Olympus 5010 vs Sony A7 III
96 Imaging
36 Features
27 Overall
32


63 Imaging
73 Features
92 Overall
80
Olympus 5010 vs Sony A7 III Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 126g - 95 x 56 x 20mm
- Released January 2010
- Other Name is mju 5010
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Revealed February 2018
- Replaced the Sony A7 II
- Successor is Sony A7 IV

Olympus Stylus 5010 vs Sony Alpha A7 III: A Deep-Dive for Buyers Seeking Clarity
Choosing between a budget ultracompact and a professional full-frame mirrorless can feel like comparing apples and oranges - until you break down the details. Having tested thousands of cameras across diverse photography genres, I’m here to help you understand the practical differences between the Olympus Stylus 5010 (aka mju 5010) and the Sony Alpha A7 III. These two represent ends of the camera spectrum: one aims for compact simplicity and affordability, the other targets high-level versatility and performance.
Let’s embark on a comprehensive comparison, rooted in hands-on experience and technical rigor, that will uncover the strengths, compromises, and ideal uses for each of these models.
Compactness and Ergonomics: Pocketable Ease Versus Professional Handling
When pocketability and grab-and-go convenience are priorities, the Olympus Stylus 5010 stands out. It’s a true ultracompact camera with dimensions measuring just 95 x 56 x 20 mm and weighing a mere 126 g. This little bundle fits effortlessly in a coat pocket or purse, making it ideal for casual shooting, travel light days, or as a backup.
By contrast, the Sony A7 III is a full-frame mirrorless with an SLR-style body built for professional-grade handling. Its size is notably more substantial at 127 x 96 x 74 mm, and it weighs in at 650 g. This heft translates into a reassuring grip and room for comprehensive controls but comes at the cost of pocket portability.
The Olympus’s fixed, compact form factor means fewer controls but quick startup and straightforward use, ideal for snapshots or beginners who want point-and-shoot simplicity. The Sony A7 III boasts an array of physically accessible dials, customizable buttons, and a deep grip for comfortable extended shoots, which professionals and enthusiasts will appreciate during demanding sessions.
Design and Control Layout: Minimalism Meets Customizability
Delving deeper into the camera interfaces, the Olympus’s design favors minimal interaction. The 5010 has a fixed 2.7-inch LCD with 230k-dot resolution and no touchscreen, supported mainly by simple buttons and menus. There is no viewfinder, so framing relies solely on the LCD. The modest control set suits quick casual snaps but limits creative control.
The Sony A7 III, in marked contrast, features a tilting 3-inch touchscreen LCD with 922k-dot resolution alongside a high-resolution (2.36M-dot) electronic viewfinder. This combination supports precise manual framing and easy menu navigation - even in bright conditions where LCD visibility wanes.
Sony’s button layout includes dedicated dials for shutter speed, exposure compensation, and video recording, plus fully customizable buttons. This design significantly speeds up in-field adjustments, boosting efficiency for professional workflows. The Olympus lacks any such customization or dedicated dials, reflecting its more casual use intent.
Sensor and Image Quality: Small CCD Versus Full-Frame BSI CMOS
The heart of any camera is its sensor, and here lies perhaps the most fundamental divide. The Olympus Stylus 5010 sports a 1/2.3" CCD sensor with 14MP resolution. This sensor size is tiny (6.08 x 4.56 mm) and represents typical point-and-shoot technology from the early 2010s, limiting low-light performance and dynamic range.
On the other hand, the Sony A7 III houses a full-frame (35.8 x 23.8 mm) backside-illuminated CMOS sensor with 24MP resolution. This sensor is substantially larger (over 850 mm² vs 27.7 mm² in Olympus), which translates directly to superior image quality, better noise control, and greater tonal range.
Hands-on, the Olympus excels in well-lit scenarios like daylight street or travel shots but struggles in low light beyond ISO 400 due to noise and limited dynamic range. The Sony’s sensor delivers excellent detail retention, wide dynamic range (14.7 EV), and clean high ISO performance up to ISO 51200 native and ISO 204800 boosted in emergencies. For portrait or landscape photography demanding high fidelity and flexibility, the A7 III is in a class of its own.
Viewing Experience: LCD and Viewfinder Differences
Since one camera lacks a viewfinder and the other has a top-tier electronic finder, the experience of composing and reviewing images diverges greatly.
The Olympus 5010’s fixed LCD suffices for casual shooters but offers limited resolution and no touchscreen input. This fixed setup is less convenient when shooting from low angles or in bright sunlight.
Conversely, the Sony A7 III offers a tilting touchscreen LCD and a 0.78x magnification OLED EVF with 100% coverage. This EVF provides sharp, real-time previews with accurate exposure, focus peaking, and live histograms. Being able to compose through the eye-level finder dramatically aids in bright outdoor conditions and action shooting.
Moreover, touchscreen autofocus point selection and menu navigation greatly improve usability, particularly for video or live view focusing in the field.
Autofocus Performance: A Tale of Two Systems
Autofocus (AF) systems can make or break the shooting experience - especially when timing or sharpness is critical.
The Olympus Stylus 5010 relies on contrast-detection AF with single AF and basic tracking capabilities. It does not offer face or eye detection autofocus. This system suffices for static subjects in bright conditions but can be sluggish or inaccurate when tracking moving objects or in low light.
In contrast, the Sony A7 III sports a hybrid AF system combining 693 phase-detection points with 425 contrast points, facilitating rapid, accurate, and reliable autofocus in virtually all scenarios. It includes advanced features like eye AF for humans and animals, real-time tracking, and selectable AF zones. This packed AF arsenal enables confident shooting of action, wildlife, sports, and portraits with sharp eye focus.
Burst Shooting and Responsiveness
Burst rate can be a crucial factor for sports and wildlife photographers.
The Olympus 5010 offers a meager 1 frame per second (fps) continuous shooting that is effectively too slow for fast action. Buffer sizes and write speeds further limit this.
The Sony A7 III rises to the challenge with 10 fps continuous shooting using mechanical shutter and a substantial buffer that allows dozens of compressed RAW frames before slowing down. Electronic shutter options are also available for silent shooting albeit not at higher fps.
For anyone needing to capture fleeting moments - say, a bird takeoff or athlete in motion - the Sony’s burst capability is a game-changer.
Lens Ecosystem and Compatibility: Fixed vs. E-mount Flexibility
Lens options often define a system’s versatility and future-proofing.
The Olympus 5010 has a fixed 26-130 mm f/2.8–6.5 lens (equivalent to 5x zoom). Its prime advantage is simplicity and compactness - you’re always ready but limited to this focal length and aperture range. There’s no ability to swap lenses or adapt new optics.
The Sony A7 III uses the Sony E-mount system, boasting an expansive lens lineup of over 120 compatible lenses, including:
- Native Sony FE full-frame primes and zooms of every flavor
- Third-party options from Zeiss, Sigma, Tamron, and others
- Manual focus primes for specialized work
This vast ecosystem allows photographers to tailor their kit from fast portraits, macro, telephoto wildlife, to ultra-wide landscapes, adapting to any genre or style.
Build Quality and Weather Sealing
For photographers often working outdoors or in adverse conditions, camera durability matters.
Olympus Stylus 5010 has a plastic body with no weather sealing or ruggedization. It’s not designed for harsh conditions but rather casual indoor or outdoor use in benign environments.
Meanwhile, the Sony A7 III features a robust magnesium alloy chassis with environmental sealing for dust and moisture resistance (though not waterproof or freezeproof). This reliability factor is vital for travel, adventure, and field professionals needing gear that withstands weather variability without failure.
Battery Life and Storage Solutions
Candidly, battery life can sometimes dictate what you can shoot and for how long.
The Olympus 5010 uses the Li-50B battery, with manufacturer claims typically around 230 shots per charge - adequate for short outings. Its ultracompact body and lack of EVF help limit power draw.
Sony’s A7 III employs the efficient NP-FZ100 battery, offering one of the longest mirrorless battery lives on the market, rated for approximately 610 shots per charge. Dual SD card slots also provide flexible storage and backup options, crucial for professional photographers shooting large RAW files or extended video clips.
Video Capabilities: Casual Clips vs. Professional-Grade Footage
The Olympus shoots HD video at 1280 x 720 pixels at 30 fps, encoded in Motion JPEG. This results in decent but basic video, mainly for casual use or short clips.
In stark contrast, the Sony A7 III supports 4K UHD video recording (3840 x 2160 pixels) at 30p/24p, along with multiple frame rates in Full HD mode up to 120 fps for slow-motion. It uses advanced codecs (XAVC-S, AVCHD) and provides professional features such as picture profiles, S-Log, microphone/headphone jacks, and reliable in-body 5-axis stabilization.
If videography beyond casual hobbyist level matters, the A7 III is clearly the camera to consider.
Real-World Shooting Experiences: Sample Images Comparison
To ground these specifications in practical term, examining sample images both outdoors and indoors reveals the strengths and limits of each.
The Olympus captures nice daylight scenes with punchy colors but noticeably soft details and limited shadow recovery when looking closely. Low-light indoors results in significant noise and color shifts past ISO 400.
The Sony A7 III images show outstanding sharpness, natural skin tones, and ample latitude for post-processing. Shadows and highlights retain superb detail, and high ISO images remain impressively clean.
Performance Scores: Objective Benchmarking
Industry-standard test platforms like DxOMark rate the Sony A7 III highly with an overall score of 96, a dynamic range of 14.7 stops, color depth of 25, and excellent low-light ISO.
The Olympus 5010, being a consumer compact, has no formal professional rating but, based on sensor tech and sample analysis, would rank much lower in dynamic range and noise control.
Genre-Specific Strengths and Use Cases
Every photographer approaches a camera with different demands. Here’s how our two contenders fare in key photography genres.
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Portraits: Sony’s eye AF, full-frame BSI CMOS sensor, and lens choices create stunning skin tones and creamy bokeh. Olympus manages decent snap portraits but can’t isolate subjects well in shallow depth-of-field.
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Landscape: Sony’s dynamic range and resolution capture vivid, expansive scenes with fine texture; weather sealing adds reliability for outdoor shoots. Olympus is limited by sensor size, lower resolution, and no sealing.
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Wildlife: Sony’s fast AF, high fps burst, and telephoto lenses make it ideal. Olympus’s fixed lens zoom and slow AF limit action shooting.
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Sports: Sony dominates with tracking AF and speed; Olympus is unsuitable beyond casual stills.
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Street: Olympus’s small size and unobtrusive profile are advantages for discreet shooting, though image quality suffers. Sony, while bigger, benefits from silent shutter mode for stealth.
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Macro: Sony’s lens ecosystem includes superior macro lenses with focus precision; Olympus’s minimum focus distance of 7 cm and sensor limit detail capture.
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Night and Astro: Sony’s high ISO and exposure controls enable astrophotography and night scenes; Olympus’s noise becomes overwhelming.
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Video: Sony’s 4K and extensive video features excel; Olympus limited to basic 720p.
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Travel: Olympus is light and compact, ideal for minimal gear; Sony adds versatility but at the cost of bulk and weight.
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Professional Work: Sony caters expertly to pro needs with raw support, reliable AF, and workflow flexibility. Olympus does not meet professional standards.
Connectivity and Extras: Modern Conveniences
Connectivity options reveal further contrast. The Olympus 5010 offers USB 2.0 and HDMI, but no wireless features or Bluetooth. File transfer and tethering require cables.
Sony’s A7 III adds built-in Wi-Fi, Bluetooth, and NFC, facilitating instant image sharing and remote control via smartphone apps - a big plus for modern workflows.
Pricing Context and Value Assessment
At its launch, the Olympus 5010 priced around $150 - a factor that aligns with its consumer demographic: budget-conscious users wanting simple snapshots.
The Sony A7 III, retailing around $2,000 body-only, represents a significant investment reflecting its pro-grade build, sensor, and features.
While the price gap is huge, the divergent audiences and capabilities justify the disparity. Olympus is a straightforward point-and-shoot; Sony is a professional-level tool.
Final Thoughts: Who Should Pick Which?
Both cameras serve dramatically different goals. Based on hands-on testing and technical review, here are firm recommendations:
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Choose the Olympus Stylus 5010 if:
- You want a compact, lightweight camera for casual snapshots or travel with minimal fuss.
- You prioritize convenience and pocketability over image quality.
- Your shooting needs are simple: mostly daylight, static subjects, JPEG-only workflow.
- Budget constraints preclude investing more than a couple of hundred dollars.
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Choose the Sony Alpha A7 III if:
- You seek professional or enthusiast image quality with excellent dynamic range and noise performance.
- Your work spans portraits, landscapes, wildlife, sports, or video requiring fast AF and high-res files.
- You want full creative control through manual settings, lens interchangeability, and advanced video.
- Durability, battery life, and connectivity are crucial.
- You are willing to invest for a camera that will serve demanding shooting well into the future.
Closing Remarks
Sifting through technical specs is only half the battle. Actually using these cameras side by side on nature walks, studio shoots, low-light events, and street corners reveals how much design philosophy shapes user experience and results. This Olympus and Sony pair highlights the gulf between casual user simplicity and professional-grade ambition.
No single camera is “better” without context. Careful consideration of your shooting style, environment, and budget will guide you to the right choice. I hope this detailed, practical comparison - rooted in real shooting and system knowledge - gives you the confidence to pick a camera that truly matches your photographic journey.
Happy shooting!
End of article.
Olympus 5010 vs Sony A7 III Specifications
Olympus Stylus 5010 | Sony Alpha A7 III | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus Stylus 5010 | Sony Alpha A7 III |
Other name | mju 5010 | - |
Class | Ultracompact | Pro Mirrorless |
Released | 2010-01-07 | 2018-02-27 |
Physical type | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic III | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor surface area | 27.7mm² | 852.0mm² |
Sensor resolution | 14MP | 24MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4288 x 3216 | 6000 x 4000 |
Highest native ISO | 3200 | 51200 |
Highest enhanced ISO | - | 204800 |
Minimum native ISO | 64 | 100 |
RAW data | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 693 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 26-130mm (5.0x) | - |
Max aperture | f/2.8-6.5 | - |
Macro focusing range | 7cm | - |
Total lenses | - | 121 |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display size | 2.7 inches | 3 inches |
Display resolution | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Minimum shutter speed | 4 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shutter rate | 1.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.70 m | no built-in flash |
Flash options | Auto, On, Off, Red-eye, Fill-in | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps) 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 126 gr (0.28 lb) | 650 gr (1.43 lb) |
Physical dimensions | 95 x 56 x 20mm (3.7" x 2.2" x 0.8") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 96 |
DXO Color Depth rating | not tested | 25.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 3730 |
Other | ||
Battery life | - | 610 pictures |
Battery style | - | Battery Pack |
Battery ID | Li-50B | NP-FZ100 |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage type | SC/SDHC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | 2 |
Retail pricing | $150 | $1,998 |