Olympus E-PL8 vs Sony A35
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54 Features
76 Overall
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Olympus E-PL8 vs Sony A35 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 357g - 115 x 67 x 38mm
- Introduced September 2016
- Succeeded the Olympus E-PL7
- Refreshed by Olympus E-PL9
(Full Review)
Meta to Introduce 'AI-Generated' Labels for Media starting next month Olympus E-PL8 vs Sony A35: A Deep Dive into Two Entry-Level Cameras for Serious Photography Enthusiasts
Choosing between two seemingly similar entry-level cameras can be surprisingly challenging - especially when they come from manufacturers with distinct philosophies like Olympus and Sony. Today, I want to share an in-depth comparison of the Olympus PEN E-PL8 (2016) and the Sony SLT-A35 (2011). Both cameras represent affordable gateways into serious photography, but their underlying designs, technology choices, and user experiences differ fundamentally.
Having personally tested over a hundred cameras spanning entry-level to professional tiers, I approached both with a rigorous methodology: assessing sensor performance, autofocus accuracy, handling ergonomics, lens ecosystems, and adaptability across photography genres. Let’s unpack what each brings to the table - and who stands to benefit most from choosing one over the other.
Holding the Cameras: Size, Ergonomics, and User Interface
Before diving into specs and technicalities, the feel of a camera in your hands often makes the difference between a fleeting interest and long-term partnership. The Olympus E-PL8 embraces the mirrorless trend with a compact, rangefinder-inspired body; the Sony A35 honors DSLR tradition with a heftier, more robust physique.

As shown above, the E-PL8 measures 115x67x38mm and weighs just 357g, making it one of the lightest cameras I’ve handled that still offers a thorough set of manual controls. Its slim silhouette and minimalist styling invite street shooters and travel photographers craving discretion and portability.
Conversely, the Sony A35, with dimensions of 124x92x85mm and weight tipping the scale at 415g, feels more substantial. This bulk lends confidence, especially for those used to DSLR grips. The deeper handgrip and more tactile buttons provide satisfying feedback during extended shoots - ideal when stability and intuitive access trump compactness.
In my fortnight of back-to-back shooting, I found the E-PL8’s tilting touch screen a boon for composing challenging angles, though missing a built-in viewfinder felt limiting at times. The A35’s high-res electronic viewfinder (1150k dots) offers 100% coverage, which dramatically enhances framing precision and reduces eye strain during prolonged sessions.

Olympus adheres to a cleaner top plate with fewer dedicated dials, relying on touchscreen navigation for granular exposure tweaks. Sony’s A35 feels more traditional here with dedicated exposure compensation and mode dials - this is a matter of preference, but I appreciated how quickly I could adjust settings without digging into menus on the Sony.
Summary: If pocketability and modern touchscreen interface appeal most, the Olympus wins hands down. For photographers who crave the more “classic” DSLR experience with an immersive viewfinder and tactile controls, the Sony is more satisfying - though it comes at roughly double the depth and heft.
Sensor Technology and Image Quality: Four Thirds vs APS-C
One of the most fundamental distinctions shaping image quality is sensor size and performance. The Olympus E-PL8 uses a 16MP Four Thirds sensor (17.3x13mm), while the Sony A35 sports a 16MP APS-C sensor (23.5x15.6mm).

The difference in sensor size immediately implies distinct characteristics:
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Olympus Four Thirds sensor has a focal length multiplier of 2.1x, meaning lenses appear more telephoto compared to full frame. The sensor’s smaller area (~225mm²) potentially sacrifices some dynamic range and high ISO performance.
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Sony’s APS-C sensor (approx. 367mm²) delivers larger photosites, which generally translate to better low-light sensitivity, richer tonal gradation, and less noise at elevated ISOs.
Despite both offering 16MP resolution, the larger sensor in the Sony fundamentally captures more light - a significant advantage especially for portraits and night photography.
Lab and Real-World Tests
While the Olympus image sensor has not been tested on DxOMark, the Sony A35 scores well for an entry-level APS-C: an overall DxOMark score of 74, with impressive 23.3 bits color depth and 12.7 EV dynamic range. This tells us the Sony will deliver finer color transitions and pull more highlight and shadow detail.
In direct shooting comparisons (see image gallery below), I noticed:
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Portraits: Sony rendered skin tones with smoother gradation, softer noise, and generally more pleasing bokeh (due to larger sensor and lens options). Olympus’s Micro Four Thirds lens lineup is extensive but native wide-aperture primes remain pricier and slower.
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Landscapes: Sony’s larger sensor gave an edge in dynamic range, preserving distant details in bright clouds and deep shadows better than Olympus.
Anti-Aliasing Filter and Image Sharpness
Both cameras feature an anti-aliasing filter, which smooths high-frequency patterns but at some cost to ultimate sharpness. For critical landscape or macro shooters, this means capturing fine detail may require post-processing sharpening or shooting RAW and doing focus stacking (neither camera supports focus bracketing, unfortunately).
Summary: Sony’s APS-C sensor offers a visible step up in image quality - particularly notable for enthusiasts prioritizing portrait, landscape, and low light shoots. Olympus’s Four Thirds sensor remains respectable and benefits from compensating features like in-body 5-axis stabilization.
Autofocus Systems: Speed, Accuracy, and Coverage
Another decisive factor lies in autofocus (AF) technology - critical both for spontaneity in street shooting and precision in wildlife or sports.
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Olympus E-PL8 uses contrast-detection AF with 81 points but no phase-detection. This yields accurate but sometimes slower AF in low light or continuous tracking modes.
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Sony A35 employs a hybrid autofocus system with 15 phase-detection points (including 3 cross-type) complimented by contrast-detection. This helps maintain focus faster and with better predictive tracking, albeit on fewer focus points overall.
In the field, this meant:
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The Olympus shines for static subjects, portraits, and macro (where exact focus matters) via its contrast AF and face detection. However, during fast action, AF occasionally hunted or lagged behind, particularly in dim environments.
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The Sony, by contrast, impressed with phase-detection autofocus for wildlife and sports, maintaining lock on erratically moving birds or footballers. AF tracking was reliable but the modest count of focus points required more deliberate recomposition.
Sadly, neither camera offers animal eye AF - a recent innovation that would greatly benefit wildlife photographers.
Burst and Shutter Performance
For action and sports enthusiasts, continuous shooting frame rate and shutter lag are vital.
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Olympus offers an 8 fps burst mode, quite respectable in this class, helping freeze fleeting moments.
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Sony provides a slower 6 fps continuous shooting.
However, the electronic front curtain shutter on the E-PL8 helps reduce vibration and shutter shock - a plus for macro and landscape shooters keen on ultimate sharpness.
Build Quality, Weather Sealing, and Toughness
Neither camera is weather sealed or designed to withstand harsh environments.
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Both lack dustproofing, waterproofing, shockproofing, or freezeproofing measures - so cautious handling required for outdoor adventure photography.
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Olympus is more compact, but the Sony’s DSLR form factor feels more rugged in hand.
Viewing Experience: Screen, EVF, and Touch

The Olympus E-PL8’s tilting 3-inch touchscreen (1037k dots) makes it versatile for shooting at tricky angles or selfies (though no explicit selfie mode). Touch-to-focus and swipe navigation simplify quick operation - highly convenient in fast-paced scenarios.
Sony’s A35 has a fixed 3-inch LCD with slightly lower 921k dots and no touchscreen. However, the inclusion of a high resolution EVF with 100% coverage and 0.73x magnification is a boon - providing traditional DSLR framing comfort that Olympus lacks without an optional accessory electronic viewfinder.
Bottom line: If you rely on liveview for composition and want intuitive touch controls, Olympus is better. If you prefer looking through a viewfinder with a clearer electronic image, Sony wins.
Lens Ecosystems and Compatibility: Flexibility vs. Specificity
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Olympus uses Micro Four Thirds mount - boasting over 100 native lenses from Olympus, Panasonic, and third parties covering wide apertures to telephotos and specialized optics.
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Sony A35 uses Sony/Minolta Alpha mount with access to about 140 lenses, many designed originally for DSLRs, including some high-quality primes and telephotos.
While the Sony’s lens selection is larger, Solid modern mirrorless Micro Four Thirds lenses tend to be more compact and affordable. You’ll find excellent Olympus and Panasonic lenses for street, macro, and landscape, though telephoto zooms are often pricier relative to APS-C counterparts.
Specialized Photography Use Cases
Here’s how each camera stacks up in key genres:
Portrait Photography
- Sony’s APS-C sensor + phase-detection AF + larger native lenses deliver smoother bokeh and better skin tone rendition.
- Olympus offers competent face detection and 5-axis stabilization for handheld portrait sharpness.
Landscape Photography
- Sony’s superior dynamic range and resolution make it excel here.
- Olympus’s stabilization helps with handheld shooting but limited sensor area caps high ISO usability.
Wildlife and Sports
- Sony’s faster AF system and reliable burst rate make it a better action choice.
- Olympus’s AF tends to soft-focus on moving subjects.
Street Photography
- Olympus’s smaller size and quiet shutter are killer for discretion.
- Sony is larger and more conspicuous but offers excellent viewfinder clarity.
Macro Photography
- Olympus with 5-axis stabilization and close-focusing primes is slightly stronger.
Night and Astro Photography
- Sony’s better noise performance at high ISO and wider dynamic range give it the cutting edge.
Video Capabilities
While neither camera is a video powerhouse, there are some differences:
- Olympus E-PL8 shoots Full HD 1080p at 30fps, with no microphone input and no advanced stabilization on video.
- Sony A35 also records Full HD up to 60fps with an external microphone port, allowing better audio control.
If video is a priority, Sony’s options are more flexible.
Connectivity and Storage
Olympus features Wi-Fi built-in for quick image transfer and remote control - a highly useful feature for casual sharing and easy tethering.
Sony A35 lacks wireless features, relying purely on cable USB2.0 transfers.
Storage on both uses a single SD card slot, but Sony can also accept Memory Stick Pro Duo (an older format).
Battery Life and Longevity
Sony’s battery life is rated at 440 shots per charge, surpassing Olympus’s modest 350 shots. This is consistent with the DSLR form offering larger battery capacity.
For extended travel and professional use without frequent recharging, Sony holds a modest advantage.
Pricing and Value Analysis
At current market prices (Olympus approx. $500, Sony approx. $600), the Olympus is the more affordable mirrorless option with contemporary construction and touchscreen interface. The Sony’s pricing is slightly higher but reflects its older generation DSLR architecture, larger sensor, and better overall native image quality.
Final Considerations and Recommendations
After evaluating both cameras through extensive hands-on testing and addressing all significant performance criteria, here’s how I would advise different users:
Choose the Olympus PEN E-PL8 if you:
- Prioritize compactness, lightweight build, and mobility for travel or street photography.
- Want a modern touchscreen interface with intuitive controls.
- Prefer extensive native stabilization (5-axis sensor-shift) and in-body performance.
- Primarily shoot static or moderately paced subjects (portraits, landscapes, macro).
- Appreciate built-in Wi-Fi connectivity for easy sharing.
- Value affordability and access to a wide Micro Four Thirds lens ecosystem.
Choose the Sony SLT-A35 if you:
- Need the benefits of a larger APS-C sensor with improved dynamic range and noise handling.
- Desire faster, phase-detection autofocus with superior tracking for wildlife and sports.
- Want a real electronic viewfinder for versatile compositional comfort.
- Shoot video regularly and require an external microphone input.
- Prefer longer battery life for professional or travel use.
- Can handle the slightly larger and heavier DSLR body.
Wrapping Up: Which Camera Fits Your Photography Journey?
Both the Olympus E-PL8 and Sony A35 offer credible entry-level options tailored to distinct shooting philosophies. Olympus leverages mirrorless convenience, intuitive touchscreen, and compact design but makes concessions on sensor size and autofocus speed. Sony gravitates towards DSLR robustness and superior sensor-driven image quality at the expense of portability and modern UI.
Your choice hinges on priorities: Is it the charm and flexibility of a compact mirrorless or the rock-solid sensor performance and traditional DSLR experience? Both cameras shine in their niches, and knowing their strengths helps you invest wisely.
In any case, I recommend exploring both hands-on before purchase and considering lens investments. Neither camera is cutting-edge today, but for budget-conscious enthusiasts, they remain admirable starting points.
If you have questions about specific use cases or want lens recommendations to pair with either model, feel free to reach out! My experience suggests every camera excels best when matched carefully with the right lens and photographic style.
Olympus E-PL8 vs Sony A35 Specifications
| Olympus PEN E-PL8 | Sony SLT-A35 | |
|---|---|---|
| General Information | ||
| Make | Olympus | Sony |
| Model | Olympus PEN E-PL8 | Sony SLT-A35 |
| Category | Entry-Level Mirrorless | Entry-Level DSLR |
| Introduced | 2016-09-19 | 2011-09-20 |
| Body design | Rangefinder-style mirrorless | Compact SLR |
| Sensor Information | ||
| Powered by | TruePic VII | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor area | 224.9mm² | 366.6mm² |
| Sensor resolution | 16MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4912 x 3264 |
| Max native ISO | 25600 | 25600 |
| Lowest native ISO | 200 | 100 |
| RAW pictures | ||
| Lowest boosted ISO | 100 | - |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 81 | 15 |
| Cross focus points | - | 3 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | Sony/Minolta Alpha |
| Number of lenses | 107 | 143 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display diagonal | 3 inch | 3 inch |
| Display resolution | 1,037 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | Electronic |
| Viewfinder resolution | - | 1,150 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Slowest shutter speed | 60 secs | 30 secs |
| Maximum shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shooting speed | 8.0 frames/s | 6.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 12.00 m |
| Flash options | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | - | 1/160 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264, Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 357 grams (0.79 lbs) | 415 grams (0.91 lbs) |
| Physical dimensions | 115 x 67 x 38mm (4.5" x 2.6" x 1.5") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
| DXO scores | ||
| DXO All around score | not tested | 74 |
| DXO Color Depth score | not tested | 23.3 |
| DXO Dynamic range score | not tested | 12.7 |
| DXO Low light score | not tested | 763 |
| Other | ||
| Battery life | 350 pictures | 440 pictures |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-FW50 |
| Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Retail price | $500 | $598 |