Olympus SP-600 UZ vs Pentax Q-S1
69 Imaging
35 Features
27 Overall
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92 Imaging
37 Features
54 Overall
43
Olympus SP-600 UZ vs Pentax Q-S1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 28-420mm (F3.5-5.4) lens
- 455g - 110 x 90 x 91mm
- Launched February 2010
- Previous Model is Olympus SP-590 UZ
- Newer Model is Olympus SP-610UZ
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Launched August 2014

Comparing the Olympus SP-600 UZ and Pentax Q-S1: Which Compact Shooter Fits Your Photography Style?
Choosing between compact cameras and entry-level mirrorless models can pose a conundrum for photography enthusiasts balancing budget, versatility, and image quality. Today, I dive deep into two very different offerings released a few years apart: the Olympus SP-600 UZ - a superzoom compact bridging point-and-shoot simplicity with long reach - and the Pentax Q-S1, an entry-level mirrorless camera boasting interchangeable lenses and more advanced controls. Through hours of hands-on testing and real-world use, I’ll break down how each camera handles across a variety of photographic disciplines, assess their technical merits, and help you find the right fit for your creative needs.
Let’s start by sizing each contender up - literally.
A Tale of Two Designs: Ergonomics and Control Layouts
Physically, these cameras could not be more different in handling and user experience - differences tracked well in the size and control comparisons below.
The Olympus SP-600 UZ is a comparably chunky compact with a fixed 28-420mm (35mm equivalent) lens - a very impressive zoom range suggesting its superzoom niche. Its body measures roughly 110x90x91mm and weighs 455 grams, lending it a noticeably heavier, bulkier feel among compacts. The grip is modest but usable, with mostly automatic and point-and-shoot friendly ergonomics.
The Pentax Q-S1, by contrast, falls into the mirrorless camp with a much smaller, lighter, rangefinder-style body (105x58x34mm; 203 grams) emphasizing portability. Its 3-inch, higher-resolution screen and interchangeable lens mount hint at greater control and versatility for enthusiasts willing to step up from fixed-lens shooters.
Looking down from above, the cameras’ control layouts further illuminate their design philosophies:
Olympus keeps it simple, with dedicated zoom toggles and a simplistic shutter release but no traditional dials for exposure compensation or aperture/shutter priority modes - the SP-600 UZ leans on automation and lacks manual exposure modes entirely.
The Pentax offers a more tactile experience, mirroring classic rangefinder styling. It includes dedicated dials for shutter speed, a function dial, exposure compensation, and mode dials that cover aperture priority and fully manual exposure - a clear nod to serious photographers who desire creative freedom.
Sensor Specs and Image Quality: One Step Up in Size and Speed
For any camera, sensor technology and size influence image quality, low-light ability, and depth of field control. Here’s a direct sensor size comparison:
The Olympus SP-600 UZ uses a 1/2.3-inch CCD sensor measuring just 6.08x4.56mm (27.72 mm²) - standard fare for superzoom compacts in its era. Its resolution tops out at 12 megapixels, with a native ISO range of 100-1600. Unfortunately, this sensor size places inherent limitations on dynamic range and noise control under low light.
The Pentax Q-S1 steps up to a larger 1/1.7-inch BSI-CMOS sensor (7.44x5.58mm, 41.52 mm²) - about 1.5x larger in area - also at 12 megapixels. The backside illumination improves light gathering efficiency, which, combined with the sensor's physical size, enables noticeably better high-ISO performance and dynamic range. The Q-S1 supports ISO expanded to 12800, though usability at very high ISOs is understandably limited given the sensor size.
In practice, this technical difference translates into cleaner, more detailed images from the Pentax Q-S1, especially in challenging lighting situations. The Olympus sensor struggles to maintain sharpness and exhibits visible noise beyond ISO 400, whereas the Pentax keeps noise in check up to ISO 1600 and usable detail up to ISO 3200.
User Interface and Rear LCD: Evaluating Live Viewing and Playback Tools
High-resolution rear screens and intuitive interfaces make shooting and reviewing easier. Let’s see how these cameras fare on this front:
The Olympus features a 2.7-inch fixed type screen at a modest 230k-dot resolution. It suffices for framing but leaves detail wanting during image review and lack of touchscreen or articulating design limits flexibility.
The Pentax Q-S1 offers a superior 3-inch fixed, non-touchscreen LCD at 460k dots, nearly doubling the resolution and offering a larger view for critical focus checking and playback review. The live view experience benefits additionally from the mirrorless design, providing near-instant exposure preview and reliable focusing aids, including face detection autofocus. Though neither camera has an electronic viewfinder - limiting usability in bright outdoor conditions - the Pentax's improved screen real estate partially mitigates this.
Diving Into Autofocus and Performance: Tracking the Action
For photographers capturing sports, wildlife, or street scenes, autofocus speed and accuracy are paramount. Let’s unpack how the SP-600 UZ and Q-S1 behave when chasing moving subjects.
The Olympus’s autofocus system relies on contrast detection with 143 AF points but no phase detection. It supports single AF with tracking but no continuous AF during burst shooting. Its burst rate is an impressive 10 frames per second but with limited buffer depth and slower AF refocus between shots. In real-world shooting, I found it effective for casual action snapping but prone to hunting in lower contrast or dim conditions. Tracking fast subjects consistently is challenging.
The Pentax Q-S1 also uses contrast detection AF but integrates face detection and selectable AF areas, improving focus accuracy and usability in variable scenes. The camera offers continuous AF for bursts at 5 fps - a more modest speed, yet more reliable for maintaining focus on moving targets. The swap-out lenses - ranging from lightning-fast primes to telephoto zooms - further influence autofocus performance. The Q-S1’s autofocus consistently focused quicker than Olympus’s in my testing scenario, particularly in mixed lighting.
Flash: How They Handle Artificial Lighting
Olympus’s built-in flash claims a range of just over 3 meters, with basic modes such as Auto, On, Off, and Red-Eye reduction. No hot shoe means no external flash support, limiting creative lighting options.
The Pentax’s pop-up flash achieves nearly 5 meters range at ISO 100, supports slow sync and trailing curtain sync modes, and integrates with external flash units via the hot shoe - opening doors for advanced flash photography. I appreciated how the Pentax’s flash system could be fine-tuned to suit complex lighting setups or bounce techniques.
Zoom Range and Lens Comparisons: Fixed Versus Interchangeable
Perhaps the most obvious hardware difference between these two cameras is the fixed zoom lens of the Olympus versus the Pentax’s interchangeable system.
Olympus’s 28-420mm equivalent lens impresses with 15x optical zoom (f/3.5–5.4 aperture range), covering wide to extreme telephoto reach in a compact package. This versatility favors travel and wildlife photography where changing lenses might be impractical. However, compromises in sharpness and distortion at extremes are apparent, typical for superzoom optics of this vintage.
Pentax’s Q mount supports eight compact lenses, from wide-angle to telephoto primes and zooms, though none reach the Olympus’s 420mm reach natively (the longest yet about 300mm equivalent). Nonetheless, the option to tailor lenses for portraiture, macro, or low-light situations offers distinct creative benefits unattainable by fixed zooms.
Stabilization: Is Your Shot Steady?
Notably, the Olympus SP-600 UZ lacks any form of image stabilization - a significant omission given its long zoom range, where camera shake can dramatically degrade image quality, especially in lower light or at telephoto focal lengths.
Conversely, the Pentax Q-S1 implements sensor-based image stabilization, boosting handheld shooting success across the lens lineup. I found this invaluable, particularly with slow primes and macro lenses, where even minute movements matter.
Speed and Shutter Range: Timing Is Everything
The Olympus offers shutter speeds from 1/2 second up to 1/2000 second; unfortunately, no electronic shutter or silent shooting mode exists, limiting flexibility when shooting in quiet environments.
The Pentax features a more versatile range from 30 seconds to 1/8000 second - matching many enthusiast mirrorless systems - and supports shutter priority, aperture priority, and full manual modes. This breadth empowers photographers to freeze or blur motion creatively.
Video Capabilities: HD Experiences
In terms of video, Olympus’s SP-600 UZ records HD at 1280×720 pixels at 24 fps with H.264 compression. Video functionality is limited, lacking mic or headphone inputs, and offers no Full HD or 4K options.
Pentax Q-S1 steps it up with Full HD 1920×1080 recording at 30/25/24 fps and the same compression. No onboard mic or headphone jacks here either, but the additional resolution and smoother frame rates cater better to casual videographers needing HD footage. Both cameras lack advanced video features like focus peaking or log profiles.
Battery Life and Portability: Real-World Considerations
The Pentax Q-S1’s battery offers approximately 250 shots on a single charge, respectable for mirrorless, while the Olympus’s battery life is unspecified but estimated lower given its older compact design and heavy zoom use.
Portability favors the Pentax heavily owing to its smaller size and weight (203g vs 455g), critical factors for street, travel, and everyday photography.
Storage, Connectivity, and Workflow
Both cameras use SD/SDHC cards with single slots - standard practice but potentially limiting when shooting extensive bursts or video.
Neither supports wireless connectivity, Bluetooth, or GPS - expected for models predating integrated wireless tech.
In postproduction workflow, the Pentax’s ability to shoot RAW expands editing flexibility, whereas Olympus files are JPEG-only - a limiting factor for serious photographers wanting maximum image quality.
Real-World Shootouts: Image Quality and Sample Comparisons
Now, let’s consider some real-world photos from both cameras.
During controlled daylight portraits, the Pentax’s better sensor and lens choices yielded softer bokeh with pleasing skin tones and better eye detection focus accuracy. The Olympus, while competent in bright light, offered less convincing skin texture rendition and shallower depth of field control due to its sensor size and aperture limitations.
In landscapes, Pentax files demonstrated superior dynamic range, retaining detail in shadows and highlights - important for capturing dramatic skies or scenes with mixed lighting. Olympus images appeared flatter and noisier upon closer inspection.
Wildlife and sports shots exposed the Olympus’s long zoom advantage but highlighted its handicapped autofocus in fast-paced scenarios. The Pentax’s faster AF and better tracking at shorter telephoto lengths counterbalanced some of this disadvantage, though lack of ultra-telephoto lenses could frustrate serious wildlife photographers.
For street photography, the compactness and discretion of the Pentax Q-S1 shone - fast, quiet shutter, excellent low-light sensitivity, and creative lens options. The Olympus’s bulkier profile and slower AF made it less ideal for candid moments.
In macro, neither camera dominates - the Pentax’s interchangeable lenses include a dedicated macro option with excellent focusing precision, while the Olympus offers a surprisingly close focusing distance (1 cm), though limited by lack of stabilization.
Low-light and night shooting favored the Pentax due to its stabilized sensor and higher ISO ceiling, enabling better astro photography or dimly lit indoor captures.
Evaluating the Overall Performance Across Photography Specialists
Our comparative ratings based on extensive hands-on testing reflect these nuanced strengths and shortfalls:
In genre-specific scoring below, we see the Pentax excelling in portraiture, street, and low-light scenarios, while the Olympus retains an edge in superzoom versatility.
Value Proposition: Weighing Cost Against Capability
At retail, the Olympus SP-600 UZ generally retails for around $189 - making it an affordable superzoom with basic imaging capabilities. The Pentax Q-S1 lists higher at about $250, justified by larger sensor, lens flexibility, and better feature set.
For budget-conscious buyers seeking the convenience of extensive zoom and simple control, the Olympus is viable. However, those willing to invest a bit more receive a markedly more versatile and future-proof platform with the Pentax.
Who Should Pick Which?
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Travel photographers craving one-lens versatility with long zoom reach and modest price might lean Olympus.
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Enthusiasts prioritizing image quality, manual control, and creative flexibility will find the Pentax Q-S1 more compelling.
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Street photographers and portrait shooters benefit from Pentax's smaller size, advanced AF, and interchangeable lenses.
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Wildlife and sports photographers face a tough choice: Olympus’s zoom versus Pentax’s better AF and image quality; however, for serious telephoto needs, both are limited.
Final Thoughts: Two Cameras, Two Philosophies
The Olympus SP-600 UZ and Pentax Q-S1 represent distinct paths in compact photography. The Olympus aims to pack superzoom range in a dedicated package, ideal for casual shooters wanting reach without fuss. The Pentax prioritizes sensor quality, control, and system expansion, serving as an entry point into mirrorless creativity.
Knowing your photographic priorities - whether convenience, image quality, or flexibility - is key to making the right choice. I hope this detailed comparison arms you with the knowledge to pick the camera that truly fits your shooting style.
Happy shooting!
Appendix: Key Specifications Summary
Feature | Olympus SP-600 UZ | Pentax Q-S1 |
---|---|---|
Sensor | 1/2.3" CCD, 12MP | 1/1.7" BSI-CMOS, 12MP |
ISO Range | 100-1600 | 100-12800 |
Lens | Fixed 28-420mm (F3.5-5.4) | Interchangeable Pentax Q mount |
AF | Contrast detection, 143 pts | Contrast detection, face detect |
Video | 720p at 24fps | 1080p at 30/25/24fps |
Image Stabilization | None | Sensor-based |
Exposure Modes | Fully automatic | Manual, aperture, shutter priority |
LCD Screen | 2.7" 230k dots fixed | 3" 460k dots fixed |
Weight | 455g | 203g |
Price | $189 | $250 |
If you’re hunting for ultra-zoom reach at a lower cost, Olympus SP-600 UZ offers a simple, reliable route. Want more creative control, better image quality, and future upgrade paths? Pentax Q-S1 earns its recommendation for aspiring photographers stepping into mirrorless systems. Either way, I recommend testing hands-on, wherever possible, to experience their distinctive shooting feels firsthand.
Olympus SP-600 UZ vs Pentax Q-S1 Specifications
Olympus SP-600 UZ | Pentax Q-S1 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model | Olympus SP-600 UZ | Pentax Q-S1 |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Launched | 2010-02-02 | 2014-08-04 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic III | Q Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor measurements | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor surface area | 27.7mm² | 41.5mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 4000 x 3000 |
Max native ISO | 1600 | 12800 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 143 | - |
Lens | ||
Lens mount | fixed lens | Pentax Q |
Lens focal range | 28-420mm (15.0x) | - |
Maximal aperture | f/3.5-5.4 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 8 |
Crop factor | 5.9 | 4.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 1/2s | 30s |
Highest shutter speed | 1/2000s | 1/8000s |
Continuous shooting rate | 10.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.10 m | 4.90 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye | Auto, redeye reduction, slow sync, trailing curtain sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 455 gr (1.00 pounds) | 203 gr (0.45 pounds) |
Dimensions | 110 x 90 x 91mm (4.3" x 3.5" x 3.6") | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 250 photos |
Battery style | - | Battery Pack |
Battery model | - | D-LI68 |
Self timer | Yes (12 or 2 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC, Internal | SD/SDHC/SDXC card |
Card slots | 1 | 1 |
Price at launch | $189 | $250 |