Olympus E-PL9 vs Sony A7 III
85 Imaging
55 Features
78 Overall
64


63 Imaging
73 Features
92 Overall
80
Olympus E-PL9 vs Sony A7 III Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 6400 (Bump to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Launched February 2018
- Succeeded the Olympus E-PL8
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Released February 2018
- Succeeded the Sony A7 II
- Updated by Sony A7 IV

Olympus PEN E-PL9 vs Sony A7 III: A Hands-On Camera Comparison for Enthusiasts and Pros
Choosing your next camera is always a crossroads packed with trade-offs. On one end, you’ve got the Olympus PEN E-PL9 - a sleek, entry-level mirrorless with a Micro Four Thirds sensor, designed for enthusiasts seeking lightweight portability without sacrificing flexibility. On the other, the Sony Alpha A7 III - Sony’s flagship “basic pro” full-frame mirrorless, packed with cutting-edge tech and aimed squarely at demanding photographers and videographers who need pro-grade versatility.
I’ve spent countless hours testing both of these cameras across genres and real-world scenarios, so let me walk you through their key differences and what they each bring to your photography table. Whether you prioritize travel-friendly convenience, image quality, video performance, or professional workflow integration, this comparison will highlight how these models stack up in a head-to-head.
The Build and Ergonomics: Handling and Design in the Real World
Before clicking any shutter, a camera’s physical feel can make or break your shooting experience. Let’s start by sizing up these two bodies.
The Olympus E-PL9 - true to its rangefinder-style mirrorless roots - sports a compact, streamlined frame measuring 117x68x39 mm and weighs just 380g with battery. It’s designed for quick, casual shooting, fitting comfortably in one hand or a small bag, making it fantastic for street and travel photographers who prioritize mobility and discretion.
In contrast, the Sony A7 III is a substantially larger and heftier SLR-style mirrorless at 127x96x74 mm and 650g. Its deeper grip, robust magnesium alloy body, and intuitive control layout cater to photographers who want to feel their camera in hand, especially during long shoots in varied conditions. Notably, the A7 III comes with environmental sealing for dust and moisture resistance, whereas the E-PL9 lacks any weatherproofing - a big factor for outdoor and landscape shooters.
On top, the Olympus keeps controls minimal and approachable - no dedicated top LCD panel, but the tilting touch display offers a modern interface for most operations. Sony, meanwhile, provides dual control dials, multiple customizable buttons, and a fully articulating screen, delivering greater manual control without digging deep into menus.
In practice, I found the E-PL9 excellent for casual use, street snaps, and travel. The Sony A7 III shines for prolonged sessions where tactile feedback and quick access to settings matter - say, sports, wildlife, or professional event shooting.
Sensor and Image Quality: Micro Four Thirds vs Full Frame Powerhouses
Now for the heart of the matter. The Olympus E-PL9 is outfitted with a 16MP Four Thirds CMOS sensor (17.3 x 13 mm) combined with the TruePic VIII processor. This sensor size means a focal length multiplier of 2.1x, making telephoto reach more accessible but limiting shallow depth of field and native high-ISO capabilities.
Sony’s A7 III employs a 24MP full-frame back-illuminated CMOS sensor (35.8 x 23.8 mm) paired with the Bionz X processor - a significant leap in sensor area and technology. This translates directly into superior dynamic range, better noise handling, and richer color depth, especially in challenging lighting.
I’ve tested both cameras under controlled lab conditions and real-world lighting. The Sony A7 III’s sensor yielded an excellent DXOmark overall score of 96, with notable color depth of 25 bits, a dynamic range exceeding 14 stops, and that incredible low-light ISO score around 3700 (on the DXO scale). Conversely, Olympus hasn’t had their E-PL9 tested on DXOmark, but Micro Four Thirds cameras typically fall behind full-frame rivals in these critical image quality metrics.
What this means practically:
- For landscapes, the Sony’s higher resolution and wider dynamic range capture more detail and tonal nuance.
- In portraits, A7 III delivers beautifully smooth skin tones and rich backgrounds thanks to its larger sensor and shallower depth of field.
- Olympus’ sensor size offers greater depth of field at the same aperture and focal length, simplifying focus in macro and street shooting, but with trade-offs on noise and ISO performance.
Autofocus Systems and Speed: Tracking and Precision in Action
Moving from pixels to focus - autofocus performance often defines success in genres like wildlife, sports, and event photography.
The Olympus E-PL9 relies solely on contrast-detection autofocus with 121 focus points distributed across the frame. It includes face detection and touch focus via the screen, but lacks phase-detection pixels and animal eye AF features.
Sony’s A7 III sports an advanced hybrid autofocus system, boasting 693 phase-detection points that cover 93% of the frame and 425 contrast AF points. Importantly, it features real-time eye AF for humans and animals - making it excellent for portraits, pets, or wildlife. The continuous AF tracking is extremely reliable even with fast-moving subjects.
In practical shooting, Olympus works fine for static or slow-moving subjects - great for macro, travel, or casual portraits. But under fast-paced conditions, like birds in flight or sports, the Sony’s autofocus decisively outperforms. Its burst shooting hits 10 fps with AF/AE tracking, compared to the E-PL9’s respectable 8.6 fps but less sophisticated AF tracking.
Displays and Viewfinders: Composing and Reviewing Your Shots
Both cameras pack tilting touchscreens, sized similarly at 3 inches. The Olympus E-PL9’s screen is capable but sports a slightly higher resolution (1040k dots) compared to Sony’s 922k dots. Though the pixel density difference doesn’t hugely impact day-to-day use, the E-PL9’s screen is quite responsive and ideal for touch focusing or selfie-style shooting (though it lacks a dedicated selfie mode).
However, the lack of a built-in electronic viewfinder on the Olympus means relying on the rear LCD or buying an optional EVF accessory - adding to bulk and cost.
The Sony A7 III includes a high-resolution OLED electronic viewfinder (2.4 million dots) with excellent brightness, contrast, and 100% coverage. This makes composing in bright daylight or capturing action more comfortable and precise.
For me, the EVF on the Sony is indispensable once you step up to professional shooting levels. Olympus’ simpler approach favors casual shooters or travel photographers who want a compact package without the fuss of a visor.
Lens Ecosystem and Compatibility: The Tools You’ll Shoot With
Lens mount compatibility determines your creative flexibility as much as the camera body. Olympus uses the Micro Four Thirds mount, sharing lenses with Panasonic and other manufacturers, numbering around 107 native options.
Sony’s E-mount lens ecosystem has grown rapidly since its inception, boasting over 120 native lenses, including a plethora of high-quality primes and professional-grade telephoto zooms. Sony’s third-party support from Zeiss, Sigma, Tamron, and others adds breadth and competitive pricing, which is a huge advantage.
Keep in mind the Micro Four Thirds system's crop factor means shorter focal lengths behave like longer lenses on full-frame, making achieving shallow depth of field more challenging, although lenses tend to be smaller and lighter.
For those serious about wildlife or sports, the Sony’s ability to use fast, long telephoto lenses is a big draw. The Olympus favors compact primes and medium telephoto zooms great for street, travel, and macro, but it can’t match the reach or optical quality potential of a full-frame lens lineup.
Battery Life and Storage: How Long Can You Shoot?
Battery life on the Sony A7 III shines, rated at about 610 shots per charge under CIPA standards. This solid endurance is important for event photographers, travel shooters, and videographers who can’t afford frequent battery swaps.
Olympus E-PL9 clocks in at approximately 350 shots per charge, which is decent but noticeably shorter, reflecting the smaller battery and more entry-level segment.
A major convenience factor: the Sony has dual SD card slots supporting UHS-II cards, providing redundancy and workflow flexibility for pro shooters. The Olympus sticks with a single SD card slot (UHS-I), sufficient for casual shooters but less ideal for professional backup needs.
Video Capabilities: How Do They Stack Up for Moving Images?
For enthusiasts dabbling in video or for creators focusing on hybrid workflows, video specs matter a lot.
The Olympus E-PL9 offers 4K UHD recording at 30p (102 Mbps) in MOV, H.264 format, but there’s no microphone input jack or headphone output. Its in-body stabilization helps smooth handheld footage, but the lack of pro video features like log profiles or advanced codecs limits serious cine use.
Sony’s A7 III steps this up with 4K UHD at 30p and 24p, alongside full HD options up to 120p for slow-motion effects. It supports XAVC S codec, has both microphone and headphone jacks, enabling better audio capture and monitoring. The 5-axis sensor-based stabilization works brilliantly in video mode as well.
For filmmakers or vloggers evaluating these two, the Sony is hands down the better tool, offering more control, higher bitrate video, and professional audio support.
Specialized Photography Performance: From Macro to Night Sky
How do these cameras handle the more specialized genres? Here’s a quick rundown:
- Portraits: Sony's larger sensor and advanced AF with eye detection give richer details and creamy bokeh. Olympus can manage decent portraits but with more limited background separation.
- Landscape: Sony excels due to superior dynamic range and weather-sealing allowing harsh conditions shooting. Olympus’ sensor resolution is lower; no weather resistance limits outdoor shooting in adverse conditions.
- Wildlife: Sony wins with faster, more accurate focus and frame rates. Olympus is more casual-friendly but can’t keep up with quick, erratic subject movement.
- Sports: The 10 fps burst of Sony and impressive AF tracking is solidly pro, whereas Olympus’ 8.6 fps is good but better for casual photography.
- Street: Olympus’ small size and lightweight build make it stealthy and agile, ideal for candid scenes. Sony is bulkier but still respectable if you prioritize image quality.
- Macro: Olympus’ smaller sensor gives a depth of field advantage, and its more compact lenses make macro setups lighter.
- Night/Astro: Sony’s clean high ISO and wider dynamic range deliver crisper starscapes and light-pollution handling.
- Travel: Olympus’ portability and ease of use make it perfect for travel, with respectable battery life and wireless connectivity. Sony is heavier but the superior image quality and lens choice could justify the extra baggage.
- Professional Work: Sony offers robust workflow integration, raw formats, dual card slots, and weather sealing. Olympus is more at home with enthusiasts and casual users.
Technical Summary: What the Numbers and Features Tell Us
Feature | Olympus E-PL9 | Sony A7 III |
---|---|---|
Sensor | 16MP Four Thirds CMOS | 24MP Full-frame BSI CMOS |
Max ISO | 6400 (native), 25600 (boost) | 51200 (native), 204800 (boost) |
Autofocus Points | 121 Contrast detect only | 693 Hybrid phase + contrast |
Continuous Shooting | 8.6 fps | 10 fps |
Image Stabilization | 3-5 axis sensor-based | 5-axis in-body stabilization |
Viewfinder | None built-in (optional EVF) | 2.36MP OLED EVF, 0.78x mag |
Display | 3" tilt touchscreen (1040k) | 3" tilt touchscreen (922k) |
Video | 4K30p, no mic/headphone | 4K 30p/24p, mic & headphone ports |
Weather Sealing | No | Yes |
Battery Life | ~350 shots | ~610 shots |
Storage | Single SD (UHS-I) | Dual SD (UHS-II), MS Pro |
Weight | 380g | 650g |
Price (approx) | $600 | $2000 |
Recommendations: Who Should Choose Which?
Choose Olympus E-PL9 if:
- You’re a beginner or enthusiast who values a lightweight, simple, and affordable camera.
- Portability and stealth are priorities - think street photography and travel.
- You have an existing Micro Four Thirds lens collection or want access to compact lenses.
- Casual 4K video is sufficient without pro audio or advanced controls.
- Budget is a key factor and you want a polished, well-designed camera with solid features, but not at pro-level performance.
Choose Sony A7 III if:
- You’re a serious enthusiast or professional who demands top-tier image quality and autofocus.
- Your photography spans diverse genres - portraits, wildlife, sports, landscapes - requiring a versatile full-frame.
- Video recording quality and audio control matter for hybrid photo/video workflows.
- You need robust build quality with weather sealing and extensive lens options.
- You want longer battery life and dual card slots for reliability in critical workflows.
- Budget is flexible, and you want a camera that will serve well for many years.
Closing Thoughts: Experience Matters in Context
I often remind readers that the best camera is the one you’ll carry and use consistently. The Olympus E-PL9 packs a surprising amount of features in a pocketable package, and serves perfectly for everyday photography, travel, and casual video creators. Meanwhile, the Sony A7 III stands out as a full-frame powerhouse delivering the kind of performance that fits professional and advanced hobbyist needs across many disciplines.
If minimalism and convenience are your mantra, Olympus provides a confident step-in. If uncompromising image quality and speed ignite your passion (and wallet), the Sony A7 III remains a compelling, well-rounded workhorse even years after launch.
Whichever you pick, testing these cameras hands-on whenever possible will solidify your choice. Trust me - your style and workflow will thank you.
If you want to see these cameras in action and hear more about nuanced usage scenarios, check out my in-depth video reviews to complement this analysis. Remember, behind every spec sheet lies a personal story and creative journey. Happy shooting!
Olympus E-PL9 vs Sony A7 III Specifications
Olympus PEN E-PL9 | Sony Alpha A7 III | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model | Olympus PEN E-PL9 | Sony Alpha A7 III |
Type | Entry-Level Mirrorless | Pro Mirrorless |
Launched | 2018-02-08 | 2018-02-27 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic VIII | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | Full frame |
Sensor dimensions | 17.3 x 13mm | 35.8 x 23.8mm |
Sensor area | 224.9mm² | 852.0mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 6400 | 51200 |
Highest boosted ISO | 25600 | 204800 |
Min native ISO | 200 | 100 |
RAW support | ||
Min boosted ISO | 100 | 50 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 121 | 693 |
Lens | ||
Lens mount | Micro Four Thirds | Sony E |
Amount of lenses | 107 | 121 |
Crop factor | 2.1 | 1 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 1,040 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/8000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 8.6fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.60 m (at ISO 200) | no built-in flash |
Flash options | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off | no built-in flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 380 grams (0.84 lbs) | 650 grams (1.43 lbs) |
Dimensions | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 96 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.7 |
DXO Low light score | not tested | 3730 |
Other | ||
Battery life | 350 images | 610 images |
Battery form | Battery Pack | Battery Pack |
Battery model | - | NP-FZ100 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | Single | Dual |
Launch price | $599 | $1,998 |