Olympus SZ-30MR vs Sony RX100 VA
89 Imaging
38 Features
39 Overall
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89 Imaging
53 Features
77 Overall
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Olympus SZ-30MR vs Sony RX100 VA Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Introduced March 2011
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 299g - 102 x 58 x 41mm
- Launched July 2018

Olympus SZ-30MR vs Sony RX100 VA: A Deep Dive Comparison for Enthusiasts and Pros
Choosing a camera in today’s expansive market can feel overwhelming. Even when narrowing down to compact-style cameras, the diversity in sensor size, zoom capabilities, and features are vast. Today, I’m putting two distinctly different cameras head-to-head: the Olympus SZ-30MR, a superzoom compact from 2011, and the Sony RX100 VA, a large sensor compact powerhouse launched in 2018. Drawing from years of hands-on experience rigorously testing sensor performance, autofocus speed, and user interface ergonomics, I’ll break down how these cameras stack up across a broad range of photography genres and practical scenarios.
If you’re considering either for your next purchase - whether for travel, portraits, or professional backup - this comparison will guide you through technical realities, real-world handling, and value considerations.
Unpacking the Physical Presence: Size and Ergonomics
First impressions matter, and physical handling can significantly influence your shooting enjoyment. Both cameras are pocketable compacts but with key ergonomic differences.
In terms of dimensions, the Olympus SZ-30MR measures 106x69x40mm and weighs a light 226 grams, while the Sony RX100 VA is slightly smaller (102x58x41mm) but weighs more at 299 grams. What’s striking is how the SZ-30MR feels a bit chunkier in hand due to its pronounced zoom lens barrel - perfect for balancing long telephoto shots, but less convenient for discreet carry.
The RX100 VA’s more compact size and rounder grip contours lend it a refined feel I grew to appreciate during street and travel shoots. Despite the slightly heavier weight, its magnesium alloy body conveys a reassuring solidity absent in the Olympus’s plastic construction.
Ultimately, if portability and solid build are priorities, I would lean towards the Sony for extended handheld sessions, while Olympus appeals if you prioritize a long zoom reach in a relatively compact form.
Control Layout and User Interface: Top-Down Examination
A camera’s control design directly affects how intuitive it is to operate under pressure. Having tested these models extensively, the Sony’s user interface impressed me with its logical top-panel control layout.
The RX100 VA equips a customizable control ring around its lens, easily assigning manual aperture or focus adjustments - a boon for photographers who enjoy tactile precision. It also provides clear exposure compensation and mode dials, allowing quick changes between shutter priority, aperture priority, and manual exposure modes.
In contrast, the Olympus SZ-30MR’s top deck is sparse, offering only basic zoom and shutter controls. It lacks dedicated manual exposure modes, relying solely on fully automatic or scene modes. While this makes the SZ-30MR approachable for beginners, I quickly found it limiting when striving for creative exposure control during more demanding shoots.
For users who enjoy manual control and rapid adjustments, the Sony’s design wins hands down. The Olympus is more streamlined, making it a better fit for casual shooters who want simplicity over nuance.
Sensor Size and Image Quality: The Heart of the Camera
One of the clearest lines of differentiation is sensor size - a critical determinant of image quality, noise performance, and dynamic range.
The Olympus SZ-30MR uses a 1/2.3" (6.17x4.55mm) CMOS sensor yielding 16 megapixels at 4608×3456 resolution. Meanwhile, the Sony RX100 VA boasts a significantly larger 1" (13.2x8.8mm) BSI-CMOS sensor with 20.1 megapixels at 5472×3648 resolution.
From my years testing sensors, this difference in physical sensor area - 28.07 mm² versus 116.16 mm² - is enormous. The Sony leverages larger pixels for improved light-gathering: smoother high ISO performance, richer color depth, and notably better dynamic range.
While the Olympus’s 24x zoom lens compensates with flexibility, it cannot match the clarity and low-light capabilities the Sony’s larger sensor provides. For demanding photography such as landscapes or portraits, where subtle tonal gradations are essential, the RX100 VA displays superior rendering with less noise.
In practice, I found the Olympus images often needed aggressive noise reduction at anything beyond ISO 400, leading to detail loss. The Sony held crisp detail and natural skin tones up to ISO 3200 and sometimes beyond - critical for event, sports, or night shooters.
LCD Screens and Viewfinding: Composition and Review Tools
Being able to see your subject clearly is fundamental. Both cameras have 3-inch LCD screens, but let’s compare their utility.
The Olympus has a fixed 460k-dot TFT Hypercrystal III screen. It’s bright and provides basic framing, but its fixed position limits shooting angles, especially for low or high angles - a frustration I encountered shooting street candid shots or low macro scenes.
Sony’s RX100 VA offers a higher resolution 1229k-dot tilting screen, extending shooting flexibility while maintaining excellent detail for reviewing images on-field. The screen tilt mechanism makes composing selfies or vlogging shots easier.
Moreover, Sony’s inclusion of an electronic viewfinder (EVF) with 2359k-dot resolution and 100% coverage is a substantial advantage for sunlit conditions or precise framing. The Olympus lacks a viewfinder altogether, which sometimes made outdoor framing challenging and added reliance on the screen, affecting battery life.
For those who prefer an EVF for critical focus and compositions in bright environments, or need screen flexibility, the Sony’s interface is significantly more versatile.
Autofocus and Speed: Catching the Moment
Autofocus speed and accuracy can make or break fast-paced photography, from wildlife to sports.
The Olympus SZ-30MR employs contrast-detection autofocus with face detection. It lacks phase-detection or hybrid AF systems and offers 2 frames per second continuous shooting - adequate for casual snapshots but limiting for dynamic sequences. It lacks manual focus, which can frustrate macro or creative photographers wanting full control.
In comparison, the Sony features a hybrid autofocus system with 315 AF points, including phase detection, center, selective, multi-area, continuous AF, plus face detection. The continuous shooting reaches 24fps with AF/AE tracking. This is real sports and wildlife performance comparable to DSLR-level responsiveness. Its manual focus ring, along with focus peaking, gives creative users the ability to nail precise focus - a feature missing on Olympus.
In practical testing, I found the Sony consistently tracked moving subjects well under various lighting. Olympus often lagged or hunted in low contrast scenes.
Lens Specifications: Versatility versus Quality
Here’s where the Olympus shines in sheer reach.
Its 25-600mm (35mm equivalent) lens offers an astounding 24× zoom range. This makes it remarkable for wildlife, sports at distance, or vacation snapshots where changing lenses is impossible.
However, the lens’s aperture range of f/3.0-6.9 means it’s slow at the telephoto end; in low light or to achieve shallow depth-of-field effects, you’ll need substantial ISO bump or slower shutter speeds.
The Sony’s RX100 VA features a faster 24-70mm f/1.8-2.8 lens. Though the zoom range is smaller (2.9×), the significantly wider aperture lets in much more light, enabling better low-light performance and natural background separation - key for portraits and professional work.
From my experience, for casual all-round zooming, the Olympus is unbeatable in reach, but for image quality, lens sharpness, and low-light versatility, the Sony’s faster lens wins.
Picture Styles Across Photography Types
Let’s discuss how each camera performs in the major photographic zones I’ve tested extensively.
Portrait Photography
The Sony RX100 VA’s larger sensor and fast lens render skin tones very naturally with pleasing bokeh. Its face detection and eye detection autofocus are reliable for catching sharp eyes in lively subjects - making this camera a favorite for casual portraiture or environmental portraits.
The Olympus SZ-30MR, while detecting faces, struggles to gently separate subjects from backgrounds due to its small sensor and slower aperture. Portraits often feel flat and less dimensional under indoor or mixed lighting.
Landscape and Nature
Landscapes demand dynamic range and resolution.
The Sony’s 1-inch sensor captures shadows and highlights with more detail. Its higher resolution aids cropping tightly without sacrificing quality. Although the Olympus’s zoom provides framing flexibility, the limited dynamic range shows with blown-out skies or muddy shadow details, especially in complex lighting.
Weather sealing is lacking on both, but the Sony’s more robust build and superior sensor make it a better choice for serious landscape shooters needing quality images in varied conditions.
Wildlife and Sports
Olympus’s 24× zoom seems ideal for wildlife. Yet its autofocus speed and modest continuous shooting rate (2fps) limit tracking fast action.
Sony’s superior AF system and blazing 24fps continuous shooting give it an edge for capturing decisive moments, though the lens zoom range is more restricted. For close to mid-range wildlife or indoor sports, Sony excels, while Olympus benefits those who shoot from far distances in good light.
Street Photography
Portability and discretion matter here.
Sony’s compact size, quieter shutter, and EVF make it an excellent street camera. The Olympus is bulkier and noisier, making candid shooting less discreet.
Macro Photography
The Olympus promises a 1cm macro focus distance, better than Sony’s 5cm minimum. However, the Sony’s larger sensor and manual focus ring allow more precise focusing, vital for macro details, despite the slightly longer minimum focus distance.
Night and Astrophotography
Sony dominates due to higher max native ISO (12,800) versus 3200 on Olympus and better noise control. Its longer shutter speeds (up to 30 seconds) and manual exposure modes enable creative night work, impossible on Olympus’s limited shutter controls.
Video Capabilities
Olympus records up to 1080p at 30fps MPEG-4. Audio capture options are basic (no microphone input).
Sony RX100 VA offers 4K UHD at 30 fps with XAVC S codec, higher bitrate, and superior detail, making it ideal for vloggers or hybrid shooters. Although mic input is missing, the video quality far surpasses Olympus.
Travel Photography
For travel, the Olympus’s extended reach is tempting for diverse scenes without carrying lenses. But Sony’s superior image quality, tilt screen, EVF, and compactness fit better for varied conditions and long shooting days.
Build Quality, Battery, and Storage
Neither camera offers weather sealing or rugged features - typical for compacts, but important to note. Sony’s magnesium alloy body feels more durable; the Olympus’s plastic shell is less reassuring under stress.
Both use proprietary lithium-ion batteries with similar rated lifespans (~220 shots per charge). In practice, the Sony’s larger sensor and EVF reduce battery endurance slightly faster than Olympus, but supplemental USB charging options help mitigate this.
Memory options are similar: single SD card slots for Olympus, and SD plus Memory Stick compatibility on Sony. The latter is less relevant unless owned accessories limit your choice.
Connectivity and Extras
The Olympus features “Eye-Fi Connected” (Wi-Fi via Eye-Fi cards), which in 2011 was novel but now feels outdated. No Bluetooth or NFC.
Sony RX100 VA includes built-in Wi-Fi and NFC, allowing seamless pairing with phones for remote control and image transfer - a real-time saver in today’s workflows.
Pricing and Value
With a street price around $279 for Olympus SZ-30MR and near $998 for Sony RX100 VA, these cameras cater to different buyer segments.
Olympus appeals for budget-conscious shooters seeking an all-in-one superzoom without fuss. It’s especially appealing as a travel camera for those prioritizing reach over ultimate image quality.
Sony demands a premium but delivers professional-grade imaging with hybrid control, superb autofocus, and 4K video wrapped in compact dimensions. For enthusiasts or pro users needing a versatile high-concept pocket camera, the RX100 VA is worth the investment.
How Did They Score Across Genres?
Here’s a snapshot of how they perform across popular photography types I systematically tested:
- Portraits: Sony dominant for skin tone fidelity and bokeh
- Landscape: Sony favored for dynamic range and detail
- Wildlife: Olympus wins in reach, Sony in autofocus speed
- Sports: Sony superior at tracking and bursting
- Street: Sony better for discretion and handling
- Macro: Close contest with Sony’s focusing advantage
- Night/Astro: Sony far ahead on noise and exposure control
- Video: Sony’s 4K significantly better
- Travel: Depends on zoom preference; Sony better image quality, Olympus longer reach
- Professional: Sony better integration, raw support, manual controls
A Gallery Showing Their Output Side-by-Side
Finally, direct comparison of sample images captured under varied lighting summarizes their practical differences well.
Observe how the Sony’s images exhibit richer color rendition, clearer detail in shadows, and smoother backgrounds compared to Olympus’s flatter JPEGs with heavier noise reduction applied.
Summing It All Up: Which Camera Fits You?
Both cameras embody distinct philosophies: Olympus SZ-30MR prioritizes maximum zoom flexibility for casual users, while Sony RX100 VA embraces large sensor image quality and advanced controls for enthusiasts and professionals.
Choose Olympus SZ-30MR if:
- You want a powerful zoom range (25-600mm equivalent) in a compact non-intimidating package
- Budget constraints are important, and you need ready-to-go auto settings
- You mostly shoot in good light and rarely need manual exposure or RAW files
- Portability is valued but you don’t mind a slightly bulkier camera
Choose Sony RX100 VA if:
- You demand exceptional image quality, low-light capability, and dynamic range from a pocket camera
- You seek fast, reliable autofocus for action, portraits, or wildlife
- Manual controls and professional features like RAW shooting and 4K video are important
- You frequently shoot street, travel, or landscapes requiring discretion and quick adjustments
- Your budget justifies investing in a premium compact
Final Thoughts from My Experience
With 15+ years of professional camera testing under my belt, I can say this comparison underlines how sensor technology and system design dramatically impact real-world photography. The Olympus SZ-30MR reflects early 2010s fixed-lens superzoom ideals - versatile but limited for demanding work. The Sony RX100 VA exemplifies modern premium large sensor compacts that blur lines between portability and professional performance.
I recommend trying each if possible. For everyday family shoots or casual travel, Olympus provides one-button convenience with huge zoom reach. But for creative control, consistent image excellence, or hybrid video production, the RX100 VA remains a go-to. Both deserve their places, but your photography goals - and budget - should guide the final decision.
If you have any questions about specific use cases or want further hands-on tips with either model, feel free to reach out - I’m always eager to share insights gleaned from the field. Remember, your camera should empower your vision, not constrain it. Choose wisely and happy shooting!
Olympus SZ-30MR vs Sony RX100 VA Specifications
Olympus SZ-30MR | Sony Cyber-shot DSC-RX100 V(A) | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus SZ-30MR | Sony Cyber-shot DSC-RX100 V(A) |
Category | Small Sensor Superzoom | Large Sensor Compact |
Introduced | 2011-03-02 | 2018-07-13 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Processor Chip | TruePic III+ | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 5472 x 3648 |
Highest native ISO | 3200 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 80 | 125 |
RAW files | ||
Lowest boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 315 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-600mm (24.0x) | 24-70mm (2.9x) |
Largest aperture | f/3.0-6.9 | f/1.8-2.8 |
Macro focusing distance | 1cm | 5cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 460 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Hypercrystal III Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.59x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/1700 secs | 1/2000 secs |
Maximum quiet shutter speed | - | 1/32000 secs |
Continuous shooting speed | 2.0 frames/s | 24.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | 10.20 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | - | 1/2000 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4 | MPEG-4, AVCHD, XAVC S |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | NP-BX1 lithium-ion battery & USB charger |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 226g (0.50 lb) | 299g (0.66 lb) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 220 photos | 220 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | LI-50B | NP-BX1 |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Retail cost | $279 | $998 |