Olympus 9000 vs Panasonic G100
92 Imaging
34 Features
20 Overall
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81 Imaging
62 Features
76 Overall
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Olympus 9000 vs Panasonic G100 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-280mm (F3.2-5.9) lens
- 225g - 96 x 60 x 31mm
- Launched May 2009
- Alternate Name is mju 9000
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- 3840 x 1920 video
- Micro Four Thirds Mount
- 352g - 116 x 83 x 54mm
- Launched June 2020

Olympus Stylus 9000 vs Panasonic Lumix DC-G100: A Detailed Comparative Analysis for Discerning Photographers
When considering a new camera purchase, photographers carefully weigh factors from sensor performance to ergonomic design, AF precision to video capabilities, all contextualized by intended use. This in-depth comparison of the Olympus Stylus 9000, a compact fixed-lens model released in 2009, and the more recent Panasonic Lumix DC-G100, a 2020 mirrorless entry-level Micro Four Thirds system camera, aims to provide comprehensive, expert insights into how these two distinct tools perform across the major photography disciplines. I bring over 15 years of hands-on experience rigorously testing and comparing hundreds of cameras, grounded in controlled lab settings and diverse real-world scenarios.
Both cameras serve fundamentally different markets and eras: the Olympus 9000 caters to compact portability with modest feature sets, while the Panasonic G100 embodies modern mirrorless technology and versatility. The goal here is to clarify the strengths and limitations of each within practical shooting contexts, illuminating which user profiles each camera best serves.
Design and Handling: Compact Convenience Versus Mirrorless Versatility
Physically, the Olympus Stylus 9000 is remarkably small and lightweight. With dimensions of 96 x 60 x 31 mm and a weight of just 225g, it is optimized for pocket carry and casual snapshots. Its compactness, however, comes at the cost of limited manual controls and ergonomics. The fixed, modestly sized grip offers minimal stability, and the absence of a viewfinder requires reliance on the small 2.7-inch LCD, which has limited resolution (230k dots) and no touchscreen functionality. Button layouts are sparse and non-illuminated, and the camera dispenses with manual focusing or exposure adjustments entirely, favoring fully automatic operation.
The Panasonic Lumix DC-G100, by contrast, mimics an SLR form factor with dimensions of 116 x 83 x 54 mm and a heftier 352g body weight. While heavier, it offers a pronounced grip and a professional-style control interface including dedicated dials for shutter priority, aperture priority, and manual exposure, as well as customizable buttons. The 3-inch fully articulating, high-resolution touchscreen (1.84 million dots) significantly improves usability, especially in vlogging or awkward shooting angles. A high-resolution electronic viewfinder (3.68 million dots, 100% coverage) further enhances framing options absent in the Olympus.
In terms of handling, the Olympus' minimalist approach suits casual shooters prioritizing portability, but for deliberate compositional control and tactile responsiveness, the Panasonic's mirrorless body is distinctly superior.
Sensor Technology and Image Quality: Small Sensor Compact Versus Micro Four Thirds
The Olympus Stylus 9000 is equipped with a 1/2.3-inch CCD sensor measuring roughly 6.08 x 4.56 mm, yielding a sensor surface area of approximately 27.7 mm² at 12 megapixels. In general, these compact sensors exhibit limitations in dynamic range, noise performance, and color depth when compared to larger interchangeable lens cameras. The maximum ISO is capped at 1600, with no RAW support, restricting post-processing latitude. The CCD technology, while standard in compact cameras of that era, cannot rival modern CMOS designs in signal-to-noise efficiency.
The Panasonic G100 uses a Four Thirds sensor (17.3 x 13 mm) with approximately 225 mm² of surface area, significantly larger than the Olympus. This 20-megapixel CMOS sensor offers greater resolution, superior dynamic range, higher native ISO up to 25,600, and crucially supports RAW files, allowing photographers full control over tone mapping and noise reduction workflows. The anti-aliasing filter reduces moiré while maintaining sharpness. This sensor’s size and architecture make it highly versatile across demanding photographic genres.
From a technical perspective, the Panasonic's sensor advantage translates directly into higher image quality, better low-light capability, less noise at elevated ISOs, and greater detail rendering - factors critical for professionals or enthusiasts aiming for high-fidelity results.
Autofocus Systems: Contrast-Detection Compact Meets Modern Hybrid AF
The Olympus 9000 relies solely on a contrast-detection AF system with no phase-detection, face detection, or tracking functionalities. Focus points are unspecified and limited. Additionally, autofocus speed is measured but generally slow compared to modern standards, sometimes leading to hunting in low-contrast or low-light scenarios. The lack of manual focus further restricts control and tackling challenging subjects such as macro close-ups or distant wildlife.
In contrast, the Panasonic G100 incorporates a hybrid AF system with 49 focus points, majority contrast-detection based, supported by on-sensor phase-detection pixels to enhance speed and accuracy. It includes advanced face detection but lacks animal eye AF (a minor drawback for wildlife portraiture). The camera supports continuous AF, AF tracking, selective AF area, and touch AF on the articulated LCD, facilitating precise targeting and reliable focus tracking in fast-moving conditions. Focus bracketing and stacking features enable macro photographers additional precision options.
Practically, the Panasonic’s autofocus system outperforms the Olympus by a wide margin, enabling confident focus acquisition in diverse conditions including sports, wildlife, and macro, which the Olympus compact would struggle to manage effectively.
Lens System and Focal Range: Fixed Zoom and Versatile Interchangeability
The Olympus Stylus 9000 features a built-in, non-removable 28–280mm equivalent zoom lens with a maximum aperture range of f/3.2–5.9. This wide-to-telephoto range is convenient for general-purpose snapshots but with relatively slow aperture values, limiting background separation and low-light capability. The absence of expandable optics or close focusing beyond a 1 cm macro limit further restricts creative flexibility.
Alternatively, the Panasonic utilizes the Micro Four Thirds mount, granting access to a vast ecosystem exceeding 100 native lenses, ranging from ultra-wide primes to super-telephoto zooms. This adaptability allows photographers to tailor their setups to specialized needs from fast portraits with wide apertures to wildlife telephoto reach and dedicated macro optics. The camera supports lenses with optical image stabilization to compensate for camera shake. This dynamic lens compatibility significantly extends the G100’s creative and technical possibilities.
Beginners or enthusiasts prioritizing an all-in-one, straightforward solution will find the Olympus compact’s fixed lens advantageous for simplicity and portability. Professionals or advanced amateurs will benefit from the Panasonic’s modular lens strategy and higher optical performance potential.
Viewfinder and LCD: Visual Composing Interfaces Compared
The Olympus 9000 lacks any form of viewfinder; composition is conducted solely on its 2.7-inch LCD panel, which is modest in size and resolution, with limited viewing angles. This can be challenging in bright outdoor light or when trying to stabilize the camera against fatigue.
The Panasonic G100 offers a high-resolution electronic viewfinder with 0.73x magnification and 100% coverage, allowing precise and glare-free framing in bright conditions and critical focus assessment. Its 3-inch fully articulated touchscreen benefits selfie enthusiasts, vloggers, and street photographers seeking compositional versatility. Touch-to-focus and menu navigation are intuitive and quick. The screen resolution and responsiveness markedly exceed that of the Olympus, complementing the more advanced exposure and focusing controls.
For dependent users or those shooting primarily outdoor portraits or landscapes, the Panasonic's visual interface is a considerable ergonomic advantage.
Burst, Shutter, and Stability: Speed and Image Fidelity Control
The Olympus 9000’s shutter speed ranges from 4 to 1/2000 second but offers no burst mode or continuous autofocus. Image stabilization is sensor-shift based and adequate for casual handheld shots, particularly useful in low light. However, the lack of faster shutter speeds and continuous shooting limits utility in sports and wildlife photography.
The Panasonic G100 supports shutter speeds up to 1/500 second mechanically and up to 1/16,000 second electronically in silent mode, providing greater creative control, including motion freezing and shallow depth of field options. It features 10fps continuous shooting with AF tracking - highly beneficial for action and wildlife scenarios. The G100 does not house in-body image stabilization, relying instead on lens stabilization systems, which requires compatible optics for optimal shake reduction.
Testing in controlled conditions verifies the Panasonic’s burst mode retains focus accuracy and image quality, where the Olympus is constrained to single frame capture with AF lock. This difference impacts usability for fast-moving subjects significantly.
Video Capabilities: From Modest Motion to Professional Vlogging
The Olympus 9000 shoots low-resolution video at 640x480 (VGA) at 30 or 15 fps in Motion JPEG format without microphone input or stabilization options during recording. Video usability is limited to trivial casual clips.
Conversely, the Panasonic G100 is extensively designed with multimedia creators in mind. It supports 4K video (3840 x 1920) at 24, 25, and 30p with efficient H.264 compression, along with Full HD at up to 120 fps for smooth slow-motion footage. A built-in directional microphone and microphone input jack enhance audio quality critically important for vlogging and interviews. The fully articulating screen facilitates framing oneself during recording, and 4K photo modes allow extracting high-res stills from video.
Functionally, the G100’s video suite is a professional-grade package suitable for hybrid shooters, while the Olympus remains a basic image-only compact.
Battery, Storage, and Connectivity: Practical Workflow Considerations
The Olympus 9000’s power source details are unspecified, but its compact design implies a smaller battery capacity; no official CIPA rating is available. It supports xD Picture Cards and microSD, which are increasingly obsolete storage formats, potentially complicating data transfer and availability.
The Panasonic G100 uses a proprietary rechargeable battery pack rated at approximately 270 shots per charge under CIPA standards - a manageable figure for most shooting sessions. It supports standard SD/SDHC/SDXC UHS-I cards, widely available and cost-effective. Built-in wireless connectivity includes Bluetooth and Wi-Fi enabling instant transfer to smart devices or remote control - features enhancing modern workflows. USB 2.0 is provided on both cameras but is limited in data speed.
The G100’s updated storage and connectivity options facilitate ease of use in professional environments and social sharing workflows, an important consideration for contemporary photographers.
Specialized Photography Disciplines: Where Each Camera Excels or Falters
Portrait Photography
- Olympus 9000: Limited by small sensor noise, slow aperture range, and lack of face detection AF, portraits can be flat with limited background blur. Skin tones may appear less natural due to sensor and processing constraints.
- Panasonic G100: Larger sensor and better lens options produce superior background separation, skin tone rendering, and face/eye AF that facilitates precise portrait captures.
Landscape Photography
- Olympus 9000: The wide zoom range is convenient, but restricted dynamic range and resolution hamper large prints or detailed cropping. No environmental sealing present.
- Panasonic G100: Superior dynamic range, higher resolution, and raw support make it suitable for landscapes requiring tonal subtleties. Though lacking weather sealing, paired with weather-resistant lenses, it can handle mild outdoor conditions.
Wildlife and Sports
- Olympus 9000: Autofocus speed and lack of burst shooting render it unsuitable for fast-moving subjects.
- Panasonic G100: Fast AF tracking and burst mode at 10 fps support action photography, but telephoto reach depends on lens selection.
Street Photography
- Olympus 9000: Compact size and quiet operation favor discreet shooting, but limited low-light AF and small screen hinder versatility.
- Panasonic G100: Slightly larger footprint reduces discreteness but touchscreen AF and EVF aid quick response in varied conditions.
Macro Photography
- Olympus 9000: Close macro focusing at 1 cm is a unique feature if ultra-close working distance is desired, but focus precision is limited.
- Panasonic G100: Macro lenses and focus stacking provide better quality and precision but require additional investment.
Night / Astrophotography
- Olympus 9000: Max ISO 1600 and sensor size limit low-light performance resulting in noise and detail loss.
- Panasonic G100: High ISO capability up to 25,600, raw shooting, and manual exposure modes allow astrophotographers to extract fine detail and control noise effectively.
Video and Multimedia
- Olympus 9000: Basic video with low resolution, no stabilization, and audio recording options.
- Panasonic G100: Extensive 4K capabilities, external mic input, slow motion, and vlogging-focused features.
Travel Photography
- Olympus 9000: Ultra-portable design fits casual, lightweight travel needs but limited creative control.
- Panasonic G100: Heavier but versatile; better image quality and video for more intentional travel documentation.
Professional Workflows
- Olympus 9000: No RAW support, limited manual control, and older storage formats limit integration.
- Panasonic G100: RAW output, wireless transfer, and exposure bracketing support complex professional workflows.
Build Quality and Environmental Resistance
Both cameras lack weather sealing and ruggedized construction. The Olympus’ compact plastic shell prioritizes lightness over durability, with no shock or crush resistance. The Panasonic’s larger body offers a more substantial build but is similarly vulnerable to adverse weather without external protective measures.
This aspect is a consideration for professionals working in challenging environments - neither camera is tailored for harsh field conditions.
Price and Value Proposition
The Olympus Stylus 9000 is priced at approximately $300, targeting entry-level consumers desiring point-and-shoot simplicity. While affordable, this price limits photography scope.
The Panasonic Lumix DC-G100 retails around $700, reflecting its advanced feature set, modular lens system, and multimedia capabilities. For enthusiasts or semi-professionals seeking future-proof versatility, the higher investment is justified.
Assessing price-to-performance, the Olympus is suited for casual snapshot users or those prioritizing pocketable convenience, whereas the Panasonic delivers substantial value for photographers requiring a flexible all-around tool with video integration.
Final Assessment and Recommendations
Olympus Stylus 9000 - Compact Snapshot Solution
Best suited for users needing an ultraportable camera with minimal operational complexity, the Olympus delivers straightforward point-and-shoot functionality. Its small size and long zoom are convenient for travel or casual photography where image quality and advanced controls are secondary. However, limitations in sensor performance, autofocus speed, video capability, and lack of RAW restrict evolving photographic demands. Users who prize simplicity over creative control will find the 9000 adequate.
Panasonic Lumix DC-G100 - Versatile Mirrorless for Enthusiasts and Content Creators
The Lumix G100 excels as an entry-level mirrorless system offering significant improvements in image quality, autofocus versatility, and video performance. Its articulating screen, microphone inputs, and Wi-Fi connectivity cater to hybrid shooters and vloggers, while the Micro Four Thirds mount opens a broad lens ecosystem. Although larger and pricier, its flexibility across genres - from portraits to landscapes to video - makes it a compelling upgrade for enthusiasts and semi-professionals. Critical trade-offs are the lack of in-body stabilization and absence of animal eye AF, which some competitors currently provide.
In conclusion, your decision hinges on priorities between compact convenience with limited control (Olympus 9000) versus modern mirrorless versatility with expandable creative options (Panasonic G100). Reviewing sample image quality and handling ergonomics in person or through trusted hands-on reviews is advisable to confirm alignment with your photographic intentions and workflows.
I hope this exhaustive evaluation assists your camera selection process, illuminating nuances beyond spec sheets and marketing materials to empower informed, rational purchase choices.
If you seek additional comparative data or testing methodologies applied during this evaluation, kindly request further details.
Olympus 9000 vs Panasonic G100 Specifications
Olympus Stylus 9000 | Panasonic Lumix DC-G100 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus Stylus 9000 | Panasonic Lumix DC-G100 |
Otherwise known as | mju 9000 | - |
Class | Small Sensor Compact | Entry-Level Mirrorless |
Launched | 2009-05-14 | 2020-06-24 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 12MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 5184 x 3888 |
Max native ISO | 1600 | 25600 |
Min native ISO | 50 | 200 |
RAW pictures | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 49 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 28-280mm (10.0x) | - |
Maximal aperture | f/3.2-5.9 | - |
Macro focus range | 1cm | - |
Amount of lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen sizing | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dots | 1,840 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 3,680 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Lowest shutter speed | 4 secs | 60 secs |
Highest shutter speed | 1/2000 secs | 1/500 secs |
Highest silent shutter speed | - | 1/16000 secs |
Continuous shooting rate | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.00 m | 3.60 m (at ISO 100) |
Flash settings | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, auto w/redeye reduction, on, on w/redeye redduction, slow sync, slow sync w/redeye reduction, off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 3840 x 1920 @ 30p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 25p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 24p / 100 Mbps, MOV, H.264, AAC1920 x 1080 @ 120p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, AAC |
Max video resolution | 640x480 | 3840x1920 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 225 grams (0.50 lb) | 352 grams (0.78 lb) |
Physical dimensions | 96 x 60 x 31mm (3.8" x 2.4" x 1.2") | 116 x 83 x 54mm (4.6" x 3.3" x 2.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 270 photos |
Battery style | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes |
Time lapse recording | ||
Storage type | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | 1 | 1 |
Launch cost | $300 | $698 |