Olympus SH-1 vs Panasonic GH5S
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Olympus SH-1 vs Panasonic GH5S Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 271g - 109 x 63 x 42mm
- Announced March 2014
- Newer Model is Olympus SH-2
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Screen
- ISO 160 - 51200 (Raise to 204800)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Announced January 2018

Olympus SH-1 vs Panasonic GH5S: An Expert Comparison Across Photography Disciplines
When choosing a camera, photographers must weigh numerous factors - from sensor size and image quality to autofocus speed and video capabilities - which vary widely across models and manufacturers. Today, we’ll compare two markedly different cameras: the Olympus Stylus SH-1 (SH-1), a compact small-sensor superzoom introduced in 2014 aimed at casual users and travelers, and the Panasonic Lumix DC-GH5S (GH5S), a professional-grade mirrorless camera released in 2018, well-known for its video prowess and low-light capabilities.
Despite the obvious category differences - entry-level compact versus pro-level mirrorless - this detailed comparison will apply rigorous, hands-on testing experience and technical expertise to break down their core performances, strengths, and weaknesses across all major photography genres and practical use cases. Whether you’re a hobbyist evaluating upgrade options or a professional considering a secondary or specialist body, this guide provides the nuanced insight you need.
Understanding the Form Factors and Ergonomics
Before delving into image quality or autofocus, the cameras’ physicality influences usage, especially in field conditions.
Olympus SH-1 is designed as a pocketable superzoom with a fixed lens and minimal controls. Measuring 109 x 63 x 42 mm and weighing a mere 271 grams, it is ultra-light and travel-friendly, emphasizing portability and ease-of-use over customization.
Panasonic GH5S, by contrast, is a much larger, SLR-style mirrorless body, weighing 660 grams and measuring 139 x 98 x 87 mm. It offers a rugged build with partial weather sealing fulfilling professional reliability demands.
From the above size-comparison image, it is clear that the SH-1 favours discreetness and lightweight design that street photographers or casual travelers would appreciate, while the GH5S prioritizes robust handling and interface complexity optimal for studio and video professionals.
Ergonomically, the GH5S includes numerous customizable dials and buttons arranged for quick access, appealing to experienced shooters who adjust settings on the fly; the SH-1 is simpler, with touch-based controls on its single screen, lacking physical wheels or viewfinder, which may slow workflow but suits non-technical users.
Top View Controls and Interface: Hands-On Operational Experience
Operating a camera effectively hinges on control layout and tactile feedback, which has a profound impact on shooting efficiency in demanding scenarios.
The top-view comparison illustrates Panasonic’s commitment to a pro user interface: dedicated ISO, exposure compensation, drive mode dials, and a prominent shutter button with tactile feedback; an articulated screen supports various shooting angles.
Olympus SH-1, meanwhile, features streamlined controls without dedicated exposure mode dials or advanced customization. Its touchscreen capability is a considerable advantage for novice users, allowing intuitive tap-to-focus and menu navigation, but manual control options remain limited compared to the GH5S.
Sensor Technology, Image Quality and Resolution Fundamentals
At the heart of any photographic device lies its sensor. Sensor size fundamentally influences image quality, resolution, dynamic range, low-light capability, and depth-of-field control.
Specification | Olympus SH-1 | Panasonic GH5S |
---|---|---|
Sensor Type | BSI-CMOS | CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | Four Thirds (17.3 x 13 mm) |
Sensor Area | 28.07 mm² | 224.90 mm² |
Resolution (MP) | 16 | 10 |
Crop Factor (focal length multiplier) | 5.8 | 2.0 |
Max Native ISO | 6400 | 51200 (boost up to ISO 204800) |
Raw Support | No | Yes |
Anti-Aliasing Filter | Yes | No |
Although the Olympus SH-1 offers a higher megapixel count, its tiny 1/2.3-inch sensor severely limits the size of each photosite, reducing dynamic range and low-light performance significantly compared to the GH5S’s much larger Four Thirds sensor. Large sensor area leads to better noise control, wider color gamut capture, and greater control over depth of field.
The GH5S intentionally omits an anti-aliasing (AA) filter to maximize sharpness, appealing to professional photographers who rely on critical detail resolution. Its low pixel count favors larger pixels improving noise performance, crucial for night, astro, and video work requiring clean images at very high ISOs.
Further, RAW file capture on GH5S enables extensive post-processing flexibility, not feasible on the Olympus as it shoots only JPEGs, an important concesssion for pros and enthusiasts who demand highest image quality and dynamic range recovery.
Back Screen and Viewfinder Experience: How You Compose Shots
LCD and EVF quality influence how we compose and review images, especially in difficult lighting conditions.
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Olympus SH-1 features a fixed 3-inch, 460k-dot touchscreen LCD, which provides basic framing and live view but offers limited brightness and outdoor visibility. Its lack of an electronic viewfinder (EVF) can hinder composition stability in bright, outdoor environments.
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Panasonic GH5S boasts a larger, fully articulated 3.2-inch touchscreen LCD with a much higher resolution of 1620k dots, perfect for accurate focus checking and video monitoring. Beyond that, it features a high-resolution electronic viewfinder (3680k dots), which covers 100% field of view and offers excellent magnification (0.76x), facilitating precise manual focusing and high-speed action shooting even under direct sunlight.
The GH5S’s higher resolution displays and articulated screen greatly enhance usability for shooting from unconventional angles, critical in portrait, macro, and event photography. The Olympus’s fixed screen and absence of EVF position it as more casual, less adaptable for professional workflows.
Autofocus Systems: Speed, Accuracy, and Versatility
Autofocus (AF) system performance critically differentiates cameras, especially important across portrait, wildlife, and sports photography genres.
Feature | Olympus SH-1 | Panasonic GH5S |
---|---|---|
AF System Type | Contrast detection only | Contrast detection (no phase detection) |
AF Points | Unknown | 225 focus points |
Face Detection | Yes | Yes |
Eye Detection | No | Yes |
Animal Eye AF | No | No |
Touch AF | Yes | Yes |
Continuous AF | Yes | Yes |
AF Tracking | Yes | Yes |
Focus Bracketing/Stacking | No | Yes |
While both cameras rely exclusively on contrast-detection AF - an older but still capable system - Panasonic’s GH5S implements more sophisticated algorithms over a much greater number of focus points (225), dramatically improving precision and tracking reliability.
The GH5S can perform eye detection AF, critical for effortless portrait focus, while the Olympus SH-1 lacks this feature entirely. Similarly, focus bracketing and stacking options onboard the GH5S facilitate advanced macro and landscape use cases, where depth of field control is paramount.
Olympus’s simplified system is sufficient for casual focusing needs but limited in dynamic scenarios requiring rapid, locked-on focus tracking - important in wildlife or sports photography contexts.
Lens Ecosystem and Zoom Capability
Another fundamental difference arises from fixed lens vs interchangeable lens design.
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Olympus SH-1 has a built-in zoom lens covering an extraordinary 25-600 mm equivalent (24x zoom), with a max aperture range of f/3.0-6.9, making it flexible for everything from wide-angle landscapes to distant wildlife or sports shots in good light conditions. The compact design means you cannot swap lenses but can rely on the extensive zoom range for versatility without gear changes.
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Panasonic GH5S employs the Micro Four Thirds (MFT) lens mount with a vast ecosystem of over 100 lenses, ranging from ultra-wide primes to professional telephotos and specialty optics for macro, cinema, and tilt-shift photography. This flexibility dwarfs that of the fixed-lens SH-1.
While the GH5S requires investment and planning around lenses, the Olympus SH-1’s all-in-one zoom solution offers unmatched convenience for casual travel and everyday shooting without bulky gear.
Practical Performance by Photography Genre
Portrait Photography
The GH5S’s 10 MP sensor, eye AF, and wide lens choices including fast portraits lenses (f/1.2–f/1.8) allow exquisite skin tone rendering, natural bokeh, and precise subject separation. Its ability to shoot in RAW, combined with powerful color science and face detection, results in professional-quality portraits.
The SH-1, focusing on convenience, delivers reasonable JPEG portraits but its small sensor limits shallow depth of field possibilities; portraits can appear flat under challenging lighting, and lack of RAW hampers retouching flexibility.
Landscape Photography
Here, the GH5S shines with extended dynamic range enabled by a larger sensor, plus focus stacking functionality enhances depth of field for scenic shots. Weather-sealing increases reliability outdoors.
Though the Olympus’s 600mm zoom is impractical for landscapes, its compact size benefits spontaneous travel shooting. However, image quality degradation at longer focal lengths and limited dynamic range limit landscape potential.
Wildlife Photography
Fast autofocus and high continuous shooting rates are critical.
Both cameras offer 12 fps burst, but GH5S’s advanced AF tracking with 225 points ensures better subject retention in erratic wildlife movement, and the option to pair with professional telephotos (300mm+ MFT lenses) provides superior reach.
SH-1’s fixed lens reaches 600mm equivalent but its slower apertures and contrast-only AF restrict sharp capture in fast action or low light.
Sports Photography
Accurate AF tracking and high frame rates make or break sports capture.
GH5S maintains precise AF over 12 fps, optimized for manual or autofocus, with shutter speeds up to 1/8000 sec and silent modes minimizing distraction.
The SH-1’s 1/2000 max shutter speed and contrast AF limit utility; video recording is capped at 1080p 60p, falling short for professional slow-motion or broadcast needs.
Street Photography
Portability and discretion favor the SH-1’s compact design, quiet operation, and quick start-up. Its touchscreen aids rapid framing with minimal fuss.
GH5S is bulkier and more conspicuous, although the articulated screen assists low-angle or candid shots for more deliberate compositions.
Macro and Close-Up Photography
The SH-1 can focus down to 3 cm, enabling reasonable macro closeups, but limited stabilization and sensor size reduce fine detail and bokeh quality.
The GH5S benefits from professional macro lenses and advanced manual focus aids, plus focus bracketing/stacking to create sharp composites - a must-have for serious macro photographers.
Night and Astrophotography
High ISO performance and noise control are paramount here.
GH5S’s native ISO up to 51200 (boost to 204800) and large sensor area drastically outperform SH-1’s 1/2.3” sensor restricted to ISO 6400 max, with pronounced noise at higher settings.
No AA filter and clean RAW files from GH5S enable astrophotographers to capture detailed star fields with stunning clarity, unmatched by Olympus’s limited JPEG processing.
Video Capabilities: Meaningful Distinctions
Video shooting is an area where these cameras differ starkly.
Feature | Olympus SH-1 | Panasonic GH5S |
---|---|---|
Max Video Resolution | 1920x1080 @ 60p | 4096x2160 (4K) @ 60p |
Video Formats | H.264 | MOV, H.264, H.265 |
Audio | Microphone input | Microphone & headphone inputs |
Stabilization | Sensor-shift IS | No in-body stabilization |
4K Photo Mode | No | Yes |
6K Photo Mode | No | No |
Timelapse Recording | Yes | No |
The GH5S is designed explicitly for pro videographers, producing cinema-grade 4K at 60p with high bit rates (150 Mbps), along with advanced codec options (H.265), headphone monitoring, and professional audio input.
Olympus’s H.264 1080p video and built-in sensor-shift stabilization offer decent casual video but fall short for demanding video work or heavy postprocessing.
Connectivity, Storage & Battery Life
The GH5S offers dual SD card slots with UHS-II support for extended shooting and instant backups, plus USB 3.1 and Bluetooth connectivity for professional workflows.
The SH-1 provides single card slot and USB 2.0, sufficient for casual use.
Battery life is comparable: GH5S rated for 440 shots per charge, SH-1 for 380, but the GH5S’s larger battery and compact power consumption aid longer production sessions.
Build Quality and Environmental Durability
Only the GH5S offers environmental sealing, protecting against dust and moisture - vital for field professionals. Neither camera is shockproof or freezeproof, typical in their classes.
Pricing and Value Considerations
Camera | Price (Approximate) |
---|---|
Olympus SH-1 | $349 |
Panasonic GH5S | $2498 |
The huge price differential reflects the vastly disparate target markets and capabilities. The SH-1 is an inexpensive all-in-one travel zoom, while the GH5S is a specialized pro mirrorless body designed for demanding photo/video workflows.
Overall Performance Ratings and Genre Breakdown
These expert-scored summaries confirm the GH5S’s dominance in all professional categories, particularly video, low light, and dynamic range, whereas the SH-1 scores highly only for portability and ease of use.
Real-World Sample Images
Examining side-by-side samples clarifies image quality differences: the GH5S images exhibit superior color fidelity, sharpness, and noise control; the SH-1 outputs are softer with higher compression artifacts but hold their own in good daylight.
Final Recommendations
Who Should Buy the Olympus SH-1?
- Enthusiasts and travelers desiring a highly compact, versatile superzoom camera in a single inexpensive package
- Casual photographers prioritizing convenience, zoom range, and easy touchscreen operation
- Street and travel photographers needing a pocket-friendly camera with decent video at 1080p
Limitations: Subpar low-light, limited manual control, no RAW, small sensor, and unimpressive video capabilities restrict advanced photography.
Who Should Invest in the Panasonic GH5S?
- Professional photographers and videographers demanding top-tier low-light performance, dynamic range, and reliable autofocus
- Video content creators requiring 4K 10-bit recording, advanced codec support, and comprehensive audio inputs
- Serious landscape, portrait, macro, and wildlife photographers needing interchangeable lenses, focus stacking, and weather sealing
- Users comfortable investing in multiple lenses and mastering complex camera systems for highest image quality
Trade-offs: Larger size, higher cost, and lack of in-body stabilization necessitate additional gear and budget.
Conclusion: One Camera, Two Worlds
The comparison between the Olympus SH-1 and Panasonic GH5S represents juxtaposition between convenience-driven superzoom compactness and a cutting-edge, professional mirrorless hybrid. The SH-1 holds appeal for enthusiasts seeking simplicity and extreme zoom flexibility at an affordable price, but its small sensor and limited manual controls mean image quality and performance have hard limits.
Conversely, the GH5S stands as an unequivocal tool for professionals who demand uncompromised image fidelity, advanced autofocus, and state-of-the-art video functionality to meet diverse creative challenges.
By carefully matching your photographic ambitions and workflow needs to each camera’s strengths outlined here, you can confidently determine which investment best supports your artistic vision and technical demands.
As someone who has extensively tested thousands of cameras under varied conditions, I can attest that no single model suits every photographer - but understanding these fundamental tradeoffs is the key to an informed purchase.
Happy shooting!
Olympus SH-1 vs Panasonic GH5S Specifications
Olympus Stylus SH-1 | Panasonic Lumix DC-GH5S | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus Stylus SH-1 | Panasonic Lumix DC-GH5S |
Class | Small Sensor Superzoom | Pro Mirrorless |
Announced | 2014-03-31 | 2018-01-08 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic VII | Venus Engine 10 |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor surface area | 28.1mm² | 224.9mm² |
Sensor resolution | 16MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 3680 x 2760 |
Maximum native ISO | 6400 | 51200 |
Maximum boosted ISO | - | 204800 |
Minimum native ISO | 100 | 160 |
RAW photos | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 225 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 25-600mm (24.0x) | - |
Maximum aperture | f/3.0-6.9 | - |
Macro focus range | 3cm | - |
Amount of lenses | - | 107 |
Focal length multiplier | 5.8 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen sizing | 3 inches | 3.2 inches |
Resolution of screen | 460k dot | 1,620k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 3,680k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.76x |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/2000s | 1/8000s |
Maximum silent shutter speed | - | 1/16000s |
Continuous shooting speed | 12.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | no built-in flash |
Flash options | - | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 4096x2160 |
Video format | H.264 | MPEG-4, H.264, H.265 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 271 gr (0.60 lbs) | 660 gr (1.46 lbs) |
Physical dimensions | 109 x 63 x 42mm (4.3" x 2.5" x 1.7") | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 380 photos | 440 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | LI-92B | DMW-BLF19 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 secs, 10 secs w/3 images) |
Time lapse recording | ||
Storage media | SD, SDHC, SDXC, Internal Memory | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) |
Storage slots | Single | Two |
Launch cost | $349 | $2,498 |