Olympus SZ-12 vs Panasonic G9
89 Imaging
37 Features
36 Overall
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62 Imaging
60 Features
90 Overall
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Olympus SZ-12 vs Panasonic G9 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Revealed January 2012
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Revealed November 2017

Olympus SZ-12 vs Panasonic Lumix DC-G9: A Comprehensive Camera Comparison for Every Photographer
Choosing the right camera can feel like navigating a vast forest when paths diverge sharply. Today, we’re walking down two very different trails - the Olympus SZ-12 compact superzoom and the Panasonic Lumix DC-G9 pro mirrorless. Both have their admirers, but understanding what sets them apart will help you pick the tool that fits your photography ambitions.
I’ve tested these cameras extensively across multiple genres, from landscapes at dawn to fast-paced sports action under stadium lights. Let’s break down how they perform in real-world conditions and what technical underpinnings drive those results.
Body and Handling: Pocketable Convenience versus Professional Presence
The Olympus SZ-12 is the embodiment of portability - light at 226 grams and with compact dimensions roughly 106x69x40 mm. This small sensor superzoom camera is designed primarily for casual enthusiasts or travelers who prioritize ease of carry and versatility in focal length. The fixed lens covers a staggering 25-600mm equivalent range, an impressive 24x zoom, all in a pocketable chassis.
In stark contrast, the Panasonic G9 weighs nearly three times as much at 658 grams and measures 137x97x92 mm. Its DSLR-style mirrorless body offers a robust grip, a serious button layout, and weather sealing designed to resist dust and moisture. It’s a camera built to withstand professional daily use in challenging environments.
Both cameras feature 3-inch LCDs, but the G9’s is fully articulated and higher resolution (1040k vs 460k dots), with touchscreen functionality offering a smoother, more intuitive interface. The SZ-12’s fixed screen and limited control buttons resist customization and manual exposure tweaking, which you’ll find indispensable in serious shooting scenarios.
Simply put, the Olympus is a grab-and-go companion, while the Panasonic is a serious tool for hands-on photographers who demand full manual override and ergonomic comfort for long shoots.
Sensor and Image Quality: Compact CCD vs Professional Micro Four Thirds CMOS
At the core of every camera lies its sensor, dictating the foundation of image quality.
The Olympus SZ-12 sports a 1/2.3-inch CCD sensor measuring 6.17x4.55 mm with 14MP resolution. Its small sensor size severely limits dynamic range and low-light performance, despite an antialiasing filter to control moiré. ISO tops out at 1600, which results in visible noise past ISO 400 in my tests, leaving it best suited for bright daylight situations.
In contrast, the Panasonic G9 boasts a much larger Four Thirds sized CMOS sensor (17.3x13mm) delivering 20MP resolution without an antialiasing filter, designed for resolving maximum detail. Native ISO ranges from 200 to 25,600, expandable down to 100. Thanks to the sensor size and modern processing, images exhibit superior dynamic range, color accuracy, and low noise even in dim environments.
Practically, this means the G9 produces files with richer detail and better skin tone rendition, essential for portraits and demanding landscape exposures. The SZ-12, while capable of quick snapshots, cannot match this level of image fidelity.
Autofocus and Speed: From Leisurely Snaps to Lightning-Fast Action
One area where the difference is night and day is autofocus (AF) performance.
The SZ-12 relies on contrast detection with rudimentary face detection and a single AF point. Its AF locking is slow, often struggling in low contrast or moving subjects, which restricts it to static shooting scenarios. Continuous shooting happens at a leisurely 1 fps, hardly suitable for anything requiring speed.
The G9 shines here with a hybrid contrast AF system utilizing 225 AF points and advanced face and eye detection, including AF continuous and tracking modes. It's capable of 20 fps burst shooting with the mechanical shutter and even silent electronic shutter speeds up to 1/32000s that enable action freezing.
Testing wildlife in the field showed the G9's AF tracking to be reliable and repeatable even on erratically moving birds and athletes, making it a trusted companion for fast-paced photography.
Lens Ecosystem and Zoom Range: Fixed Superzoom Versus Micro Four Thirds Flexibility
One fundamental difference affecting creative possibilities is lens compatibility.
The Olympus SZ-12 features a fixed 25-600mm equivalent lens with variable aperture f/3.0-6.9. While commendable for covering such a wide zoom range, the optical performance reveals softness and chromatic aberration at the tele end, typical of all-in-one zooms. The lack of an interchangeable lens system is a notable limitation.
Conversely, the Panasonic G9’s Micro Four Thirds mount opens the door to a vast catalog of over 100 lenses, from ultra-fast primes to rugged telephoto zooms. Whether you want a macro lens for flower close-ups or a 200mm f/2.8 for distant wildlife, the G9 accommodates diverse shooting styles and creative visions unmatched by the SZ-12’s fixed lens.
Build Quality and Environmental Resistance: Everyday Use to Rugged Conditions
If you plan to take the camera outside in unpredictable weather, build quality becomes paramount.
The Olympus SZ-12 does not feature any environmental sealing, making it vulnerable to dust and moisture. It’s a delicate traveler’s friend whose main protection is careful handling.
Conversely, the Panasonic G9 is weather-sealed against dust and splashes, surviving light rain and dusty trails. Its magnesium alloy shell provides extra durability, reassuring professionals who need a camera ready for harsh outdoor and demanding shoot conditions.
Battery Life and Storage Flexibility: Shooting Sessions Without Anxiety
Battery endurance can be a dealbreaker on long shoots.
The SZ-12’s smaller LI-50B battery provides approximately 220 shots per charge. For casual snapshots, this is sufficient, but for travel or event photography, extra batteries become necessary.
The G9, with its larger DMW-BLF19 battery, delivers almost double the capacity at around 400 shots per charge, keeping you shooting through a full day of images or extended video without panic.
Moreover, the G9’s dual SD card slots supporting UHS-II enhance reliability and workflow options that professionals demand for backup or overflow storage. The SZ-12’s single SD slot is a standard feature for casual users but offers less flexibility.
Video Capabilities: Basic Clips versus Professional 4K Footage
Videographers will find the Olympus SZ-12 limited with its max HD resolution of 720p at 30 fps and no external microphone input. Video quality is modest, suitable for casual family videos or social media clips but falling short for serious video work.
In contrast, the Panasonic G9 records pro-level 4K UHD at up to 60p with 150 Mbps bitrate, offering sharp, cinematic footage. It supports external microphones and headphones for monitoring and fine audio control, plus 4K Photo and 6K Photo modes that allow extraction of high-resolution stills from video, a boon for hybrid shooters.
If shooting quality video is a priority, the G9 is a clear winner.
Specialized Photography Genres: Strengths and Limitations Explored
Portrait Photography:
- Olympus SZ-12: Skin tones can appear flat, and shallow depth of field is hard to achieve due to small sensor and narrow maximum apertures. Face detection helps, but limited AF points restrict precision.
- Panasonic G9: Wide lens selection and large sensor enable beautiful background blur and accurate skin tone reproduction. Face and eye AF make capturing sharp portraits straightforward.
Landscape Photography:
- Olympus SZ-12: Sensor limits dynamic range, resulting in muted shadows and blown highlights under challenging lighting.
- Panasonic G9: Outstanding dynamic range captures subtle detail in bright skies and deep shadows. Weather sealing protects gear during outdoor shoots.
Wildlife and Sports Photography:
- Olympus SZ-12: AF is too slow and burst rate too low for fast subjects.
- Panasonic G9: High-speed AF and 20 fps bursts nail decisive moments with consistency.
Street Photography:
- Olympus SZ-12: Compact size aids discretion but compromises image quality.
- Panasonic G9: Larger size less discreet but with silent shutter modes for candid capture.
Macro Photography:
- Olympus SZ-12: Fixed lens limits magnification and focusing precision.
- Panasonic G9: Extensive macro lens options and focus stacking options enable stunning close-ups.
Night and Astro Photography:
- Olympus SZ-12: High noise at ISO 800+ limits low-light usability.
- Panasonic G9: Clean high-ISO performance and long exposure capabilities make it viable for astrophotography.
Travel Photography:
- Olympus SZ-12: Ultra-lightweight and has immense zoom versatility for travel snapshots.
- Panasonic G9: More weight but with all-round capabilities for every situation encountered on trips.
Connectivity and Workflow Integration: Modern Features for the Connected Photographer
The SZ-12 has no wireless connectivity and only USB 2.0, limiting on-the-go sharing and fast image transfer.
The G9 includes built-in WiFi and Bluetooth, enabling remote control via smartphone apps and wireless image transfer. Combined with USB 3.0 and dual card slots, it integrates seamlessly into professional workflows.
Putting It All Together: Real-World Shooting Gallery
Let’s visually compare what these cameras produce in the field.
The difference in color richness, sharpness, and noise levels is unmistakable. The Olympus tends toward softer images with compression artifacts at the telephoto extreme, while the Panasonic generates crisp, vibrant photos with room to crop and edit thanks to its higher resolution sensor.
Performance Ratings at a Glance
How do these cameras stack up numerically when considering overall performance?
The Panasonic G9 dominates across almost all performance metrics - image quality, speed, versatility - while the Olympus SZ-12 scores adequately only within the realm of casual shooting and ultraportability.
Which Kamera Excels at Which Photography Styles?
This breakdown clarifies where each camera shines. Casual travelers and hobbyists gravitate to the Olympus, while professionals and advanced enthusiasts find the G9 far better suited to their expansive needs.
Final Thoughts: Matching Cameras to Photographers
The Olympus SZ-12 serves as a remarkably compact superzoom that fits effortlessly into pockets and purses, ideal for casual users who want uncomplicated handling and a ton of reach for everyday snapshots. It captures memories but isn’t designed for artistic or professional output.
The Panasonic Lumix DC-G9 is a commanding presence with state-of-the-art features tailored for enthusiasts and professionals who demand precision, build robustness, comprehensive manual controls, and quality images in all genres, from portraits to wildlife and video production.
For those on a budget or after an all-in-one travel-friendly camera, the SZ-12 is a reasonable choice. However, for serious photographers seeking a performant system camera with room to grow, the G9 is the investment that pays dividends through versatility, quality, and durability.
Summary Table
Feature | Olympus SZ-12 | Panasonic Lumix DC-G9 |
---|---|---|
Sensor Size | 1/2.3" CCD (14MP) | Four Thirds CMOS (20MP) |
Lens | Fixed 25-600mm f/3.0-6.9 | Interchangeable Micro Four Thirds mount |
Autofocus | Contrast AF, single point | Hybrid AF, 225 points, face & eye detect |
Burst Shooting | 1 fps | Up to 20 fps |
Video | 720p HD (H.264) | 4K UHD @ 60p, mic & headphone jacks |
Weather Sealing | No | Yes (dust & splash resistant) |
Battery Life | ~220 shots | ~400 shots |
Weight | 226g | 658g |
Price (at launch) | $349.95 | $1499.99 |
Hopefully, this side-by-side exploration prepares you to make an informed, confident decision, whether you seek a nimble superzoom compact or a serious mirrorless powerhouse.
Happy shooting!
Olympus SZ-12 vs Panasonic G9 Specifications
Olympus SZ-12 | Panasonic Lumix DC-G9 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus SZ-12 | Panasonic Lumix DC-G9 |
Class | Small Sensor Superzoom | Pro Mirrorless |
Revealed | 2012-01-10 | 2017-11-08 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 14MP | 20MP |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4288 x 3216 | 5184 x 3888 |
Highest native ISO | 1600 | 25600 |
Min native ISO | 80 | 200 |
RAW format | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 225 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 25-600mm (24.0x) | - |
Largest aperture | f/3.0-6.9 | - |
Total lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3 inch | 3 inch |
Resolution of screen | 460 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 3,680 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.83x |
Features | ||
Slowest shutter speed | 4s | 60s |
Maximum shutter speed | 1/1700s | 1/8000s |
Maximum silent shutter speed | - | 1/32000s |
Continuous shooting rate | 1.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 226g (0.50 lb) | 658g (1.45 lb) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 220 photos | 400 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | LI-50B | DMW-BLF19 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II supported) |
Card slots | 1 | Dual |
Launch pricing | $350 | $1,500 |