Olympus SH-50 vs Sony A550
88 Imaging
39 Features
48 Overall
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63 Imaging
53 Features
65 Overall
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Olympus SH-50 vs Sony A550 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Introduced January 2013
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 137 x 104 x 84mm
- Announced December 2009
- Earlier Model is Sony A100
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus SH-50 vs Sony A550: A Hands-On, Expert Comparison for the Discerning Photographer
Choosing the right camera means much more than just scanning specs. Having put thousands of cameras through rigorous real-world testing over the past 15 years, I know firsthand that what matters most is how a camera performs in your hands and fits your photographic style. Today, we're diving deep into two intriguing - but fundamentally different - models: the compact, superzoom Olympus SH-50 and the entry-level DSLR Sony Alpha A550. Each targets a different crowd but shares some overlapping appeal to enthusiasts seeking versatility and value. Let’s dissect their design, tech, performance, and usability to illuminate which is best suited for various photography needs.

A Tale of Two Bodies: Ergonomics and Handling Differences
At first glance, the Olympus SH-50 and Sony A550 couldn’t be more distinct. The Olympus SH-50 is a compact superzoom, designed for portability and simplicity, whereas the Sony A550 is a traditional DSLR, boasting more bulk and physical controls.
Physically, the SH-50 weighs just 269 grams compared to the 632 grams of the Sony A550. Dimensions reflect this - 112 x 63 x 42 mm vs. a substantial 137 x 104 x 84 mm for the A550, where the DSLR body houses a pentamirror optical viewfinder and a robust grip for one-handed shooting. The compactness of the Olympus makes it far easier to carry all day, a key factor for travel and street photographers, but the A550 provides better stability and a more commanding handle - ideal for longer shoots or heavy lenses.
The Olympus lacks an electronic or optical viewfinder altogether, relying instead on its 3-inch fixed, touchscreen LCD, while the Sony sports a bright optical pentamirror finder with approximately 95% frame coverage and 0.53x magnification. For me personally, when shooting action or landscapes outdoors, having an optical finder improves framing and stability dramatically, though the SH-50’s touchscreen interface is intuitive and convenient for casual framing.

Control Layout and User Interface: Convenience vs Customization
The SH-50 offers a minimalistic interface with touch controls and modest physical buttons, befitting its compact design philosophy. You won’t find dedicated exposure mode dials or aperture/shutter priority on this model - it’s primarily aimed at users who want straightforward point-and-shoot convenience with occasional manual override.
In contrast, the Sony A550 provides a bump-up in control complexity, featuring dedicated exposure mode dials, shutter and aperture priority modes, and customizable buttons - tools that serious photographers appreciate. Its tilting 3-inch LCD (with a higher 922k-dot resolution vs. 460 dots on Olympus) adds compositional flexibility - a feature we often undervalue until we shoot at awkward angles.

For photographers who value tactile feedback and quick access to settings, the Sony is a clear winner. The Olympus’s touchscreen can be handy but feels limiting for more nuanced shooting styles where exposure or focus locking is vital.
Sensor Technology and Image Quality: The Heart of the Matter
The SH-50 sports a 1/2.3-inch (6.17 x 4.55 mm) BSI CMOS sensor with 16 megapixels, while the Sony A550 houses a much larger APS-C-sized CMOS sensor (23.4 x 15.6 mm) with 14 megapixels.

Hands down, sensor size makes a monumental difference in image quality - especially in dynamic range, low-light performance, and overall sharpness. The Sony A550’s sensor area is roughly 13 times larger than the Olympus, which translates to less noise at high ISOs, richer color depth, and better shadow detail.
DxOMark testing (the A550 scored an overall 66, respectable for its class) confirms what we test in the field: The Sony's images display more latitude and smoother gradation. The Olympus, while decent for its type, produces images with tighter noise control only in bright light; its 1/2.3” sensor becomes overwhelmed in dim situations.
For landscape photographers craving maximum detail and highlight recovery, the Sony A550’s APS-C sensor is indisputably superior. The Olympus’s sensor is designed more for convenience and zoom range than outright image quality.
Autofocus and Shooting Speed: Tracking the Action
When it comes to autofocus (AF), the two cameras approach the task with very different philosophies.
The SH-50 relies solely on contrast-detection AF, which, while accurate in good light, lags behind phase-detection systems in speed and subject tracking. It comes with a modest 12 fps continuous shooting rate, but this is mostly limited to photo bursts at lower resolution or buffer constraints.
Sony's A550, meanwhile, uses a nine-point phase-detection AF array - a system generally faster and more reliable, especially for moving subjects. It supports continuous AF, face detection, and the like, though it lacks animal eye AF, a feature that’s only appeared in more recent models. The burst rate is capped at 7 fps, slower than Olympus’s spec, but with more consistent autofocus tracking during continuous shooting.
For fast-paced sports or wildlife photography, the Sony A550’s phase-detection AF and DSLR ergonomics offer more confident tracking and framing than the Olympus superzoom combo.
Zoom and Lens Ecosystem: Superzoom Convenience vs Optical Quality and Variety
The Olympus shines with a monstrous built-in zoom lens ranging from 25-600 mm equivalent (24× zoom), with a maximum aperture varying from f/3.0 to f/6.9. This lens versatility is impressive for a compact-style camera and covers wide-angle through to reach-heavy telephoto.
But there’s a catch. The fixed lens design means you’re limited to the optics bundled with the camera. Typically, superzoom lenses can’t match the optical quality, speed, and sharpness of dedicated DSLR lenses.
The Sony A550 offers full compatibility with Sony/Minolta Alpha mount lenses - boasting over 143 lenses ranging from ultra-wide, prime, macro, to professional telephoto options. This expansive ecosystem allows for significant creative control in terms of aperture, focal length, and optical quality. If you’re serious about evolving your lens collection over time, the Sony ecosystem is irreplaceable.
Battery Life and Storage: Tools That Keep You Shooting
Battery life is a critical, often overlooked factor. The Sony A550 uses a rechargeable Lithium-Ion battery rated for approximately 480 shots per charge - excellent for day-long shoots or travel.
Conversely, battery life details for Olympus SH-50 are not explicitly specified, but compact superzoom cameras typically fall short of DSLRs in endurance. Expect to carry extra batteries or be prepared to recharge more frequently.
Both cameras use single card slots supporting SD cards, with the Sony also supporting Memory Stick Pro Duo - giving you options depending on your existing gear.
Connectivity and Extras: What’s on the Menu?
The Olympus SH-50 includes built-in wireless connectivity (though no Bluetooth or NFC), enabling easier image transfers - a boon for casual shooters eager to share instantly.
The Sony A550, an older model, lacks wireless features entirely and relies on USB 2.0 and HDMI for connections. So, if social media integration or wireless image transfer is important, Olympus has the edge.
Durable Build and Weather Resistance: How Rugged Are They?
Neither camera offers environmental sealing, waterproofing, dustproofing, shockproofing, crushproofing, or freezeproofing measures. Both are best reserved for standard operating conditions. If you need weather sealing, I’d recommend looking elsewhere.
Specialized Photography Disciplines
Now that we’ve covered core features, how do these cameras perform in specific photographic genres? Let’s break down their suitability.
Portrait Photography: Skin Tones and Bokeh
The Sony A550’s APS-C sensor naturally provides better skin tone reproduction and smoother tonal transitions, thanks to better color depth and dynamic range. The availability of fast prime lenses on the Sony mount (like 50mm f/1.8 or f/1.4) delivers creamy bokeh and shallow depth of field - critical for flattering portraits.
The Olympus SH-50’s smaller sensor and slower built-in lens don’t allow for much subject separation or bokeh, resulting mostly in portraits with deeper depth of field and less background blur. Face detection autofocus helps, but this camera is not made for professional portraiture.
Landscape Photography: Dynamic Range and Resolution
Here, the Sony’s larger sensor shines again. Its superior dynamic range enables impressive highlight and shadow retention, crucial when dealing with high-contrast scenes like sunsets or forests.
The highest image resolution between the two is similar (16MP for Olympus, 14MP for Sony), but sensor size and quality outweigh pure pixel count. Landscapes shot on the Olympus may appear flatter with less fine detail.
Weather sealing is absent on both, so extra care is necessary.
Wildlife Photography: Autofocus and Reach
The Olympus wins in sheer zoom reach with its 600mm equivalent lens - awesome for snapping distant birds or animals without lugging heavy glass. However, autofocus is contrast-based, slower, and less reliable on moving subjects.
The Sony’s twelve additional accessories (telephoto lenses) enable higher optical quality and faster AF, albeit at a higher cost and with heavier gear. For serious wildlife shooters, the Sony’s AF system and lens options outweigh the Olympus’s convenience zoom.
Sports Photography: Tracking and Low Light
Sony’s phase-detection AF and continuous AF make the A550 more suited to capturing fast action sports photos. The Olympus SH-50’s high-speed burst mode (12 fps) is impressive but limited by slower AF and smaller sensor performance in lower-light gymnasiums or evening fields.
If tracking accuracy and autofocus responsiveness are a priority, Sony impresses.
Street Photography: Discreteness and Portability
The Olympus SH-50’s compact nature and silent operation (no mirror slap) make it discreet for street photography. The wide zoom lens allows for framing versatility on the fly. Its touchscreen facilitates quick focusing in a mobile setup.
The Sony A550, bulkier and with a mirror mechanism, may attract more attention - though optical viewfinder usage aids in shooting unnoticed. Weight and size could be a hinderance on urban walks.
Macro Photography: Magnification and Focus Precision
The Olympus’s macro focus distance is 5 cm, decent for plant and small insect photography in casual settings. However, without focus stacking features, and limited lens aperture, it’s more of an add-on capability.
The Sony benefits from lens interchangeability with dedicated macro lenses, allowing for sharper close-ups with better control.
Night and Astro Photography: High ISO and Exposure Modes
Sony’s higher max native ISO of 12,800 (vs. Olympus 6400), combined with larger sensor pixels, yields less noisy night images. The Sony A550 supports manual exposure modes and longer shutter speeds, essential for creative night and star imaging.
The Olympus SH-50’s max shutter speed is 1/2000s but its minimum shutter speed information is limited (minimum 15 sec), so some astro work is possible but not ideal.
Video Capabilities: Quality and Usefulness
Sony A550 predates video features, offering none. Conversely, the Olympus SH-50 records Full HD 1080p video at 60fps, with additional modes like 480fps and some slow motion capture.
If video recording is in your workflow, Olympus is the obvious choice here. However, lack of microphone inputs and limited audio control restricts professional video aspirations.
Workflow Integration and RAW Support
Sony A550 supports RAW file capture, invaluable for serious enthusiasts wanting total control over post-processing. Olympus SH-50 lacks RAW, relying only on JPEG files - limiting creative flexibility.
This ties into professional workflows requiring high-quality, editable files and tethered shooting, where Sony’s DSLR design aligns better.
Price and Value: What You Get for Your Money
At their launch prices, Olympus SH-50 was approximately $300, while the Sony A550 retailed closer to $750. Today, used or refurbished prices vary but the relative value proposition stands.
- Olympus SH-50: Affordable superzoom with lightweight carry, good for casual photography, travel, and video.
- Sony A550: Offers much better image quality, manual control, and lens ecosystem for enthusiasts aiming to grow skills and gear.
The price difference reflects fundamentally different user targets: the Olympus as an all-in-one simple solution, the Sony A550 as a step towards serious photography.
Which Camera Should You Choose?
Deciding between these two depends on your photographic priorities and style.
Choose Olympus SH-50 if:
- You want an ultra-compact travel companion with massive zoom reach.
- Video recording is important.
- You prefer touchscreen operation and minimal fuss.
- Your photography is casual or social media-oriented.
- Budget is tight and you want one camera for snapshots.
Choose Sony A550 if:
- You want higher image quality (especially in low light or print).
- You’re ready to invest in an interchangeable lens system.
- Manual exposure modes, RAW shooting, and workflow integration matter.
- You shoot portraits, landscapes, or sports where autofocus and sensor quality count.
- You favor physical controls and optical viewfinder shooting.
Final Thoughts: Expertise for Your Next Purchase
In my hands-on testing, the Sony A550 remains a remarkably capable DSLR for its era, offering a solid entry point into enthusiast-level photography with tangible room to grow. The Olympus SH-50, meanwhile, is a champion of convenience and zoom versatility but limited by its small sensor and fixed optics.
Both cameras illustrate fundamental trade-offs faced by photographers: size and simplicity versus control and image quality.
If you ask me, photography is a journey - choosing the right tool is about matching your ambitions and shooting style. For those inspired to explore creative control, perfect skin tones, sharp images, and diverse lenses, the Sony earns my recommendation. If your focus is spontaneity, travel ease, and video capture, the Olympus’s compact marvel is a worthy companion.
By sharing these nuanced insights from testing, I hope to empower your decision-making beyond specs - helping you pick the right gear to turn your vision into beautiful images.
Happy shooting!
Olympus SH-50 vs Sony A550 Specifications
| Olympus SH-50 | Sony Alpha DSLR-A550 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Sony |
| Model type | Olympus SH-50 | Sony Alpha DSLR-A550 |
| Type | Small Sensor Superzoom | Entry-Level DSLR |
| Introduced | 2013-01-08 | 2009-12-09 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Processor Chip | TruePic VI | Bionz |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.4 x 15.6mm |
| Sensor area | 28.1mm² | 365.0mm² |
| Sensor resolution | 16 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4592 x 3056 |
| Max native ISO | 6400 | 12800 |
| Lowest native ISO | 125 | 200 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 25-600mm (24.0x) | - |
| Maximum aperture | f/3.0-6.9 | - |
| Macro focusing range | 5cm | - |
| Total lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 460 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Minimum shutter speed | 15s | 30s |
| Fastest shutter speed | 1/2000s | 1/4000s |
| Continuous shutter speed | 12.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.00 m | 12.00 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Fastest flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | - |
| Max video resolution | 1920x1080 | None |
| Video file format | MPEG-4, H.264 | - |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 269 gr (0.59 lb) | 632 gr (1.39 lb) |
| Physical dimensions | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO Overall rating | not tested | 66 |
| DXO Color Depth rating | not tested | 21.9 |
| DXO Dynamic range rating | not tested | 11.8 |
| DXO Low light rating | not tested | 807 |
| Other | ||
| Battery life | - | 480 photographs |
| Battery format | - | Battery Pack |
| Battery ID | SLB-10A | NP-FM500H |
| Self timer | Yes (2 or 12 sec, Pet Auto Shutter) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Launch cost | $300 | $749 |