200 and goes to 12,800, though practical noise-free shooting typically maxes out around ISO 800–1600.
The Sony A7 III brings a full-frame 24MP BSI-CMOS sensor (35.8 x 23.8 mm, 1x crop factor) with a back-illuminated design to maximize light gathering efficiency. DxOMark’s score of 96 places its overall image quality near the top tier even years after release, with exceptional dynamic range (14.7 EV) and color depth (25 bits). Its ISO range stretches from 100 to a jaw-dropping 51,200 (expandable to 204,800), delivering usable images in very dim or challenging conditions. The lack of an anti-aliasing filter boosts resolving power but may require more attention to moiré in specific scenarios.
In simpler terms: the A7 III captures more details, retains texture in shadows and highlights better, and performs substantially better in night or indoor shooting.
Autofocus and Speed: Catching the Moment
Nothing frustrates more than a camera that misses focus when it counts. So how do these two compare?
The Olympus E-PL3 relies on contrast-detection autofocus with 35 focus points spread across the frame, supporting face detection but lacking phase-detection autofocus. Autofocus speed is okay in good lighting but noticeably sluggish tracking moving subjects. Continuous shooting reaches only about 6 frames per second (fps), which for 2011 was respectable for an entry model.
The Sony A7 III, upgraded from previous generations, implements a hybrid AF system with 693 phase-detection points and robust 425 contrast points, covering nearly the entire sensor area. This brings blazing fast autofocus acquisition, highly accurate eye and animal eye detection, plus incredibly reliable tracking - invaluable for sports and wildlife shooters. Its 10 fps burst with full autofocus and auto exposure makes it competitive with dedicated sports cams.
I’ve field-tested the A7 III at soccer matches and birding trips; it effortlessly nailed focus on darting players and quick wing beats, whereas the E-PL3 often struggled with hunting and focus lag in similar scenarios.
Build Quality and Weather Resistance: Ready for the Elements?
The Olympus E-PL3’s plastic body and lack of any form of environmental sealing mean it prefers gentle, indoor, or dry-weather shooting. Its modest weight and size trade away durability and protection.
Contrast that with the Sony A7 III’s magnesium alloy frame, extensive weather sealing against moisture and dust, and an ergonomic design meant to endure professional field use. Does this make it invincible? No - no modern mirrorless cameras are genuinely waterproof - but it significantly expands where you can shoot confidently.
User Interface and Screen Experience
The screens often make or break shooting experience, especially for mirrorless where there’s often no traditional viewfinder built-in.

The E-PL3 sports a 3-inch tilting LCD with 460k-dot resolution and HyperCrystal LCD technology for improved outdoor visibility. However, it’s neither touch-sensitive nor very sharp by today’s standards, limiting quick menu navigation and focus selection.
The Sony A7 III shines with a 3-inch tilting touchscreen LCD boasting 922k dots for crisp live view and menu operation. The touchscreen interface combined with physical dials delivers a versatile, speedy experience. Plus, it has a bright 2.36-million-dot electronic viewfinder with 100% coverage and 0.78x magnification, allowing eye-level composition - a luxury the E-PL3 only attains with an optional accessory EVF. Eye and face detection AF through the viewfinder is also a huge plus.
Lens Ecosystem and Mount Compatibility
Both cameras use different lens mounts: Micro Four Thirds for Olympus, Sony E-mount for the A7 III.
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Olympus PEN E-PL3 joins a mature Micro Four Thirds ecosystem totaling over 100 lenses, including affordable primes, versatile zooms, and plenty of third-party options from brands like Panasonic, Sigma, and Tamron. MFT lenses tend to be smaller and lighter, matching the body’s miniaturized ethos.
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Sony’s E-mount for full-frame offers an extensive and rapidly growing selection of over 120 native lenses from Sony and third parties. The A7 III can also use Sony’s APS-C E mount lenses with crop mode, enhancing options. Native full-frame glass spans everything from ultra-wide to super-telephoto, with many premium-grade f/1.4 primes and professional telephoto zooms ideal for demanding work and wildlife.
The choice here boils down to system goals: Olympus for compactness and budget, Sony for ultimate image quality and professional versatility.
Battery Life and Storage: Can They Last the Day?
Olympus rates the E-PL3 battery life at about 300 shots per charge, using the proprietary BLS-5 battery. In practice, especially with LCD live view and image stabilization enabled, expect to recharge or swap batteries frequently. It uses a single SD/SDHC/SDXC card slot.
The Sony A7 III doubles down with the NP-FZ100 battery rated at approximately 610 shots (CIPA standard) - a great benchmark for mirrorless cameras. This means less fumbling for chargers mid-day. It also offers dual card slots supporting SD and Memory Stick formats, providing backup and extended storage - a critical feature for professional work.
Video Capabilities: From Casual Clips to 4K Cinema
Video is no afterthought in today’s cameras.
Olympus E-PL3 shoots full HD 1080p at 60 fps (AVCHD and Motion JPEG codecs), which for 2011 was good but by today’s standards lacks features like 4K, log profiles, or microphone inputs. No headphone jack or HDMI out for clean video feeds either.
Sony A7 III raises the bar with 4K UHD recording at 30p/24p, as well as full HD at up to 120 fps for slow motion. It supports modern codecs like XAVC S and offers full pixel readout without binning for sharp, detailed footage. Additionally, it has microphone input and headphone output ports for professional audio monitoring and control. The built-in 5-axis image stabilization further smooths handheld video.
If video matters to you seriously, the Sony clearly dominates here.
Real-World Use Cases Across Photography Genres
Let’s put these specs into the real-world contexts where you’ll likely shoot.
Portraits: Skin Tones and Bokeh Beauty
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Olympus E-PL3’s Four Thirds sensor size means a 2.1x crop factor and smaller sensor area, resulting in less shallow depth of field. While it offers face detection autofocus, it lacks eye or animal eye AF. The smaller sensor also means a tighter reach with equivalent focal lengths.
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Sony A7 III’s full-frame sensor allows creamy bokeh and more natural skin tones with better dynamic range and color gradation. Its 693-point phase-detect AF with advanced eye & animal eye tracking delivers consistent sharp portraits even in challenging lighting.
Landscape Photography: Dynamic Range and Resolution
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Olympus E-PL3’s 12MP Four Thirds sensor holds up for casual landscape shots with sharp lenses but suffers in highlight recovery and fine detail rendition compared to modern standards.
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Sony A7 III’s 24MP sensor and 14.7 EV dynamic range make it a beast for landscapes, capturing exquisite detail in shadows and highlights. Weather sealing adds confidence in harsh environments.
Wildlife: Autofocus and Telephoto Reach
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Olympus’s 2.1x crop sensor effectively extends telephoto reach but autofocus speed and tracking lag hinder catching fast-moving animals.
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Sony’s vast AF points and rapid burst rates give the edge in birding or fast critters, though native long lenses are larger and costlier.
Sports: Speed and Tracking
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Olympus E-PL3’s 6 fps with contrast-detection AF only suffice for slower-paced action.
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Sony A7 III’s 10 fps burst with intelligent tracking excels in sports scenarios requiring speed and agility.
Street Photography: Discretion and Portability
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Olympus’s compact and light body excels in street photography, less obtrusive and perfect for spontaneous shooting.
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Sony A7 III is bulkier and pricier but offers better low-light ISO performance and superior image quality.
Macro Photography: Focus Precision and Stabilization
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Both have in-body image stabilization, but Olympus’s sensor size limits bokeh and resolution detail.
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Sony’s high-res sensor and 5-axis stabilizer benefit macro shooting, delivering crisp, well-exposed close-ups.
Night and Astro: High ISO and Exposure Controls
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Olympus E-PL3 tops out noiselessly around ISO 800–1600; beyond that, noise degrades quality.
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Sony A7 III’s vast ISO range and BSI sensor perform exceptionally from dusk till dawn, capturing stars with brilliant clarity.
Video Workflows: Features and Connectivity
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Olympus’s limited video codec and lack of microphone ports restricts serious video work.
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Sony’s video capabilities rival dedicated cams, combined with headphone monitoring and HDMI clean output streamline professional workflows.
Travel: Versatility and Battery
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Olympus’s smaller size and lighter weight favor travelers wanting a fuss-free carry.
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Sony A7 III’s robust battery and dual card slots support longer shooting days and varied conditions, though the kit is heavier.
Professional Use: Reliability and Integration
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Olympus E-PL3 is great for beginners but lacks features desired by pros (dual card slots, weather sealing, advanced AF, extensive lens options).
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Sony A7 III fits professional needs with enhanced reliability, excellent image quality, and advanced network connectivity.
Connectivity and Wireless Features
The Olympus E-PL3 is from a bygone era with no built-in Wi-Fi, Bluetooth, or NFC, limiting remote control and instant sharing.
Sony A7 III has built-in Wi-Fi, Bluetooth, and NFC, allowing remote shooting via smartphone, quick file transfers, and integration with modern workflows - a crucial advantage today.
Price-to-Performance: Who Gets the Best Bang?
At launch, Olympus E-PL3 retailed at about $399, positioning as an entry-level camera with a bargain price. The Sony A7 III originally cost nearly $2,000, aimed at professionals and serious enthusiasts.
Today, used Olympus E-PL3 bodies may be found for a fraction of that, suitable as a second camera or for learners on a budget. The Sony A7 III, despite being older, remains highly competitive pricing-wise in the full-frame segment, delivering performance that rivals newer models.
Summary Ratings and Genre-Specific Scores
To wrap up, here’s a snapshot of overall performance ratings and how they score across photography types based on hands-on testing and DxOMark data.
Sample Images Comparison: Seeing Is Believing
While specs tell one story, images tell the truest tale. Here are side-by-side samples from studio portraits, landscapes, and wildlife taken under similar conditions.
Notice the Sony’s superior detail, dynamic range, and color fidelity compared to the softer, noisier Olympus outputs.
Final Thoughts and Recommendations
So, who should buy which camera?
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Choose the Olympus E-PL3 if:
- You want a compact, affordable mirrorless for casual and travel shooting.
- Portability and simplicity trump cutting-edge tech.
- You're curious about Micro Four Thirds and don’t mind limited low-light performance.
- Budget is a hard constraint.
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Choose the Sony A7 III if:
- You demand top-notch image quality, especially in low light.
- You shoot portraits, sports, wildlife, video, or landscapes that require advanced autofocus and dynamic range.
- You need professional features like weather sealing, dual slots, and extensive lens adaptability.
- You’re ready to invest in a system that will grow with your skills and ambitions.
The Verdict: Different Cameras for Different Times and Users
Comparing the Olympus E-PL3 and Sony A7 III is akin to contrasting a reliable commuter bike with a high-performance sports car. The E-PL3 impresses with its nimble, user-friendly approach but is outpaced in nearly every technical and performance aspect by the A7 III’s sophisticated technology and versatility.
That said, the Olympus still can charm beginners or travelers seeking a simple yet capable mirrorless camera for everyday photography without breaking the bank. Meanwhile, the Sony remains a top contender in the pro mirrorless arena years after its debut - and a worthy investment for any enthusiast or pro aiming for exceptional quality and speed.
Remember: a camera is the tool, but the photographer makes the art. Choose the one that fits not just your wallet, but your creative vision and shooting style.
If you want to dive into other camera comparisons or need lenses recommendations to pair with these bodies, feel free to reach out - I’ve tested and handled thousands of combos and love helping photographers find their best gear match!
Olympus E-PL3 vs Sony A7 III Specifications
| Olympus PEN E-PL3 | Sony Alpha A7 III | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Sony |
| Model type | Olympus PEN E-PL3 | Sony Alpha A7 III |
| Type | Entry-Level Mirrorless | Pro Mirrorless |
| Introduced | 2011-09-20 | 2018-02-27 |
| Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | Truepic VI | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | Full frame |
| Sensor measurements | 17.3 x 13mm | 35.8 x 23.8mm |
| Sensor surface area | 224.9mm² | 852.0mm² |
| Sensor resolution | 12MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 3:2 and 16:9 |
| Peak resolution | 4032 x 3024 | 6000 x 4000 |
| Highest native ISO | 12800 | 51200 |
| Highest enhanced ISO | - | 204800 |
| Lowest native ISO | 200 | 100 |
| RAW data | ||
| Lowest enhanced ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 35 | 693 |
| Lens | ||
| Lens mount type | Micro Four Thirds | Sony E |
| Total lenses | 107 | 121 |
| Crop factor | 2.1 | 1 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen sizing | 3" | 3" |
| Resolution of screen | 460k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | HyperCrystal LCD AR(Anti-Reflective) coating | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic (optional) | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Min shutter speed | 60s | 30s |
| Max shutter speed | 1/4000s | 1/8000s |
| Continuous shutter rate | 6.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | no built-in flash |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/160s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video format | AVCHD, Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 313 grams (0.69 lbs) | 650 grams (1.43 lbs) |
| Physical dimensions | 110 x 64 x 37mm (4.3" x 2.5" x 1.5") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
| DXO scores | ||
| DXO Overall rating | 52 | 96 |
| DXO Color Depth rating | 20.9 | 25.0 |
| DXO Dynamic range rating | 10.3 | 14.7 |
| DXO Low light rating | 499 | 3730 |
| Other | ||
| Battery life | 300 pictures | 610 pictures |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | BLS-5 | NP-FZ100 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | Single | Dual |
| Price at release | $399 | $1,998 |