Olympus E-PL5 vs Olympus SZ-10
88 Imaging
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90 Imaging
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Olympus E-PL5 vs Olympus SZ-10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Revealed September 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-4.4) lens
- 215g - 106 x 67 x 38mm
- Launched February 2011

Olympus E-PL5 vs Olympus SZ-10: A Detailed Comparison From an Expert’s Perspective
Selecting the right camera hinges on a clear understanding of not only technical specifications but also practical, real-world usage across diverse photography genres. As an expert with over 15 years testing hundreds of cameras spanning entry-level mirrorless to compact superzooms, I’ve put the Olympus E-PL5 and Olympus SZ-10 through an exhaustive comparative lens to help you decide which suits your specific photography needs. These two models, priced closely yet catering to different photographic ambitions, can be confusing to navigate. This comprehensive review covers everything from sensor technology and autofocus behavior to ergonomics and genre-specific capabilities, providing actionable insights grounded in hands-on experience.
How They Stack Up Physically: Size, Weight & Handling
The Olympus E-PL5 is a rangefinder-style mirrorless camera with Micro Four Thirds sensor, designed for enthusiasts stepping into interchangeable-lens systems. The SZ-10 on the other hand is a compact superzoom with a fixed lens, making it attractive for travelers prioritizing simplicity and zoom range.
Physically, the SZ-10 is lighter (215g vs 325g) and slimmer (106x67x38mm vs 111x64x38mm), which supports discreet, grab-and-go usage. However, the E-PL5's slightly larger body offers better ergonomics: a firmer grip, dedicated dials, and more customizable buttons - essential for users seeking direct control and faster manual adjustments in dynamic shooting environments.
The tilting touchscreen on the E-PL5 (3" 460k resolution, touch-enabled) lends versatility for composing at challenging angles, including selfies and low-level macro work, whereas the SZ-10’s fixed TFT screen lacks touch input, limiting interactive control but retaining acceptable visibility in daylight.
Sensor Technology & Image Quality Differentiators
At the heart of any camera’s imaging prowess lies the sensor. The E-PL5 boasts a 16MP Four Thirds CMOS sensor measuring 17.3x13mm, significantly larger than the SZ-10’s 14MP 1/2.3" CCD sensor (6.17x4.55mm).
Sensor size differences translate directly into image quality advantages:
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Dynamic Range: The E-PL5 offers an impressive 12.3 stops dynamic range per DxOMark results, facilitating preservation of highlight and shadow detail critical in landscapes and high-contrast scenarios. The SZ-10’s smaller sensor delivers far less latitude, often clipping highlights or losing shadow information under demanding conditions.
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Color Depth & Noise Handling: At 22.8 bits color depth and a low-light ISO score of 889, the E-PL5 maintains richer color fidelity and cleaner images at higher ISOs than the SZ-10, which struggles beyond ISO 400 due to its CCD sensor and limited native ISO range (80-1600). This severely restricts low-light usability on the SZ-10.
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Raw Format Support: The E-PL5 supports RAW capture, indispensable for professional workflows and extensive post-processing flexibility; the SZ-10 does not, cementing its position as a straightforward snapshot camera.
Overall, the Four Thirds sensor's physical advantage is a decisive factor favoring the E-PL5 for photographers prioritizing quality, resolution, and editing flexibility.
Ergonomics & User Interface: Control Layout and Handling Experience
Delving deeper into interface design, clarity and accessibility of controls substantially influence shooting efficiency.
The E-PL5 features tactile dials for shutter speed, aperture, and exposure compensation - all fully manual exposure modes are supported (Shutter Priority, Aperture Priority, Manual). This empowers photographers to experiment and execute creative control intuitively. The rear LCD's tilting articulating mechanism expands compositional freedom.
In contrast, the SZ-10 is equipped with a minimalist button layout typical of compact superzooms - no manual exposure modes, no customizable buttons, and limited control over settings. The lack of a viewfinder means composition relies wholly on the rear screen, which, while bright, can be challenging in direct sunlight.
The E-PL5’s touchscreen focus and menu navigation accelerate selecting AF points (35 contrast-detection autofocus areas), adjusting settings, and even face recognition, streamlining workflow especially during fast-paced captures.
Autofocus Systems Put to the Test: Speed, Accuracy, and Reliability
Contrast-detection AF systems, the sole method on both cameras, differ significantly in implementation quality. The E-PL5 boasts a sophisticated 35-point contrast AF with face detection and continuous AF, delivering rapid and accurate focus acquisition, critical during wildlife or sports where focus tracking is non-negotiable.
The SZ-10’s AF is considerably slower and less reliable under low contrast or dynamic scenarios, with only single AF mode and 1 fps continuous shooting rate limiting its effectiveness for action or moving subjects.
Real-world testing demonstrated the E-PL5’s continuous autofocus reliably locked onto moving subjects and maintained sharpness during burst capture (up to 8fps), while the SZ-10 struggled to track motion, often resulting in soft images. This discrepancy is vital for photographers targeting wildlife, sports, or street photography.
Optical Systems: Interchangeable Lens Ecosystem vs Fixed Superzoom
One of the most defining divides is lens flexibility.
The E-PL5 is a Micro Four Thirds mount camera, compatible with a vast ecosystem of over 100 native lenses ranging from ultra-wide, fast primes, to telephoto zooms with advanced optical stabilization. Users can adapt vintage lenses or third-party optics, extending creative possibilities substantially.
The SZ-10 offers a fixed 28-504mm equivalent superzoom (18x) lens with a modest maximum aperture of f/3.1-4.4 - useful for casual telephoto reach but less capable in low light due to slower aperture values. Additionally, macro focusing is possible down to 1cm, but image quality at extreme zoom lengths tends to soften.
In field tests, the E-PL5 combined with fast primes produced superior bokeh quality, sharper edges, and better correction of aberrations compared to the SZ-10’s all-in-one zoom lens. This makes it the preferred choice when image quality and creative lens use are priorities.
Specialized Photography Usability Across Genres
Let’s examine how each camera performs in specific photography disciplines, beyond specs into actionable, genre-aligned insights.
Portrait Photography
The E-PL5’s superior sensor, advanced face detection AF, and larger aperture lenses provide excellent skin tone rendition, natural bokeh, and critical eye detection, making it well suited for portraiture at varying focal lengths.
In contrast, the SZ-10’s smaller sensor coupled with fixed lens limits depth-of-field control and subtle subject separation. Skin tones appear more digitally processed owing to noise and dynamic range constraints.
Landscape Photography
Dynamic range and resolution win this domain. The E-PL5’s larger sensor and 16MP output capture detailed textures and wide tonal gamut necessary for landscapes, reinforced by weather sealing in higher-tier Olympus models (though the E-PL5 itself lacks robust sealing).
The SZ-10 can serve for casual landscape snaps but cannot deliver professional-grade landscape files, particularly in complex lighting or wide tonal gradients.
Wildlife Photography
Speed and reach are key here. The SZ-10’s superzoom gives advantage in focal length but falters on autofocus speed and frame rate (only 1 fps). The E-PL5 paired with a telephoto zoom lens yields faster AF, higher burst rates (8fps), crucial for capturing fleeting wildlife moments.
Sports Photography
High continuous shooting and autofocus tracking favor the E-PL5 unquestionably. The SZ-10’s 1 fps and lack of manual modes hamper action capture.
Street Photography
The SZ-10’s compactness, low weight, and silent operation make it unobtrusive - favorable qualities for street shooters seeking candid shots. However, the E-PL5’s tilting screen allows shooting from more varied angles, and superior image quality helps in low light.
Macro Photography
Both offer macro functionality: SZ-10’s 1cm minimum focusing distance versus E-PL5’s variable by lens. However, the E-PL5’s ability to mount dedicated macro lenses and sensor-based image stabilization greatly enhances sharpness and creative control.
Night and Astro Photography
High ISO performance and manual exposure control give the E-PL5 a decisive edge in astrophotography and night shooting. The SZ-10’s limited ISO range, absence of manual modes, and smaller sensor render night images noisy and lackluster.
Video Capabilities
The E-PL5 records Full HD 1080p @30fps using the H.264 codec, allowing for higher quality footage fit for simple productions. Additionally, sensor-based image stabilization aids handheld shooting.
The SZ-10 is capped at 720p HD video at 30fps in Motion JPEG format, limiting video quality and editing flexibility. Both lack microphone input or headphone jack, restricting audio control.
Travel Photography
The compact, lightweight SZ-10 offers convenience with versatile zoom and simple operation, ideal for travelers prioritizing portability.
The E-PL5’s interchangeable lens system and longer battery life (360 vs 220 shots per charge) offer more creative versatility but with increased bulk.
Professional Workflows
Supporting RAW files, manual control, and a broad lens selection, the E-PL5 integrates seamlessly with professional post-processing pipelines - excellent for studio or on-location work.
The SZ-10, lacking RAW and manual exposure, targets casual users rather than professionals.
Build Quality and Environmental Resistance
Neither camera offers weather or dust resistance, reflecting their consumer-focused design goals. The E-PL5’s magnesium alloy top plate affords better durability than the plastic-heavy SZ-10, enhancing reliability for demanding use.
Battery Life and Storage
The E-PL5 manages 360 shots per charge, outperforming the SZ-10’s 220 shots. Both use proprietary Lithium-ion packs with single SD card slots, standard but adequate for their class.
Connectivity & Wireless Features
Both cameras support Eye-Fi cards for wireless image transfer, a useful addition before ubiquitous Wi-Fi connectivity. However, neither has Bluetooth or NFC, nor GPS, limiting rapid wireless integration seen in more recent models.
Price-to-Performance Insight
At launch, the E-PL5 was priced around $400, and the SZ-10 near $300, reflecting their market position as entry-level mirrorless versus compact superzoom respectively.
Considering their capabilities, the E-PL5’s higher cost is justified by significantly better image quality, lens versatility, and creative control, while the SZ-10 appeals to budget-conscious casual users requiring a lightweight, simple device with broad zoom.
Summary of Professional Ratings & Scores
To encapsulate performance objectively, here are DxOMark and other benchmark insights.
The E-PL5 achieves solid scores with strong overall image quality metrics, while the SZ-10 remains untested on DxOMark but is understood to score lower due to sensor and lens limitations.
Further genre-specific score analysis is shown below:
These reinforce the E-PL5's dominant position for portraits, landscapes, sports, and professional applications.
Visual Examples: Sample Image Comparison
These images vividly illustrate the E-PL5’s superior sharpness, color accuracy, and depth-of-field control compared to the SZ-10, especially in challenging light and detailed scenes.
Final Recommendations Tailored to User Profiles
Choose the Olympus E-PL5 if you:
- Demand superior image quality with versatile lens options.
- Prefer manual exposure control and advanced autofocus.
- Aim to engage in varied photography genres including portraits, landscapes, sports, macro, and semi-professional video.
- Value RAW support and professional workflow integration.
- Can accommodate a slightly heavier body and are willing to invest in lenses.
Opt for the Olympus SZ-10 if you:
- Prioritize portability, simplicity, and a powerful zoom in a pocketable compact.
- Are new to photography or require a secondary travel camera.
- Seek straightforward point-and-shoot operation without complex controls.
- Accept image quality compromises in favor of affordability and convenience.
- Do not require RAW or video beyond basic 720p.
In conclusion, these two Olympus cameras, while similarly priced, serve fundamentally different photographers: the E-PL5 targets enthusiasts hungry for image quality and creative control, while the SZ-10 appeals to casual users prioritizing zoom and ease-of-use. Your final choice should align closely with your photography ambitions, technical comfort level, and intended use scenarios.
With this detailed dissection grounded in technical nuances and practical tests, I trust you can select wisely and elevate your photographic journey.
For further hands-on insights or equipment pairing advice, feel free to reach out or explore extended reviews on platform-specific performance.
Olympus E-PL5 vs Olympus SZ-10 Specifications
Olympus PEN E-PL5 | Olympus SZ-10 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Olympus |
Model | Olympus PEN E-PL5 | Olympus SZ-10 |
Category | Entry-Level Mirrorless | Small Sensor Superzoom |
Revealed | 2012-09-17 | 2011-02-08 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | - | TruePic III+ |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Highest resolution | 4608 x 3456 | 4288 x 3216 |
Highest native ISO | 25600 | 1600 |
Min native ISO | 200 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 35 | - |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-504mm (18.0x) |
Max aperture | - | f/3.1-4.4 |
Macro focus distance | - | 1cm |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display size | 3" | 3" |
Display resolution | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60s | 4s |
Highest shutter speed | 1/4000s | 1/2000s |
Continuous shooting speed | 8.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (bundled FL-LM1) | 7.10 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Fill-in |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/250s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264, Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 325g (0.72 pounds) | 215g (0.47 pounds) |
Dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 106 x 67 x 38mm (4.2" x 2.6" x 1.5") |
DXO scores | ||
DXO All around score | 72 | not tested |
DXO Color Depth score | 22.8 | not tested |
DXO Dynamic range score | 12.3 | not tested |
DXO Low light score | 889 | not tested |
Other | ||
Battery life | 360 shots | 220 shots |
Battery form | Battery Pack | Battery Pack |
Battery model | BLS-5 | LI-50B |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Cost at launch | $400 | $300 |