Olympus SP-610UZ vs Panasonic GX7
79 Imaging
37 Features
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81 Imaging
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75 Overall
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Olympus SP-610UZ vs Panasonic GX7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-616mm (F3.3-5.7) lens
- 405g - 107 x 73 x 73mm
- Announced January 2011
- Old Model is Olympus SP-600 UZ
- Renewed by Olympus SP-620 UZ
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 125 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 402g - 123 x 71 x 55mm
- Announced November 2013
- Earlier Model is Panasonic GX1
- Newer Model is Panasonic GX8

Olympus SP-610UZ vs Panasonic Lumix GX7: A Tale of Two Cameras from Distinct Worlds
Choosing a camera can sometimes feel like picking between a rugged all-terrain vehicle and a sleek sports car - both get you places, but with wildly different experiences. Today, we're going to unpack two very different cameras: the Olympus SP-610UZ, a small-sensor superzoom compact, and the Panasonic Lumix GX7, a more advanced mirrorless interchangeable-lens system (ILC). Although their release dates are a couple of years apart (SP-610UZ announced 2011, GX7 in 2013), the lesson here is timeless: understanding your photography needs first, then matching to the right tool.
Having personally tested both types extensively - thousands of images later - I’ll guide you through the practical realities of shooting with each, breaking down their strengths, trade-offs, and who exactly should consider which. Along the way, I’ll sprinkle in technical insights and real-world impressions, cutting through typical marketing fluff.
Let’s dive in - buckle up!
Size and Handling: Compact Convenience vs Ergonomic Control
First impressions count, and that begins with how the cameras feel in your hands.
The Olympus SP-610UZ is compact to the point of pocket-ability and simplicity. At 107 x 73 x 73 mm and just 405g powered by four AA batteries, it’s about as grab-and-go as it gets. Its fixed lens design means no fuss changing glass: slot it in your bag, and you’re ready to jump on any opportunity. The grip is modest but works well for casual shooting.
Contrast that with the Panasonic GX7’s rangefinder-style mirrorless body - larger and more refined at 123 x 71 x 55 mm and 402g (battery included). While the dimensions suggest a taller device, its shallow depth means it practically slides into your jacket pocket if you don’t mind some protrusion. The GX7 boasts a solid grip and button layout, designed for hands-on control and quick access to settings.
Speaking of controls...
The GX7’s top plate is a playground for enthusiasts: dedicated dials for shutter speed, exposure compensation, a hot shoe, and more. The SP-610UZ, being a simpler compact, has a minimalistic layout - ideal if you want to keep things straightforward, but limiting if you crave manual precision.
In practice: For travel, urban exploring, or casual family snaps, the Olympus’s compactness is a blessing. But if you want full manual control at your fingertips for deliberate shooting sessions, the Panasonic GX7 feels like home.
Sensor Size and Image Quality: The Heart of the Matter
Next up, let’s nerd out a bit on sensors - the critical piece that captures light and affects everything from image quality to low-light ability.
At a glance, the Olympus SP-610UZ sports a tiny 1/2.3" CCD sensor measuring roughly 6.17 x 4.55 mm (28 mm² area) with 14 megapixels. That’s a classic compact sensor size - small, with limited dynamic range and high noise at elevated ISO settings. Meanwhile, the Panasonic GX7 wields a larger Four Thirds 17.3 x 13 mm (around 225 mm²), 16MP CMOS sensor. This is closer to what you’d expect in a serious enthusiast mirrorless, offering significantly better image quality, especially in low light.
From real-world shooting, here’s what you can anticipate:
- The Olympus handles bright daylight shots crisp enough for casual prints and screen viewing but shows noise and detail loss quickly beyond ISO 800.
- The GX7 shines with its wider dynamic range (12.2 EV measured by DxO) and deeper color depth (22.6 bits), allowing for rich shadow recovery and punchy yet natural colors.
- High ISO performance is where the GX7 beats the pants off the SP-610UZ - usable images at ISO 1600 and beyond, versus struggling noise starting at ISO 400 on the Olympus.
- The CCD sensor in the SP-610UZ also means slower readout, affecting burst rates and video quality.
So, if you prize image fidelity - portraits with rich skin tones, landscapes with contrasty skies, or night shots - the GX7’s sensor is a massive step up. The Olympus sensor is fine for snapshots and zoomed-in wildlife images when lighting is perfect but don’t expect stellar quality at higher ISOs or wide dynamic range scenes.
LCD Screen and Viewfinder: Finding Your Composition
Let’s talk about framing your shots - how do these cameras help you compose?
The Olympus SP-610UZ features a 3-inch fixed, 230k-dot TFT LCD screen. It’s serviceable but struggles in bright sunlight due to limited brightness and resolution. No touchscreen functionality here, so navigating menus is more button-driven. Also, there’s no viewfinder (optical or electronic), which can make framing challenging outdoors or at eye level.
The Panasonic GX7 scores major points with a high-resolution 3-inch LCD at 1040k dots, equipped with tilting and touchscreen control. This flexibility allows creative angles and intuitive menu navigation - a godsend when you want to shoot from hip height or get into macro perspectives. Crucially, the GX7 includes a bright electronic viewfinder (EVF) with 2765k dots resolution, 0.7x magnification, and 100% coverage, allowing precise composition even under glaring sun or in fast action scenes where LCD flickering might slow you down.
Using the EVF feels like having a tiny monitor strapped to your eye that previews exposure, focus, and white balance in real-time - not just framing. It’s an essential tool for serious shooting that the SP-610UZ dearly lacks.
Autofocus and Shooting Performance: Fast and Smart or Cautious and Simple?
In the world of autofocus (AF), performance can dramatically affect your success rate in capturing sharp moments.
The Olympus SP-610UZ uses a contrast-detection AF system with 11 fixed points, lacking face or eye detection, continuous AF, or tracking. It offers single-shot AF with live view autofocus. In real world, this translates to slower, less responsive focus acquisition, especially in low light or with moving subjects. Trying to track birds mid-flight or runners at a race? You’re likely to miss the mark frequently. Moreover, with a maximum continuous shooting speed of a shy 1 frame per second, burst photography is not something this compact craves.
The Panasonic GX7 also uses contrast-detection AF but blends in on-sensor phase detection and advanced algorithms for improved speed and accuracy. It boasts 23 AF points with face detection, subject tracking, continuous AF, and selective AF zones. In my experience, the GX7 quickly locks focus, even in challenging lighting or action scenes. Continuous shooting maxes out at a respectable 5 fps - enough for casual sports or wildlife photography.
This difference matters depending on your genre preferences:
- Sports and wildlife shooters will favor the GX7’s AF speed and accuracy.
- Street photographers might find the Olympus’s slower focus acceptable, given its simplicity and zoom reach.
- Macro photographers benefit from GX7’s touch AF for precision and flexibility.
Lens Ecosystem and Flexibility: Your Creative Arsenal
The SP-610UZ’s built-in 28-616mm equivalent lens (5.8x crop factor applied) is a superzoom wonder at a relatively bright aperture of f/3.3-5.7 and a macro focus range starting at 1 cm. That’s a remarkably versatile zoom, squeezing in distant subjects as well as close-ups. However, being a fixed lens, you are locked into whatever the camera offers - no swapping for faster prime lenses or wider apertures.
Conversely, the Panasonic GX7’s Micro Four Thirds mount opens up a vast universe with over 100 compatible lenses from Panasonic, Olympus, Sigma, and others. From ultra-wide fisheyes to beastly telephotos, plus the option of fast primes for dreamy bokeh or macro glass for detail work, the creative possibilities are enormous. You also gain access to lenses with optical image stabilization, further enhancing handheld shooting quality.
For photographers hungry to experiment with focal lengths, aperture, and optical qualities, the GX7 is a flexible workhorse. The SP-610UZ is more about “one-size-fits-most” and convenience over creative diversity.
Shooting Across Photography Genres: Who Excels Where?
Let’s take the cameras for a spin across genres. Spoiler alert: their very different design philosophies show huge gaps.
Portrait Photography
Portraits are about flattering skin tones, accurate focus on eyes, and smooth bokeh.
- Olympus SP-610UZ: Its small sensor limits depth-of-field control and bokeh quality. The maximum aperture of f/3.3-5.7 is modest, and its lack of face or eye detection AF means focusing on eyes can be hit-or-miss. Skin tone rendition is acceptable but can feel flat due to limited color depth.
- Panasonic GX7: Larger sensor plus fast lenses (like the Olympus 45mm f/1.8) create creamy bokeh and beautiful skin tones. Eye detection AF helps nail focus where it counts, producing professional-grade portraits.
Landscape Photography
Landscape demands high resolution, dynamic range, and reliability often outdoors.
- SP-610UZ: Offers 14MP, somewhat restricted dynamic range, and no weather sealing. Zooming to ultra-wide angles not exceptional but workable for casual landscapes.
- GX7: 16MP sensor with wider dynamic range enables dramatic skies and shadow details. Though no weather sealing, the GX7’s build is sturdier. The lens versatility (e.g., ultra-wide primes) elevates landscape potential.
Wildlife Photography
Requires fast autofocus, good reach, and decent burst speeds.
- SP-610UZ: The 616mm equivalent zoom is a boon for distant subjects. However, slow AF and 1fps burst rate mean you’ll miss fast action.
- GX7: Faster AF and 5fps burst let you capture fleeting moments, though you’ll need a telephoto lens (e.g., 100-300mm) to match the Olympus’s reach.
Sports Photography
Similar to wildlife, but usually more demanding of speed.
- SP-610UZ: Falls short due to slow AF and sluggish shooting rate.
- GX7: More capable with continuous AF, 5fps burst, and manual controls for precise exposure. Still, for professional sports, faster cameras exist.
Street Photography
Here, discretion, portability, silent operation, and quick response shine.
- SP-610UZ: Pocketable, silent shutter mode, but slower AF can frustrate. Zoom may be overkill for typical street use.
- GX7: Compact for a mirrorless, EVF for quick composition, silent shutter, plus fast AF. A top pick for enthusiasts.
Macro Photography
Close-up work is about focusing precision and magnification.
- SP-610UZ: Claims a killer 1 cm macro mode, but image quality at such close range can be soft. Lack of manual focus limits critical control.
- GX7: Using dedicated macro lenses with manual focus and focus peaking, precise macro shooting is feasible.
Night / Astro Photography
High ISO and long exposures are the name of the game.
- SP-610UZ: Max shutter 1/2000 sec and ISO 3200, but real-world usability at ISO 800 max. No bulb mode or raw support.
- GX7: Max shutter 1/8000 sec, native max ISO 25600, plus raw shooting and flexible exposure modes help long exposure astrophotography.
Video Capabilities
- SP-610UZ: HD at 1280x720 @ 30fps, using motion JPEG - bulky files with limited quality. No mic or headphone ports.
- GX7: Full HD 1080p at 60fps, AVCHD recording, touchscreen focus during video, no external audio ports but solid for casual video.
Travel Photography
Balance and versatility wins.
- SP-610UZ: All-in-one zoom, AA batteries ease replacement, but image quality and speed limitations.
- GX7: Higher image quality, interchangeable lenses for flexibility, lightweight, better battery life (350 vs 340 shots), but you need to lug lenses.
Professional Work
- SP-610UZ: No raw, limited manual controls - unsuitable for professional assignments.
- GX7: Raw capture, full manual modes, exposure bracketing, and flexible design for professional workflows.
Build Quality and Weather Resistance
Neither camera offers weather sealing, dustproofing, or rugged protections, so handle with care outdoors. Build feels plasticky in the Olympus versus solidly built in the Panasonic, with metal parts and more tactile controls.
Battery and Storage
Olympus uses four AA batteries, convenient but adding weight and bulk. Li-ion packs in the GX7 are more efficient and lightweight, offering slightly longer life, but require charging gear.
Both cameras use SD/SDHC/SDXC cards with single slots.
Connectivity and Wireless
The SP-610UZ supports Eye-Fi card connectivity, a relatively niche feature allowing wireless transfers with special cards.
The GX7 offers built-in Wi-Fi and NFC, enabling remote control and easy image transfer to compatible devices. Much more modern and convenient.
Price and Value Assessment
Camera | Release Year | Approx. Price at Launch | Intended User | Current Price (Estimate) |
---|---|---|---|---|
Olympus SP-610UZ | 2011 | ~$300 | Casual shooters, superzoom fans | Low (used or new) $150-$250 |
Panasonic Lumix GX7 | 2013 | ~$1000 | Enthusiasts, semi-pros | Mid-range $600-$900 |
The Olympus comes at a friendly price point and minimal learning curve, making it a budget-friendly option for beginners or casual users wanting superzoom reach without fuss. The Panasonic GX7 is an enthusiast-level platform demanding more investment but rewarding with far superior image quality, versatility, and professional features.
Real-World Image Samples
Let’s see their output side by side:
You’ll notice the GX7’s files have finer detail, better dynamic range, and cleaner shadows, especially in challenging light - validating all the sensor and processing advantages discussed.
Performance Ratings Summary
Based on hands-on tests measuring image quality, speed, ergonomics, and features, here are relative scores:
The GX7 outpaces Olympus across nearly every metric except pure zoom range and compactness.
Suitability Across Photography Genres
Breaking down strengths and weaknesses per genre:
This visualization spotlights where each camera shines, helping you match your interests.
Final Thoughts and Recommendations
So, which camera should you choose? It boils down to your priorities.
Opt for Olympus SP-610UZ if:
- You want a ridiculously long zoom (up to 616mm equivalent) in a compact, easy-to-use package.
- You prefer fully automatic shooting or minimal settings tinkering.
- Budget constraints limit investment to under $300.
- Carrying heavy gear isn’t your idea of fun, and you value simplicity over image quality.
- Your photography is casual travel snaps, family portraits in daylight, or distant wildlife on a sunny day.
Go with Panasonic Lumix GX7 if:
- You want high image quality suitable for printing large photos or professional use.
- You crave manual controls, raw shooting, and customizability.
- You’re prepared to carry multiple lenses tailored to the task.
- Shooting in varied light-to-low-light scenarios is important (indoor events, night shoots).
- Video capability or creative flexibility (macro, street, portrait) matters.
- You desire a camera system with long-term upgradeability and tech support.
Closing Remarks
Comparing the Olympus SP-610UZ and Panasonic GX7 is almost like comparing apples to Swiss watches - both fundamentally capture images, but the way they approach photography is fundamentally different. The Olympus delivers “point-and-shoot superzoom” convenience; the Panasonic offers an enthusiast-grade, versatile imaging tool designed to grow with your skills and creative ambitions.
As a photographer who’s shot thousands of photos using both styles, I know that understanding these distinctions is more important than chasing specs or hype. Pick the right gear for your objectives, not the other way around.
Happy shooting, whether you’re reaching for distant eagles or carefully composing street scenes!
If you have specific questions about operating either camera or want tailored lens recommendations for the GX7, drop a comment below - I’m happy to help guide your journey.
Olympus SP-610UZ vs Panasonic GX7 Specifications
Olympus SP-610UZ | Panasonic Lumix DMC-GX7 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus SP-610UZ | Panasonic Lumix DMC-GX7 |
Class | Small Sensor Superzoom | Advanced Mirrorless |
Announced | 2011-01-06 | 2013-11-07 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic III | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor surface area | 28.1mm² | 224.9mm² |
Sensor resolution | 14MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 4592 x 3448 |
Max native ISO | 3200 | 25600 |
Min native ISO | 100 | 125 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 28-616mm (22.0x) | - |
Highest aperture | f/3.3-5.7 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 107 |
Focal length multiplier | 5.8 | 2.1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3" | 3" |
Resolution of display | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT Color LCD | LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,765k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 4 secs | 60 secs |
Fastest shutter speed | 1/2000 secs | 1/8000 secs |
Fastest quiet shutter speed | - | 1/16000 secs |
Continuous shutter speed | 1.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.30 m | 7.00 m (at ISO 200) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Slow sync w/red-eye reduction, off |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/320 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 24p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 405g (0.89 lb) | 402g (0.89 lb) |
Dimensions | 107 x 73 x 73mm (4.2" x 2.9" x 2.9") | 123 x 71 x 55mm (4.8" x 2.8" x 2.2") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 12.2 |
DXO Low light score | not tested | 718 |
Other | ||
Battery life | 340 images | 350 images |
Style of battery | AA | Battery Pack |
Battery model | 4 x AA | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 10 secs w/ 3 shots) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Storage slots | One | One |
Retail pricing | $299 | $1,000 |