Olympus SZ-11 vs Panasonic GH4
89 Imaging
37 Features
37 Overall
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66 Imaging
52 Features
88 Overall
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Olympus SZ-11 vs Panasonic GH4 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-500mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Announced July 2011
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 560g - 133 x 93 x 84mm
- Introduced February 2014
- Superseded the Panasonic GH3
- Successor is Panasonic GH5
Sora from OpenAI releases its first ever music video Olympus SZ-11 vs Panasonic GH4: A Hands-On Journey Through Two Distinct Cameras
As someone who has personally tested a vast spectrum of cameras, from tiny compacts to professional mirrorless systems, choosing the right gear boils down to more than just specs. It’s about how a camera feels in the hand, performs in diverse photography scenarios, and fits your creative ambitions and budget. Today, I’ll take you on an in-depth, behind-the-lens comparison between two very different machines: the Olympus SZ-11, a small sensor superzoom compact, and the Panasonic Lumix GH4, a professional-grade mirrorless powerhouse.
These cameras reflect distinct eras and philosophies of photography gear - one prioritizing ultimate zoom flexibility in a pocketable form factor, and the other serving demanding photo and video content creators yearning for control and quality. Let’s see where each shines, and which might be your perfect partner.
First Impressions: Size, Handling, and Ergonomics
I usually start all my camera evaluations in the hand, shooting continuously throughout a day to gauge comfort and control intuitively. The Olympus SZ-11 is ultra-compact and light, weighing just 226 grams with physical dimensions roughly 106 x 69 x 40 mm - designed for casual shooters who want a lot of zoom in a pocket-friendly package.
In stark contrast, the Panasonic GH4 is a considerably larger, sturdier mirrorless camera with an SLR-style grip, weighing around 560 grams and measuring 133 x 93 x 84 mm. It’s built tough with weather sealing and an extensive array of buttons and dials for quick setting changes, aimed at serious photographers and videographers.

This size and weight difference immediately translate into handling contrasts:
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Olympus SZ-11: Feels nimble and fuss-free for casual street walks or travel, but the ergonomics are understandably minimal. No dedicated dials or manual controls - just point, zoom, and shoot. The fixed 3-inch TFT LCD is clear but basic.
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Panasonic GH4: Fits like a glove in my hand, offering excellent grip and intuitive placement of a vast control layout. The fully articulating OLED touchscreen feels responsive and bright, enabling tricky angles during shoots.
I found the GH4's superior build inspires confidence for prolonged use or harsh conditions. For quick family snaps, though, the Olympus shines by stripping complexity down to the essentials.
Sensor and Image Quality: Size Matters
One of the most profound differences between these two cameras lies in their sensors. The Olympus SZ-11 sports a 1/2.3” CCD sensor with a 14MP resolution, typical of superzoom compacts from its era. The Panasonic GH4, meanwhile, is equipped with a significantly larger Four Thirds CMOS sensor at 16MP, with advanced Venus Engine IX processing.
This difference is best illustrated visually:

From my testing under controlled scenes and real-world shoots:
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The GH4’s larger sensor area (~225 mm²) captures far more light per pixel, resulting in superior image quality, lower noise, and broader dynamic range. For example, the GH4’s DxO mark overall score is 74, with an excellent measured color depth (23.2 bits) and dynamic range (12.8 EV stops). Meanwhile, the SZ-11 is not DxO tested but generally limited by its small sensor.
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The SZ-11 maxes out at ISO 1600, but the images suffer noticeable noise beyond ISO 400, limiting low-light versatility. The GH4 pushes ISO to 25,600 with surprisingly usable results, vital for wedding or event photographers working indoors.
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Sharpness and detail difference is stark. The GH4’s Micro Four Thirds sensor delivers clean, fine textures and very natural colors - especially noticeable in landscape and portrait shooting. The SZ-11’s images feel softer, with muted colors and less flexibility for post-processing.
In essence: if image quality is a priority beyond casual snapping, the GH4 dominates.
Framing and Viewfinders: LCD and EVF Comparison
The Olympus SZ-11 uses a fixed 3-inch TFT LCD with 460k-dot resolution. Viewing angles are decent but can struggle in bright sunlight. There’s no electronic or optical viewfinder, so you’re always composing via the rear screen. The lack of a touchscreen also means button-navigation for menus.
Conversely, the Panasonic GH4 boasts a bright 3-inch OLED fully articulating touchscreen at 1,036k dots resolution, making live view composition flexible and clear in most conditions. Critically, it also includes a 2,359k dot electronic viewfinder that covers 100% of the frame, with a 0.67x magnification - ideal for precise framing or shooting in bright environments.

The EVF is a huge advantage for static photography disciplines like landscapes or portraits, where steady framing is key. The articulated screen on the GH4 also aids macro, vlogging, and awkward angles, which the fixed LCD on the SZ-11 cannot match.
Autofocus & Speed: Tracking the Moment
The Olympus SZ-11 comes with contrast-detection AF only, with face detection but no continuous autofocus or manual focus. It supports AF tracking, but this is limited and prone to hunting in low light or fast-moving subjects.
The Panasonic GH4 uses a hybrid autofocus system with 49 contrast-detect points, continuous AF, selective AF areas, face detection, and touch-to-focus capabilities. Though lacking phase-detection on-sensor, its autofocus performance is snappy and reliable across genres.
In my hands-on burst shooting tests:
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The SZ-11 maxes at 7 fps continuous shooting but with locked AF from the first frame, making it better suited for static subjects.
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The GH4 achieves 12 fps with continuous AF tracking - essential for sports and wildlife photography where the subject’s movement is unpredictable.
This difference is critical for users intending to capture action - GH4 is the obvious choice.
Zoom and Lens Versatility: Fixed vs. Interchangeable
Olympus SZ-11 offers a fixed 25-500mm equivalent (20x optical zoom) lens with a variable aperture of f/3.0-6.9. This versatility to zoom across a huge range without swapping lenses is superb for travelers or casual users who prefer simplicity.
However, image quality at the telephoto end softens, and the slow maximum aperture limits low-light shooting and depth of field control.
By contrast, the Panasonic GH4, with its Micro Four Thirds mount, supports over 100 native lenses from Panasonic, Olympus, and third parties - ranging from ultra-wide primes to fast telephotos and specialized macros. This ecosystem openness allows tailored setups to specific shooting needs, whether you want creamy bokeh for portraits or razor-sharp wide angles for landscapes.
The GH4 has no in-body image stabilization (IBIS), which means relying on stabilized lenses - a minor consideration given the broad selection.
Burst Rates, Video and Multimedia Features
Video is where the GH4 truly sets itself apart. It was one of the first affordable mirrorless cameras to offer 4K UHD (4096 x 2160) video recording at 24p, along with multiple frame rate options in Full HD and HD. There’s excellent bitrate control, clean HDMI output, and professional audio via microphone and headphone ports.
The SZ-11 only supports 720p video at 30fps and uses Motion JPEG - a primitive codec by today’s standards. Its lack of built-in microphone or headphone jacks relegates it to casual home videos.
The GH4 also excels in photo modes, supporting advanced features like 4K photo capture (extracting 8MP stills from video), post-focus capabilities, and time-lapse. Its 500-shot battery life threshold and Wi-Fi connectivity make it a reliable powerhouse on demanding shoots.
Weather Sealing and Durability
A feature often overlooked until trouble strikes is environmental sealing. The Panasonic GH4 boasts weather sealing to protect against dust and moisture - a vital attribute for shooters braving inclement weather or dusty landscapes.
The Olympus SZ-11 has no environmental sealing and minimal protection against shocks or drops.
Battery Life and Storage
The SZ-11’s compact form restricts battery size, resulting in around 200 shots per charge - a number that can feel tight on long outings.
The GH4 doubles that with approximately 500 shots per battery, easing worries on day-long assignments. Both use SD/SDHC/SDXC cards, but the GH4 supports faster UHS-I card types needed for 4K video.
Image Samples in the Wild
Nothing beats seeing actual images side by side for assessing real-world output. During my testing, I captured portraits, landscapes, wildlife, and street scenes.
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The Olympus SZ-11’s images are bright with reasonable color, but details soften noticeably at longer focal lengths and high ISO.
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The Panasonic GH4 showcases striking color fidelity, superior dynamic range preserving highlights and shadows, and crisp detail in every shot - even in challenging low-light or high contrast.
Photography Genre Performance Breakdown
Different photography styles place unique demands on your camera. Looking at how these two cameras perform across specific genres gives further practical insight.
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Portraits: GH4’s bigger sensor and ability to pair with fast lenses produce creamy bokeh and accurate skin tones. SZ-11 portraits appear flatter and less nuanced.
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Landscape: The GH4’s dynamic range and resolution excel, capturing deep shadows and bright skies with detail. SZ-11 is serviceable but limited by sensor size and JPEG-only output.
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Wildlife: GH4’s fast burst, continuous AF, and telephoto lens options beat SZ-11’s fixed zoom and slow AF hunting.
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Sports: Again, continuous autofocus and frame rates favor the GH4.
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Street: SZ-11’s pocketable size and discreet operation appeal here, but GH4’s articulating screen aids composition in tricky angles.
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Macro: GH4’s interchangeable lenses and focus peaking outperform SZ-11’s limited close-focus.
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Night/Astro: GH4’s high ISO and raw capture options are far superior.
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Video: GH4 dominates with professional-grade 4K and audio.
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Travel: SZ-11 wins on packing convenience; GH4 offers more flexibility but at the cost of size and weight.
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Professional Work: GH4’s rugged build, advanced features, and integration into studio workflows make it the clear choice.
Technical Ratings at a Glance
Summarizing multiple benchmarks and my hands-on results:
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Panasonic GH4 pulls ahead with advanced hardware and software features, excelling in practically every category beyond casual use.
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Olympus SZ-11 performs best in portability and all-in-one zoom reach but cannot compete on image quality or creative control.
Final Thoughts: Which Camera Fits Your Needs?
Having spent extensive time with both cameras across varied shooting conditions, my verdict comes down to what you value most.
Choose the Olympus SZ-11 if:
- You want an ultra-compact superzoom that fits comfortably in a pocket or purse.
- You prioritize ease of use without navigating complex menus.
- Your photography needs are casual snapshots, travel, or family.
- Your budget is limited, and you value simplicity over professional features.
Opt for the Panasonic Lumix GH4 if:
- You are a serious enthusiast or professional craving high image quality, manual controls, and versatile interchangeable lenses.
- Video and hybrid photo/video workflows are important.
- You shoot action, wildlife, landscapes, portraits requiring precise autofocus and high resolution.
- You appreciate weather sealing and robust build.
- You are willing to invest in lenses and accessories for expanded creative freedom.
Some Parting Advice
When choosing between these two distinctly different cameras, remember:
- No camera is a straight upgrade or downgrade without considering your style.
- Factor in lens costs and weight if going for interchangeable systems.
- Don’t underestimate the joy of simplicity with a well-constructed superzoom for certain contexts.
- Technology improved immensely between 2011 and 2014, so the GH4’s advantages reflect that generational leap.
For my professional work, the GH4 remains a trusted hybrid still/video tool. But the Olympus SZ-11 can still serve well for casual photographers who want lots of zoom reach and point-and-shoot convenience.
If you found this comparison helpful, keep an eye out for my upcoming deep-dive reviews of lenses and accessories that pair beautifully with the GH4 system or other compact superzooms. Your ideal camera is waiting - let’s keep exploring it together!
Disclaimer: I have no affiliation with Olympus or Panasonic. The opinions here derive from extensive professional testing and user feedback.
Summary Table
| Feature | Olympus SZ-11 | Panasonic Lumix GH4 |
|---|---|---|
| Sensor | 1/2.3" CCD (14MP) | Four Thirds CMOS (16MP) |
| Zoom | 25–500mm fixed (20x) | Interchangeable lenses |
| Autofocus | Contrast-Detection, Face AF | Hybrid AF, 49 points, Continuous AF |
| Video | 720p @ 30fps, Motion JPEG | 4K UHD, Full HD, Pro codecs |
| Viewfinder | None | 2,359k dot EVF |
| Screen | 3" fixed TFT | 3" articulating OLED touchscreen |
| Body & Durability | Compact, no weather sealing | Weather sealed, professional level |
| Weight | 226g | 560g |
| Battery life (shots) | 200 | 500 |
| Price (approx.) | $253 | $1499 |
Thank you for joining me on this detailed comparison. Remember, the best camera is the one that gets you excited to capture your next moment!
Olympus SZ-11 vs Panasonic GH4 Specifications
| Olympus SZ-11 | Panasonic Lumix DMC-GH4 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model type | Olympus SZ-11 | Panasonic Lumix DMC-GH4 |
| Category | Small Sensor Superzoom | Pro Mirrorless |
| Announced | 2011-07-27 | 2014-02-07 |
| Body design | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | TruePic III+ | Venus Engine IX |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
| Sensor area | 28.1mm² | 224.9mm² |
| Sensor resolution | 14MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4288 x 3216 | 4608 x 3456 |
| Max native ISO | 1600 | 25600 |
| Minimum native ISO | 80 | 200 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 49 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | Micro Four Thirds |
| Lens zoom range | 25-500mm (20.0x) | - |
| Largest aperture | f/3.0-6.9 | - |
| Macro focusing distance | 1cm | - |
| Total lenses | - | 107 |
| Crop factor | 5.8 | 2.1 |
| Screen | ||
| Range of display | Fixed Type | Fully Articulated |
| Display diagonal | 3 inches | 3 inches |
| Display resolution | 460 thousand dot | 1,036 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | TFT Color LCD | OLED |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,359 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.67x |
| Features | ||
| Minimum shutter speed | 4 seconds | 60 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/8000 seconds |
| Continuous shutter speed | 7.0 frames/s | 12.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 9.30 m (@ ISO 1600) | 17.00 m (at ISO 200) |
| Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, auto/redeye reduction, forced on, forced on/redeye reduction, slow sync, slow sync/redeye reduction, forced off |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash sync | - | 1/250 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 4096 x 2160 (24p), 3840 x 2160 (24p, 25p, 30p), 1920 x 1080 (24p, 25p, 30p, 50p, 60p), 1280 x 720 (24p, 25p, 30p), 640 x 480 (25p, 30p) |
| Max video resolution | 1280x720 | 4096x2160 |
| Video file format | Motion JPEG | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 226 gr (0.50 lbs) | 560 gr (1.23 lbs) |
| Dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 133 x 93 x 84mm (5.2" x 3.7" x 3.3") |
| DXO scores | ||
| DXO Overall rating | not tested | 74 |
| DXO Color Depth rating | not tested | 23.2 |
| DXO Dynamic range rating | not tested | 12.8 |
| DXO Low light rating | not tested | 791 |
| Other | ||
| Battery life | 200 images | 500 images |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | LI-50B | DMW-BLF19 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs (single or three-shot)) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Price at release | $253 | $1,500 |