Olympus E-PM1 vs Pentax E90
89 Imaging
48 Features
52 Overall
49


94 Imaging
33 Features
11 Overall
24
Olympus E-PM1 vs Pentax E90 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 265g - 110 x 64 x 34mm
- Launched November 2011
- Refreshed by Olympus E-PM2
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 1280 x 720 video
- 32-95mm (F3.1-5.9) lens
- 145g - 102 x 59 x 25mm
- Released January 2010

Olympus E-PM1 vs. Pentax Optio E90: A Hands-On Comparative Review for the Discerning Photographer
In the evolving world of digital cameras, the quest to find the perfect blend of quality, portability, and value remains paramount. Today, we pit two distinct cameras from slightly different eras and categories against each other: the Olympus PEN E-PM1, a mirrorless entry-level marvel announced in late 2011, and the Pentax Optio E90, a compact from the beginning of 2010 known for its simplicity and ease of use. While these cameras don’t directly compete in every dimension - one being a mirrorless system camera and the other a small-sensor compact - they both appeal to enthusiasts who want capable gear without the overwhelming complexity or expense of flagship models.
Having spent countless hours testing and using cameras from all classes, I aim to provide an authoritative, user-focused comparison, unpacking critical details about sensor technology, handling, autofocus, and more to reveal which camera is better suited for different photography needs. We will analyze their strengths and limitations across major photography disciplines, guided by real-world insights and technical data. Let’s begin by sizing them up.
Size and Handling: Pocket-Friendly vs. Mirrorless Ergonomics
Right off the bat, the Pentax Optio E90 impresses with its svelte, compact body (102 x 59 x 25 mm, 145g), almost disappearing in your palm or pocket. This makes it a prime candidate for travels and spontaneous street photography where discretion and portability trump everything else. However, this lightness comes at a cost: limited manual control and a smaller sensor.
In contrast, the Olympus E-PM1’s slightly larger frame (110 x 64 x 34 mm, 265g), rangefinder-style mirrorless design, and Micro Four Thirds mount offer a more substantial grip and better physical ergonomics. Controls are more tactile and accessible, making it ideal for photographers who want to engage more deeply with settings like aperture, shutter speed, and ISO on the fly. For users prioritizing comfort during prolonged shooting sessions, the E-PM1 holds an edge here.
Examining control layouts from the top view reiterates these impressions. The E-PM1 features dedicated dials and buttons for exposure modes, exposure compensation, and quick access to autofocus adjustments - tools enthusiasts appreciate for creative flexibility. On the other hand, the E90’s minimalistic approach reduces control clutter but constrains more advanced shooting.
Sensor Technology and Image Quality: Going Beyond the Spec Sheet
An essential technical differentiator is the sensor size and type. The Olympus E-PM1 uses a Four Thirds CMOS sensor measuring 17.3 x 13 mm (224.9 mm²), boasting 12 megapixels resolution, which translates to images of 4032 x 3024 pixels. The Pentax Optio E90, meanwhile, employs a 1/2.3” CCD sensor (6.08 x 4.56 mm, just 27.7 mm²) with 10 megapixels yielding 3648 x 2736 pixels.
What does this mean practically? The much larger sensor in the Olympus can capture more light, resulting in significantly better dynamic range, color depth, and low-light performance. The E-PM1 scores a DxOMark overall rating of 52, with 21.0 bits color depth and 10.3 EV dynamic range - respectable metrics for its class. Such metrics point to vibrant skin tones and richer landscapes with preserved detail in shadows and highlights.
Conversely, the E90’s small sensor struggles with noise once ISO exceeds 400, limiting low-light usability. The fixed lens and absence of RAW support compels heavy reliance on in-camera processing, which can degrade image fidelity, especially in challenging lighting.
These distinctions manifest clearly in landscape and portrait applications. The Olympus’s larger sensor also allows for more pleasing bokeh and better subject separation, a critical factor in portraiture.
LCD and Viewfinder Experience: Composing with Confidence
Both cameras offer fixed, non-touch LCDs - an understandable decision given their market positioning. The Olympus presents a crisp 3-inch HyperCrystal LCD with 460k dots and anti-reflective coating, yielding a bright and detailed live view that holds up reasonably well outdoors. The Pentax’s 2.7-inch screen with 230k dots lags behind in clarity and ease of composition.
Neither camera includes a built-in electronic viewfinder, though the Olympus offers an optional accessory unit. This can be a decisive factor for users who prefer composing through a viewfinder to stabilize shots and focus better in bright conditions. The lack of any viewfinder for the Pentax makes framing a less confident experience in bright daylight.
Autofocus and Burst Shooting: Speed and Precision
Autofocus systems are often the unsung heroes of photographic success. In this department, the Olympus PEN E-PM1 takes a substantial lead. Its 35 contrast-detection AF points, live view AF with face detection, and continuous autofocus modes allow for confident tracking of moving subjects. Burst shooting up to six frames per second supports capturing action, making it versatile for wildlife and sports to a degree.
The Pentax Optio E90 offers only 3 AF points, relies solely on contrast detection, and covers single-shot autofocus without tracking capabilities. Burst shooting is unavailable, limiting its responsiveness to moving subjects.
In real-world use, the Olympus’s AF achieves a good balance of speed and reliability in daylight, even if it lacks phase detection for pro-level tracking accuracy. Its face detection works well for casual portraiture. The Pentax’s slower and less sophisticated AF constraints mean it is best suited for static subjects or simple snapshots.
Lens Ecosystem and Flexibility: A Gateway or a Fixed One?
One of Olympus’s core strengths is its Micro Four Thirds lens mount, supported by an extensive library of over 100 lenses at varying price points - from fast primes to telephotos and ultra-wide zooms. This versatility dramatically broadens creative possibilities across genres such as macro, wildlife, sports, and landscapes.
The Pentax Optio E90’s fixed 32-95mm lens (equivalent to 180-532mm on FF) with a maximum aperture range from f/3.1 to f/5.9 is a jack-of-all-trades but master of none. Its lack of interchangeable options limits experimentation and long-term growth potential - a considerable drawback for enthusiasts.
Build Quality and Durability: Everyday Usage Stamina
Both cameras target the consumer-level segment with no weather sealing or ruggedization - understandable for their price points. The Olympus uses a more robust magnesium alloy body (with plastic components), lending a reassuring heft and durability. The Pentax’s plastic construction emphasizes lightness and cost-cutting but invites fragility under rough handling.
Neither camera is particularly shower- or dust-proof, so care is required during outdoor shoots in adverse conditions.
Battery Life and Storage: How Long Can You Shoot?
The Olympus PEN E-PM1 equips a proprietary BLS-5 battery, rated at approximately 330 shots - average for mirrorless systems of this generation but limiting for all-day shooting without spares. USB 2.0 and HDMI outputs allow tethered shooting and external monitoring.
The Pentax Optio E90 runs on two AA batteries - a mixed bag depending on battery type. Alkalines provide sufficient power for casual use but lack endurance compared to rechargeables. It supports both internal memory and SD/SDHC cards, but storage options are otherwise basic.
Video Capabilities: Modern Quality vs. Basic Functionality
The Olympus impresses with full HD (1920x1080) video at 60 fps, AVCHD and Motion JPEG formats, and sensor-based image stabilization - features that can delight vloggers and hybrid shooters. However, it lacks a microphone jack, headphone port, and advanced video tools.
Pentax E90 falls behind with only 720p HD video at 15 fps and no external audio input. Its video quality suffices for casual clips but is far from professional standards.
Comprehensive Sample Image Gallery
Let’s put theory into practice. Examining sample image galleries from both cameras highlights significant differences in sharpness, dynamic range, and color rendition.
Observing portraits shot with the Olympus reveals more accurately rendered skin tones and pleasant subject isolation thanks to sensor size and lens aperture. Landscape shots display wider tonal gradations and better shadow detail. Pentax images, while acceptable for snapshots, reveal softness and noise in low light and less impressive color palette.
Performance Scores Summary
Our testing metrics assign a clear performance advantage to the Olympus E-PM1 in image quality, autofocus, and video capabilities, with the Pentax E90’s strengths resting mainly in physical compactness and simplicity.
Genre-Specific Assessment: Matching Cameras to Photography Passions
- Portrait Photography: E-PM1’s sensor size and face detection autofocus support superior skin tone rendition and eye catchlights. The E90’s fixed lens and smaller sensor limit bokeh and color depth.
- Landscape: The Olympus offers better resolution and dynamic range - vital for outdoor photographers capturing wide tonal scenes. The Pentax struggles with detail and dynamic range.
- Wildlife: While neither camera is a pro-level wildlife tool, the faster AF and burst on the E-PM1 make it preferable.
- Sports: E-PM1’s autofocus tracking and faster shutter speed support casual sports shooting better.
- Street Photography: The Pentax’s smaller size is an advantage for discrete shooting, but limited controls and image quality limit its appeal for serious street photographers.
- Macro: Olympus benefits from lens interchangeability to achieve proper macro; Pentax’s fixed lens and lack of stabilization work against it here.
- Night / Astro: Four Thirds sensor on the Olympus handles high ISO better, producing cleaner images.
- Video: Clear win for the E-PM1 with full HD capabilities.
- Travel: The Pentax’s pocketability appeals, though the Olympus balances portability with versatility.
- Professional Work: The Olympus supports RAW files, faster workflows, and better reliability - key for professionals.
Who Should Buy Which Camera?
Choose the Olympus PEN E-PM1 if:
- You want a genuinely capable, entry-level mirrorless system with flexibility to grow into.
- You are serious about image quality, manual controls, and video capabilities.
- You aim to explore various genres, including portrait, landscape, and casual sports/wildlife photography.
- You value a larger sensor and an extensive selection of lenses.
- You want to learn and improve by engaging deeply with camera settings.
Choose the Pentax Optio E90 if:
- Portability and pocketability are your highest priorities.
- You want a simple, affordable camera for quick snapshots and travel without fuss.
- You are not interested in manual controls or interchangeable lenses.
- Your budget is extremely constrained (sub-$100 in the used market).
- You don’t require professional-grade video or high ISO performance.
Final Thoughts: The Olympus E-PM1 For Enthusiasts; Pentax E90 For Casual Snappers
Drawing on comprehensive hands-on testing - over years and countless shoots - I conclude the Olympus PEN E-PM1 outperforms the Pentax Optio E90 head-to-head across almost every meaningful metric. Its mirrorless design, sensor size, autofocus system, lens flexibility, and video options render it a standout option for enthusiasts and beginners who want serious creative control and long-term growth potential.
The Pentax Optio E90 fills a niche for ultra-compact, easy-to-use photography at a budget price point but falls short in responsiveness, image quality, and versatility.
As always, consider your primary photographic goals, portability needs, and budget. Both cameras tell different stories about early 2010s digital photography - one pushing the system camera evolution, the other epitomizing simple compact convenience.
Whichever you choose, understanding their capabilities in detail prepares you for satisfying image-making adventures.
All assessments here incorporate exhaustive side-by-side shooting tests under controlled and field conditions, aligning with our rigorous evaluation methodology to deliver honest, actionable knowledge for our discerning readers.
Olympus E-PM1 vs Pentax E90 Specifications
Olympus PEN E-PM1 | Pentax Optio E90 | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model | Olympus PEN E-PM1 | Pentax Optio E90 |
Type | Entry-Level Mirrorless | Small Sensor Compact |
Launched | 2011-11-23 | 2010-01-25 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | TruePic VI | Prime |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Peak resolution | 4032 x 3024 | 3648 x 2736 |
Highest native ISO | 12800 | 3200 |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 35 | 3 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 32-95mm (3.0x) |
Maximal aperture | - | f/3.1-5.9 |
Macro focus distance | - | 6cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3" | 2.7" |
Screen resolution | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | HyperCrystal LCD AR(Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Min shutter speed | 60 secs | 4 secs |
Max shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shutter rate | 6.0fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 3.50 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | - |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (15 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video data format | AVCHD, Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 265 gr (0.58 pounds) | 145 gr (0.32 pounds) |
Dimensions | 110 x 64 x 34mm (4.3" x 2.5" x 1.3") | 102 x 59 x 25mm (4.0" x 2.3" x 1.0") |
DXO scores | ||
DXO Overall score | 52 | not tested |
DXO Color Depth score | 21.0 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 499 | not tested |
Other | ||
Battery life | 330 shots | - |
Style of battery | Battery Pack | - |
Battery model | BLS-5 | 2 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC, Internal |
Card slots | Single | Single |
Pricing at release | $499 | $100 |