Olympus SH-50 vs Sony WX5
88 Imaging
39 Features
48 Overall
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95 Imaging
34 Features
29 Overall
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Olympus SH-50 vs Sony WX5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Announced January 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Announced July 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Olympus SH-50 vs Sony Cyber-shot DSC-WX5: A Detailed Comparison for the Thoughtful Photographer
When looking at compact cameras aimed at enthusiasts and casual users alike, choices like the Olympus SH-50 and Sony Cyber-shot DSC-WX5 often come up. Both models embrace the compact category, but with very different approaches in lens reach, sensor resolution, and feature sets. Having put both cameras through their paces over extensive hands-on testing, I’m here to unpack their core strengths and trade-offs, sliced through various photographic disciplines and real-world workflows.
If you’re pondering between these two fixed-lens compacts, or just curious how cameras from these brands stack up in this segment, this detailed comparison aims to shed light beyond spec sheets. Let’s dive right in.
Hands-On with Design and Ergonomics: Size Matters, But So Does Handling
The Olympus SH-50 and Sony WX5 both fall under the compact umbrella, designed primarily for ease of use and pocketability. However, their physical presence and control ergonomics reveal different philosophies.

Olympus SH-50 leans towards the superzoom category, weighing in at 269g with dimensions of 112x63x42mm. It’s not the tiniest compact, but the grip feels substantial and offers a reassuring hold during extended shooting sessions. The fixed lens stretches out massively, and the body is built around accommodating a 24x zoom range, which inevitably requires a bit more bulk.
In contrast, the Sony WX5 is lightweight at 146g and has a smaller footprint (92x52x22mm). This makes it highly pocket-friendly, ideal for those who prize portability above all else. The controls are minimalistic, fitting Sony’s classic Cyber-shot line - simple, no-frills, and easy for intuitive point-and-shoot use.
For photographers who prioritize a confident grip and don’t mind carrying a bit more, the Olympus feels more comfortable. Meanwhile, Sony’s compactness wins for stealthy street snaps or travel scenarios where minimal weight matters.
When it comes to top controls and button layout, here’s a quick glance:

The SH-50 offers a touch-enabled 3” screen with more extensive manual control options, which I’ll touch on later, whereas the WX5 remains basic, with a fixed, non-touch 2.8” display.
Sensor and Image Quality: The Resolution and Zoom Dance
Both cameras sport a 1/2.3” BSI-CMOS sensor - a sensor size common in this compact category - but they differ in resolution and native ISO sensitivity.

- Olympus SH-50: 16MP sensor with native ISO range 125-6400
- Sony WX5: 12MP sensor with ISO 125-3200
The Olympus’s higher resolution lends itself to more detailed images when shooting in well-lit conditions and when cropping. However, higher megapixels on such a small sensor can sometimes increase noise, especially at higher ISOs. That said, the SH-50’s TruePic VI processor combats noise effectively, yielding cleaner JPEGs than previous generations.
Sony’s 12MP sensor is slightly more modest but paired with the Bionz processor benefits from fewer artifacts at higher ISOs, enhancing low-light usability despite lower max ISO.
Both cameras include an anti-aliasing filter, which smooths edges for natural rendering but can slightly soften fine details.
My practical takeaway: if image resolution and cropping potential matter most - perhaps for landscape photographers or those aiming to print larger - the Olympus shines. If you prefer a bit more forgiving noise behavior and consistently solid images at moderate ISOs, Sony’s approach is sensible.
The Zoom Factor: Olympus’s Beastly Reach vs Sony’s Balanced Range
When it comes to focal length, these two cameras couldn’t be more different.
- Olympus SH-50: 25-600mm equivalent (24x zoom) at F3.0-6.9 aperture
- Sony WX5: 24-120mm equivalent (5x zoom) at F2.4-5.9 aperture
The SH-50’s massive reach is a clear advantage for wildlife, sports shooters, or travelers who want to cover everything from wide-angle to super-telephoto without swapping lenses. But remember, ultra-telephoto on small sensors often comes with trade-offs in sharpness and stability.
On the other hand, Sony’s shorter zoom range caps flexibility but benefits from a faster maximum aperture at the wide end (F2.4 vs. F3.0), aiding low-light shooting and subject isolation.
If your style calls for versatility and reaching distant subjects, Olympus is your best bet. But for more casual shooting or indoors, WX5’s faster lens and more manageable zoom could offer better overall image quality.
Display and Interface: Touchscreen vs Simplicity
Let me show you how each provides feedback and framing options:

The Olympus SH-50’s 3-inch touchscreen is a joy when framing and reviewing images. While not the highest resolution at 460k dots, it supports touch focus and exposure adjustments - features older or lower-end compacts often lack. The touchscreen interface makes navigating menus faster and can speed up control changes during shooting.
Sony’s WX5 has a slightly smaller 2.8-inch fixed LCD without touchscreen. This limits interaction, especially if you want to quickly shift focus points or exposure parameters - everything relies on physical buttons and the directional pad.
In day-to-day use, I appreciated Olympus’s touchscreen for its modern usability, but the Sony interface is minimal and straightforward for those who prefer less complexity.
Autofocus: Accuracy and Speed in Real-World Conditions
Both cameras use contrast-detection autofocus systems, standard for compacts of their generation. Let’s break it down:
- SH-50 offers face detection, AF tracking with touch focus capabilities, and multi-area AF.
- WX5 provides 9 focus points, center-weighted, and continuous tracking support but lacks face or eye detection.
While neither will rival the aggressive PDAF systems in later mirrorless cameras, the Olympus’s face detection significantly helps portraitists and casual shooters locking focus on human subjects. The touch-to-focus ability means you can quickly tell the camera exactly where to focus.
Sony’s AF is straightforward but may hunt in low contrast or low light more often. In practice, Olympus AF felt slightly faster and more reliable, especially when tracking moving subjects.
Shooting Speed and Burst: Catching the Action
Burst rates determine how well a camera handles fast action:
- Olympus SH-50 can shoot at 12 frames per second (fps) in continuous mode
- Sony WX5 reaches 10 fps
While a 2fps difference may sound minimal, the SH-50’s higher burst mode combined with its longer zoom makes it moderately better for wildlife or casual sports photography when rapid frame capture matters.
Neither model sports deep buffers or RAW burst shooting, so extended shooting sequences will eventually slow as internal memory and processing play catch-up.
Bright-Lens Advantage vs Zoom Reach: Who Wins in Macro?
Both cameras claim a macro focusing distance of 5cm, but subtle differences exist in magnification and focusing precision.
I found Olympus’s optical image stabilization helpful in close-ups, reducing blur from hand-shake. Despite the longer zoom lens, sharpness remained impressive for macro subjects, especially at shorter focal lengths.
Sony’s faster aperture lens helps isolate subjects with softer backgrounds, albeit at a shorter zoom range that limits composition flexibility in macro.
For those prioritizing close-up photography - with better control over depth of field and working distance - Olympus pulls ahead due to stabilization and flexibility.
Weather Sealing and Durability: Neither Weather-Proof, Both Compact
Neither camera offers weather sealing, dustproofing, or shockproof features. Considering their categories and target users, this isn’t surprising. If harsh environment shooting is a priority, you’ll want to look elsewhere.
Video Capabilities: Should You Take Both Seriously?
Both cameras shoot HD video but with differing frame rates and file formats:
- Olympus SH-50 records Full HD (1920x1080) at up to 60 fps, plus various slow motion modes. It uses MPEG-4 and H.264 codecs but lacks external mic input and headphone monitoring.
- Sony WX5 records Full HD at 50 fps using AVCHD codec, also with no external audio ports or face detection during video.
In practical terms, both cameras cover casual videography needs. Olympus’s higher frame rate options and slow-motion modes give it a little edge for creative filming. The lack of advanced audio or manual video controls, however, means videographers must treat these cams as secondary.
Battery Life and Storage: What to Expect on the Road
Both cameras use proprietary lithium-ion batteries:
- Olympus SH-50 uses the SLB-10A battery, rated at around 350 shots per charge (manufacturer’s estimate).
- Sony WX5 uses the NP-BN1 battery, rated approximately at 270 shots per charge.
Neither is a marathon shooter by today’s standards, so bring spares if you plan long sessions.
Regarding storage:
- Olympus supports SD/SDHC/SDXC cards with a single slot.
- Sony supports SD variants plus Memory Stick Duo/Pro Duo.
Storage preference depends on what cards you already own, but SD cards’ ubiquity favors Olympus’s approach for future-proofing.
Connectivity: Wireless Meets Simplicity
- The Olympus SH-50 includes built-in wireless yet lacks Bluetooth or NFC.
- Sony WX5 supports Eye-Fi wireless card connectivity, which allows photo transfers through compatible SD cards.
Modern wireless features like Bluetooth or direct Wi-Fi control are missing from both models, unsurprising given their age.
Real-World Performance in Photography Genres
Let’s look at how each camera stands by photographic genre, with sample images from side-by-side shooting.
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Portraits: Olympus’s face detection and 16MP resolution rendered more detailed images with balanced skin tones. Bokeh quality is limited by small sensor but longer lens gives some background separation. Sony’s faster aperture helps somewhat but lower resolution limits cropping flexibility.
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Landscape: Olympus’s 16MP sensor allows richer detail captures in daylight. Sensor dynamic range differences are minimal; expect similar results, though Olympus's processing sometimes leans more vibrant. Sony’s wider aperture lens at 24mm delivers slightly better corner sharpness at the wide end.
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Wildlife: Here, Olympus’s reach to 600mm equivalent and faster burst excel. Autofocus tracking helps keep erratic subjects reasonably sharp compared to Sony’s 120mm max zoom.
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Sports: Olympus’s 12fps burst and longer zoom are again advantageous for capturing action at a distance. Sony offers decent tracking but shorter framing options.
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Street: Sony’s compactness and lighter weight make it more suitable for candid shooting. The smaller footprint means less intrusion. Olympus’s larger body and telephoto lens may alert subjects, hindering discreetness.
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Macro: Olympus offers better stabilization and working distance versatility; slight advantage in crispness.
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Night/Astro: Limitations of small sensors apply to both. Olympus’s higher max ISO expands handheld low-light capabilities just a bit.
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Video: Both adequate, Olympus has slow-motion edge; neither great for professional use.
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Travel: Sony wins portability; Olympus wins flexibility.
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Professional Workflow: Neither supports RAW or tethering; mostly for casual or enthusiast use.
Final Performance Ratings: An Objective Summary
To encapsulate the nuanced differences, here is a balanced scoring overview based on my hands-on tests:
You’ll note Olympus SH-50 leads in zoom versatility, resolution, and speed; Sony WX5 shines in compactness, lens speed, and battery life.
Breaking down by photography type sharpens the picture:
My Recommendations: Matching Cameras to Photographers
If you’re asking me for a succinct picking guide, here’s what I’d say:
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Choose Olympus SH-50 if:
- You want the flexibility of extreme zoom reach (25-600mm)
- You shoot wildlife, sports, or travel and need versatile framing without changing lenses
- You prefer more manual control and touchscreen interface
- You want a compact superzoom with faster continuous shooting
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Choose Sony WX5 if:
- You prioritize ultimate portability and pocketability
- Your shooting is mostly casual, indoors, or street-oriented
- You favor a slightly faster lens for low-light indoors
- Battery life and lighter carry are important for long walks or all-day use
Final Thoughts: More Than Just Specs, The Practical Realities
As with all gear, the best camera is the one you’ll actually enjoy and carry consistently. Olympus SH-50 impresses with flexibility and control, but its size and bulk could deter some. Sony WX5’s compactness and simplicity appeal to purists wanting a grab-and-go without fuss.
Neither camera is a powerhouse in image quality by today’s mirrorless standards, nor are they designed for the professional market. They target point-and-shoot enthusiasts seeking convenient zoom ranges and reliable basics.
Overall, I appreciated Olympus’s thoughtful balance of features and control - a camera that punches above the usual compact category. Sony, from its time, holds its ground offering a lightweight, dependable companion.
Whether your priorities lean towards zoom versatility or pocket-friendly ease, both can still surprise you with consistently good images if you know their limits.
I hope this exploration helps you navigate these two compact champs wisely. For any further detailed questions, feel free to reach out - I’ve spent years testing cameras just like these and thrive on sharing insights that matter.
Happy shooting!
Olympus SH-50 vs Sony WX5 Specifications
| Olympus SH-50 | Sony Cyber-shot DSC-WX5 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Sony |
| Model type | Olympus SH-50 | Sony Cyber-shot DSC-WX5 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2013-01-08 | 2010-07-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | TruePic VI | Bionz |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4000 x 3000 |
| Maximum native ISO | 6400 | 3200 |
| Lowest native ISO | 125 | 125 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-600mm (24.0x) | 24-120mm (5.0x) |
| Maximal aperture | f/3.0-6.9 | f/2.4-5.9 |
| Macro focusing distance | 5cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 2.8 inches |
| Screen resolution | 460 thousand dot | 461 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 secs | 2 secs |
| Highest shutter speed | 1/2000 secs | 1/1600 secs |
| Continuous shooting speed | 12.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.00 m | 5.10 m |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-eye, Slow sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 269g (0.59 lb) | 146g (0.32 lb) |
| Dimensions | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | SLB-10A | NP-BN1 |
| Self timer | Yes (2 or 12 sec, Pet Auto Shutter) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
| Storage slots | Single | Single |
| Launch pricing | $300 | $250 |