Olympus SZ-11 vs Panasonic FS25
89 Imaging
37 Features
37 Overall
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95 Imaging
34 Features
24 Overall
30
Olympus SZ-11 vs Panasonic FS25 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-500mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Launched July 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Bump to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Revealed January 2009

Olympus SZ-11 vs Panasonic Lumix DMC-FS25: The Ultimate Compact Camera Showdown for Enthusiasts
Choosing a compact camera that suits your photography style, technical needs, and budget can be a challenge, especially with models like the Olympus SZ-11 and Panasonic Lumix DMC-FS25 vying for your attention. Both cameras target photography enthusiasts seeking portability with capable zoom ranges. But what separates these two compacts in terms of image quality, autofocus, handling, and suitability across photographic genres?
Having tested thousands of cameras across all disciplines, we take a deep dive into these two models. We examine their sensor performance, user experience, lens prowess, and real-world shooting capabilities, so you can make a fully informed choice.
Getting to Know Your Contenders: Size, Build, and Handling
First impressions count. How a camera feels in your hands affects your confidence and creative flow.
Feature | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Dimensions (mm) | 106 × 69 × 40 | 97 × 58 × 22 |
Weight (grams) | 226 | 148 |
Body Type | Compact, small sensor superzoom | Compact, small sensor compact |
Display Size | 3.0" | 3.0" |
Screen Resolution | 460,000 dots | 230,000 dots |
The Olympus SZ-11 is significantly chunkier and heavier, primarily because it sports an impressive 20x zoom lens, requiring a substantial zoom barrel and lens assembly. This bulk translates into a more substantial grip, which many users will appreciate for extended shooting sessions, especially outdoors.
The Panasonic FS25, meanwhile, is ultra-slim and lightweight - a design optimized for portability and casual shooting. It’s easier to slip into a pocket or small bag, making it ideal for everyday carry or street photography where discretion counts.
Ergonomics insights:
- The SZ-11’s larger size allows for better control placement and easier access to buttons without fumbling. It feels solid and balanced in hand despite the weight.
- The FS25 sacrifices some grip comfort for compactness. Its thin profile can make handheld stability a challenge unless you are mindful of your posture or use stabilization features.
Control Layout and Interface: How Quick is Your Access?
A camera’s user interface and button layout dictate how swiftly you can adjust settings on the fly.
Both cameras offer fixed rear LCDs and no electronic viewfinders. The SZ-11’s controls are more generously spaced with clearly labeled buttons, reflecting its slightly higher-end aim. You get dedicated zoom rocker switches and quick access to function menus.
The FS25’s control scheme is more minimalistic. While this reduces complexity, it also limits manual adjustment capabilities - notably missing shutter or aperture priority modes outright in both models, limiting your creative exposure options.
Sensor and Image Quality: The Heart of Photography
Understanding sensor technology and performance gives you a clear picture of expected image quality.
Specification | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
Sensor Area | 28.07 mm² | 27.72 mm² |
Resolution | 14 MP | 12 MP |
Max ISO | 1600 | 1600 native (6400 boosted) |
Anti-Aliasing Filter | Yes | Yes |
Image Processor | TruePic III+ | Unspecified |
Raw Support | No | No |
Both employ CCD sensors typical of earlier compact cameras, which generally sacrifice high ISO performance compared to modern CMOS counterparts. The Olympus offers a modest edge in megapixels and sensor area but lacks raw image capture - a limiting factor if you want full control in post-production.
The Panasonic FS25 users may find the boosted ISO 6400 useful for certain low-light snapshots, though noise can become prominent. Its sensor is fractionally smaller but close enough that image noise levels and dynamic range are generally comparable.
Image quality practical takeaways:
- Both cameras shine under good daylight conditions - colors are vibrant, and detail is appreciable at base ISO settings.
- You will likely notice softness and noise above ISO 400-800; these models are not suited for demanding low-light photography.
- Neither option matches modern DSLR or mirrorless image quality but are perfectly fine for casual sharing and travel snaps.
Displays and Live View: How Do You See Your Shot?
Having a bright, sharp display matters for composing shots, especially outdoors.
Feature | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Screen Size | 3.0" | 3.0" |
Screen Resolution (dots) | 460,000 | 230,000 |
Screen Technology | TFT Color LCD | TFT Color LCD (unspecified) |
Touchscreen | No | No |
Articulating Screen | No | No |
The SZ-11 features a higher resolution screen, nearly double the pixel count of the FS25, offering a crisper preview and easier focus checking. In real-world use, this translates to less guesswork when reviewing images or navigating menus.
Neither camera offers touchscreen control or an articulating display, which is standard in many modern compacts but often missed in budget entrants like these.
Zoom Lens Versatility and Optical Performance
Lens specs reflect how creative and flexible your shooting can be.
Lens Data | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Focal Length Range | 25 – 500 mm equivalent (20x zoom) | 29 – 145 mm equivalent (5x zoom) |
Maximum Aperture | f/3.0 – f/6.9 | f/3.3 – f/5.9 |
Macro Capability | 1 cm | 5 cm |
Image Stabilization | Sensor-shift (onboard) | Optical stabilization |
Optical zoom is the SZ-11’s standout feature - a 20x zoom range that gives you telephoto reach to capture wildlife, distant landscapes, or candid street scenes from afar. The trade-off comes at narrower maximum apertures in the telephoto end, meaning you’ll need good light or higher ISO settings to maintain shutter speed.
Conversely, the FS25’s more restrained 5x zoom covers classic everyday ranges better suited for walk-around photography and simple snapshots. Its lens is faster (wider max aperture) at the telephoto end, improving low-light usability.
Both cameras include effective stabilization to combat handshake - sensor-shift for Olympus and optical for Panasonic - essential for long zoom focal lengths and video capture.
Autofocus and Shooting Performance: Accuracy and Speed Under Fire
Fast and accurate autofocus is vital for capturing fleeting moments.
Feature | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Autofocus Type | Contrast-detection with face detection | Contrast-detection with face detection |
Focus Points | Multi-area (number unknown) | 11 focus points |
Continuous Shooting | 7 fps | 2 fps |
Touch AF | No | No |
Face Detection AF | Yes | Yes |
Here is a key performance differentiator:
- Olympus SZ-11 boasts 7 frames per second burst shooting, a relatively high rate for its class, making it more adept for casual sports or wildlife snaps where you want multiple frames to pick the best moment.
- The Panasonic FS25’s 2 fps burst is slow but typical of compact cameras with limited processing power.
Autofocus is contrast-based on both, reliable for static subjects but slower and less dependable in low contrast or fast-moving scenes. Face detection helps portraiture, particularly for beginners. Neither even scratches the surface of eye-tracking or animal detection - features common only on much newer cameras.
Video Capabilities: How Do They Handle Motion?
Video specs offer insight into a camera’s utility beyond still photography.
Feature | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Max Video Resolution | 1280 × 720 (HD) at 30 fps | 640 × 480 (SD) at 30 fps |
Video Format | Motion JPEG | Motion JPEG |
Microphone/Headphone Ports | None | None |
Image Stabilization During Video | Yes | Yes |
While neither camera is a serious video rig, the SZ-11 offers HD 720p recording, providing a noticeable quality advantage over the FS25’s standard definition capture. Combined with sensor-shift stabilization, the Olympus can produce relatively smooth handheld footage.
The Panasonic’s limitations in resolution and frame rate confine it mostly to casual video snippets rather than anything substantially shareable in HD.
Battery Life and Connectivity for the Modern Shooter
Battery endurance and connectivity options impact your shooting sessions and workflow.
Feature | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
---|---|---|
Battery | Li-50B, approx. 200 shots | Info unclear (likely proprietary) |
Storage Media | SD/SDHC/SDXC | SD/MMC/SDHC + Internal |
Connectivity | USB 2.0, HDMI | USB 2.0, HDMI |
Wireless | None | None |
GPS | None | None |
With roughly 200 shots per charge, the SZ-11’s battery life is modest, typical for cameras in this range. The FS25’s battery specs are not well documented but expected to be lighter yet shorter-lived.
Neither camera offers Wi-Fi, Bluetooth, or GPS features, so you’ll rely on manual transfers and external geotags if needed - not unusual for their 2009–2011 release era.
Real-World Shooting Across Genres: Where Do These Cameras Shine?
Let’s place both cameras through the lens of various photography genres to see which suits your passion best.
Portrait Photography
- Olympus SZ-11: Face detection autofocus aids in capturing crisp faces. The longer zoom facilitates tight headshots from a distance, but lack of manual aperture control limits creative depth-of-field and bokeh effects. Colors are pleasing, though skin tones can lean a bit saturated.
- Panasonic FS25: The FS25 also has face detection but with fewer AF points and slower focusing, it may miss subtle expressions. Limited reach lens means you’ll have to get closer for framing, which can impact subject comfort.
Landscape Photography
- Olympus SZ-11: Higher resolution sensor and wide zoom range make it versatile for scenic details and isolating distant elements. The lens is not particularly wide-angle, which may restrict grand vistas. No weather sealing means careful use outdoors.
- Panasonic FS25: Offers classic coverage akin to a standard kit lens but lower resolution and reduced dynamic range compared to SZ-11 may disappoint demanding landscape shooters.
Wildlife Photography
- Olympus SZ-11: The 20x zoom and 7 fps burst mode are assets for capturing animals from a safe distance. However, autofocus will struggle with fast movement and low light.
- Panasonic FS25: Limited zoom and slower burst mode make it less equipped for wildlife.
Sports Photography
- Olympus SZ-11: Faster continuous shooting helps, but autofocus isn’t up to par for erratic motion, so expect missed shots.
- Panasonic FS25: Slower burst rates and autofocus make sports challenging.
Street Photography
- Panasonic FS25: The slender profile and quiet operation favor street shooting where discretion is vital.
- Olympus SZ-11: Bigger size is more conspicuous but offers reach to capture candid moments from afar.
Macro Photography
- Olympus SZ-11: Exceptionally close minimum focus distance (1 cm) is impressive, allowing detailed close-ups.
- Panasonic FS25: Macro minimum focus at 5 cm is decent, but less versatile.
Night / Astro Photography
- Both cameras are only marginally capable at high ISO. The Olympus SZ-11's lack of RAW limits post-processing of night shots significantly.
Video Use
- Olympus SZ-11: Clear winner with HD recording and built-in stabilization.
- Panasonic FS25: Standard definition limits video quality.
Travel Photography
- Panasonic FS25: Slim, light, and pocketable - excellent for light travel days.
- Olympus SZ-11: Bulkier but versatile zoom makes it suitable for diverse travel subjects if you don’t mind extra weight.
Professional Work
- Neither camera supports RAW or offers advanced controls/pro build quality needed for demanding professional workflows.
Image Quality Examples: Comparing Real Shots
These sample images highlight the Olympus SZ-11’s richer detail and zoom versatility versus the Panasonic FS25’s natural color rendition and sharper edges at base zoom. Both cameras exhibit noise at ISO 800 and above.
Final Performance Scores: A Quick Glance
- Olympus SZ-11 edges ahead in zoom capabilities, burst shooting, and image resolution.
- Panasonic FS25 scores better in portability and ease of use.
Genre-Specific Scorecard
- Portrait, Wildlife, and Video: Olympus SZ-11 ranks higher.
- Street and Travel: Panasonic FS25 preferred for compactness.
- Landscape and Macro: Slight Olympus advantage for resolution and macro focus.
Summing Up: Which Compact Fits Your Photography Journey?
Olympus SZ-11 - Who Should Choose This?
- You want a versatile superzoom for wildlife, travel, and casual sports photos.
- HD video recording and better screen resolution matter to you.
- You don’t mind carrying extra bulk for higher creative reach.
- You shoot mostly in daylight or controlled lighting due to high ISO limitations.
Panasonic Lumix DMC-FS25 - Who Is It For?
- You put a premium on pocket-friendly size to capture street scenes or casual family moments.
- Simpler controls and minimal fuss appeal to you as an entry-level user.
- You are okay with limited zoom range and lower video quality.
- You want a light second camera or starter compact.
Expert Tips for Maximizing These Cameras’ Potential
- Use bright daylight to avoid noise and maximize image detail.
- Take advantage of Olympus’s longer zoom for distant subjects and macro modes for close-up shots.
- Utilize both cameras’ face detection for portraits; move closer with Panasonic, zoom with Olympus.
- For video, prefer the SZ-11 and stabilize carefully for smoother results.
- Consider a tripod for low-light or night shooting due to limited ISO performance and slower shutter capability.
Accessories and Next Steps
- Check out UV and ND filters if you intend landscape shooting (compatible sizes vary).
- Spare batteries are a must-have for extended shooting sessions.
- Lightweight tripods can dramatically improve night and macro shots.
Final Thoughts
Neither the Olympus SZ-11 nor the Panasonic FS25 are cutting-edge cameras by today’s standards, yet each still offers a thoughtful blend of features suited for specific shooters. The SZ-11’s superzoom and video capabilities offer more creative freedom, whereas the FS25’s slim design makes it a splendid grab-and-go companion.
We suggest handling both in person, experimenting with their zooms and menus, and weighing which design fits your creative ambitions best. These compacts can still serve as affordable, straightforward tools to get you started or complement your main kit in specialized shooting scenarios.
Happy shooting and enjoy your photographic adventures!
Article and hands-on testing by a professional photography reviewer with 15+ years experience. For further gear advice and comparisons, follow our expert guides and camera reviews.
Olympus SZ-11 vs Panasonic FS25 Specifications
Olympus SZ-11 | Panasonic Lumix DMC-FS25 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus SZ-11 | Panasonic Lumix DMC-FS25 |
Category | Small Sensor Superzoom | Small Sensor Compact |
Launched | 2011-07-27 | 2009-01-27 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | TruePic III+ | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 14MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 16:9, 4:3 and 3:2 |
Highest resolution | 4288 x 3216 | 4000 x 3000 |
Highest native ISO | 1600 | 1600 |
Highest boosted ISO | - | 6400 |
Min native ISO | 80 | 80 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 11 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-500mm (20.0x) | 29-145mm (5.0x) |
Maximal aperture | f/3.0-6.9 | f/3.3-5.9 |
Macro focusing range | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inch | 3 inch |
Resolution of screen | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 4 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting rate | 7.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 9.30 m (@ ISO 1600) | 5.30 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 226g (0.50 lb) | 148g (0.33 lb) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 200 photos | - |
Battery type | Battery Pack | - |
Battery ID | LI-50B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | 1 | 1 |
Launch cost | $253 | $230 |