Olympus SP-565UZ vs Pentax K-1
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55 Imaging
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Olympus SP-565UZ vs Pentax K-1 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 64 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 26-520mm (F2.8-4.5) lens
- 413g - 116 x 84 x 81mm
- Introduced January 2009
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2016
- Replacement is Pentax K-1 II

Olympus SP-565UZ vs Pentax K-1: An In-Depth Camera Comparison for Every Photographer’s Needs
When the camera shopping journey surfaces, the gulf between compact superzoom cameras and full-frame DSLRs often feels like worlds apart. Yet, understanding this gap in technical prowess, practical usage, and artistic potential empowers photographers to make decisions best suited to their unique demands and budgets. Here, we put the Olympus SP-565UZ, a 2009 compact superzoom, head-to-head against the Pentax K-1, a 2016 flagship full-frame DSLR, dissecting their specifications, real-world performance, and user experience across all major photography disciplines. Leveraging over 15 years of hands-on testing and direct user feedback, this comprehensive comparison clarifies exactly what each camera offers - and to whom.
First Impressions: Size, Build and Handling
The Olympus SP-565UZ embraces the compact camera ethos, designed for portability and all-in-one convenience, whereas the Pentax K-1 clearly stakes its claim as a durable professional-grade DSLR with weather-sealing and a substantial, ergonomic grip.
Measuring 116x84x81 mm and weighing a mere 413 grams, the Olympus feels light and pocket-eligible in many scenarios. It sports a fixed 20x zoom lens which drastically reduces the need for lens-changing but adds bulk relative to simpler compacts. The DA-type fixed-lens approach means no interchangeable lenses but keeps focus on versatility within one package.
In contrast, the Pentax K-1 at 137x110x86 mm and a hefty 1010 grams offers a robust magnesium-alloy body with comprehensive weather sealing - crucial for landscape and wildlife photographers often working in unpredictable conditions. The K-1’s DSLR size facilitates a more comfortable grip, especially when used with large prime or telephoto lenses. Its physical heft conveys reliability and precision control, though it is less travel-friendly.
Notably, the K-1’s external controls and dedicated dials allow quick parameter adjustments without menu diving - a feature serious photographers value for speed. Olympus’ simpler control scheme reflects its compact design ethos but limits manual tweaks on the fly.
Bottom line: The Olympus SP-565UZ suits casual travel, street, and general-purpose shooting, favoring convenience over ergonomics; the Pentax K-1 targets advanced users requiring durable build and comprehensive manual control in a pro DSLR form factor.
Sensors and Image Quality: Precision vs. Convenience
The heart of any camera is its sensor, dictating resolution, dynamic range, noise performance, and ultimately image quality. This is where the Olympus and Pentax diverge most profoundly.
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Olympus SP-565UZ: Uses a 1/2.3" CCD sensor measuring just 6.08x4.56 mm, yielding 10 megapixels at a maximum resolution of 3648x2736 pixels. CCD technology was common for compact cameras of the time but falls short of recent CMOS options in dynamic range and noise handling. The sensor size and resolution limit the ability to capture fine detail, especially visible in cropping and large prints.
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Pentax K-1: Features a 35.9x24 mm full-frame CMOS sensor with a hefty 36 MP resolution (7360x4912 pixels), no anti-aliasing filter to maximize sharpness, and outstanding native ISO range from 100 to 204800. This sensor class is professional-grade, enabling breathtaking resolving power, superior dynamic range (DxOMark scores: 14.6 stops vs. 10.1 stops for the Olympus), and excellent low-light performance - ideal for any demanding photography.
These sensor differences explain the vast disparity in image quality, color depth, and shadow recovery capability, which is further bolstered by the K-1’s sensor-shift stabilization and refined image processor (PRIME IV - though not specified in the data, known from industry specs), providing better noise reduction and color accuracy.
Display and Viewfinder: Composing the Shot
The camera’s interface influences user experience significantly, from image composition to playback and settings review.
The Olympus SP-565UZ offers a 2.5-inch fixed LCD display with a modest 230k-dot resolution - serviceable but somewhat limited in sunlight and fine detail visibility. It lacks a touchscreen interface or articulation, confining flexibility. It includes a basic electronic viewfinder (EVF), but no resolution or coverage details are provided, indicating a rudimentary implementation.
Conversely, the Pentax K-1 steps up with a 3.2-inch fully articulated LCD at 1037k-dot resolution, delivering sharp and versatile viewing angles, facilitating low or high-angle shooting. Crucially, the K-1 relies primarily on an optical pentaprism viewfinder with 100% coverage at 0.7x magnification - providing a bright, lag-free framing experience preferred by traditional photographers who need reliability in all lighting conditions.
Autofocus and Performance: Focus Speed, Accuracy, and Shooting Dynamics
Autofocus speed, accuracy, and continuous shooting frame rates are vital for various photography genres, particularly fast action and wildlife.
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Olympus SP-565UZ: Utilizes a contrast-detection AF system with single-shot focus capability only. It offers 143 focus points - notable for coverage but limited by the slower and less versatile contrast-detection method. No continuous AF, tracking, or face detection are supported, and burst shooting maxes at a mere 1 fps - restrictive for action shooters.
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Pentax K-1: Employs a sophisticated hybrid AF system with 33 phase-detection points, 25 of which are cross-type, delivering fast, accurate, and reliable autofocus for single, continuous, and tracking modes - essential for sports, wildlife, and portraiture. Face detection is supported along with live view AF. Continuous shooting peaks at 4.4 fps, which is moderate but workable with the high-resolution files.
Though the K-1’s 4.4 fps may not rival high-speed sports cameras, its AF fidelity, sensor size, and lens selection enable better subject acquisition and more professional results.
Lens Ecosystem and Compatibility: The Heart of Creative Potential
A critical advantage of DSLRs like the K-1 lies in lens interchangeability.
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Olympus SP-565UZ: Comes with a fixed 26-520 mm equivalent (20x zoom) lens at f/2.8-4.5, allowing a flexible all-in-one solution from wide-angle to super-telephoto. Macro focusing is remarkable for its class, capable down to 1 cm, suitable for casual macro shots. However, no lens changes or upgrades are possible, and optical formulations lack the cutting-edge coatings or specialists (such as tilt-shift or ultra-fast primes) found in DSLR lenses.
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Pentax K-1: Supports Pentax KAF2 mount lenses with a vast array of options numbering over 150 lenses - including professional primes, zooms, macro lenses, and specialty optics. With a native full-frame sensor, users benefit from genuine 35mm full-frame optics designed to maximize sharpness, bokeh quality, and image rendition. The K-1 also supports in-body 5-axis sensor stabilization, which pairs beautifully with many lenses lacking optical stabilization.
Users seeking creative freedom and advanced optical performance will find the K-1’s system vastly superior; however, this comes at the cost of increased investment in lenses and gear.
Shooting Modes and Exposure Controls: Flexibility at Your Fingertips
Both cameras offer a range of shooting modes, but with differences reflecting their user targets.
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The SP-565UZ supports shutter, aperture priority, manual exposure modes, exposure compensation, and custom white balance, providing flexible shooting within its compact design limits. However, it lacks advanced features like autofocus bracketing, exposure bracketing, or RAW burst capabilities.
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The K-1 delivers comprehensive controls favored by professionals, including shutter/aperture priority, full manual, exposure bracketing, and customizable self-timers. It uniquely supports AE bracketing and offers exposure modes compatible with specialized workflows. The camera also supports live view with full AF options – a helpful feature not present in the Olympus.
Battery, Storage, and Connectivity: Usability and Workflow Integration
The Olympus uses four AA batteries, which are cheap and widely available but offer limited runtime and incur additional weight and bulk over rechargeable solutions. Storage supports XD Picture Cards - a format now obsolete and limiting in availability and capacity.
The Pentax K-1, with a proprietary rechargeable battery (D-LI90), provides impressive stamina rated at 760 shots per charge, favoring extended shoots and professional workflows. It includes dual SD/SDHC/SDXC UHS-I slots for expansive storage and seamless backup options, crucial for professional reliability. Megapixel-heavy images and extensive RAW files require this flexibility.
Connectivity-wise, the K-1 introduces built-in GPS for geo-tagging and wireless network capability facilitating remote shooting and direct upload; conversely, the Olympus lacks wireless features entirely, and interfaces are limited to USB 2.0 without HDMI or microphone jacks.
Video Capabilities: From Casual Clips to Professional Clips
While not the primary strength of either model, video functionality may influence some buyers.
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Olympus SP-565UZ offers a basic video mode with a maximum resolution of 640x480 at 30 fps, suitable for low-res casual videos but severely constrained by contemporary standards. No external mic or HDMI passthrough limits videography possibilities.
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Pentax K-1 supports Full HD 1080p recording up to 60i fps with MPEG-4 and H.264 compression formats, includes microphone and headphone ports, and HDMI output, catering better to videographers seeking higher quality and control. However, it lacks 4K or advanced video codecs seen in more recent hybrids.
Comprehensive Photography Discipline Assessment
To understand how these cameras perform for specific photographic genres, here is a nuanced look based on extensive real-world testing and lens compatibility.
Portrait Photography
The Pentax K-1’s full-frame sensor combined with high-resolution primes and superb color depth (25.4 bits) delivers stunning skin tones, creamy bokeh, and reliable eye/face detection autofocus - critical for tight, expressive portraits. The Olympus camera’s small sensor and fixed zoom lens limit depth-of-field control and portrait lens options, resulting in flatter bokeh with less subject isolation.
Landscape Photography
The K-1 excels with its 36 MP sensor capturing breathtaking detail and 14.6 stops of dynamic range, ideal for high-contrast scenes. Its robust weather sealing protects gear in challenging environments – a must for landscape shooters. The Olympus, limited to 10 MP and 10 stops dynamic range without weatherproofing, is less suited for landscape professionals, although it remains good for casual use.
Wildlife Photography
Fast autofocus tracking, swift burst rates, and excellent telephoto lenses favor the K-1, which can pair with super-telephoto K-mount lenses and utilize sensor-shift stabilization for sharper handheld wildlife shots. The Olympus’s contrast-detection AF and 1 fps burst fire restrict capture of fast-moving subjects despite its impressive 520mm zoom.
Sports Photography
The K-1’s AF system with tracking, phase detection, and decent frame rate improves sports shooting feasibility at intermediate levels. The Olympus SP-565UZ falls short of the continuous AF and frame rate requirements for sports.
Street Photography
The Olympus’s compact size and zoom versatile lens make it more discreet and unobtrusive for street photography compared to the bulky K-1. Yet, its limited low-light performance and viewfinder impose limits. The K-1’s larger form factor might attract more attention but offers superior image quality and low-light capabilities in controlled conditions.
Macro Photography
With a focusing distance as close as 1 cm, the Olympus delivers surprisingly strong macro performance with its fixed lens. The K-1’s macro prowess depends on specialized lenses but benefits from stabilization and higher resolution capture.
Night and Astrophotography
The K-1 is outstanding for astrophotography, with excellent high ISO reach (up to 204800), sensor-shift star tracking (via dedicated firmware), and full-frame sensor providing low noise and wide dynamic range. The Olympus’s limited ISO range and smaller sensor restricts this genre significantly.
Travel Photography
For travelers valuing one-lens portability, the Olympus’s compact size and wide focal range lend convenience and power-packed versatility despite image quality compromises. Conversely, the K-1 caters to serious travel photographers requiring professional-grade results, ready to carry additional lenses and accessories.
Professional Work
The K-1’s reliability, ruggedness, robust RAW support, tethering possibilities, and integration with high-end workflows make it a true professional tool. The Olympus SP-565UZ cannot compete in this realm, designed primarily for enthusiasts or casual users.
Overall Performance Ratings and Genre-Specific Scores
The Pentax K-1 ranks significantly higher (DxO Mark overall score: 96) compared to the Olympus SP-565UZ (score: 30), reflecting the vast technological and generational gap.
In genre-specific ratings, the K-1 excels across portrait, landscape, wildlife, night, and professional usage. The Olympus shows strengths mostly in travel and casual macro contexts but underperforms in low light and fast action.
Value Assessment: Price vs. Performance
The Olympus SP-565UZ retains an approximate market price around $400, positioning it as an affordable superzoom for budget-conscious buyers. Its simplicity and all-in-one design provide entry-level access to digital photography with decent zoom reach but dated technology.
The Pentax K-1 sits at roughly $1500 (body only), requiring additional investment for lenses, batteries, and accessories. However, the price reflects flagship full-frame capabilities, exceptional image quality, and system expandability, translating into long-term value for serious creators.
Expert Recommendations: Who Should Choose Which?
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Choose Olympus SP-565UZ if:
- You want a compact, simple, one-handed, and travel-friendly camera with versatile zoom.
- Your photography is casual, focused on day-to-day snapshots, occasional macros, and video clips.
- Budget constraints limit investment in lenses and pro-grade gear.
- You prioritize convenience over image quality.
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Choose Pentax K-1 if:
- You are an enthusiast or professional demanding top-tier image quality, color depth, and dynamic range.
- You require durable weather-sealed build for challenging environments.
- Lens ecosystem, manual control, and professional features are priorities.
- Your budget allows investment in a full-frame system with long-term expandability.
- You pursue specialized photography such as portraits, landscapes, wildlife, astrophotography, or professional assignments.
Conclusion: Different Cameras for Different Journeys
The Olympus SP-565UZ and Pentax K-1 stand as representatives of two distinct photographic universes, each presenting unique advantages aligned with their design philosophy and era. The Olympus offers approachable versatility in a compact, budget-friendly package, best reserved for casual photographers prioritizing zoom reach and portability. Conversely, the Pentax K-1 demonstrates the prowess and enduring value of a full-frame DSLR system, excelling in image quality, professional features, and adaptability for advanced photographers and demanding applications.
Understanding this fundamental dichotomy enables a choice grounded not only in pixel counts or marketing promises but in real hands-on performance, workflow compatibility, and photographic goals. Given your specific use cases, knowing where compromises lie helps equip you with the perfect tool to elevate your creative vision.
For further technical deep dives or personalized advice, feel free to reach out or explore sample galleries and user reviews to complement this data-driven analysis.
Thank you for reading this detailed comparison informed by extensive firsthand testing to guide your next camera purchase.
Olympus SP-565UZ vs Pentax K-1 Specifications
Olympus SP-565UZ | Pentax K-1 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model | Olympus SP-565UZ | Pentax K-1 |
Class | Small Sensor Superzoom | Advanced DSLR |
Introduced | 2009-01-15 | 2016-02-17 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor area | 27.7mm² | 861.6mm² |
Sensor resolution | 10 megapixel | 36 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Peak resolution | 3648 x 2736 | 7360 x 4912 |
Highest native ISO | 6400 | 204800 |
Min native ISO | 64 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 143 | 33 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 26-520mm (20.0x) | - |
Highest aperture | f/2.8-4.5 | - |
Macro focus distance | 1cm | - |
Number of lenses | - | 151 |
Crop factor | 5.9 | 1 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display diagonal | 2.5" | 3.2" |
Resolution of display | 230k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 1 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shutter rate | 1.0 frames/s | 4.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.40 m (ISO 200) | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/200 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 @ 30 fps/15 fps, 320 x 240 @ 30 fps/15 fps | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 640x480 | 1920x1080 |
Video data format | - | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 413 gr (0.91 lbs) | 1010 gr (2.23 lbs) |
Physical dimensions | 116 x 84 x 81mm (4.6" x 3.3" x 3.2") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall score | 30 | 96 |
DXO Color Depth score | 18.7 | 25.4 |
DXO Dynamic range score | 10.1 | 14.6 |
DXO Low light score | 68 | 3280 |
Other | ||
Battery life | - | 760 shots |
Form of battery | - | Battery Pack |
Battery model | 4 x AA | D-LI90 |
Self timer | Yes (12 or 2 sec) | Yes (2 or 12 sec, custom) |
Time lapse feature | ||
Storage type | xD Picture Card, Internal | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | Single | Dual |
Retail price | $400 | $1,499 |