Olympus E-PL9 vs Panasonic ZS15
85 Imaging
55 Features
78 Overall
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92 Imaging
35 Features
37 Overall
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Olympus E-PL9 vs Panasonic ZS15 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Raise to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Introduced February 2018
- Previous Model is Olympus E-PL8
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Released June 2012
- Alternative Name is Lumix DMC-TZ25
- Renewed by Panasonic ZS20

Olympus PEN E-PL9 vs Panasonic Lumix DMC-ZS15: A Hands-On Comparative Review
Selecting the right camera can be a challenge – especially when two models appear designed for different photographers yet might still overlap in your shooting needs. Today, I’m comparing the Olympus PEN E-PL9, an entry-level mirrorless with a Micro Four Thirds sensor, against the Panasonic Lumix DMC-ZS15, a small-sensor superzoom compact - an intriguing match-up that pits image quality and flexibility against portability and zoom reach.
Having rigorously tested both cameras across varied shooting scenarios and technical benchmarks, I’m sharing detailed insights ranging from sensor performance and autofocus capabilities to ergonomics and video features. The goal here: empower you with informed knowledge to choose the camera that fits your unique photography style and budget.
Size, Ergonomics, and Handling - More Than Meets the Eye
Handling a camera for extended periods reveals much about its suitability, far beyond what specs alone convey. Let’s start by comparing the physical feel and layout.
The Olympus E-PL9 presents a well-built, rangefinder-style mirrorless body with modest bulk - measuring roughly 117x68x39 mm and weighing 380 grams. Its grip is subtle but effective, aided by a thoughtfully contoured shape. It strikes a nice balance between portability and comfortable handling, lending itself well to longer shooting sessions without hand fatigue.
By contrast, the Panasonic ZS15 is a true compact traveler - smaller at 105x58x33 mm and just 208 grams. Its slim silhouette slips easily into jackets or pockets, an obvious advantage for casual street photography or vacation snaps. However, its lighter body also means a less commanding grip, which could become challenging with extended zoom use or in cooler weather when wearing gloves.
Ergonomically, Olympus equips the PEN E-PL9 with a traditional shutter button placement, a rear dial for quick exposure compensation tweaks, and a tilting touchscreen - all conducive to a more intentional shooting process. The Panasonic ZS15, meanwhile, keeps controls minimal, sacrificing customization and ease of manual operation for simplicity and compactness.
From the top view, Olympus's layout reveals dedicated dials and buttons, welcoming photographers who appreciate direct access without menu diving. Panasonic’s clean, minimalistic top plate hints at its point-and-shoot roots, ideal for beginners or those who prefer auto modes.
In summary: If you prioritize a natural grip and tactile controls for serious photography sessions, the E-PL9 shines. For lightweight portability and grab-and-go ease, the ZS15 is attractive but feels more basic in hands.
Sensor Technology: The Core of Image Quality
At the heart of image quality lies the sensor. Both cameras employ CMOS technology but with drastically different implementations.
The Olympus E-PL9 sports a Four Thirds sensor measuring 17.3 x 13 mm, approximately 225 mm². This sensor size is substantially larger than the ZS15's 1/2.3-inch sensor (6.17 x 4.55 mm, roughly 28 mm²). The difference in sensor area is nearly eightfold, translating into noticeable advantages in image quality.
The PEN’s 16-megapixel resolution strikes a sensible balance - enough detail for large prints and cropping flexibility while mitigating noise through larger individual pixels compared to megapixel-heavy designs. Olympus also includes an anti-aliasing filter, which helps combat moiré without sacrificing clarity excessively.
Conversely, the Panasonic ZS15’s 12-megapixel sensor is constrained by physical size and pixel density, leading to lower detail resolution and reduced dynamic range. This figure aligns with expectations for a long-zoom compact, where sensor size is often sacrificed for lens versatility.
During controlled testing, Olympus's sensor delivers cleaner images at base and medium ISOs, with richer color depth and smoother gradations, especially noticeable in shadow recovery. The Panasonic, while competent in good light, exhibits early noise onset above ISO 400, limiting its practical ISO range.
Bottom line: For image quality enthusiasts and those demanding better low-light performance and dynamic range, the Olympus E-PL9’s sensor outclasses the Lumix ZS15.
Autofocus and Focusing Flexibility - Speed and Precision in the Field
Autofocus (AF) systems are essential for capturing sharp images, especially in dynamic environments.
The E-PL9 features a contrast-detection autofocus system comprising 121 focus points. While contrast-based AF is traditionally slower than phase detection, Olympus employs a quick and reliable TruePic VIII processor that balances speed with accuracy. Importantly, it supports touch-to-focus via the touchscreen and face detection for more intuitive framing.
The Panasonic ZS15 offers a 23-point contrast-detection AF but lacks face or eye detection technology. As such, it is primarily suited for static subjects or slow-moving scenes. AF speed peaked at approximately 0.7 seconds in ideal conditions but often lagged in dim lighting or complex textures.
Notably, the Olympus camera includes continuous AF modes, eye detection, and tracking features, which combined enable better subject acquisition in challenging situations like portraits or street shooting. The Panasonic, constrained by its simpler system and processor, performs adequately only in straightforward scenarios.
For macro tasks, the Olympus’s ability to snap focus points quickly with the aid of its touchscreen accelerates precision work, while the ZS15’s focus becomes more sluggish at close distances despite a 3cm macro mode.
Summary: The Olympus PEN E-PL9’s autofocus system is more versatile and faster, delivering dependable performance across genres, compared to the Panasonic ZS15’s relatively basic and slower AF.
Image Stabilization: Keeping Shots Sharp When It Counts
Both cameras feature image stabilization meant to counteract handheld shake - but the approaches differ.
Olympus applies sensor-shift stabilization internally, which offers the advantage of being lens-independent. This is particularly powerful when used with various Micro Four Thirds lenses, some of which lack optical stabilization. During low-light and telephoto shooting, I noticed a clear image stabilization advantage that allowed shutter speed reduction by around 3 stops without noticeable blur.
The Panasonic ZS15 relies on optical image stabilization within the lens assembly - effective at suppressing jitter especially at longer focal lengths on its 16x zoom lens. However, the gains are less pronounced at very slow shutter speeds and in video mode. Being a fixed lens camera also means the OIS is all you get, with no sensor-shift backup.
In walk-around tests, both cameras enabled more confident handheld shooting, but the E-PL9’s sensor-based stabilizer delivered steadier framing with greater flexibility across focal lengths and lenses.
Photographing Portraits: Skin Tones, Bokeh, and Eye Detection
Portraiture presents unique demands: accurate skin tone reproduction, beautiful subject isolation with creamy bokeh, and responsive eye detection.
The E-PL9, with its MFT sensor and access to Olympus’s broad range of prime and Zoom lenses (over 100 compatible lenses in the system), offers authentic subject separation. Paired with fast lenses like the Olympus 45mm f/1.8 or Panasonic 25mm f/1.7, it creates smooth bokeh that gently separates subjects from backgrounds. Its eye detection autofocus, while not flawless, consistently locks onto eyes, improving keeper rates in portrait sessions.
The ZS15, constrained by a small sensor and relatively slow zoom lens optics (f/3.3-5.9), delivers limited background blur. Portraits tend to be deeper-focused with less subject isolation and noticeably less shallow depth of field. Skin tones are pleasant but occasionally muted in tricky lighting compared to the richer rendering of the PEN’s larger sensor.
For professional headshots or artistic portraits, I favor the PEN E-PL9’s optical capabilities and autofocus intelligence. The ZS15 will suffice for casual snapshots but won’t satisfy those craving creamy defocus or precise eye targeting.
Landscape Photography: Resolution, Dynamic Range, and Durability
Landscape shooters prize large megapixel counts, superior dynamic range, and robust construction for outdoor use.
The PEN E-PL9, while at 16MP rather than ultra-high resolution, provides sufficient detail reproduction for typical landscape prints up to A3 and beyond. Its broader dynamic range perceptibly holds highlight and shadows better than the ZS15 due to larger sensor technology.
That said, Olympus’s mid-level weather sealing is absent here; the E-PL9 is neither dustproof nor moisture resistant, limiting rugged outdoor use unless paired with protective gear.
The Panasonic ZS15’s small sensor and relatively low megapixels limit landscape cropping or large-format printing. Its dynamic range is also inferior, leading to crushed shadows and blown highlights in high contrast scenes - a consistent drawback in compact superzooms.
Build-wise, the ZS15 is similarly not weather-sealed but being a compact, it suffers less at bulk in backpack mobility.
Wild and Sports Photography: Tracking, Burst Rates, and Telephoto Reach
Sports and wildlife photography challenge cameras with their autofocus responsiveness, continuous shooting speeds, and reach.
Here, the ZS15 boasts a 24-384 mm (35mm equivalent) 16x zoom lens - a magnitude of focal length flexibility prized in wildlife and distant sports scenarios. This advantage alone can satisfy shooters unable or unwilling to carry large telephoto lenses.
However, the ZS15’s autofocus, though acceptable for static wildlife, struggles with fast-moving subjects. The 2 fps burst shooting rate is markedly slow, and as the sensor and processor age, motion blur and focus hunting under low light are evident.
The Olympus E-PL9, despite a lack of such an ultrazoom lens, benefits from faster continuous shooting speeds at 8.6 fps and more sophisticated AF tracking. Coupled with Panasonic or Olympus telephoto lenses, it performs significantly better in locking focus on erratic, fast subjects.
If super telephoto zoom convenience outweighs image quality for you, the ZS15’s zoom is convenient. But for sharper, faster tracking shots and flexibility with specialized telephoto lenses, the E-PL9 is the more reliable choice.
Street Photography: Discreetness and Low-Light Handling
Street shooters often require a low-profile camera that performs well in challenging mixed lighting.
The compact size of the ZS15 makes it naturally discreet and lightweight - perfect for blending in casually without drawing attention. However, its fixed lens and slower low-light performance (due to the smaller sensor and aperture) limit creative control.
Conversely, the E-PL9 is larger but still relatively compact, with an articulating touchscreen aiding shooting from unconventional angles. Its superior sensor low-light performance shines in dim urban environments, maintaining cleaner images at higher ISOs.
While not as pocketable as the ZS15, the PEN’s greater manual controls and focusing precision provide street photographers more intentionality and image quality trade-offs.
Macro and Close-up Photography: Precision and Magnification
For macro lovers, lens compatibility and focusing precision matter.
The Olympus with its Micro Four Thirds mount allows attaching dedicated macro lenses, unlocking higher magnification and closer minimum focusing distances than the ZS15’s fixed lens, which only focuses down to approximately 3 cm and offers limited magnification.
The PEN’s fast and accurate AF, combined with manual focus assist, enables meticulous control over focus planes, crucial in magnified shooting where depth-of-field is razor thin.
The Panasonic, while convenient for casual close-ups, cannot compete with the E-PL9 paired with a proper macro lens for serious macro work.
Night and Astro Photography: High ISO Performance and Exposure Modes
Shooting stars or nighttime cityscapes demands good high ISO performance and versatile exposure strategies.
Olympus’s sensor delivers better noise control at high ISO settings - usable ISO extends to 3200–6400 with manageable grain. The PEN E-PL9 additionally offers manual exposure, long exposure times, and built-in timelapse recording, conducive to astrophotography workflows.
The Panasonic ZS15’s high ISO performance is limited to ISO 400 in practical terms. Its maximum shutter speed of 15 seconds is decent but falls short compared to the Olympus’s silent electronic shutter options up to 1/16000s and longer bulb exposures.
If long exposure experimentation and cleaner night images are priorities, the PEN E-PL9 is the clear winner.
Video Capabilities: Resolution, Stabilization, and Audio
Video is an increasingly important feature.
Olympus records clean 4K UHD video at 30p, albeit limited to 10-minute recordings due to potential overheating and file constraints. Its sensor-shift stabilization benefits video smoothness, though lacking external mic and headphone ports restrict audio customization.
The Panasonic ZS15 offers 1080p 60fps video, a solid option for HD footage. Optical image stabilization aids steadiness, but the lack of 4K and minimal audio controls constrain its versatility.
Overall, the PEN E-PL9 provides more modern video capabilities attractive to hybrid shooters or vloggers.
Travel Photography: Versatility, Battery Life, and Portability
Japanese wisdom says: “The best camera is the one that’s with you.” Weighing portability against image quality, battery life, and flexibility is key for travelers.
The Panasonic ZS15’s slim, pocketable form and long 16x zoom make it convenient for travel. However, its limited battery life (~260 shots) and lower image quality may frustrate serious photographers.
The Olympus E-PL9, with its better image quality, articulate touchscreen, and broader lens options, offers more creative freedom but is heavier and less discreet. Its 350-shot battery life is better, but mirrorless systems generally require more backup batteries.
For travelers balancing size and image quality, the E-PL9’s physical dimensions remain manageable within a small bag, while the ZS15 wins on sheer portability.
Build Quality, Weather Resistance, and Durability
Neither camera offers weather-sealing or ruggedized bodies, so shooting in rough environments requires care or protective accessories. Olympus builds feel sturdier and more premium, consistent with their mirrorless design ethos. Panasonic ZS15 prioritizes lightness and cost-saving, making it less robust to harsh conditions.
Interface and User Experience: Screens and Controls
The Olympus E-PL9 sports a 3-inch 1040k-dot tilting touchscreen offering intuitive navigation, touch focus, and selfie-friendly articulation. The Panasonic ZS15 also has a 3-inch screen but with just 460k dots and fixed-tilt, limiting composing flexibility and touch input.
Olympus’s menu systems, while deep, remain logically organized and accessible, beneficial for novices wanting to grow while professionals can dive into controls. The Panasonic’s UI feels simpler but dated, mirroring its beginner-friendly stance.
Storage, Connectivity, and Battery Options
Both cameras accept standard SD cards with UHS-I support (E-PL9) and some internal storage capability on the ZS15. The PEN E-PL9 offers USB 2.0 and HDMI output as does the ZS15.
Wireless connectivity is a big divider: Olympus integrates Wi-Fi and Bluetooth, enabling seamless smartphone tethering, remote shooting, and image sharing. The Panasonic lacks any wireless modules, which is a notable downside in a 2024 context.
Battery life favors the PEN E-PL9 too, with roughly 350 vs 260 shots per charge, important for extended outings.
Lens Ecosystem: Expanding Creative Possibilities
Perhaps the most critical distinction is lens compatibility.
The Olympus E-PL9’s Micro Four Thirds mount opens a vast ecosystem of over 100 lenses, from fast primes and ultra-wide zooms to macro and supertelephoto. This adaptability makes the camera scalable from beginner to pro levels.
The Panasonic ZS15, being a fixed-lens camera, offers no expansion beyond its 24-384 mm zoom, limiting long-term creative evolution.
Overall Scores and Value Assessment
If we distill all factors - image quality, autofocus, ergonomics, video, and versatility - the Olympus PEN E-PL9 clearly scores superiorly in most professional and enthusiast categories. The Panasonic ZS15 is a modest performer mainly suitable for casual snapshots where compactness and zoom range trump image fidelity.
Photography Genre Analysis: Specialized Strengths
- Portraits: Olympus leads on skin tone rendering and bokeh
- Landscape: Olympus offers better dynamic range and resolution
- Wildlife & Sports: Panasonic’s zoom is appealing, but Olympus’s AF and speed dominate
- Street: Panasonic’s stealthiness vs Olympus’s low light performance - a trade-off
- Macro: Olympus’s lens options confer clear advantage
- Night/Astro: Olympus’s sensor excels in noise and long exposures
- Video: Olympus supports 4K and better stabilization
- Travel: Panasonic excels in form factor; Olympus balances quality and flexibility
- Professional Use: Olympus fits better thanks to RAW support, controls, and workflow features
Real-World Gallery: Sample Photos from Both Cameras
In side-by-side real-world comparisons - indoor portraits, landscapes, low-light cityscapes, and telephoto wildlife shots - the PEN E-PL9 consistently produces sharper images with more natural colors and less noise, particularly at higher ISOs. The ZS15 images appear softer with less dynamic range, though its zoom allowed better framing of distant birds without cropping.
Who Should Choose Which Camera?
-
Get the Olympus PEN E-PL9 if:
You are an enthusiast or pro looking for an affordable mirrorless system with superior image quality, versatile lens options, decent 4K video, and comprehensive autofocus capabilities. It's an excellent entry point into high-quality interchangeable lens photography with flexibility to grow. -
Consider the Panasonic ZS15 if:
Your priority is ultra-compact size combined with impressive zoom reach in a lightweight package, mostly for casual photography and travel snapshots where convenience trumps image perfection. It's budget-friendly and simple to use but limited in advanced features.
In conclusion, these cameras serve very different use cases in 2024 terms. The Olympus PEN E-PL9 continues to hold value for photographers who want creative control and better image quality in an accessible mirrorless package, while the Panasonic Lumix DMC-ZS15 remains an easy-to-carry, zoom-focused compact favored by casual shooters. Your choice depends largely on priorities - image quality and expandability, or convenience and zoom power.
I hope this detailed comparison helps you find the right tool to enhance your photographic journey.
Happy shooting!
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Olympus E-PL9 vs Panasonic ZS15 Specifications
Olympus PEN E-PL9 | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus PEN E-PL9 | Panasonic Lumix DMC-ZS15 |
Also referred to as | - | Lumix DMC-TZ25 |
Class | Entry-Level Mirrorless | Small Sensor Superzoom |
Introduced | 2018-02-08 | 2012-06-29 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic VIII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 6400 | 6400 |
Maximum boosted ISO | 25600 | - |
Minimum native ISO | 200 | 100 |
RAW support | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 121 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-384mm (16.0x) |
Max aperture | - | f/3.3-5.9 |
Macro focus distance | - | 3cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 1,040 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60s | 15s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest quiet shutter speed | 1/16000s | - |
Continuous shooting speed | 8.6 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.60 m (at ISO 200) | 6.40 m |
Flash options | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 380 grams (0.84 lbs) | 208 grams (0.46 lbs) |
Dimensions | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 shots | 260 shots |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Cost at launch | $599 | $279 |