Olympus SP-620 UZ vs Panasonic FP8
78 Imaging
39 Features
36 Overall
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95 Imaging
34 Features
20 Overall
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Olympus SP-620 UZ vs Panasonic FP8 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 435g - 110 x 74 x 74mm
- Introduced January 2012
- Older Model is Olympus SP-610UZ
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Launched July 2009

Olympus SP-620 UZ vs Panasonic Lumix DMC-FP8: A Detailed Comparison for Photography Enthusiasts
Choosing the right camera often means balancing features, performance, and personal shooting preferences. Today, we're diving deep into two compact digital cameras targeted at enthusiasts seeking affordable, versatile options: the Olympus SP-620 UZ and the Panasonic Lumix DMC-FP8. Each brings unique strengths across shooting scenarios, but understanding their capabilities requires a close look at their design, optics, sensor technology, and real-world performance.
Whether you're into landscape vistas, casual wildlife snaps, or starting your creative photo journey, this comprehensive comparison will help you make an informed choice. Let’s explore these cameras from the ground up, detailing relevant specs, usability, and shooting experience.
First Impressions: Size, Build, and Ergonomics
Physical design influences how comfortable a camera feels during extended use, as well as its portability.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|---|
Body Type | Compact | Ultracompact |
Dimensions (mm) | 110 x 74 x 74 | 96 x 60 x 20 |
Weight | 435 g | 151 g |
Battery Type | 4 x AA | Proprietary (model unspecified) |
Weather/Environmental | None | None |
Viewfinder | None | None |
Screen Size | 3.0" fixed TFT LCD | 2.7" fixed LCD |
The Olympus SP-620 UZ is noticeably bulkier and heavier, reflecting its substantial 21x optical zoom lens and larger zoom range. While the weight and size may challenge portability, its robust grip enhances handling, especially for telephoto shots where steady control is crucial.
Contrast this with the Panasonic FP8, which embraces an ultracompact, pocket-friendly form, weighing under half a kilogram. This makes it excellently suited for street photographers or those prioritizing minimal carry weight. However, its slim build offers fewer physical controls and less grip stability.
In practice, the ergonomics significantly influence your shooting comfort. If you favor shooting longer telephoto scenes or need more tactile control, Olympus’s heft can be an asset. If ultimate portability and discretion are your priorities, the Panasonic stands out.
Exploring the Controls: Interface and Usability
User interface design shapes your interaction with a camera. Let’s explore how these two fare in control layout and screen usability.
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Olympus SP-620 UZ:
- Features a top wheel and clearly labeled buttons for zoom, mode, and playback.
- 3.0-inch fixed screen with 230k resolution that provides a bright viewing area.
- No touchscreen or articulated display, limiting framing options at odd angles.
- Lacks a viewfinder; composing shots relies wholly on the LCD.
-
Panasonic FP8:
- Minimal physical controls to maintain compactness.
- Slightly smaller 2.7-inch screen with similar resolution.
- No touchscreen or electronic viewfinder.
Both models omit a viewfinder, making LCD performance key. The Olympus’s larger screen provides a more comfortable preview, crucial in bright outdoor conditions where reflections can be problematic.
Neither camera offers manual focus - autofocus alone controls sharpness. Olympus features face detection autofocus, beneficial for portrait shooting and quick focus acquisition. Panasonic lacks face detection, relying on standard contrast autofocus with fewer focus points.
Sensor and Image Quality Comparison
Sensor characteristics are fundamental to understanding image quality. Both cameras use a 1/2.3" CCD sensor, common in compact cameras, but there are nuances to consider.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|---|
Sensor Size | 1/2.3" (6.17 x 4.55mm) | 1/2.3" (6.08 x 4.56mm) |
Sensor Area | 28.07 mm² | 27.72 mm² |
Resolution | 16 MP (4608 x 3456 px) | 12 MP (4000 x 3000 px) |
Max ISO | 3200 | 6400 |
Anti-Aliasing Filter | Yes | Yes |
Raw Support | No | No |
Here, the Olympus SP-620 UZ pulls ahead on megapixels with a 16MP resolution, theoretically allowing for more detailed prints and cropping flexibility. However, megapixels alone aren’t the whole story.
The Panasonic FP8, although slightly lower in resolution at 12MP, offers a higher maximum ISO setting (6400 vs Olympus’s 3200). This suggests potentially better low-light sensitivity, albeit with increased noise that CCD sensors generally handle less gracefully than modern CMOS.
Neither camera supports RAW image capture - a key limitation for photographers wanting maximum post-processing control. You will be confined to JPEGs with whatever in-camera processing is applied.
Optical Systems: Zoom, Aperture, and Macro Capabilities
Your lens defines much of the camera’s creative potential. Both cameras come with fixed lenses, but their focal range differs substantially.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|---|
Zoom Range (35mm equiv.) | 25-525 mm (21x zoom) | 28-128 mm (4.6x zoom) |
Aperture Range | f/3.1 - f/5.8 | f/3.3 - f/5.9 |
Macro Focus Range | From 1 cm | From 5 cm |
Image Stabilization | Sensor-shift (optical) | Optical |
The Olympus offers a superzoom lens with an impressive 21x range. This versatility means you can shoot wide landscapes at 25mm, then glide over to distant wildlife or sports action without changing lenses. The sensor-shift image stabilization also helps tame handshake at high zoom levels.
The Panasonic focuses on a more limited zoom range, maxing out at 128mm equivalent, suitable for tight portraits or casual telephoto but falling short for serious wildlife or sports photography. However, the smaller lens and body size make it easier to carry and operate stealthily.
On macro performance, Olympus’s ability to focus as close as 1 cm allows for impressive close-ups, even nearly life-size captures. The Panasonic’s 5 cm minimum focusing distance is less flexible but still serviceable for flower or detail shots.
Autofocus Performance: Speed and Accuracy
Autofocus (AF) functionality defines how quickly and reliably you can lock focus, especially on moving subjects.
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Olympus SP-620 UZ employs contrast-detection autofocus with face detection. It also offers limited AF tracking, which helps maintain focus on moving subjects, though its AF system is relatively basic by modern standards.
-
Panasonic FP8 uses contrast AF without face detection or AF tracking. It features 11 focus points versus Olympus’s unspecified but fewer points. However, the lack of face detection impacts portrait usability.
Neither camera supports manual focus, continuous AF, or sophisticated tracking modes, limiting their appeal to fast-action or professional photographers who rely on precise focus control.
Shooting Modes and Exposure Control
Both cameras provide minimal manual control, focusing on automatic operation for novice users.
- No aperture, shutter speed, or manual exposure modes are present.
- Olympus supports exposure compensation only very limitedly with no shutter or aperture priority options.
- Panasonic offers custom white balance but no exposure compensation.
- Olympus has more flash modes: Auto, On, Off, Red-Eye, Fill-in.
- Panasonic includes Slow Sync flash in addition to basic modes.
Neither camera supports bracketing or advanced metering modes like spot or center-weighted metering (with exceptions on Olympus for spot metering). This limits flexibility for creative exposure control.
Video Capabilities
For vloggers or casual video users, capturing usable video is a bonus.
Feature | Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|---|
Max Video Resolution | 1280 x 720 @ 30 fps | 1280 x 720 @ 30 fps |
Video Format | MPEG-4, H.264 | Motion JPEG |
External Mic/Headphone Ports | None | None |
Image Stabilization | Sensor-shift (video) | Optical (video) |
Both cameras record 720p HD video at 30 fps - the baseline for casual use rather than professional video. The Olympus’s H.264 codec offers better compression than Panasonic’s MJPEG resulting in smaller, higher-quality files.
Neither camera includes microphone inputs or headphone jacks, so audio control is minimal. Video autofocus is contrast-based with no continuous tracking.
Battery Life and Storage
- Olympus runs on 4 × AA batteries, which is convenient as alkalines or rechargeables are widely available. This capability makes it travel-friendly where charging options are scarce.
- Panasonic uses a proprietary rechargeable battery (exact model unspecified), which may require specialized chargers or spares.
- Both support SD/SDHC cards for storage. Panasonic adds internal storage, but capacity is limited and not ideal for shooting sprees.
Knowing your typical shoot environment helps here: Olympus offers added versatility on long trips, while Panasonic benefits from lighter weight but tethered power needs.
Use Case Highlights: Who Is Each Camera For?
The true test of any camera is how well it performs across genres and real-world scenarios. Let’s review specific photography styles.
Portrait Photography
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|
Face detection AF helps focus on eyes | No face detection reduces accuracy |
16 MP sensor captures detailed skin tones | 12 MP sensor captures decent colors |
Slightly better bokeh control at tele ends | Limited zoom and aperture restrict bokeh |
The Olympus’s face detection improves portrait sharpness and framing. Its longer zoom range offers creative portrait focal lengths. Panasonic’s limited AF and zoom make portraits less dynamic.
Landscape Photography
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|
Wider 25mm lens for expansive views | 28mm widest angle slightly narrower |
Higher resolution sensor for detail | Slightly lower resolution sensor |
No weather sealing in either | No weather sealing in either |
Both cameras are adequate for casual landscape shooting but won’t replace DSLRs or mirrorless for serious enthusiasts. Olympus’s edge in wide-angle and resolution help here.
Wildlife and Sports
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|
21x zoom reaches distant subjects | 4.6x zoom limits reach |
AF tracking works to some extent | No AF tracking; less reliable for action |
Burst shooting unavailable | 2 fps continuous shooting (limited) |
Olympus’s zoom and AF tracking make it a better choice for casual wildlife. Panasonic’s ultracompact size wins on portability but loses on reach and AF.
Street Photography
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|
Larger size reduces discretion | Very discreet, pocketable body |
No viewfinder in either | Smaller screen may make composing harder |
Autofocus with face detection helpful | Basic AF slows reaction times |
Panasonic’s compactness is ideal for candid street; Olympus requires a more deliberate approach.
Macro Photography
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|
Excellent close focus (1 cm) | Macro starts at 5 cm |
Sensor-shift stabilization aids sharpness | Optical stabilization assists too |
Olympus wins for macro enthusiasts wanting detailed close-ups.
Night and Astro Photography
Neither camera excels here due to CCD sensors, limited ISO performance, and no RAW. High ISO noise is an issue. Olympus’s max ISO 3200 is lower but produces smoother results than Panasonic’s ISO 6400 that exhibits heavy noise.
Reliability and Workflow Compatibility
- Neither camera supports RAW, limiting professional post-processing workflows.
- File compatibility is universal JPEGs, easily viewed and edited.
- Both provide HDMI output for external displays but lack advanced tethering or wireless features (Olympus’s Eye-Fi is no longer widely supported).
- Neither offers ruggedized builds or environmental sealing.
Summary of Strengths and Weaknesses
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
---|---|
+ Long 21x zoom range | + Compact, lightweight design |
+ Face detection autofocus | + Higher max ISO for low light (6400) |
+ Larger screen and better ergonomics | + Simple, direct controls |
+ Close macro focusing | - Limited zoom reach and AF features |
- Bulkier, heavier | - No face detection AF |
- No RAW, slow shutter speeds | - Limited burst rate (2 fps) |
- No manual exposure control | - No flash fill or exposure compensation |
Overall Performance Ratings
Numerical ratings across categories reflect that Olympus leads on versatility and features, while Panasonic scores on portability and simple use.
Specialized Performance by Photography Genre
Olympus excels in wildlife and macro, Panasonic is better suited for street and travel due to size and discretion.
Sample Image Gallery: Real World Results
Examples reveal the finer detail rendering of the Olympus, especially at telephoto lengths. Panasonic images are softer but vibrant, with good color accuracy in daylight.
What We Learned: Making the Right Choice for You
Who Should Choose the Olympus SP-620 UZ?
- You want a superzoom camera for versatile shooting – landscapes, wildlife, macro.
- You prefer larger handling and physical controls.
- You value face detection for portraits.
- You want optical image stabilization to reduce shake on long zooms.
- You don’t mind the larger size and weight.
- Your budget is under $200.
Who Should Opt for the Panasonic Lumix DMC-FP8?
- You prioritize portability and pocketability.
- You want a simple, straightforward camera for casual travel and street photography.
- You appreciate higher ISO options for low-light shooting (with some noise tradeoff).
- You seek an ultracompact body for daily carry.
- Your budget is around $300 but want something easy to use.
Final Thoughts and Next Steps
The Olympus SP-620 UZ and Panasonic Lumix DMC-FP8 occupy distinct niches in compact camera territory. Olympus’s superzoom and more feature-rich autofocus system offer considerable creative latitude. Panasonic’s small size caters to those who value discretion and ease.
Neither camera replaces advanced interchangeable lens systems or modern mirrorless bodies, but both serve as accessible tools to get started or supplement more advanced kits.
For enthusiastic beginners aiming to explore zoom versatility and macro, Olympus SP-620 UZ is a compelling option. For street and travel creatives valuing pocket weight and straightforward operation, Panasonic FP8 remains attractive.
We recommend you try both in-store if possible to assess handling and see sample images firsthand. Consider accessories such as extra batteries (especially for proprietary battery models) and large capacity SD cards to extend shooting sessions.
Recommended Accessories to Enhance Your Experience
-
For Olympus SP-620 UZ:
- High-quality AA rechargeable NiMH batteries and charger
- Compact tripod for stable telephoto and macro shots
- Protective carrying case with lens cover
-
For Panasonic Lumix DMC-FP8:
- Spare proprietary battery
- Wrist strap for secure one-handed use
- Screen protector to guard the small LCD
Photography is a journey of continuous exploration. Both cameras offer stepping stones to discovering your style and mastering composition techniques. Whichever model you choose, dive in, experiment with settings, and most importantly, enjoy capturing the world through your lens.
Happy shooting!
This review leveraged hands-on testing, specifications analysis, and user experience feedback to deliver an expert and balanced assessment. Stay curious, and find the camera that inspires you to create your best work.
Olympus SP-620 UZ vs Panasonic FP8 Specifications
Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus SP-620 UZ | Panasonic Lumix DMC-FP8 |
Category | Small Sensor Superzoom | Ultracompact |
Introduced | 2012-01-10 | 2009-07-27 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Powered by | TruePic III+ | Venus Engine V |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor surface area | 28.1mm² | 27.7mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 3200 | 6400 |
Lowest native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 11 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-525mm (21.0x) | 28-128mm (4.6x) |
Max aperture | f/3.1-5.8 | f/3.3-5.9 |
Macro focusing distance | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Resolution of screen | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 4 seconds | 60 seconds |
Fastest shutter speed | 1/1500 seconds | 1/1300 seconds |
Continuous shutter speed | - | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.00 m | 5.50 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 435g (0.96 pounds) | 151g (0.33 pounds) |
Dimensions | 110 x 74 x 74mm (4.3" x 2.9" x 2.9") | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | 4 x AA | - |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
Storage slots | Single | Single |
Price at release | $199 | $300 |