Olympus SH-1 vs Panasonic SZ5
88 Imaging
40 Features
53 Overall
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95 Imaging
37 Features
34 Overall
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Olympus SH-1 vs Panasonic SZ5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 271g - 109 x 63 x 42mm
- Revealed March 2014
- Refreshed by Olympus SH-2
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Announced July 2012

Olympus Stylus SH-1 vs Panasonic Lumix DMC-SZ5: A Thorough Comparison for Compact Superzoom Enthusiasts
In the realm of compact cameras fitted with small sensors and long zooms, the Olympus Stylus SH-1 and Panasonic Lumix DMC-SZ5 stand out as affordable, feature-rich contenders. Both hail from well-established Japanese brands with decades of camera heritage, yet they cater to somewhat different users and photographic ambitions. Having logged dozens of hours shooting with each under varying conditions, I’ll walk you through their critical contrasts and overlaps across all the major photographic styles - from landscapes to wildlife - while blending my technical tests with real-world experience.
Handling and Design: Compactness Meets Practicality
Size and ergonomics frequently dictate long-term satisfaction, especially with travel-friendly superzooms like these. At first glance, the Olympus SH-1 is chunkier and beefier - 109x63x42mm and weighing 271g, against Panasonic’s sleeker 104x58x21mm and lighter 136g. That nearly doubling in weight and thickness translates into a more substantial, confident grip on the SH-1, especially during extended shooting sessions or when stabilizing at telephoto focal lengths.
The SZ5’s ultra-slim profile makes it pocketable with ease - perfect for street photographers or casual travelers prioritizing portability over extended handling comfort. Button placement on the SH-1 is more generous and thought through; the controls don’t feel cramped, a benefit when adjusting settings on the fly. In contrast, the SZ5’s minimalistic interface leans on simplicity at the cost of tactile richness, which may frustrate users aiming for versatility.
Overall, if you value a confident hold and tactile controls, the Olympus wins hands down. However, those scouting for an ultra-light snapper that can still tackle everyday shooting scenarios might lean toward Panasonic’s SZ5.
Sensor and Image Quality: Always a Trade-Off
Both cameras employ 1/2.3-inch sensors typical of compact superzooms, but here’s where subtle differences matter. The SH-1 uses a 16MP BSI CMOS sensor, while the SZ5 pairs with a 14MP CCD sensor. Beyond pixel count, sensor technology heavily influences image quality - BSI CMOS sensors generally provide better low-light sensitivity, improved dynamic range, and faster readout speeds than CCDs of similar size and vintage.
My lab tests and daylight shooting confirmed the SH-1’s sensor produces punchier images with more detail retention, especially when shooting at the telephoto end. Colors appear more vibrant while maintaining natural skin tones, an essential factor when capturing portraits or outdoor scenes.
The SZ5, constrained partly by CCD characteristics, shows more noise and softer details under low-light conditions or higher ISOs. Its maximum native ISO is 1600, boosted up to 6400, but usable detail deteriorates quickly beyond ISO 400. The SH-1’s ISO 6400 ceiling, combined with BSI CMOS tech, yields better high-ISO performance through cleaner shadows and less chroma noise in practical shooting.
Neither supports RAW shooting, limiting post-processing flexibility - a notable downside for the more ambitious photographer. However, for JPEG shooters aiming for quick sharing and minimal fuss, both cameras produce decent results given their sensor constraints.
LCD Screens and Interface: Touch vs Non-Touch
In the era of touch-controlled cameras, the SH-1’s 3-inch, 460k-dot touchscreen feels like a leap ahead of the SZ5’s 3-inch 230k-dot non-touch TFT LCD. The difference in resolution is meaningful; images and menus look crisper on Olympus.
The touchscreen also enables intuitive focusing, especially useful for the SH-1’s face and touch autofocus modes. In contrast, the SZ5 relies solely on physical buttons for navigation and AF point selection. For users accustomed to smartphones and tablets, the SH-1’s UI feels more modern and accessible. The SZ5’s straightforward, no-frills interface may appeal to those who prefer simplicity over bells and whistles.
Zoom Range and Lens Characteristics: Power vs Versatility
Examining the optics, the SH-1 offers an astonishing 25-600mm equivalent (24× zoom) range, while the SZ5 settles for a more modest 25-250mm (10× zoom). This substantial difference means Olympus’s camera can reach considerably farther, perfect for wildlife or distant landscapes.
Maximum apertures tilt slightly in Panasonic’s favor on the wide end (f/3.1 vs f/3.0) and slightly on the telephoto side (f/5.9 vs f/6.9), suggesting the SZ5 may collect more light in some situations. However, at extreme zoom lengths, the SH-1’s 600mm reach is a game changer for framing tight shots without cropping.
Both lenses lack manual focus rings and have fixed mounts, which is typical in this category but worth noting for users craving more tactile control.
Autofocus and Shooting Performance: Which Keeps Up?
Autofocus speed and accuracy can make or break action, wildlife, or street photography. Both cameras employ contrast-detection AF without phase detection, inherently slower and less reliable compared to modern hybrid systems.
The SH-1 boasts 12fps continuous shooting versus 2fps on the SZ5, a significant step up for capturing fleeting moments or sports. Real-world AF tracking on the Olympus felt faster and less hesitant, especially under good light. Panasonic’s SZ5 sometimes hunted when zoomed in, requiring patience or manual recompose.
Face detection on both worked reasonably well, but the SH-1’s touchscreen AF expedited locking focus on subjects’ eyes. The SZ5’s 23 AF points offered more coverage than Olympus’s unspecified point count, but practical tracking proved less effective.
Video Capabilities: Full HD and Beyond
Video is increasingly important, and here the SH-1 again outperforms with Full HD 1080p recording at 60fps or 30fps in H.264 format, which allows smooth, high-quality clips. The SZ5 caps out at 720p 30fps in MPEG-4, noticeably softer and less versatile.
The Olympus’s inclusion of a microphone port is a boon for those serious about audio quality, while Panasonic lacks this feature. Neither camera supports headphone monitoring or built-in ND filters, though.
Both include sensor-shift (SH-1) or optical (SZ5) image stabilization which helps reduce handheld shake when filming. The SH-1’s stabilization effectiveness was more pronounced, smoothing out handheld footage even at telephoto focal lengths.
Battery Life and Storage: Longevity Matters
The SH-1 offers a rated 380 shutter actuations per charge compared to the SZ5’s 250. Through fieldwork, the SH-1’s battery indeed lasted longer, crucial when shooting trips without spares.
Both use proprietary battery packs and standard SD/SDHC/SDXC cards, giving flexibility for storage. None offer dual slots or USB-C charging, expected for cameras in this price range.
Connectivity and Extras: Wireless and More
Both cameras include built-in Wi-Fi for wireless image transfer and remote control via companion smartphones - a welcome convenience enabling quick sharing. However, neither camera offers Bluetooth or NFC.
Only the SH-1 provides HDMI output, useful for previewing on external monitors during travels or casual professional use.
Other fringe features: Olympus supports timelapse recording, expanding creative potential, while Panasonic does not. Neither offers weather sealing or rugged protection.
In-Field Performance across Photography Genres
Portrait Photography
Skin tone reproduction is more natural and evenly rendered on the SH-1 thanks to its sensor technology and more refined image processing. The fast touchscreen AF allows for precise eye detection focus, although the fixed lens limits bokeh to what the aperture and sensor size permit - shallow depth of field is quite limited either way. The SZ5 manages decent skin tones but falls short on subtle color gradients and sharpness.
Landscape and Travel Photography
The wider zoom of the SH-1 covers sweeping vistas or distant mountains without cropping degradation. Its superior dynamic range captures more shadow detail in foliage and skies. Meanwhile, the SZ5’s shorter telephoto range and lower resolution offer less flexibility for large prints or heavy cropping.
Weather sealing isn’t offered by either; outdoor travelers should mind exposure to elements. The SH-1’s robust body mitigates handling risks better.
Wildlife and Sports
If you’re chasing animals or fast-moving subjects, the SH-1’s superior burst shooting (12fps) and longer zoom gain clear advantages. Its autofocus, while not cutting-edge by today’s standards, is nonetheless more responsive and consistent.
The SZ5’s slower 2fps burst and limited focal range restrict its effectiveness here.
Street and Macro Photography
For candid street shooting, the SZ5’s slim profile and lighter weight aid discretion, though image quality at high ISO can struggle in dim environments like cafes or nighttime streets.
Macro work favors the SH-1, with a close focus distance of 3cm vs Panasonic’s 5cm, enabling finer detail shots of small subjects.
Night and Astro Photography
Neither camera excels in low-light astro or night scenes due to sensor size and absence of RAW support. That said, the SH-1’s better high ISO performance provides cleaner images and some flexibility shooting handheld or faster exposures. Panasonic’s higher noise levels limit usefulness to well-lit scenes.
Build Quality and Weather Resistance
Both cameras lack any official weather sealing or rugged features, positioning them firmly as conventional compacts rather than adventure-ready gear. The SH-1’s thicker body includes metal components for sturdiness, whereas the SZ5’s plastic shell feels less resilient under stress.
Lens Ecosystem and Expandability: Fixed Means Fixed
Neither the SH-1 nor SZ5 offers interchangeable lenses - common for this camera class. The built-in lenses cover considerable focal ranges but cannot be swapped out for specialty optics. Buyers wanting more system flexibility should look beyond these models.
Price and Value Assessment: Spending Wisely
At current retail pricing near $349 for the Olympus and approximately $195 for the Panasonic, value propositions lie clearly at two different points.
The Olympus SH-1 commands a price premium reflecting its longer zoom, better sensor tech, touchscreen, video capabilities, and faster performance. It feels like a more serious photographic tool.
The Panasonic SZ5’s budget-friendly price suits casual shooters or those prioritizing ultra-compact form without extra bells and whistles. Sacrifices in image quality, zoom reach, and features accompany the lower cost.
Summary Scores and Recommendations
Final Verdict: Which One Should You Pick?
Choose the Olympus SH-1 if you:
- Prioritize longer zoom reach (25-600mm) for wildlife or telephoto work
- Want better image quality and high ISO handling in a compact body
- Require Full HD 60fps video with microphone input for casual filming
- Appreciate touchscreen AF, higher burst rates (12fps), and a more ergonomic design
- Can justify the higher price for a more versatile compact superzoom
Lean towards the Panasonic SZ5 if you:
- Need a budget-friendly, ultra-lightweight compact for casual, everyday use
- Prefer simpler controls and don’t mind shorter zoom (up to 250mm)
- Shoot mostly in bright conditions or for snapshots without extensive post-processing
- Value portability above extended handling comfort and performance features
- Want an easy-to-carry camera for street or travel photography where size matters
A Note From Someone Who’s Shot Thousands of Cameras
My extensive side-by-side tests with these two cameras show that while they share the compact superzoom space, the Olympus SH-1 shines as a more competent, versatile shooter capable of satisfying enthusiasts dipping their toes into all genres. The Panasonic SZ5 remains a handy fallback for first-time buyers or niche users prioritizing convenience and lighter budgets.
Neither camera stacks up to modern mirrorless systems or advanced compacts in sensor size or AF speed, but they each have their place. In their prime, they offered solid everyday companions with enough features to keep most casual shooters entertained and imaging satisfactorily.
So, choose your weapon wisely. Take the SH-1 if you want to reach farther and shoot richer; grab the SZ5 if you want a modest but nimble pocket pal. Either way, you’re armed with a dependable little lens wizard capable of capturing many memorable moments.
Thanks for reading - may your next camera discovery illuminate your photographic journey!
Olympus SH-1 vs Panasonic SZ5 Specifications
Olympus Stylus SH-1 | Panasonic Lumix DMC-SZ5 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus Stylus SH-1 | Panasonic Lumix DMC-SZ5 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2014-03-31 | 2012-07-18 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | TruePic VII | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4320 x 3240 |
Max native ISO | 6400 | 1600 |
Max enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-600mm (24.0x) | 25-250mm (10.0x) |
Maximum aperture | f/3.0-6.9 | f/3.1-5.9 |
Macro focusing range | 3cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Screen resolution | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT Screen LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 30 secs | 8 secs |
Max shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shutter rate | 12.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 5.60 m |
Flash options | - | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | H.264 | MPEG-4 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 271 gr (0.60 pounds) | 136 gr (0.30 pounds) |
Physical dimensions | 109 x 63 x 42mm (4.3" x 2.5" x 1.7") | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 380 pictures | 250 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | LI-92B | - |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD, SDHC, SDXC, Internal Memory | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Price at release | $349 | $195 |