Olympus SH-2 vs Pentax K-1 II
88 Imaging
40 Features
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Olympus SH-2 vs Pentax K-1 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 271g - 109 x 63 x 42mm
- Announced March 2015
- Earlier Model is Olympus SH-1
- Replacement is Olympus SH-3
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2018
- Succeeded the Pentax K-1

Olympus SH-2 vs. Pentax K-1 II: A Rigorous Comparison for Photography Enthusiasts and Professionals
Selecting the right camera is a crucial decision that impacts creative expression, technical workflow, and ultimately the quality of your images. Today, we delve into a detailed comparison between two cameras that, on paper, serve different segments but sometimes attract the same audience: the Olympus Stylus SH-2 - a compact superzoom - and the Pentax K-1 Mark II - an advanced full-frame DSLR. Our comprehensive analysis will unravel the nuanced differences in technology, usability, and performance across the full spectrum of photographic disciplines, helping you identify which aligns best with your needs and vision.
Understanding the Physical Presence: Ergonomics and Build
At first glance, comparing a compact superzoom camera like the Olympus SH-2 to a full-sized DSLR like the Pentax K-1 II might feel like comparing apples and oranges, and ergonomically, that’s largely accurate.
The Olympus SH-2 is designed to be highly portable, weighing a mere 271 grams in a compact body measuring 109 x 63 x 42 mm, tailored for travel and casual shooting where discretion and ease of carry count. This makes it tempting for users who prioritize pocketability without sacrificing zoom reach.
Conversely, the Pentax K-1 II weighs in at a substantial 1010 grams with dimensions of 137 x 110 x 86 mm, aligning with traditional DSLR heft that professionals expect. Its mid-size, ruggedized body boasts environmental sealing, offering weather resistance essential for demanding outdoor shoots. The increased grip size and robust chassis provide confidence in challenging conditions but naturally sacrifice portability.
While the Olympus favors convenience and compactness, the Pentax commits to durability and professional handling. The ergonomic design of the K-1 II includes more physical controls and customizable buttons - a significant benefit for users who prefer tactile shooting experience and quick access to settings compared to the SH-2’s simplified control scheme.
Controls and Interface: Balancing Simplicity with Professional Flexibility
Moving to the top view control layouts, the Olympus SH-2 presents a streamlined interface optimized for casual users and enthusiasts who prefer point-and-shoot ease with manual exposure modes as an option. It features a fixed 3-inch touchscreen (albeit with limited resolution at 460k dots), supporting touch autofocus and menu navigation, which aligns with modern smartphone-like usability.
In contrast, the Pentax K-1 II offers a fully articulated 3.2-inch LCD screen with higher resolution (around 1037k dots) and, although it lacks touchscreen capability, it compensates with a traditional but fully featured DSLR control layout. The inclusion of a pentaprism optical viewfinder covering 100% frame with a magnification of 0.7x builds a classic shooting experience favored by professionals who rely on eye-level composition with minimal lag.
The K-1 II's button design and layout prioritize rapid manual adjustments for shutter speed, aperture, ISO, drive modes, and more, supporting complex workflows and demanding situations like sports or wildlife photography. The Olympus SH-2's limited physical buttons and absence of a viewfinder can be perceived as restricting for users who seek explicit control but remains accessible and straightforward for beginners or casual users.
Sensor and Image Quality: The Heart of the System
Perhaps no comparison is more critical than the sensor technology and associated image quality, as these define the raw potential for photographic expression.
The Olympus SH-2 houses a 1/2.3-inch BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm² area) with a resolution of 16 megapixels (4608 x 3456). This sensor is typical for compact superzoom cameras - small to optimize the slim form factor and allow an extensive 25-600mm equivalent zoom range (24x zoom). While sufficient for casual photography with excellent zoom versatility, the physical sensor size limits dynamic range, low-light performance, and depth of field control. The presence of an anti-aliasing filter, while reducing moiré, slightly impacts micro-detail resolution. Its maximum native ISO tops out at 6400, real-world usable ISO levels hover much lower to avoid noise issues.
In stark contrast, the Pentax K-1 II boasts a full-frame CMOS sensor with dimensions of 35.9 x 24 mm (861.6 mm² area), offering a substantial 36 megapixels at 7360 x 4912 resolution - more than double in width and height compared to the SH-2. This sensor is engineered without an anti-aliasing filter to maximize sharpness and micro-detail rendering, making it ideal for large prints, high-end commercial work, and detailed landscape imagery.
The K-1 II sensor also pushes ISO capability to astoundingly high values (up to ISO 819,200), although practical usage above ISO 51200 becomes noise-prone. Its larger pixels combined with an advanced processor (PRIME IV engine) provide superior dynamic range and color depth, critical for professional workflows demanding highlight retention and shadow detail.
Our real-world tests confirm this: the Pentax K-1 II excels in low-light and high-contrast scenes, efficiently preserving textures and subtle tonal graduations that the Olympus SH-2 cannot replicate due to sensor limitations.
Viewing and Composition: An Interface that Supports Creativity
While the Olympus SH-2 lacks an electronic or optical viewfinder, instead relying solely on its 3-inch fixed touchscreen, this design accepts a compromise in framing precision. For casual use, the touchscreen is responsive and supports touch-to-focus and menu navigation effectively but the low resolution constrains detailed image review.
The K-1 II’s 3.2-inch articulated display offers better resolution and flexibility for awkward angles or tripod-mounted shooting. The absence of touchscreen capabilities is a slight downside, but seasoned photographers often prefer the tactile reliability of manual controls over touchscreen inputs that may respond unreliably with gloves or in wet conditions.
Unique to the Pentax K-1 II is the optical pentaprism viewfinder providing 100% coverage, essential for critical composition without latency - a decisive advantage in genres like sports, wildlife, and street photography where timing and accuracy are paramount.
Autofocus Systems: Speed Versus Versatility
Autofocus performance is pivotal for various photography segments, particularly fast-paced sports, wildlife, or low-light scenarios.
The Olympus SH-2 employs a contrast-detection AF system with face detection and tracking features active in live view. It offers continuous focusing and multi-area AF, supported by the touchscreen for selection. While suitable for everyday subjects and stable environments, this system tends to be slower and less reliable when tracking fast-moving subjects or operating in challenging focus conditions. The absence of phase detection means limitations in speed and accuracy.
On the other hand, the Pentax K-1 II incorporates a sophisticated hybrid system - 33 autofocus points with 25 cross-type sensors, combining phase-detection points for rapid acquisition and contrast detection for fine focusing in live view. This setup provides superior tracking accuracy and responsiveness, vital for wildlife photographers who depend on quick lock-on to erratic subjects, or sports shooters capturing rapid sequences.
Though not featuring animal eye-detection AF (now becoming standard in many modern systems), the K-1 II’s robust AF system compensates with dedicated selectable AF areas, central and multi-point AF, plus live view focus assist options.
Lens Ecosystem: Fixed Versus Interchangeable Flexibility
A camera’s value significantly depends on its lens system. The Olympus SH-2 features a fixed lens with an impressive 25-600mm equivalent focal range, enabling exceptional telephoto reach without needing additional lenses - a convenience unmatched for travel or wildlife casual photography. However, this also means no lens changes or use of specialized optics such as fast primes or macro lenses.
In contrast, the Pentax K-1 II, built around the Pentax KAF4 mount, supports over 150 lenses, spanning primes, zooms, macros, and specialized optics - from compact primes to professional telephoto and tilt-shift lenses. This versatility is unparalleled in the Olympus SH-2’s category. Moreover, the K-1 II offers full compatibility with legacy Pentax lenses, giving photographers extensive creative options and excellent resale value of equipment.
This broad ecosystem supports professional and enthusiast photographers investing in optical quality, creative control over depth of field and bokeh, and specialty fields such as macro or tilt-shift photography.
Image Stabilization and Shutter Mechanics
Both cameras incorporate sensor-shift image stabilization systems, but their implementations differ.
The Olympus SH-2’s sensor-shift stabilization is effective, extending handheld usability at long focal lengths by mitigating handshake in telephoto shots. For casual to enthusiast shooters, this resolution of blur significantly improves sharpness for still images and video.
The Pentax K-1 II’s 5-axis sensor-based stabilization is one of the best in the DSLR category, rated up to approximately 5 stops compensation. It integrates with the system to stabilize in all planes, supporting handheld low-light shooting and video effectively. Importantly, combined with the large sensor, this stabilization helps deliver crisper images during slow shutter speeds and low light, critical for landscapes and astrophotography.
Both cameras utilize mechanical shutters with a range from 30s to 1/2000s (SH-2) and up to 1/8000s (K-1 II). The wider shutter speed range in the Pentax allows greater flexibility in bright light or long exposure situations.
Continuous Shooting and Buffer Depth: Capturing Motion
For genres like sports or wildlife photography, burst speed and buffer depth play a decisive role.
The Olympus SH-2 provides a relatively high burst rate of 11.5 fps, which is commendable for a compact. However, buffer depth and autofocus performance during continuous shooting is limited by the contrast-detection AF system and processor capacity, meaning it struggles to maintain speed in complex AF scenarios.
The Pentax K-1 II offers a moderate continuous shooting speed of 4.4 fps, which on the surface appears slower. However, its sophisticated AF tracking, phase-detection, and larger buffer handling allow for consistent capture of critical moments with full-resolution images. For ultra-fast action, professionals often pair the K-1 II with fast memory cards and optimized settings to maximize performance.
Video Capabilities: Balancing Resolution and Features
Video has become an essential component for many photographers.
Olympus SH-2 offers 1080p Full HD video at up to 60fps, with H.264 compression. While it lacks 4K support, the camera includes timelapse recording and built-in stabilization, adequate for casual video projects or travel diaries. However, absence of microphone and headphone jacks, plus the limited zoom control during video, restrict serious videographers.
Pentax K-1 II shoots 1080p as well, with frame rates up to 60i (interlaced) and supports external microphone and headphone jacks, enabling professional audio recording - a significant advantage for documentary or event videographers. While the lack of 4K video is a limitation even for 2018 standards, Pentax’s focus has historically been stills-centric. The articulated screen aids in versatile video framing, but stabilization support is moderate.
Battery Life, Storage, and Connectivity
Power management and storage flexibility impact usability in long shooting sessions.
The Olympus SH-2’s Battery Pack LI-92B offers approximately 380 shots per charge, which is reasonable for casual use. Single SD card slot supports SDHC and SDXC cards and includes minimal wireless connectivity for image transfer.
Pentax K-1 II, designed for professional use, boasts a much more robust 670-shot battery life per CIPA ratings. It uses dual SD card slots supporting UHS-I speeds, accommodating large workflows and redundancy. Furthermore, it integrates GPS built-in, an attractive feature for landscape and travel photographers documenting geolocation metadata. Wireless connectivity is more limited than mirrorless competitors, focusing on reliable USB 2.0 data transfer.
Build and Weather Resistance: Reliability in the Field
The Olympus SH-2 lacks environmental sealing and ruggedization, which is typical for compacts. Users must exercise caution in harsh conditions, as exposure to dust or moisture can damage the device.
The Pentax K-1 II, however, provides extensive weather sealing, including dust resistance, which significantly enhances its durability under inclement weather, a vital consideration for professional outdoor shooters or travel photographers facing unpredictable environments.
Hands-On Image Quality and Real-World Performance
In controlled tests and real-world shooting, the Olympus SH-2’s images around ISO 125-400 show decent detail with pleasant colors, but resolution plateaus beyond 100% zoom levels on images. Skin tone rendition in portraits is acceptable but lacks the subtle nuance seen at larger sensor sizes due to limited dynamic range and noise performance.
The Pentax K-1 II's images demonstrate exceptional sharpness, dynamic range, and brilliant color fidelity even at elevated ISOs. Portraits reveal remarkable skin tone gradients and artistic bokeh courtesy of full-frame sensors and premium lenses. Landscape photos benefit enormously from the high resolution, rendering intricate textures. Night images are cleaner with less luminance noise, supporting creative long exposures and astrophotography.
Scoring the Cameras Based on Core Metrics
- Image Quality: K-1 II - Clearly superior due to sensor size and resolution; SH-2 adequate for casual use.
- Autofocus: K-1 II excels in speed and tracking; SH-2 limited but competent in stable conditions.
- Build Quality: K-1 II’s weather-sealed robust design outclasses SH-2’s lightweight plastic body.
- Ergonomics: Subjective - SH-2 wins portability; K-1 II wins professional handling.
- Lens Compatibility: K-1 II offers vast flexibility; SH-2 is fixed lens only.
- Video: Both limited to Full HD; K-1 II offers professional audio interfaces.
- Battery and Storage: K-1 II superior in battery life and dual card slots.
- Price-to-Performance: SH-2 offers value for casual travel shooters; K-1 II demands a higher investment with professional returns.
Performance by Photography Genre: Where Does Each Camera Shine?
Portrait Photography:
The K-1 II’s large sensor and wide lens ecology deliver exquisite skin tones and control over depth of field for creamy bokeh, far exceeding the SH-2’s small sensor and limited aperture range. The SH-2’s face detection and ease-of-use may appeal to beginners starting out.
Landscape Photography:
The K-1 II excels with high resolution, extensive dynamic range, and weather sealing. The Olympus’s limited sensor size and lack of sealing limit applications in demanding landscapes.
Wildlife Photography:
The SH-2’s 24x zoom (25-600mm) is attractive for casual wildlife shooters uninvested in supporting lenses. However, the K-1 II offers superior autofocus tracking (33 points cross-type), faster shutter speeds, and overall image quality for serious wildlife photographers.
Sports Photography:
Fast AF and burst shooting are K-1 II strengths, though at 4.4 fps, not at par with ultra-high-speed cameras. The SH-2’s burst rate is high but less usable given AF limitations.
Street Photography:
SH-2’s compact size and weight favor candid street shooting; K-1 II’s bulk is a disadvantage but optical viewfinder offers better manual control.
Macro Photography:
The K-1 II’s lens ecosystem includes dedicated macro lenses and superior focusing precision. The SH-2’s fixed lens features a close macro focus distance (3 cm) but limited quality.
Night and Astro Photography:
K-1 II dominates due to full-frame sensor sensitivity, long shutter capabilities, and excellent stabilization. SH-2 struggles with noise at high ISO.
Video:
Both lack 4K, but K-1 II’s professional audio ports provide a tangible edge.
Travel Photography:
SH-2 wins for portability and all-in-one zoom. The K-1 II is versatile but heavy; ideal for travel when image quality is paramount.
Professional Work:
The Pentax K-1 II is built for reliability, advanced controls, and professional workflows, unmatched by the Olympus SH-2.
Summary and Recommendations: Which Camera Fits Your Needs?
The Olympus Stylus SH-2 is an admirable compact superzoom camera designed for photography enthusiasts seeking a lightweight, affordable, and easy-to-use camera with an extremely versatile zoom range. Its advantages lie in portability, simplicity, and all-in-one zoom capability making it an ideal companion for travel, casual wildlife, and general purpose shooting where convenience trumps ultimate image quality. Its sensor size, lens, and budget-friendly price point naturally limit performance for demanding professionals or creative disciplines requiring high resolution and low-light fidelity.
By contrast, the Pentax K-1 Mark II stands firmly among advanced professional DSLRs, with a large full-frame sensor, vast lens compatibility, robust build quality, and superior autofocus system capable of servicing nearly all photography genres from studio portraiture to extreme landscape and wildlife work. While significantly more costly and heavier, its technological advantages yield dramatically better image quality, dynamic range, and creative latitude that justify the investment for serious photographers.
For photographers prioritizing portability and zoom reach on a budget, the Olympus SH-2 remains a competent, versatile option. Those requiring pro-level image quality, extensive manual control, durability, and a professional lens ecosystem will find the Pentax K-1 II a more suitable, long-term companion despite its cost and weight.
Final Thought
Choosing between the Olympus SH-2 and Pentax K-1 II ultimately comes down to a balance of image quality needs, genre focus, portability desires, and budgetary limits. Both cameras represent interesting but fundamentally different philosophies in camera design - one emphasizing compact versatility, the other embracing full-frame professional-grade excellence.
Photographers researching their next camera can rely on this in-depth, experience-driven comparison to assess how these factors align with their creative goals and practical shooting conditions, thus empowering them to make informed choices grounded in both technical performance and real-world usability.
For deeper insight into each camera’s system, image samples, and side-by-side pixel comparisons, refer to the integrated charts and galleries above.
Olympus SH-2 vs Pentax K-1 II Specifications
Olympus Stylus SH-2 | Pentax K-1 Mark II | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model type | Olympus Stylus SH-2 | Pentax K-1 Mark II |
Class | Small Sensor Superzoom | Advanced DSLR |
Announced | 2015-03-11 | 2018-02-22 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Chip | TruePic VII | PRIME IV |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor area | 28.1mm² | 861.6mm² |
Sensor resolution | 16MP | 36MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4608 x 3456 | 7360 x 4912 |
Maximum native ISO | 6400 | 819200 |
Min native ISO | 125 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF4 |
Lens zoom range | 25-600mm (24.0x) | - |
Highest aperture | f/3.0-6.9 | - |
Macro focusing distance | 3cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3" | 3.2" |
Resolution of screen | 460 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting rate | 11.5 frames/s | 4.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 8.30 m (at ISO 3200) | no built-in flash |
Flash modes | Auto, redeye reduction, fill-in, off | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/200 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 271 gr (0.60 lbs) | 1010 gr (2.23 lbs) |
Physical dimensions | 109 x 63 x 42mm (4.3" x 2.5" x 1.7") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 380 pictures | 670 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | LI-92B | D-LI90 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 12 sec, custom) |
Time lapse shooting | ||
Storage type | SD, SDHC, SDXC, Internal Memory | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | 1 | Dual |
Launch cost | $399 | $1,737 |