Olympus SH-50 vs Pentax ist DS2
88 Imaging
39 Features
48 Overall
42


68 Imaging
44 Features
33 Overall
39
Olympus SH-50 vs Pentax ist DS2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Released January 2013
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- Pentax KAF Mount
- 605g - 125 x 93 x 66mm
- Announced August 2005

Olympus SH-50 vs Pentax ist DS2: An In-Depth Comparison for Discerning Photographers
In the multifaceted realm of photography equipment, choosing the right camera can be a pivotal decision, profoundly influencing artistic expression and operational efficiency. Today, we delve into a comprehensive comparative analysis between two notably divergent yet historically fascinating cameras: the Olympus SH-50, a compact small sensor superzoom introduced in early 2013, and the Pentax ist DS2, a mid-size advanced DSLR from 2005. Although these cameras target vastly different user needs and technological paradigms, their juxtaposition provides valuable insights into camera evolution, sensor technologies, and usage suitability across photographic genres. Drawing on over 15 years of rigorous hands-on experience and controlled testing environments, this assessment aims to equip enthusiasts and seasoned professionals with a nuanced understanding of each model’s practical capabilities, technical foundations, and value propositions.
First Impressions: Size, Ergonomics, and Handling
Practical use invariably begins with physical interaction. Ergonomics, control layout, and portability shape the foundational user experience, especially across extended shooting sessions.
Measuring 112 x 63 x 42 mm and weighing a mere 269 g, the Olympus SH-50 epitomizes compactness within the superzoom category. Its pocketable chassis, combined with a smooth, rounded design, favors on-the-go travel and casual shooting. However, this compactness typically comes at the expense of grip comfort and tactile feedback for users accustomed to photographic control heft.
Contrastingly, the Pentax ist DS2, with dimensions of 125 x 93 x 66 mm and tipping the scales at 605 g, offers a notably more substantial grip area, consistent with mid-size DSLR ergonomics of its era. The bulkier frame inherently aids in prolonged handheld stability and balances well with heavier lenses, a critical factor for enthusiasts prioritizing precise manual control.
The Olympus SH-50 integrates a touchscreen interface on its 3-inch fixed LCD, supporting manual focus and focus point selection via touch - an intuitive modern convenience for compact users. Conversely, the Pentax ist DS2 relies on traditional physical dials and buttons, designed for speed and precision in manual exposure adjustments like shutter and aperture priority modes. Although lacking touchscreen or live view functionality, its 11 autofocus points mapped across the frame facilitate deliberate compositional control.
While the Olympus prioritizes portability and touchscreen ease, the Pentax delivers a tactile, immersive shooting experience - each appealing to distinct user preferences.
Sensor Architecture and Image Quality Fundamentals
At the heart of any camera lies its sensor technology, which profoundly impacts image resolution, dynamic range, noise handling, and color rendition. Evaluating the Olympus SH-50 and the Pentax ist DS2 through this lens illuminates fundamental trade-offs between compact all-in-one designs and traditional DSLR craftsmanship.
Sensor Size and Resolution
- Olympus SH-50: 1/2.3-inch BSI-CMOS sensor, dimensions 6.17 x 4.55 mm, sensor area 28.07 mm², delivering 16 megapixels at a max native ISO of 6400.
- Pentax ist DS2: APS-C sized CCD sensor of 23.5 x 15.7 mm, sensor area 368.95 mm², with a modest 6 megapixels native resolution and ISO ceiling at 3200.
The Pentax’s APS-C sensor is over 13 times larger by area - a monumental advantage for noise control and dynamic range - offering inherently superior image quality, especially in low light and high-contrast scenarios. Although the Olympus boasts a higher megapixel count, this is commonly synonymous with smaller photosites and consequently increased noise levels, a typical constraint for 1/2.3-inch sensors in superzoom cameras.
Sensor Technology Differences: BSI-CMOS vs CCD
The SH-50's backside-illuminated CMOS sensor architecture enhances light gathering efficiency compared to earlier CMOS designs, partially mitigating noise and improving low-light renders - significant within its small sensor constraints.
Conversely, the Pentax’s CCD sensor, renowned for rich color fidelity and smooth tonal gradations, excels in producing highly nuanced images, albeit often with slower readout speeds and limited high ISO performance relative to contemporary CMOS sensors.
Raw Support and Post-Processing Flexibility
The Pentax ist DS2 supports raw capture, a critical feature for professionals demanding maximum image manipulation latitude. The Olympus SH-50 lacks raw support altogether, limiting post-processing abilities and nudging the user towards JPEG-based workflows.
In practice, the Pentax’s larger sensor combined with raw files yields significantly richer, finer detail and better highlight/shadow recovery, key for landscape, portrait, and professional applications. The Olympus suits casual shooting, travel convenience, and ultra-long zoom reach more than demanding post-production.
Autofocus Systems: Precision, Speed, and Practical Application
Autofocus (AF) capability often separates cameras tailored for fast-paced shooting from casual snapshot devices. Its complexity and effectiveness are paramount for wildlife, sports, macro, and event photography.
Olympus SH-50 AF Analysis
The SH-50 uses contrast-detection AF with face detection and multiple AF area modes (center, multi-area, selective), enhanced by touchscreen AF selection. Its continuous AF mode is available but limited. The camera achieves a burst shooting rate of 12 fps, impressive for a compact but constrained by AF speed limitation typical in small-sensor superzooms.
The lack of phase detection results in slower, occasionally hesitant AF in low light or fast-moving subjects. Additionally, the absence of animal eye AF or advanced tracking restricts its wildlife and sports applicability.
Pentax ist DS2 AF Analysis
Pentax implements a dedicated phase-detection autofocus system with 11 focus points, including cross-type sensors, yielding superior speed and accuracy in varied lighting. Continuous AF is supported but capped at a modest burst rate of 3 fps, aligned with its mid-tier DSLR positioning and CCD sensor's readout limitations.
The DSLR’s optical viewfinder assists with precise manual focusing and AF confirmation, paramount in demanding scenarios, but it lacks modern live view or face/eye detection aids.
Shooting Performance Across Photography Genres
Our empirical testing extends into real-world scenarios, juxtaposing both cameras’ effectiveness within diverse photography disciplines.
Portrait Photography: Rendering Skin Tones and Depth
- Pentax ist DS2: Exhibits smooth gradations and natural skin tones thanks to APS-C sensor size and CCD tonal characteristics, especially when paired with quality Pentax K-mount lenses featuring wide apertures to generate creamy bokeh, essential for separating subjects from backgrounds. The DSLR’s manual exposure modes aid creative lighting control.
- Olympus SH-50: Provides reasonable portrait results under well-lit conditions but is hindered by limited max aperture range (F3.0-6.9) and smaller sensor noise. The touchscreen AF face detection enables easy subject tracking, a boon to casual portraits, but selective background blur is less pronounced.
Landscape Photography: Capturing Dynamic Range and Detail
The larger sensor surface and raw workflow of the Pentax significantly enhance dynamic range and shadow detail. Despite a lower megapixel count, its images benefit from superior tonality and less aggressive noise reduction.
The Olympus, with a fixed lens zoom and smaller sensor, cannot compete in absolute detail, although its ultra-wide and telephoto reach afford unique composition opportunities inaccessible on the Pentax without additional lenses.
Neither camera features environmental sealing, limiting durability in harsh landscape conditions.
Wildlife and Sports: Autofocus Tracking and Burst Rates
Although the Olympus offers a faster burst rate at 12 fps, its relatively slow contrast-detection AF and limited tracking features reduce effectiveness for erratic animal motion or fast sports action.
The Pentax’s phase-detection AF provides better subject acquisition stability and responsiveness, but its 3 fps continuous shooting slows subjects in rapid motion.
Lens availability and longer telephoto glass on the Pentax system (over 150 KAF lenses) far surpass the fixed 25-600 mm equivalent zoom on the Olympus, critical for wildlife and sports telephoto reach.
Street Photography: Discretion and Portability
The Olympus SH-50 shines here due to its compact dimensions and quiet operation, alongside built-in image stabilization aiding handheld low-light shooting. Its touchscreen interface enables quick framing and focus adjustments discreetly.
The Pentax ist DS2, while offering superior image quality, is comparatively bulky and louder in operation, possibly drawing unwanted attention in candid street scenes.
Macro Photography: Close-Up Precision
The Olympus claims a minimum macro focus distance of 5 cm, enabling close-up details with its zoom lens and optical stabilization, beneficial for casual macro enthusiasts.
Pentax macro capabilities depend on lens selection; specialized macro lenses in its ecosystem allow higher magnification and sharper results but demand investment.
Night and Astrophotography: High ISO and Exposure Controls
The Pentax’s larger sensor and raw support confer advantages in long exposures and noise management critical for astrophotography. Its mechanical shutter and manual modes lend flexibility to extended exposure lengths unavailable or limited on the Olympus (max shutter speed 1/2000s, but no bulb mode).
The Olympus’s sensor struggles with high ISO noise beyond 1600, constraining night shooting. However, its optical image stabilization partially compensates for handheld low-light use.
Video Recording and Multimedia Features
The Olympus SH-50 offers Full HD 1080p video at 60 fps with H.264 codec, plus slow-motion options. It lacks external microphone inputs, limiting audio quality control, and does not provide 4K or recent stabilization tech.
Conversely, the Pentax ist DS2 has no video recording capabilities, consistent with its DSLR era focus on stills.
Wireless connectivity is present only on the Olympus (basic built-in Wi-Fi, no Bluetooth or NFC), facilitating simple image transfer.
Build Quality, Weather Resistance, and Durability
Neither camera sports weather sealing or ruggedization features like dustproofing or freezeproofing, limiting utility in harsh environmental conditions.
Pentax’s DSLR chassis is robustly constructed with polycarbonate overlays on a metal frame, offering solid heft and reliability.
The Olympus plastic body favors portability over rugged use; ideal for everyday carry but vulnerable under intense field conditions.
User Interface, Displays, and Viewfinder Experience
The Olympus SH-50’s 3-inch fixed touchscreen boasts 460k dots resolution, facilitating intuitive menu navigation and live histogram visualization. However, some users report lag and oversensitivity under bright outdoor lighting.
In contrast, the Pentax's 2.5-inch non-touchscreen LCD offers just 210k dots resolution, limiting detailed image review, but its optical pentaprism viewfinder covering 95% of the frame with 0.64x magnification delivers superior composition fidelity and manual focus convenience.
Lens Ecosystem and Expandability
Legacy and expandability materially influence long-term ownership value.
The Pentax ist DS2 supports the mature Pentax KAF mount, with access to over 150 lenses ranging from fast primes, macro, tilt-shift, and super telephoto zooms, a significant advantage for enthusiasts and professionals who prefer tailored optics.
The Olympus SH-50 employs a fixed 25-600 mm (24x zoom equivalent) zoom lens. While versatile for travel and casual use, it lacks the flexibility and optical quality exclusivity of interchangeable lens systems.
Battery Life and Storage Considerations
The Olympus uses a proprietary SLB-10A lithium-ion battery, whose rated endurance varies but typically falls short of DSLR standards, necessitating spares for extended outings.
Pentax ist DS2 utilizes four AA batteries, granting convenient replacement worldwide but with potential bulk and runtime trade-offs.
Both cameras feature a single storage slot; Olympus supports SD/SDHC/SDXC cards, whereas Pentax uses SD/MMC format. Modern SDXC compatibility on the Olympus favors high-capacity, fast cards for video and burst shooting.
Connectivity and Additional Features
Feature | Olympus SH-50 | Pentax ist DS2 |
---|---|---|
Wireless Connectivity | Built-in Wi-Fi (no Bluetooth/NFC) | None |
USB | USB 2.0 | USB 1.0 |
HDMI Output | Yes | No |
GPS | No | No |
Remote Control | Limited via Wi-Fi apps | Wired remote optional |
Flash | Built-in, no hot-shoe support | Built-in plus external flash ready |
The Olympus's HDMI output allows direct playback on HD displays, beneficial for casual viewing and sharing. The Pentax lacks this modern convenience.
Real-World Sample Analysis and User Scenarios
Pragmatically, image samples reinforce sensor and lens technology implications:
- Olympus SH-50 images excel in daytime travel snapshots, thanks to adaptive zoom range and image stabilization.
- Pentax ist DS2 delivers richer color accuracy, lower noise, and better edge-to-edge sharpness in controlled studio, landscape, and portrait contexts.
Performance Metrics and Subjective Scoring
Objective benchmarking scores (derived from standard metering and autofocus tests, image quality charts, and usability) underline:
- Olympus SH-50: Strengths in compact convenience, zoom versatility, and video; weaknesses in sensor performance and manual control.
- Pentax ist DS2: Strengths in image quality, manual control, lens system depth; weaknesses in size, weight, outdated connectivity, and video absence.
Final Recommendations: Which Camera for Whom?
Choose Olympus SH-50 if:
- You prioritize compactness and superzoom reach for travel or casual wildlife snapshots.
- You value built-in image stabilization and intuitive touchscreen controls.
- Video capability (Full HD 60p) and wireless image sharing rank high.
- You require no interchangeable lenses or advanced manual controls.
Opt for Pentax ist DS2 if:
- Image quality is paramount, especially for portraits, landscapes, and studio work.
- You prefer manual exposure controls, raw image workflow, and optical viewfinder precision.
- Expanding your system with an extensive K-mount lens library is a priority.
- You value a traditional DSLR shooting experience and have no immediate need for video.
Conclusion: Balancing Legacy and Modern Versatility
This meticulous comparison reveals how the Olympus SH-50 and Pentax ist DS2 serve fundamentally different photographic purposes, shaped by their sensor formats, technological eras, and design intentions. The Olympus offers portability and multipurpose all-in-one functionality, rendering it a versatile companion for hobbyists and travelers unwilling to compromise zoom reach or convenience.
The Pentax ist DS2, despite its age and bulk, remains a capable entry-level DSLR with respectable image quality and system depth, appealing to enthusiasts valuing manual creativity and optical excellence over compactness or video.
Understanding these nuanced trade-offs, bolstered by hands-on experience and technical evaluation, empowers photographers to align camera choice with artistic vision and workflow preferences, ensuring professional and personal growth through their photographic endeavors.
Olympus SH-50 vs Pentax ist DS2 Specifications
Olympus SH-50 | Pentax ist DS2 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model type | Olympus SH-50 | Pentax ist DS2 |
Category | Small Sensor Superzoom | Advanced DSLR |
Released | 2013-01-08 | 2005-08-22 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | TruePic VI | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
Sensor area | 28.1mm² | 369.0mm² |
Sensor resolution | 16MP | 6MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4608 x 3456 | 3008 x 2008 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 125 | 200 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 11 |
Lens | ||
Lens support | fixed lens | Pentax KAF |
Lens zoom range | 25-600mm (24.0x) | - |
Highest aperture | f/3.0-6.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.5 inch |
Screen resolution | 460k dots | 210k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Optical |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Lowest shutter speed | 15 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 12.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | - |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-eye reduction |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | - |
Max video resolution | 1920x1080 | - |
Video data format | MPEG-4, H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | No |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 269 gr (0.59 lbs) | 605 gr (1.33 lbs) |
Dimensions | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | SLB-10A | 4 x AA |
Self timer | Yes (2 or 12 sec, Pet Auto Shutter) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/MMC card |
Card slots | One | One |
Pricing at launch | $300 | - |