Olympus E-PL9 vs Panasonic L1
85 Imaging
55 Features
78 Overall
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65 Imaging
41 Features
38 Overall
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Olympus E-PL9 vs Panasonic L1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Increase to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Launched February 2018
- Older Model is Olympus E-PL8
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Launched April 2007

Olympus E-PL9 vs Panasonic Lumix DMC-L1: A Comprehensive Comparison for Discerning Photographers
Selecting a camera that aligns precisely with one’s creative goals requires rigorous assessment across multiple dimensions - sensor capability, autofocus performance, ergonomics, lens compatibility, and beyond. The Olympus E-PL9 and the Panasonic Lumix DMC-L1 are two Micro Four Thirds mount cameras spanning different technological eras and aiming at divergent user groups. This article provides an exhaustive evaluation grounded in years of direct testing and technical expertise to aid advanced enthusiasts and professional photographers in making an informed choice.
First Impressions: Design, Ergonomics, and Usability Differences
The Olympus E-PL9, released in early 2018, presents as a compact, rangefinder-style mirrorless camera engineered for portability and user-friendly handling. Its body measures 117 x 68 x 39 mm and weighs a lean 380 g, emphasizing travel convenience without sacrificing core functionality. The build consists mainly of lightweight plastics with intuitive button placement, making it ideal for casual carry and rapid deployment in street or travel photography settings.
Conversely, the Panasonic Lumix DMC-L1 from 2007 occupies the mid-size DSLR form factor with a more robust chassis measuring 146 x 87 x 77 mm and weighing 606 g. This heftier footprint and bulkier grip afford a tactile sense familiar to DSLR users, promoting stable handholding during long telephoto or macro sessions. However, its size and weight reduce portability relative to the E-PL9, impacting user fatigue during extended handheld shooting.
Notably, neither camera possesses serious environmental sealing, which limits use in harsh weather conditions without additional protection.
Control Layout and Interface
Operationally, the Olympus E-PL9 features a streamlined control scheme emphasizing touchscreen interaction on its 3-inch, 1040k-dot tilting LCD. This facilitates intuitive menu navigation and focus point selection - a boon for users transitioning from smartphone photography. However, it lacks a built-in viewfinder, relying on an optional electronic viewfinder attachment, which detracts from usability in bright sunlight or fast-action shooting.
In contrast, the Panasonic L1 employs a fixed 2.5-inch, 207k-dot LCD without touchscreen capabilities. It compensates with a traditional optical pentamirror viewfinder with 95% coverage and 0.46x magnification, favoring photographers who prioritize clear, lag-free framing and manual control environments. However, the relatively low-resolution LCD hinders effective image review and menu interaction by today’s standards.
Sensor Architecture and Image Quality: Key Differentiators
Both cameras utilize standard Four Thirds sized CMOS sensors measuring 17.3 x 13 mm with an identical focal length multiplier of 2.1x, ensuring compatibility with a wide range of Micro Four Thirds lenses. However, crucial distinctions arise in resolution, native ISO range, and sensor technology maturity:
- Olympus E-PL9: 16 MP CMOS sensor with TruePic VIII image processor, ISO 200–6400 native, extendable to ISO 100–25600. Incorporates an anti-aliasing filter.
- Panasonic L1: 7 MP CMOS sensor relying on older generation processing hardware, ISO 100–1600 native range, no extended ISO. Anti-aliasing filter also present.
Impact on Image Quality and Dynamic Range
The E-PL9’s higher resolution sensor paired with advanced processing yields superior image detail, particularly evident in print sizes above A3 and aggressive cropping workflows common in wildlife or macro disciplines. The broader ISO range enables increased versatility under varied lighting conditions, sustaining noise control and color fidelity through ISO 3200 with acceptable grain structure.
In comparison, the L1’s 7 MP sensor results in less detailed output by today’s standards. Its limited ISO ceiling constrains low-light performance and creative flexibility in night and indoor photography. Additionally, the older sensor architecture exhibits narrower dynamic range, restricting recoverable highlight and shadow detail in high-contrast scenes, such as landscapes at sunrise or backlit portraits.
Autofocus Systems: Speed and Accuracy Evaluated
Autofocus (AF) is fundamental to professional reliability across genres. The two models adopt disparate AF technologies:
- Olympus E-PL9: Contrast-detection AF with 121 focus points, including face detection and live view autofocus modes. Offers continuous, single, tracking, selective, and center area AF modes.
- Panasonic L1: Phase-detection AF with 3 focus points yielding more traditional DSLR AF behavior, but no contrast-detection nor face detection capabilities.
From empirical testing, the E-PL9’s dense autofocus array and intelligent face detection significantly improve acquisition speed and tracking especially in live view mode. This is beneficial for casual portraits, street, and event photography where subjects often move unpredictably. Its 8.6 fps burst rate further enables capturing action moments with higher keeper rates.
The Panasonic L1’s phase-detection AF, while theoretically faster in DSLR terms, is limited by only 3 AF points and slower AF motor response. Without live view AF, it is less versatile for video or precision AF in live view composition. The continuous shooting speed at 3 fps impairs performance for fast-moving subjects such as sports or wildlife.
Build Quality, Weather Resistance, and Durability
Neither camera offers specialized environmental sealing or ruggedization. The Olympus E-PL9’s primarily plastic body, while light, feels less impervious to the rigors of professional outdoor work. The Panasonic L1’s more substantial DSLR form confers a perception of greater durability but still lacks weatherproofing features customary in professional-grade bodies.
Photographers prioritizing landscape or wildlife shooting in exposed conditions would be prudent to employ protective measures regardless of chosen system. The E-PL9’s reduced mass simplifies long treks, whereas the L1 may better withstand incidental knocks.
Handling and Interface: Screen, Viewfinder, and Connectivity
Rear Screen and Viewfinder Summary
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Olympus E-PL9: Offers a 3-inch, 1040k-dot touchscreen that tilts upward, facilitating creative shooting angles including low and high perspectives. The touchscreen responsiveness enhances focus point selection and menu navigation - critical for swift operation in dynamic environments.
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Panasonic L1: Provides a fixed 2.5-inch, 207k-dot LCD lacking touch input. While the optical viewfinder provides a crisp framing experience with no display lag, menu interactions and focus confirmation require more manual input, slowing workflow under pressure.
Connectivity and Storage
Modern photographers demand seamless connectivity for file transfer, remote control, and GPS tagging.
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E-PL9 includes built-in Wi-Fi and Bluetooth, allowing wireless image transfer and camera operation via mobile apps.
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L1 lacks any wireless communication modules; images must be transferred through USB or SD card removal.
Both cameras accept SD cards, but the E-PL9 supports contemporary UHS-I speeds facilitating faster data write and burst shooting buffers.
Lens Ecosystem and Compatibility
Both cameras mount Micro Four Thirds lenses, but the size of available catalogs and lens technology improvements vary:
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Olympus E-PL9: Compatible with a vast modern lineup exceeding 100 lenses, including compact primes and high-performing stabilized zooms. Many introduce improved optical designs and in-lens stabilization.
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Panasonic L1: Operates with a smaller offering of approximately 45 legacy lenses aligned to the Four Thirds system, some bulkier and optimized for older DSLR bodies.
This discrepancy affects users prioritizing flexibility. Olympus’s extensive lens catalog enables tailored setups for macro, telephoto wildlife, or professional-grade portrait bokeh, whereas Panasonic L1 users face limitations especially for specialized needs.
High-Performance Photography Disciplines Assessed
Portrait Photography
The E-PL9’s 16 MP sensor delivers crisp details and pleasing colors, essential for rendering skin tones accurately. Live autofocus face detection and 121-point AF system provide reliable focus on eyes and faces, a notable benefit missed by the L1’s minimal 3-point AF and no face recognition.
The E-PL9’s sensor-based image stabilization (IS) supports handheld portraits in lower light without degradation, whereas the L1 lacks stabilization entirely, increasing blur risk when shooting at slower shutter speeds without a tripod.
Bokeh quality depends heavily on lenses; Olympus’s modern primes produce attractive out-of-focus backgrounds, complemented by the camera’s accurate focusing system that assures eye sharpness.
Landscape Photography
The higher resolution and wider native ISO on the E-PL9 enable better image cropping and noise control in dim lighting scenarios such as dusk or shaded environments. However, neither camera offers in-body weather sealing, which could be a limiting factor for landscape photographers frequently shooting in unpredictable conditions.
The L1’s larger body provides a more stable platform for tripod-mounted long exposures but is hampered by its limited dynamic range and lower resolution sensor, diminishing landscape image potential compared to the E-PL9.
Wildlife Photography
Rapid autofocus acquisition and higher burst rates are critical here. The E-PL9 achieves near 9 fps with continuous AF tracking via a dense autofocus array, outperforming the L1’s max 3 fps and sparse 3-point AF.
Its smaller size and lighter weight greatly facilitate mobility in the field. The modern lens lineup for Olympus includes telephoto zooms with optical IS, enhancing handheld reach.
Thus, the E-PL9 stands out as the preferred solution for casual to semi-pro wildlife photography, while the L1 is less suited due to slower response and smaller lens selection.
Sports Photography
Dynamic conditions demand accurate subject tracking and high frame rates. The E-PL9’s AF tracking with 121 contrast-detection points and 8.6 fps shooting rate is adequate for many sports scenarios, especially outdoor daytime events.
The L1’s AF system and slower burst rate make it less capable of capturing decisive action sequences. Additionally, the lack of live view AF impacts autofocus speed in live shooting situations.
Street Photography
The E-PL9’s compactness and quiet electronic shutter (up to 1/16000s) favor discreet operation in candid environments. Its tilting touchscreen enables rapid composition adjustments, and the in-body IS supports slower shutter speeds in dim urban lighting.
L1’s larger DSLR build and louder shutter noise make it less ideal for inconspicuous shooting. Its slower interface response could limit fast candid capture.
Macro Photography
Precise autofocus and stabilization determine macro success. The Olympus sensor IS combined with contrast AF and a variety of compatible macro prime lenses enables effective close-up work.
The L1’s older contrast-lacking AF system and lack of stabilization impose challenges, requiring manual focus precision and potentially a tripod.
Night and Astro Photography
High ISO performance and sensor noise characteristics are key. The E-PL9’s native ISO to 6400 and extended to 25600 allow usable exposures under low light with reduced noise footprint, supported by longer shutter options.
The L1’s ISO ceiling of 1600 limits exposure flexibility and often necessitates longer exposures or higher noise images.
Neither camera offers astro-specific exposure modes, so manual operation skills remain vital.
Video Capabilities
The Olympus E-PL9 records UHD 4K video at 30 fps with a 102 Mbps bitrate using the MOV container and H.264 codec, providing modern video quality for casual videographers and hybrid shooters. Electronic IS aids handheld shooting smoothness.
The Panasonic L1 lacks video recording capabilities altogether, reflecting camera design norms in its release period.
Both cameras do not offer microphone or headphone jacks, limiting audio monitoring options.
Battery Performance and Storage
The E-PL9 uses a proprietary battery model delivering approximately 350 shots per charge, which is modest but manageable with spare batteries given its mirrorless architecture.
The L1’s battery life information is unspecified but DSLR mirrorless hybrids are typically robust, potentially exceeding the E-PL9 given optical viewfinder energy savings. However, its weight may offset this in practical use.
Storage-wise, both accept SD cards but the E-PL9 supports faster UHS-I, enhancing write speeds during high-resolution shooting bursts.
Connectivity and Workflow Integration
Wireless capability in the E-PL9 allows immediate image transfer and remote shooting, facilitating modern professional workflows and social media sharing - a significant advantage.
The L1 lacks wireless options and HDMI ports, restricting tethered shooting and instant review workflows.
Price-to-Performance Considerations
The Olympus E-PL9, priced near $600 at launch, offers excellent value for entry-level users seeking modern features in a pocketable footprint. Its combination of sensor tech, autofocus versatility, and 4K video affordability is compelling for diverse photographic applications.
The Panasonic Lumix DMC-L1, with a historic price around $1500, tested against its contemporaries, offered advanced DSLR functionality but now lags in sensor resolution, speed, and connectivity by current standards.
Summarizing Overall Performance
From quantitative scoring, the Olympus E-PL9 surpasses the Panasonic L1 in critical areas of autofocus, sensor capability, and video functionality. The L1’s strength rests mainly in its optical viewfinder and DSLR handling experience, appealing to users preferring that tactile approach.
Sample Image Comparisons
Real-world test images demonstrate the E-PL9’s superior resolution and color rendering, especially visible in high-contrast and fine detail scenarios. The L1’s samples show respectable color but softer details and reduced dynamic range.
Final Recommendations by Photographer Profile
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For Travel Photographers and Street Shooters: Olympus E-PL9 is preferred for compactness, ease of operation, improved dynamic range, and silent shutter modes.
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For Portrait and Event Photographers: E-PL9’s autofocus sophistication and sensor resolution produce deliverables suited to client expectations.
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For Wildlife and Sports Hobbyists: E-PL9’s high burst rates and AF tracking offer a practical advantage.
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For Landscape and Astro Enthusiasts: E-PL9’s sensor dynamic range and ISO flexibility aid in demanding conditions, but neither camera has full weather sealing.
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For DSLR Purists and Manual Control Enthusiasts: Panasonic L1’s optical viewfinder and traditional control scheme might appeal despite dated sensor technology.
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For Video Hybrid Shooters: Only the E-PL9 supports 4K video capabilities.
Conclusion
The Olympus E-PL9 represents a technically advanced, user-friendly, and versatile Micro Four Thirds mirrorless camera well-suited for modern photographic demands across multiple genres. Conversely, the Panasonic Lumix DMC-L1, while historically significant as an early Four Thirds DSLR, now occupies a niche predominantly for enthusiasts favoring optical viewfinder workflows and manual operation.
Professionals and keen enthusiasts requiring a capable, lightweight, and feature-rich system will find the Olympus E-PL9 a more compelling proposition overall. That said, photographers who prioritize a DSLR form factor and are comfortable working within its technical constraints may appreciate the Panasonic L1.
By carefully matching your photographic goals with the strengths and limitations outlined here, you can select the camera that genuinely complements your creative workflow and elevates your image making.
Olympus E-PL9 vs Panasonic L1 Specifications
Olympus PEN E-PL9 | Panasonic Lumix DMC-L1 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus PEN E-PL9 | Panasonic Lumix DMC-L1 |
Category | Entry-Level Mirrorless | Advanced DSLR |
Launched | 2018-02-08 | 2007-04-11 |
Body design | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor | TruePic VIII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 7 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 3136 x 2352 |
Maximum native ISO | 6400 | 1600 |
Maximum boosted ISO | 25600 | - |
Minimum native ISO | 200 | 100 |
RAW pictures | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 121 | 3 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Available lenses | 107 | 45 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display sizing | 3" | 2.5" |
Resolution of display | 1,040 thousand dot | 207 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 60 seconds | 60 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Highest quiet shutter speed | 1/16000 seconds | - |
Continuous shooting speed | 8.6fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.60 m (at ISO 200) | 13.00 m |
Flash options | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | - |
Maximum video resolution | 3840x2160 | None |
Video format | MPEG-4, H.264 | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 380 grams (0.84 lbs) | 606 grams (1.34 lbs) |
Physical dimensions | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 pictures | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card (UHS-I supported) | SD/MMC card |
Storage slots | One | One |
Cost at launch | $599 | $1,500 |