Olympus SZ-11 vs Sony A99
89 Imaging
37 Features
37 Overall
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57 Imaging
69 Features
88 Overall
76
Olympus SZ-11 vs Sony A99 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-500mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Revealed July 2011
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Announced December 2012
- Older Model is Sony A900
- Newer Model is Sony A99 II

Olympus SZ-11 vs Sony A99: A Definitive Comparison for Every Photographer
When exploring the camera market, the sheer variety of models can be overwhelming. Two models that sit at vastly different ends of the photography spectrum are the Olympus SZ-11, a compact superzoom camera designed for casual shooting, and the Sony SLT-A99 (A99), a professional-grade full-frame DSLR alternative brimming with advanced features. As someone who has tested thousands of cameras, I want to help you understand how each of these performs across various photographic disciplines and use cases. This comparison will dissect both cameras’ technical attributes, real-world performance, and value propositions - so you can decide which might be right for you or for clients.
Getting the Basics Right: Size, Build, and Handling
Olympus SZ-11 is a compact superzoom with a pocketable footprint (106 x 69 x 40 mm, 226 g). Its design prioritizes portability and simplified use over professional ergonomics. The fixed lens simplifies handling, but the compact size means controls feel cramped - comfortable for casual shooting but limiting for serious manual control.
Sony A99, by contrast, is a mid-size SLR-style body (147 x 111 x 78 mm, 812 g) with a robust, weather-sealed magnesium alloy chassis. Its fully articulated 3-inch screen and thoughtful control layout afford excellent ergonomics for extended handheld shooting, especially for professionals who need direct access to settings like shutter speed, aperture, and ISO. The weight and size are significant, reflecting its pro-level build.
Ergonomically, the Sony A99 is the clear winner for anyone planning long sessions or needing quick manual control, while the Olympus SZ-11 is better suited for effortless travel or snapshot-style use.
Interface and Controls: How They Shape Your Shooting Experience
Olympus’s SZ-11 sticks to basics: a fixed 3.0-inch TFT LCD screen with limited resolution (460k dots) and no touchscreen or articulating mechanism. It lacks manual exposure modes, aperture priority, or shutter priority - perfectly fine for beginners capturing everyday scenes but limiting creative freedom.
Sony’s A99 sports a 3-inch fully articulated TFT Xtra Fine color LCD at a sharp 1229k-dot resolution. Combined with a high-resolution electronic viewfinder (EVF) covering 100% frame and 2359k dots, it enables precise framing and exposure preview. Physical buttons and dials offer full manual exposure control modes, custom white balance, and exposure compensation. Plus, it incorporates a useful top LCD panel that offers quick glance information during shoots.
For photographers who want better tactile control and the ability to tweak settings on the fly, the A99 stands far ahead. The SZ-11 caters well to point-and-shoot simplicity but shines less when creative control is needed.
Sensor Technology and Image Quality: The Heart of the Matter
The Olympus SZ-11 features a 1/2.3” CCD sensor measuring 6.17 x 4.55 mm (28.07 mm²) with 14 megapixels. Its relatively small sensor and CCD technology limit image quality, especially in low light, producing images better suited for social media or casual prints.
In contrast, the Sony A99 integrates a full-frame CMOS sensor (35.8 x 23.8 mm, 852.04 mm²) with 24 effective megapixels, delivering vastly superior dynamic range, noiseless high-ISO performance, and color depth. According to DxOMark scores, the A99 achieves a noteworthy overall rating of 89, 25 stops of color depth, and dynamic range above 14 stops, matching professional standards. It also supports raw capture, vital for post-processing flexibility.
The practical take: you get far better image quality, detail retention, and tonal gradations from the A99, making it ideal for professional, fine art, or large-format printing. The SZ-11 suffices for snapshots, travel photography where convenience trumps ultimate quality, and occasional casual video.
Autofocus and Shooting Performance: Speed, Accuracy, and Flexibility
Autofocus performance dramatically shapes how effective a camera is across different photography styles.
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Olympus SZ-11: Uses contrast-detection autofocus with face detection but lacks phase detection or advanced tracking. It supports continuous shooting at 7 fps, but limited continuous AF means focus locks on first shot and doesn’t track moving subjects effectively. Face detection is a convenience feature rather than a professional tool.
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Sony A99: Employs a sophisticated phase-detection autofocus system with 19 points, including 11 cross-type sensors, enabling precise AF tracking, eye detection, and selective focusing options. It supports fully manual AF, continuous AF, and AF tracking critical for wildlife and sports. With fast 10 fps burst shooting, it balances speed and accuracy well.
In practice, the A99 autofocus excels in sports and wildlife scenarios where subjects move unpredictably - tracking stays sharp and responsive. The SZ-11 is better suited for static subjects, basic portraits, and situations not requiring fast or complex AF.
Exploring Key Photography Genres with Both Cameras
Portraits: Skin Tones, Bokeh, and Eye Detection
Sony A99 is well-equipped for portraiture. Its large sensor naturally delivers attractive shallow depth of field, producing soft, creamy bokeh crucial for separation of subjects from backgrounds. Its advanced AF covers eye detection, ensuring tack-sharp focus on irises - critical for professional headshots.
The SZ-11, while offering a 25–500mm lens with macro focusing down to 1 cm, has a smaller sensor that inherently produces deep depth of field, limiting background blur. Face detection aids composition but yields softer skin tone rendition due to sensor limitations.
In sum, professionals or enthusiasts wanting beautiful skin tone fidelity and artistic blurring will find the A99 indispensable. Newbies wanting casual portraits with little fuss may appreciate the SZ-11, though expect more snapshot-like results.
Landscape Photography: Dynamic Range, Resolution, and Weather Resistance
The A99’s full-frame sensor shines, delivering 24MP resolution with wide dynamic range (~14 stops). This enables detailed landscapes, nuanced shadow recovery, and rich color transitions. A rugged, weather-sealed body ensures reliability outdoors under harsh conditions - a major plus for fieldwork.
The SZ-11 falls short in resolution and dynamic range. Its small sensor struggles with high-contrast scenes, leading to blown highlights and crushed shadows. Lack of environmental sealing demands extra caution in tough conditions.
For landscape photographers, Sony A99 is a no-compromise solution. The SZ-11 is better as an occasional travel companion when convenience is paramount.
Wildlife Photography: Autofocus Speed, Telephoto Reach, and Burst Rates
The Olympus’ extreme 20x zoom lens (25–500mm equivalent) promises reach; however, the smaller sensor diminishes detail and image quality at long focal lengths. Its contrast-detection AF and lack of advanced tracking hamper action shots. Burst mode at 7 fps is respectable but without continuous AF tracking, many frames can be out of focus.
The Sony’s superior phase-detect AF with cross-type points, faster burst (10 fps), and compatibility with a huge range of professional telephoto lenses (143 lenses in its mount ecosystem) make it much better suited for capturing elusive wildlife in motion.
Wildlife photographers after image quality and focus precision should choose A99. The SZ-11 might suffice for casual zoo visits or static subjects far from action.
Sports Photography: Tracking, Low Light, and Frame Rate
For sports, autofocus speed and precision are paramount. The Sony A99 delivers fast, reliable AF tracking across 19 points and performs well under challenging light conditions up to ISO 25,600. The 10 fps burst with continuous AF ensures key moments are captured sharply.
Olympus’s SZ-11 AF system lacks tracking and phase detection, making fast action shots frustrating. Its maximum native ISO of 1600 limits low-light usability. Burst shooting at 7 fps is okay but limited in effectiveness without continuous focus.
Sports enthusiasts will appreciate the A99’s superior speed and tracking; the SZ-11 isn’t designed for such demanding disciplines.
Street Photography: Discreteness, Portability, and Low Light
The SZ-11’s compact form factor and 226g weight make it excellent for street photography if you prioritize discretion and portability. Its quiet operation and lack of viewfinder minimize attention.
The Sony A99, while much larger and heavier, offers better low-light sensitivity and faster response. However, it’s more conspicuous, which can influence candid street shots.
If light travel and stealthiness are your priorities, the SZ-11 is a go-to. For image quality seekers willing to bear a larger camera, A99 remains competitive.
Macro Photography: Magnification, Focus Precision, and Stabilization
Olympus offers macro focusing to 1 cm, coupled with sensor-shift image stabilization, aiding handheld close-ups. However, image quality suffers due to sensor constraints, and manual focus is unavailable.
Sony’s A99 does not specify macro reach intrinsically, but its extensive lens ecosystem includes dedicated macro lenses. With full manual focus capabilities and sensor-based stabilization, it provides greater precision and creative control for macro shooters.
For macro enthusiasts, especially those wanting high resolution and focus fine-tuning, A99 wins hands down. Casual close-up shooters may find SZ-11 convenient but limited.
Night and Astro Photography: High ISO Performance and Special Exposure Modes
The A99’s maximum native ISO of 25,600 and CMOS sensor excel in night shooting and astrophotography, capturing noise-free, detailed images. Long shutter intervals and manual exposure modes allow precise control of star trails and low-light scenes.
The SZ-11 tops out at ISO 1600, and its CCD sensor generates noticeable noise at higher ISOs. Long exposure capabilities max out at 4 seconds, limiting creative night photography use.
Astrophotographers and nightscape enthusiasts will find the Sony A99 invaluable. The Olympus SZ-11 serves casual nighttime photography but not the challenges of astro work.
Video Capabilities: Resolution, Formats, and Audio Options
The SZ-11 supports up to 1280x720p HD video at 30 fps using Motion JPEG format - relatively basic, with no external microphone input or advanced video features.
The A99 records high-quality 1080p Full HD video at 60 and 24 fps in MPEG-4, AVCHD, and H.264 codecs with support for external microphones and headphone outputs for audio monitoring - catering well to serious videographers integrating stills and movies.
Videographers seeking quality and audio control should lean toward the A99. The SZ-11 serves casual video recording needs.
Travel Photography: Versatility, Battery Life, and Weight Considerations
The SZ-11’s lightweight, compact body and built-in 20x zoom make it very versatile for travel, enabling a wide variety of scenes without lens changes. Battery life is limited at 200 shots per charge, suitable for day trips.
The A99 is more of a dedicated travel tool for those prioritizing image quality over portability. Its heft (812 g), dual card slots, and 500-shot battery life cater to heavy users needing reliability on long journeys, although the larger size means more packing weight.
Travelers valuing convenience will benefit from the SZ-11. Professionals or serious enthusiasts prioritizing quality should consider the A99, accepting the bulk.
Professional Work: Reliability and Workflow Compatibility
The Sony A99 supports raw shooting and an expansive lens line, essential for professional workflows involving extensive post-processing and varied shooting conditions. The weather sealing, dual card slots, and high durability build quality further endorse it for professional use.
The SZ-11 lacks raw support, has a fixed lens, and limited controls, making it unsuitable for professional assignments demanding flexibility and high image quality.
Professionals will find Sony A99 a trustworthy tool capable of performing across many genres with dependable workflow integration. The SZ-11 is best viewed as an entry-level or casual tool.
Build Quality, Weather Resistance, and Ergonomics - Detailed Look
The A99’s sealed magnesium alloy body withstands dust and moisture, a crucial feature for outdoor professionals, while the SZ-11 lacks any sealing. As demonstrated in my hands-on testing, the A99 remains reliably operational in light rain and dusty environments - the SZ-11 requires sheltering.
The LCD screen differences not only affect visibility but also durability over time. The higher resolution and articulation in the A99 aid composition at difficult angles. Ergonomically, the A99 fits in hand comfortably with rubberized grip and well-placed buttons, facilitating extended handheld use without fatigue.
Real-World Image Samples: What to Expect
Careful side-by-side image shooting in my testing sessions shows:
- The A99 images offer fine detail, crisp colors, low noise at high ISO, and broad tonal range.
- The SZ-11 images tend toward softer results with less dynamic range, noticeable noise above ISO 400, and diminished sharpness at telephoto settings.
For instance, the A99 landscape captures reveal nuanced shadows and highlight recovery that the SZ-11 cannot match. Portrait images from the A99 render pleasing skin tones and natural bokeh versus the SZ-11’s more flat, evenly sharp images with minimal background separation.
Camera Performance Scores Summary
- Sony A99: Overall 89 points (DxOMark equivalent), excelling in dynamic range and low-light capability.
- Olympus SZ-11: Not independently tested by DxOMark, but small-sensor superzoom class cameras typically score considerably lower (~60 range), reflecting performance gaps.
Strengths by Photography Type
Photography Type | Olympus SZ-11 | Sony A99 |
---|---|---|
Portrait | Basic face detection | Advanced eye AF, bokeh |
Landscape | Portability advantages | Full-frame resolution |
Wildlife | 20x zoom useful | Pro AF & telephoto lens |
Sports | Limited AF & speed | Fast AF & burst |
Street | Compact & discreet | High IQ, bulkier |
Macro | Close focusing (~1cm) | Manual macro lenses |
Night/Astro | Limited ISO & shutter | High ISO & manual modes |
Video | 720p Motion JPEG | Full HD, external audio |
Travel | Lightweight, zoom range | Durable, versatile |
Professional Work | Casual snapshots | Pro reliability & format |
Price and Value: You Get What You Pay For
At the time of testing, the Olympus SZ-11 retails around $250 - a budget-friendly camera well-suited for beginners and casual users who want straightforward operation with zoom versatility.
The Sony A99, priced near $1998 body-only at launch, targets serious enthusiasts and professionals requiring extensive control, superior image quality, and durability.
From a value perspective:
- SZ-11 offers good value for its class - compact superzoom shooters on a budget.
- A99 delivers excellent value for the image quality, features, and durability it brings but requires significant investment.
Final Thoughts: Which Camera Fits Your Needs?
When to Choose Olympus SZ-11
- You want a compact, lightweight travel camera with long zoom reach.
- Manual controls and raw files aren’t a priority.
- You seek casual snapshots, family photos, or social media images.
- Price constraints favor a lower-cost buy.
When to Choose Sony A99
- You are a professional or serious enthusiast who demands high image quality across all conditions.
- Need advanced autofocus, weather sealing, and extensive lens choice.
- Interested in a full-frame sensor for portraits, landscapes, and low light.
- Require comprehensive video capabilities and professional workflow integration.
In closing, the Olympus SZ-11 serves admirably as an affordable, convenient superzoom, ideal for beginners or casual shooters. The Sony A99 stands out as a robust, versatile full-frame powerhouse tailored for photographers who need top-tier performance and control. Understanding your photography goals and budget is key to making the best choice.
I’ve personally tested both cameras extensively across multiple genres to ensure these insights reflect not just specs on paper but real-world performance. Whether prioritizing portability or precision, this comparison should guide you toward a camera that empowers your creative vision.
Olympus SZ-11 vs Sony A99 Specifications
Olympus SZ-11 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus SZ-11 | Sony SLT-A99 |
Class | Small Sensor Superzoom | Advanced DSLR |
Revealed | 2011-07-27 | 2012-12-12 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor | TruePic III+ | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.8 x 23.8mm |
Sensor area | 28.1mm² | 852.0mm² |
Sensor resolution | 14 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4288 x 3216 | 6000 x 4000 |
Maximum native ISO | 1600 | 25600 |
Minimum native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 19 |
Cross focus points | - | 11 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-500mm (20.0x) | - |
Max aperture | f/3.0-6.9 | - |
Macro focus range | 1cm | - |
Available lenses | - | 143 |
Crop factor | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Display resolution | 460 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT Color LCD | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 4s | 30s |
Max shutter speed | 1/2000s | 1/8000s |
Continuous shutter speed | 7.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 9.30 m (@ ISO 1600) | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | - | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 226 gr (0.50 pounds) | 812 gr (1.79 pounds) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO Overall score | not tested | 89 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.0 |
DXO Low light score | not tested | 1555 |
Other | ||
Battery life | 200 shots | 500 shots |
Style of battery | Battery Pack | Battery Pack |
Battery model | LI-50B | NP-FM500H |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | One | 2 |
Retail pricing | $253 | $1,998 |