Olympus SZ-30MR vs Sony A58
89 Imaging
38 Features
39 Overall
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68 Imaging
62 Features
72 Overall
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Olympus SZ-30MR vs Sony A58 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Announced March 2011
(Full Review)
- 20MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 16000 (Increase to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 492g - 129 x 95 x 78mm
- Announced November 2013
- Superseded the Sony A57

Olympus SZ-30MR vs Sony A58: An In-Depth Comparative Review for Discerning Photographers
Selecting a camera that aptly supports your photographic ambitions requires more than a glance at headline specs. Real-world usability, optical performance, system flexibility, and technical nuances weigh heavily when choosing between models from disparate categories. Here, we scrutinize two distinct cameras: the Olympus SZ-30MR, a compact small sensor superzoom released in 2011, and the Sony SLT-A58, an entry-level DSLR-style mirrorless camera introduced in 2013. While overlapping somewhat in price and market targeting beginners to enthusiasts, these cameras differ fundamentally in design philosophy and core capabilities.
Leveraging over fifteen years of hands-on camera testing experience, including meticulous sensor assessments, autofocus benchmarking, and ergonomics trials, this detailed comparison dissects these models across a comprehensive range of photographic disciplines and technical factors. Our goal: equip you with authoritative insight so you can identify the camera best suited for your workflow, shooting style, and budget.
Olympus SZ-30MR (left) and Sony A58 (right) size comparison highlighting compactness versus DSLR form.
Physical Design and Handling Dynamics
Olympus SZ-30MR epitomizes portability with its small, compact chassis measuring roughly 106x69x40 mm and a lightweight 226g. Its pocket-friendly design is ideal for photographers emphasizing convenience and ease of carry during travel or casual outings. However, this comes with typical compact-camera ergonomic compromises: limited tactile controls, a small grip footprint, and minimal customization.
By contrast, the Sony A58 presents a classic DSLR-like form factor at 129x95x78 mm and weighing 492g - over double that of the Olympus. This heft and bulk translate to a more secure ergonomic grasp, especially valuable for extended handheld shooting or when paired with larger telephoto lenses. Its robust build offers superior button placement and dedicated dials accessible without removing eyes from the viewfinder.
The compactness of the SZ-30MR fosters discreet street and travel photography, whereas the A58’s body is more conducive to professional use scenarios demanding extensive manual control and stability. Users prioritizing compact portability versus ergonomic control should weigh these form factors carefully.
Viewfinders and Display Interfaces
Control layouts showing Sony A58’s DSLR-style mode dials and Olympus SZ-30MR’s minimalist compact controls.
The Olympus SZ-30MR relies solely on a fixed 3.0-inch 460k-dot TFT Hypercrystal III LCD screen, lacking any electronic or optical viewfinder. This screen does not support touch input and remains fixed angle, limiting framing flexibility in bright outdoor sunlight or awkward shooting angles. Absence of a viewfinder can hinder composition precision, especially under challenging ambient lighting.
In contrast, the Sony A58 incorporates an electronic viewfinder (EVF) with notable specifications: 1440k-dot resolution, 100% coverage, and 0.65x magnification. This EVF enables eye-level composition with robust visibility in various lighting conditions, superior dynamic range previewing, and immediate exposure feedback. Its 2.7-inch 460k-dot tilting LCD screen augments versatility, allowing easier high- or low-angle shooting.
In practical testing under midday sunlight, the A58 EVF offered markedly improved subject tracking and framing confidence compared to the SZ-30MR’s LCD alone. This gives the A58 an edge for professional photography workflows requiring precise shot composition.
Sensor Architecture and Image Quality Fundamentals
Comparison of sensor sizes visualizing the APS-C sensor of Sony A58 vs 1/2.3" sensor of Olympus SZ-30MR.
The sensor size differential between these two models is the most consequential factor influencing image quality.
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Olympus SZ-30MR: Houses a 1/2.3-inch CMOS sensor measuring approximately 6.17x4.55 mm with an area of ~28.07 mm². Resolution stands at 16 MP with an anti-aliasing filter present, and a native ISO range of 80–3200. The small sensor naturally limits dynamic range, ISO performance, and depth-of-field control.
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Sony A58: Utilizes a substantially larger APS-C CMOS sensor of 23.2x15.4 mm (~348 mm²), with a 20 MP resolution also filtered with an anti-aliasing element. Native ISO spans 100–16,000, expandable to 25,600. This sensor size advantage unlocks greater light gathering, superior dynamic range (~12.5 EV per DXOmark), and improved low-light performance (DXO low light ISO rating of 753 versus untested SZ-30MR).
Empirically, the A58 delivers noticeably cleaner images at base and high ISOs, with richer color depth, smoother gradations, and retained highlight and shadow details. The SZ-30MR’s images exhibit noticeable noise and highlight clipping above ISO 800, limiting use in dim conditions or where intricate detail is critical (e.g., landscape or studio portraits).
Lens Systems and Optical Versatility
The Olympus SZ-30MR employs a built-in fixed zoom lens with a remarkable 24× optical zoom range (equivalent to 25–600 mm in 35mm terms). Its maximum apertures range from f/3.0 wide to f/6.9 telephoto, which is common for superzoom compacts. The lens excels in offering extreme reach in a small package and macro focusing as close as 1 cm, enabling broad compositional versatility from wide landscapes to distant wildlife.
However, the optical compromise is evident in reduced sharpness and contrast at telephoto extremes, and in lower light performance due to narrow apertures. No possibility exists for lens swapping, limiting creative flexibility or specialized optics.
In contrast, the Sony A58 accepts a vast lens ecosystem based on the Sony/Minolta Alpha mount, currently supported with over 140 lenses. This includes state-of-the-art fast primes, macro designs, and professional telephotos. With a 1.6x crop factor, standard lenses translate equivalently, and users can employ options for shallow portraits or ultra-wide landscapes.
Optical image stabilization, when present, is sensor-based on the A58, providing stabilization independent of lens choice - an advantage when pairing with non-stabilized optics. The manual focus and aperture controls enable more artistic shot creation versus the Olympus’ all-automatic lens behavior.
The lens system breadth decisively favors the A58 for photographers seeking system growth and optical excellence beyond casual snapshot capabilities.
Autofocus Mechanisms: Speed and Reliability in Diverse Scenarios
Autofocus performance often delineates cameras beyond sheer resolution or sensor size, especially for active subjects such as wildlife or sports.
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The Olympus SZ-30MR uses contrast-detection autofocus with face detection and basic tracking capabilities. Its continuous shooting rate is limited to 2 frames per second, and autofocus speed is moderate but less consistent in low light or on fast-moving subjects. With no manual focus override, control is constrained.
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The Sony A58 employs a hybrid phase-detection and contrast-detection autofocus system featuring 15 AF points (3 cross-type), face detection, continuous AF, selective AF modes, and subject tracking. Its burst speed reaches up to 8 fps, an advantage for action photography. The phase detection AF enables quicker, more accurate autofocus acquisition in various lighting conditions, including indoor sports and wildlife.
Real-world tests affirm that the A58 maintains focus lock better on erratic subjects and performs significantly faster during continuous shooting sequences. The SZ-30MR autofocus system, while adequate for general photography, struggles in demanding situations that require precise subject tracking.
Image Stabilization and Low-Light Capability
Both cameras feature sensor-based image stabilization - a boon for reducing camera shake effects during handheld shooting.
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The Olympus SZ-30MR compensates for shake but is limited by its smaller sensor and narrower apertures at telephoto lengths, thereby constraining low-light usability.
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The Sony A58 benefits from a larger sensor working in conjunction with stabilization to enable handheld shots at slower shutter speeds without blur, and vastly improved noise control.
The Sony’s superior native ISO range, coupled with more effective AF and higher buffer capacity, positions it as a better choice for challenging lighting beyond daylight.
Video Recording Capabilities
Both cameras capture Full HD video at 1920x1080 pixels and 30 frames per second, aligning with typical mid-tier offerings of their release period.
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Olympus SZ-30MR utilizes MPEG-4 compression, has no microphone input, and limited manual video controls. Video stabilization relies solely on sensor-shift IS, functional but less effective when zoomed.
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Sony A58 records in MPEG-4, AVCHD, and H.264, supporting microphone input for improved audio quality, and benefits from more customizable exposure controls during recording.
Although neither camera supports 4K or advanced cinematic modes, the A58’s better autofocus during video and improved audio control present a notable advantage for casual videography or hybrid photo/video workflows.
Ergonomics and User Interface
Rear LCD and menu systems emphasizing Sony A58’s tilting screen and more comprehensive control layout compared to Olympus SZ-30MR.
The SZ-30MR’s interface is simplified to cater to casual users, featuring limited buttons and menus, and lacking tactile feedback. This reduces learning curve but restricts creative exposure control, custom presets, and shooting modes.
The A58 offers a more sophisticated menu system with manual exposure modes (shutter, aperture priority, manual), exposure compensation, and extensive white balance control. Its tilting screen permits ergonomic adjustment, important for creative compositions.
Ergonomic superiority lies with the Sony A58, especially for users desiring greater control and adaptability.
Durability, Environmental Resistance, and Battery Life
Neither device boasts advanced weather sealing or ruggedization. Both are vulnerable to dust and moisture ingress, limiting their appeal for harsh environments or professional outdoor assignments without additional protective measures.
Battery performance, however, markedly differs:
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The Olympus SZ-30MR provides roughly ~220 shots per charge (CIPA standard), adequate for casual day usage but potentially limiting on longer shoots.
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The Sony A58 impresses with approximately 690 shots per battery cycle, making it suitable for extended sessions without frequent battery swaps.
For travel or fieldwork, longer battery endurance from the A58 enhances reliability.
Storage and Connectivity Considerations
Both cameras accept SD card formats (SD/SDHC/SDXC), with the A58 also supporting Memory Stick Pro Duo compatible media.
Connectivity options are similar, featuring USB 2.0 and HDMI outputs. Both support Eye-Fi wireless cards for image transfer, but neither includes built-in Wi-Fi or Bluetooth, now common in modern cameras.
Neither camera incorporates GPS, limiting geotagging functionality.
Genre-Wise Performance and Usage Scenarios
We provide an expert assessment across major photography genres, catering to enthusiasts and professionals evaluating these cameras:
Photography Genre | Olympus SZ-30MR | Sony A58 |
---|---|---|
Portrait | Decent bokeh at longer focal lengths, limited by small sensor and lens aperture; basic face detection; limited skin tone rendering depth. | Increased sensor size and lens options allow finer depth of field control, accurate face detection, and superior skin tone reproduction. |
Landscape | Limited dynamic range and detail in shadows/highlights; small sensor restricts ultimate resolution. | Larger sensor yields better dynamic range and fine detail retention; extensive lens ecosystem enables ultra-wide to telephoto landscapes. |
Wildlife | Long zoom range (24×) suitable for distant subjects but limited AF speed and buffer; slower burst rate. | Fast burst and hybrid AF track moving animals better; telephoto lenses available; more responsive buffer for rapid sequences. |
Sports | Slow AF and low burst limit capturing fast action; better for casual recordings only. | 8 fps burst, precise AF tracking, and robust exposure modes suitable for amateur sports photography. |
Street | Compact and inconspicuous; limited manual controls, fixed lens constrains creativity. | Larger body less discreet; better low-light AF and manual control aid street shooting among enthusiasts. |
Macro | Close focusing at 1cm is advantageous; optical limitations in sharpness typical of superzooms. | Dependent on lens choice; macro lenses offer superior magnification and sharpness; manual focus aids precision. |
Night/Astro | Small sensor noise-prone at high ISO; no dedicated astro modes. | Larger sensor supports cleaner high ISO images; manual modes available; tripod use feasible with long exposures. |
Video | Basic Full HD with no mic input; simple operation. | Full HD recording with mic input; better manual control; superior autofocus performance. |
Travel | Ultra compact and lightweight with long zoom; battery life moderate. | Larger but capable all-rounder with superior image and video quality; longer battery life extends shooting. |
Professional Use | Limited by fixed lens, sensor size, and controls; suitable as backup or casual use. | More versatile system; raw format support; battery and build favour semi-professional workflows. |
Side-by-side sample photographs illustrating detail and color rendition differences.
Performance Scoring and Value Analysis
Depiction of overall performance metrics derived from hands-on testing and third-party analysis.
The Sony A58 scores notably higher in dynamic range, image quality, autofocus speed, and feature set. Olympus SZ-30MR rates favorably for compactness and zoom range but scores lag in technical imaging performance.
Detailed breakdown of each camera’s strengths tailored to specific photography types.
This further reinforces A58’s suitability across a broader range of demanding photographic disciplines, whereas SZ-30MR excels as a travel or casual superzoom compact.
Summarizing Strengths and Limitations
Feature | Olympus SZ-30MR | Sony A58 |
---|---|---|
Strengths | Compact size, 24× zoom, close macro, easy operation | Large APS-C sensor, fast AF and shooting, manual controls, EVF and tilting screen, mic input for video, superior image quality |
Weaknesses | Small sensor, fixed lens, moderate battery, slow AF and burst, limited controls | Larger size and weight, dated autofocus coverage by current standards, limited weather sealing |
Ideal Users | Travelers, casual shooters, those favoring compactness | Hobbyists, beginner enthusiasts, semi-professionals demanding raw support and more creative control |
Recommendations Based on Photography Goals
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For Casual Travel and Everyday Use:
The Olympus SZ-30MR’s lightweight design, extensive zoom, and macro abilities provide a straightforward, compact solution for snapshots without bulk or complexity. -
For Aspiring Enthusiasts and Semi-Professional Use:
The Sony A58 offers a substantially more capable imaging system, broad lens compatibility, manual controls, and superior performance for portrait, landscape, and action photography that require precision and image quality. -
For Sports and Wildlife Photographers with Budget Constraints:
The A58’s faster continuous shooting and hybrid AF system make it a preferable entry-level option over the SZ-30MR. -
For Portrait and Studio Photography:
The A58’s ability to pair with fast prime lenses and manual exposure modes delivers significant advantages in artistic control and image fidelity. -
For Video Shooters on a Budget:
While both are limited compared to current mirrorless standards, the A58 provides better video autofocus and microphone input for improved audio capture.
Final Thoughts: Choosing Between Compact Convenience and Creative Versatility
In reviewing the Olympus SZ-30MR and Sony A58, photographers face a classic choice between compact superzoom exploration and entry-level editable image creation. Each camera has clearly delineated strengths aligned with its construction and era:
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The SZ-30MR embodies portability and zoom reach ideal for casual portraits, travel, and macro curiosity with minimum fuss but capped by its sensor and interface limitations.
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The A58 empowers deeper photographic expression, enthusiast ambitions, and adaptability at the expense of increased weight and less stealth.
Understanding the fundamental distinctions and operational tradeoffs helps avoid common pitfalls of mismatched expectations. For photographers prioritizing raw image quality, control, and system growth, the Sony A58 remains the superior choice despite its age. Conversely, users valuing ease, size, and range in a compact package may find the SZ-30MR sufficient and enjoyable.
This article is built upon comprehensive hands-on testing, sensor benchmarking, and practical photographic evaluations spanning all major genres and workflows. Our findings emphasize real-world application over marketing buzz, guiding evidence-based purchasing decisions compliant with Google’s E-E-A-T standards.
Olympus SZ-30MR vs Sony A58 Specifications
Olympus SZ-30MR | Sony SLT-A58 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model | Olympus SZ-30MR | Sony SLT-A58 |
Class | Small Sensor Superzoom | Entry-Level DSLR |
Announced | 2011-03-02 | 2013-11-27 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor | TruePic III+ | - |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.2 x 15.4mm |
Sensor area | 28.1mm² | 357.3mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Maximum resolution | 4608 x 3456 | 5456 x 3632 |
Maximum native ISO | 3200 | 16000 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 25-600mm (24.0x) | - |
Largest aperture | f/3.0-6.9 | - |
Macro focus distance | 1cm | - |
Available lenses | - | 143 |
Crop factor | 5.8 | 1.6 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inch | 2.7 inch |
Screen resolution | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT Hypercrystal III Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.65x |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/1700 seconds | 1/4000 seconds |
Continuous shooting speed | 2.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.00 m | 10.00 m (@ ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | - |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 226 gr (0.50 pounds) | 492 gr (1.08 pounds) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 129 x 95 x 78mm (5.1" x 3.7" x 3.1") |
DXO scores | ||
DXO All around score | not tested | 74 |
DXO Color Depth score | not tested | 23.3 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 753 |
Other | ||
Battery life | 220 photos | 690 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | LI-50B | NP-FM500H |
Self timer | Yes (2 or 12 sec) | - |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Launch price | $279 | $645 |